Name: 從《戀戀情深》到奧斯卡：跟著李奧納多狄卡皮歐回顧演藝生涯！ (Leonardo DiCaprio Revisits His Career, From "Growing Pains" to "One Battle After Another")
Uploaded: 2026-01-16T21:01:20.000Z
Duration: 6 min 2 s

At 15 years old, I think I had a firm idea of what kind of actor I wanted to be,

15 歲的時候，我其實就已經很清楚自己想成為什麼樣的演員，

以及想要擁有什麼樣的演藝生涯。

More so than anything, I wanted to have longevity and look at it as a marathon, not a sprint.

比起任何事情，我更希望這是一條長久的路，把它當成馬拉松，而不是短跑。

[Leonardo Dicaprio looks back on his career]

[李奧納多・狄卡皮歐回顧他的演藝生涯]

I came from doing commercials after school specials.

我一開始是拍廣告、演課後特別節目出身的。

I was on a great TV show for a year called Growing Pains.

我曾在一部很棒的影集《成長的煩惱》中演了一年。

Very luckily, I got this incredible opportunity to work alongside Robert De Niro in This Boy's Life.

非常幸運地，我獲得了一個難得的機會，能和勞勃・狄尼洛一起合作《不如重新開始》。

那部片真正推動了我的電影生涯。

接下來，就變成如何做出下一個選擇的問題。

I think there was two different films at that point that I got offered, and

當時我大概同時收到兩部電影的邀約，

Gilbert Grape was one that they were sort of hesitant to hire me on.

其中《戀戀情深》讓片方對是否找我出演有些猶豫。

And there was a much more lucrative opportunity at that time that I said no to.

而那時也有一個報酬高得多的機會，但我拒絕了。

And I really worked hard on creating that character.

我把所有心力都投注在塑造那個角色上。

I think it was my first experience with real character development.

那是我第一次真正體會到角色建構的過程。

And to me, I have incredible memories of making that movie.

對我來說，拍那部電影留下了無比珍貴的回憶。

Paul Thomas Anderson, Quentin Tarantino, they're cinephiles and they both have a reverence for cinema history

保羅・湯瑪斯・安德森、昆汀・塔倫提諾，他們都是影癡，對電影史充滿敬意，

and being in real, tactile, tangible places where you feel almost like you're a chameleon.

也非常重視在真實、可觸碰、具體的空間中拍攝，讓你幾乎像變色龍一樣。

Something clicks in you as an actor and you feel like you're there.

身為演員，某個瞬間會突然被觸發，你會真的感覺自己就在那裡。

Paul Thomas Anderson creates this sort of microcosm on set.

保羅・湯瑪斯・安德森會在片場打造出一個小宇宙。

It's very lo-fi, and you really feel like you're intimately in these spaces.

那種氛圍很低限、很樸實，你會真的覺得自己親身置身其中。

Those shop owners were real shop owners, you know, real corrections officers, real nurses.

那些店主都是真正的店主，獄警是真的獄警，護士也是真的護士。

Paul brought us to so many different locations that infused our characters with the reality of the ecosystem around us.

保羅帶我們去過許多不同的場景，讓角色融入周遭生態的真實感。

I remember the moment where I drove down Hollywood Boulevard and we turn a corner and we're in 1969 Hollywood.

我記得有一刻，車子開在好萊塢大道上，一轉彎，眼前就是 1969 年的好萊塢。

For seven square blocks of, you know, some of the most touristic areas in Los Angeles

整整七個街區，那些洛杉磯最觀光化的地段，

being completely transformed to represent the culture of that time was just mind-boggling.

被完全改造成當年的文化樣貌，真的令人難以置信。

I remember taking a real flamethrower and torching down the greatest stuntmen of all time through cinema history.

我還記得拿著真正的火焰噴射器，燒向電影史上最偉大的特技演員們。

And he brought them all in one room to play Nazis, and

他把他們全都找來，飾演納粹，

整部電影都是在「魔幻時刻」拍攝的，

which meant it was about an hour, hour and a half of the sun coming down.

也就是太陽下山前大約一到一個半小時的時間。

And the elements were constantly stopping us from propelling ourselves forward.

而天候因素不斷阻礙拍攝進度。

Production got delayed from the freezing temperatures.

My hands were freezing a lot of the time.

One of the moments with Chivo, the great cinematographer who did that film,

有一次和那部片的攝影師奇沃合作時，

he kept moving around me with his... with the camera.

他一直拿著攝影機在我身邊移動。

And my breath hit the lens for the first time, and I was like,

我的呼吸第一次噴到鏡頭上，我就說，

"Chivo. Sorry. My breath was all over the camera."

「奇沃，抱歉，我的氣都噴到鏡頭了。」

And I remember Chibo saying to me that moment, "Cabron, we broke the third wall."

我記得他當下對我說：「老兄，我們打破第四道牆了。」

It's like the character interacting with the camera, the landscape.

就像角色在與攝影機、與場景互動。

It was so fun to watch them experiment with everything in that partnership.

看著他們在合作中實驗各種可能，真的非常有趣。

And to film in those environments and those ecosystems was an incredible experience.

能在那樣的環境與生態中拍攝，是一段極其珍貴的經驗。

Martin Scorsese has these very deliberate screenings for days and days and days with all the actors,

馬丁・史柯西斯會安排一連好幾天的觀摩放映，

sometimes crew members, cameramen, lighting people, whoever, wardrobe, to get the essence of what he's trying to capture.

和所有演員、甚至工作人員、攝影、燈光、服裝，一起理解他想捕捉的本質。

You might watch two movies just for that scene.

你甚至可能只為那一幕而看兩部電影。

I want you to deal with your problems by becoming rich.

「我希望你們用變有錢來解決問題。」

Marty wanted to show an air of opulence and decadence

馬丁想呈現的是一種奢華、墮落的氛圍，

and the idea that they were almost like Roman emperors where there were no rules.

彷彿他們像羅馬皇帝一樣，沒有任何規則可言。

I remember one of my biggest moments, which was, I'm not leaving.

我記得我最重要的一個時刻之一，就是那段「我不會離開」的戲。

That moment, I had tonsillitis the day before, and

那場戲前一天我得了扁桃腺炎，

we had to shut down production and wait two weeks to do that again.

我們只好停工，等了兩週才重拍。

But it was great because then I got to think about all the different beats of that speech.

但那反而很好，因為我能重新思考那段演說的每一個節奏。

Those were things I rehearsed for a long period of time.

那些是我花了很長時間反覆排練的。

But it was amazing to have a partner like Jonah alongside me.

而能和像 Jonah 這樣的夥伴一起演出，真的很棒。

Jonah Hill, who's one of the great improvisational actors I've ever worked with.

Jonah Hill，是我合作過最出色的即興演員之一。

the most magical sort of titillating moments in the film

是整部電影中最奇妙、最刺激的時刻。

because we never knew what direction the scene would take at any given moment.

因為你永遠不知道場景下一秒會走向哪裡。

對，我老婆是我表妹還是怎樣的。

It's not like what you think. Whatever, you know.

I think it was one of the most free and exciting and spontaneous and hilarious film productions I've ever been a part of.

我覺得那是我參與過最自由、最刺激、最即興、也最好笑的一次拍攝。

I've never seen Martin Scorsese that happy on a set in my life,

我從沒看過馬丁在片場這麼開心過，

We really were more free on that film than I can remember ever being on any film in my life.

那部電影給了我前所未有的自由感。

There may be a great renaissance with production in the future, but

未來或許會迎來一波製作復興，

it certainly seems like the cinematic experience is under threat.

但現在看來，電影的觀影體驗正受到威脅。

But, you know, I'm not here to push or advocate that people must see things in theaters.

不過，我並不是要強迫或鼓吹大家一定要進電影院看電影。

I'm just a fan of it myself, and that's how I grew up.

我只是單純喜歡那樣的體驗，那也是我成長的方式。

And I think that's how they're best experienced.

而我始終認為，那才是電影最好的觀看方式。