Name: 影響《以你的名字呼喚我》的電影們！ (The Movies That Influenced Call Me By Your Name)
Uploaded: 2026-02-20T17:10:56.000Z
Duration: 8 min 56 s

Can't tell you the number of books I've read here.

我不知道在這裡讀了多少本書。

We haven't done anything to be ashamed of.

我們沒有做任何讓人感到羞恥的事。

It would be pretty cool to design a film studies course around Call Me by youy Name.

如果能設計一門以《以你的名字呼喚我》為主題的影視研究課程，那會很棒。

The movie opens up its own interesting lane in film history, populated by auteurs trying to disappear from their work, which is a paradox worth exploring.

這部電影在電影史中開創了一條有趣的道路，由試圖從作品中消失的導演所組成，這是一個值得探討的悖論。

The movies that this class would feature, a handful of which you just saw in the opening sequence, have similarities that are focused by Call Me by youy Name and by director Luca Guadagnino's vision.

這門課會介紹的電影，其中有幾部你剛才在開頭的片段裡看到了，它們之間有相似之處，這些相似之處聚焦在《以你的名字呼喚我》以及導演 Luca Guadagnino 的視野上。

It's not that Guadagnino quotes or pays homage to his influences.

並不是說 Guadagnino 引用或致敬他的影響。

He actually learns the lessons that these influences teach and applies them in a way that adds to his personal style.

他其實學到了這些影響所教導的功課，並以一種能增添他個人風格的方式應用它們。

The most obvious influence, I think, are the films of James Ivory, specifically two of his E.M.

我認為最明顯的影響，就是 James Ivory 的電影，特別是他的兩部 E.M.

forester adaptations, a Room With a View and Morris.

Forester 改編作品，《窗邊的風景》和《莫里斯》。

I say obvious because Ivory was In his late 80s, no less, the screenwriter for Call Me by youy Name.

我說明顯，是因為 Ivory 當時已經八十幾歲了，他還是《以你的名字呼喚我》的編劇。

The mark of his long career at the Merchant Ivory production company is all over this movie.

他長期在 Merchant Ivory 製片公司工作的痕跡，在這部電影裡隨處可見。

Now, you might not know Merchant Ivory, the director producer team of Ivory and his life partner, Ismail Merchant.

你可能不知道 Merchant Ivory，也就是 Ivory 和他的生活伴侶 Ismail Merchant 所組成的導演製片團隊。

But along with their screenwriter, Ruth Jalvala, they created 44 films together, often highbrow literary adaptations, period pieces with lavish costumes and sets.

但他們和編劇 Ruth Jalvala 一起，共同創作了 44 部電影，經常是高水準的文學改編、有華麗服裝和場景的時代劇。

Now, this may sound like stuffy, pompous filmmaking, but the Merchant Ivory films are anything but.

聽起來可能會覺得這是沉悶、浮誇的電影製作，但 Merchant Ivory 的電影完全不是這樣。

In A Room with a View, for example, nature is a symbol of freedom against the social restrictions of Edwardian England.

例如在《窗邊的風景》中，自然是愛德華時代的英國社會限制下的自由象徵。

Ivory, like Guadagnino, captures the warm, tactile qualities of being outdoors and uses the sense memory that these images and sounds evoke as a way to trigger empathy for the characters.

Ivory 就像 Guadagnino 一樣，捕捉了戶外的溫暖、觸覺質感，並利用這些影像和聲音喚起的感官記憶，來引發觀眾對角色的同理心。

In both films, the desire for summer afternoons is paralleled with the desire for love or sex in Morris, an adaptation of Forrester's novel of homosexual love.

兩部電影中，對夏日午後的渴望，與 Morris 中對愛或性的渴望相互呼應，Morris 改編自 Forrester 關於同性之愛的著作。

The important ways that both Morris and Elio tentatively realize and act upon their feelings are physical, not verbal.

Morris 和 Elio 試探性地認識並付諸行動表達情感的重要方式，是肢體的，而非言語的。

This is what a good filmmaker and good actors bring to an adaptation.

這就是一位優秀的導演和優秀的演員為改編作品帶來的東西。

The translation of dialogue into gesture and action.

A second key influence are the films of Eric Rohmer.

第二個重要的影響是 Eric Rohmer 的電影。

The last of the French New Wave directors, whose style was less iconoclastic than Godard or Truffaut, yet whose career sustained in quality much longer than many of his contemporaries, Rohmer is known as a very wordy filmmaker.

身為法國新浪潮最後一位導演，他的風格不像 Godard 或 Truffaut 那樣打破傳統，但他的事業品質卻比許多同時代的人維持得更久，Rohmer 以一位非常話多的導演聞名。

His movies feature characters having extended philosophical conversations on love and design.

他的電影裡，角色會就愛情和設計展開冗長的哲學對話。

Yet what Guadagnino draws from him is his simplicity, his unsentimental presentation of characters in space, and

但 Guadagnino 從他身上學到的是他的簡樸、他對角色在空間中不帶感情的呈現，以及

Like the great Jean Renoir who came before him, Rohmer is interested in realism, but

就像他之前的偉大導演 Jean Renoir 一樣，Rohmer 對寫實主義感興趣，但

Like Rohmer's and Renoir's, Guadagnino's camera in Call Me by youy Name isn't showy and his editing isn't manipulative.

就像 Rohmer 和 Renoir 一樣，Guadagnino 在《以你的名字呼喚我》裡的攝影機並不炫技，剪輯也不操弄。

Guadagnino and his cinematographer only used one lens, a 35mm, to mimic roughly the feel of human eyesight.

Guadagnino 和他的攝影師只用了一顆鏡頭，也就是 35mm，來大致模仿人類視線的感覺。

And the camera follows the action, but in the way an observer might.

鏡頭會跟隨動作，但就像一個觀察者一樣。

In all of these filmmakers, long takes don't feel stylized or distracting.

在這些電影製作人身上，長鏡頭不會顯得風格化或分散注意力。

They function as a window into the environment.

它們就像一扇窗戶，讓人得以窺探環境。

And it's important that we see that environment, the spaces these characters inhabit.

而且我們看到這些角色所處的環境、空間也很重要。

So depth of field is usually deep and the use of close ups is rare.

所以景深通常很深，也很少用特寫鏡頭。

As Rohmere once said, the reason I don't like a close up is because it excludes, it doesn't add, it takes away, it suppresses the relationship of the character to the set.

就像 Rohmer 說過的，我不喜歡特寫鏡頭，因為它會排除，它不會增加，它會帶走，它會壓抑角色與場景的關係。

And what's important for Guadagnino is that he gives the actors enough room and time for the space between them to become charged with emotion.

對 Guadagnino 來說重要的是，他給演員足夠的空間和時間，讓他們之間的空間充滿情感。

Finally, maybe the most important influence on the structure of Call Me by youy Name is the French director Maurice Piala, especially his film A no Sores.

最後，或許對《以你的名字呼喚我》結構最重要的影響，來自法國導演 Maurice Pialat，特別是他的電影《Innocence》。

Piela is another figure on the outer rim of the French New Wave who barely has any recognition in America.

Pialat 是法國新浪潮邊緣的另一位人物，在美國幾乎沒什麼名氣。

His films are rough and unsentimental to the extreme, even sloppy at times, but

他的電影極度粗糙、不煽情，有時甚至顯得隨便，但

They're driven by people who are slaves to impulse.

它們由受衝動驅使的人們推動。

And what Guadagnino admires about Piela is how these impulses drive the construction of the narrative.

Guadagnino 欣賞 Pialat 的地方，在於這些衝動如何推動敘事的建構。

It's almost dizzying how Enosa Moores, for example, a coming of age film about a sexually charged adolescent, trips from scene to scene without consideration for a traditional story arc.

像是 Enosa Moores 這部關於性慾旺盛的青少年成長電影，幾乎是以令人暈眩的方式，從一個場景跳到另一個場景，完全不考慮傳統的故事結構。

The cut between two shots could represent a jump of two seconds or two months, and

兩個鏡頭之間的剪輯，可能代表著兩秒鐘或兩個月的時間跳躍，而

觀眾對這兩種情況都沒有準備好。

Call Me by youy Name isn't as extreme as this, but

Call Me by your Name 並沒有這麼極端，但是

Guadagnino's narrative follows a similar rhythm, where the through line isn't the developments of a three act plot, but

Guadagnino 的敘事也遵循著類似的節奏，其中貫穿的不是三幕劇劇情的發展，而是

rather the energy of Elio's desire and how that manifests these unusual structures are so important because narrative art is one of the ways in which we model our own lives.

Elio 慾望的能量以及它如何展現。這些不尋常的結構之所以如此重要，是因為敘事藝術是我們建構自身生活的一種方式。

And there can be falseness in what is sometimes called Hollywood films that influences our expectations of experience.

而有時候被稱為好萊塢電影的東西，可能會有一種虛假感，影響我們對經驗的期待。

For instance, the whole time I was watching Call Me by youy Name, I was anxious for the person or the institution that would inevitably challenge Elio and Oliver's affair.

舉例來說，在我觀看 Call Me by your Name 的整個過程中，我一直擔心那個必然會挑戰 Elio 和 Oliver 戀情的個人或機構。

It's something I'd come to expect in films and stories of this kind.

這是這類電影和故事中我習慣的期待。

But when that didn't happen and I released the that pent up energy, it was a revelatory feeling, like the film was opening up a new corner of life, a different way to see things.

但當這種情況沒有發生，我釋放了那種被壓抑的能量時，感覺就像是頓悟一樣，彷彿電影打開了生命的一個新角落，一種不同的看待事物的方式。

You don't have to understand these films or these directors to enjoy Call Me by youy Name.

你不需要了解這些電影或導演，才能享受《以你的名字呼喚我》。

In fact, this lineage is built around the notion that you can have a radical effect on viewers without a radical style.

事實上，這個傳承建立在一個概念上，也就是你可以在沒有極端風格的情況下，對觀眾產生根本性的影響。

I think Guadagnino Cinefelia, his love of films is the very best kind.

我認為 Guadagnino 的 Cinefelia，也就是他對電影的熱愛，是最棒的那種。

It doesn't exclude people for not being in the know.

它不會因為有人不懂而排斥他們。

It brings influences together in the service of a brand new style to appreciate.

它匯集了各種影響，為了一種全新的欣賞風格服務。

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如果你想架設網站，而且希望過程非常簡單，Squarespace 有許多得獎的設計師範本可以選擇，讓架設網站的過程變得超簡單。

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它提供 24 小時客服，不用升級，不用安裝，也永遠不用更新。

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而且挑選網域名稱也非常容易。

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你可以在 squarespace.com 開始免費試用，如果你使用優惠碼 Nerdwriter，首次購買還能享有九折優惠。

Thank you guys again and I'll see you next week for a new video.

再次感謝大家，下週新影片見。