Name: #阿湯哥 終獲奧斯卡？｜《#鳥人》導演揭密湯姆克魯斯傳奇！這段訪談太催淚！｜【爆米花看電影】25-11-17 (#阿湯哥 終於得到奧斯卡PART2｜阿湯哥不只是拍電影，他就是電影！《#鳥人》導演太會講，聽著聽著就哭了｜【爆米花看電影】25-11-17)
Uploaded: 2025-11-19T00:15:07.000Z
Duration: 12 min 12 s

基礎被動語態

Writing a four minute speech to celebrate Tom Cruise's 45 year career is what is known in this town as Mission Impossible.

要寫一篇四分鐘的演講來慶祝湯姆克魯斯 45 年的演藝生涯，這在我們這個圈子裡，簡直就是 Mission Impossible。

I'm an honor at the light, but you owe me one, my friend.

我是給你面子，但我朋友，你欠我一個人情。

So the only possible thing I can do is to share a story.

所以我唯一能做的，就是分享一個故事。

25 years ago, I was still a first time director and I began hearing that Tom Cruise, yes, Tom Cruise had seen my first film, Amores Perros, and

25 年前，我還是個菜鳥導演，我開始聽到湯姆克魯斯，沒錯，就是湯姆克魯斯，看過我的第一部電影 Amores Perros，

was screening it at his home every week, inviting friends to watch it.

而且每週都在他家放映，邀請朋友一起看。

And I was astonished and I assume the stories were exaggerated.

我當時非常驚訝，而且我猜想這些故事可能有點誇張。

Then the film received an Oscar nomination and I still had not met him.

然後這部電影獲得了奧斯卡提名，但我還是沒見過他。

In fact, I didn't meet him until 12 years later when I crossed paths with him on a stage at Paramount.

事實上，直到 12 年後，我在 Paramount 的一個舞臺上遇見他，我才見到他。

And when I introduced myself to thank him for.

For his selfless generosity, he shook my hand firmly, looked straight into my eyes with those laser sharp retinas and with relentless precision, speed and intensity, he described, scene by scene, every performance, line, edit and camera angle he loved of the film.

感謝他無私的慷慨，他緊緊地握著我的手，用他那銳利的眼神直視著我，並且以無比的精準、速度和強度，逐一描述了他喜愛的電影中的每一個表演、臺詞、剪輯和鏡頭角度。

He knew more about my film than I ever did.

他對我電影的瞭解，比我自己還多。

Many of you in this room may have probably had a similar moment with Tom is very impressive.

在座的各位，可能都曾有過與湯姆克魯斯類似的時刻，這真的很令人印象深刻。

And 25 years later, having shooting a film with him for several months in London, it's even more remarkable because I know it's real.

而在 25 年後，我在倫敦和他一起拍攝了幾個月的電影，這就更令人驚嘆了，因為我知道這是真實的。

Because he knows films aren't built on ego, they are built on eye contact.

因為他知道電影不是建立在個人主義上的，而是建立在眼神交流上的。

And for a pessimistic person like me, I didn't know actually what to do with so much sunshine and so much confidence.

對我這種悲觀的人來說，我真的不知道該如何面對這麼多的陽光和自信。

And I doubt I will ever find someone like him.

而且我懷疑我再也找不到像他這樣的人了。

To tell you the truth, people often describe Tom Cruise in the language of force or grandiosity.

說實話，人們常以強大或宏偉來形容湯姆克魯斯。

Big stunts, big box office, big legend, big long career.

驚人的特技、驚人的票房、驚人的傳奇、驚人的長職業生涯。

But tonight, based on my experience, I want to measure him in millimeters.

但今晚，根據我的經驗，我想用毫米來衡量他。

Because what's truly defined Tom Cruise is not how far he runs or how high he jumps.

因為真正定義湯姆克魯斯的不在於他跑了多遠或跳了多高。

It's how precisely he decides to move those tiny calibrations.

而在於他精準地決定如何移動那些微小的校準。

The tilt of a chin, the half breath before a sprint.

下巴微微抬起，衝刺前的那一瞬間屏息。

The millimeter between silence and revelation.

寂靜與揭示之間的那毫米之差。

每一次呼吸、每一個眉毛的動作、每一個笑容。

The shoulder, his hand, the hip, the pause, the diction, the intention on every word, every flicker of thought in his eyes, every rhythm of movement.

肩膀、手、臀部、停頓、措辭、每個字裡的意圖、眼神裡每一個閃過的念頭、每一個動作的節奏。

That's where his real and invisible craftsmanship lives on.

這才是他真正且看不見的技藝所在。

His face resides the language of emotions.

His artistry is built on micro decisions and all of it is carefully engineered as his most dangerous stunt.

他的藝術建立在微小的決定上，而這一切都像他最危險的特技一樣經過精心設計。

We spent months rehearsing every detail for a complicated sequence.

我們花了幾個月的時間排練一個複雜橋段的每一個細節。

His character has plenty of fast dialogue and demanded emotional shifts, physical transitions and changing gear from satire to madness with intricate blocking.

他的角色有很多快速的對白，需要情感的轉變、肢體的轉換，以及從諷刺到瘋狂的切換，還有精密的走位。

And just in the fourth take, what I witnessed, what we all witnessed that day, was unreal.

結果在第四次拍攝時，我所見證的，我們那天所見證的一切，都太不真實了。

You remember, he was meticulously choreographed, yet feel completely improvised.

你還記得，他的動作雖然經過精心編排，卻感覺完全是即興的。

那天晚上我起了一身雞皮疙瘩。

While trying to understand how he was able to do that, I realized that the big difference between him and anybody else is that he's used to performing under extreme pressure, where every move, every millimeter can mean life or death.

在試圖理解他是如何做到的時候，我意識到他和其他人最大的區別在於，他習慣在極大的壓力下表演，在那裡，每一個動作、每一毫米都可能決定生死。

And honestly, that kind of intensity doesn't stop when the camera do.

說真的，那種強度不是在鏡頭關掉後就停止的。

One day we were eating Mexican food and I saw him pull of the most dangerous stunt of all.

有一天我們在吃墨西哥菜，我看到他完成了最危險的特技。

This man ate more chile than any Mexican alive.

這個人吃的辣椒比任何活著的墨西哥人都多。

He ate raw green serranos like they were popcorns, the dangerous chiles, habaneros as cherries, one after another.

他把生的綠色墨西哥辣椒當爆米花吃，那些很辣的辣椒，哈瓦那辣椒當櫻桃，一顆接一顆。

I, a proud Mexican, I was crying with one just bite of it.

身為一個驕傲的墨西哥人，我才吃一口就哭了。

And this guy was looking at me and saying, it's refreshing.

而這個人看著我說，這很清爽。

Even Guillermo del Toro doesn't need so much, you know, Anyway, and that's something to say.

連吉勒摩·戴託羅都不需要這麼多，你知道的，總之，這句話很有份量。

He just doesn't say because ice is out there.

他只是沒說，因為冰塊在那裡。

One story that he told me has an image that still fascinates me.

他告訴我的其中一個故事，有個畫面至今仍讓我著迷。

After finishing Taps in 1981, his first film directed by Harold Becker, Sean Penn, invited him to stay at his mother's house in Los Angeles.

1981年拍完 Taps，這是他由 Harold Becker 執導的第一部電影，Sean Penn 邀請他去洛杉磯他母親家住。

That one night, the two of them, both 20, 21 years old, drove from Malibu to Hollywood and park outside Jack Nicholson's home.

那個晚上，他們兩個，都才20、21歲，從 Malibu 開車到 Hollywood，然後停在 Jack Nicholson 家外面。

These two kids brought down the windows and started to smoke a cigarette while dreaming and imagining what it would feel like to be him.

這兩個小子搖下車窗，開始抽菸，同時夢想著、想像著成為他的感覺。

Ten years later, Tom was inside the same Jack Nicholson house reading lines for A Few Good Men with him and got the part.

十年後，Tom 在同一個 Jack Nicholson 家裡，和他一起讀《A Few Good Men》的劇本，並且拿到了角色。

And Jack was saying, okay, kid, I got what you are saying to me.

Jack 說：「好了，小子，我明白你的意思了。」

When he was forgetting a line, every frame of his life says, perfection is in luck.

當他忘詞時，他生命中的每一幀畫面都在說：完美是靠運氣。

Karma in Sanskrit is popularly understood as meaning fate.

梵文的 Karma，普遍被理解為命運的意思。

Something preordained for each one of us and out of our control.

對我們每個人來說，有些事是命中註定，而且我們無法控制。

Tom became master of his fate by becoming the master of his own actions.

湯姆透過掌握自己的行為，成為自己命運的主宰。

For me, some of those emotional stones he does are far scarier because exposing yourself without a net is the most dangerous thing of all.

對我來說，他演出的那些情緒重擔，更讓人害怕，因為毫無防備地展現自己，是最危險的事。

In Born of the fourth of July, directed by Oliver Stone, some Tom surrendered every trace of vanity, playing paralyzed and showing us that courage doesn't always look like flight.

在 Oliver Stone 執導的《七月四日誕生》中，湯姆放下所有虛榮，飾演癱瘓的角色，向我們展現勇氣不總是看起來像逃跑。

In Eyes Wide Shot with Stanley Kubrick, he dove fearlessly into ambiguity and restraint, performing in the grammar of silence.

在 Stanley Kubrick 的《大開眼戒》中，他無畏地投入模糊不清與剋制，在沉默的語法中表演。

In Paul Thomas Anderson Magnolia, he became a symphony of contradictions.

在 Paul Thomas Anderson 的《 Magnolia 》中，他化身為矛盾的交響曲。

Control and collapse, cruelty and confession.

When his character breaks down by his father's deathbed, there's no stunt, just mercy, showing us that the most courageous thing a man can do on camera is cry without permission.

當他的角色在父親臨終床邊崩潰時，沒有任何矯飾，只有憐憫，展現給我們看，男人在鏡頭前能做的最勇敢的事，就是毫無保留地哭泣。

In Cameroon's Crow, Jerry Maguire, he mastered the subtext.

在 Cameron Crowe 的《征服情海》中，他掌握了潛臺詞。

When he shouts, show me the money, his soul is screaming, show me the meaning.

當他大喊「Show me the money」時，他的靈魂也在吶喊，「Show me the meaning」。

And I won't talk about the last crazy, hilarious Les Grossman in Tropic Thunder because Ben Stiller told me there are too many studio executives in the room tonight, so I will not go there with Christopher McQuarrie.

而我不會談論《開麥拉驚魂》裡那個瘋狂又爆笑的 Les Grossman，因為 Ben Stiller 跟我說今晚有太多電影公司高層在場，所以我就不跟 Christopher McQuarrie 聊這個了。

During the last decade, he turns risk into ritual.

在過去十年裡，他將冒險變成了例行公事。

Every jump, every climb, every cockpit dive says to the audience, I have done the impossible so you can believe in the possible again.

每一次跳躍、每一次攀爬、每一次衝進駕駛艙，都對觀眾說，我做到了不可能，所以你們才能再次相信可能。

He risks his life in every take so the rest of us can risk caring again.

他在每一次拍攝中冒著生命危險，這樣我們其他人才能再次冒險去關心。

字幕列表影片播放

rhythm

contagious

practice

exaggerate