Name: 蕾貝卡·弗格森拒絕與克里斯·普瑞特《Mercy》中正面對戲！ (Rebecca Ferguson Said “No” to Working Face-to-Face with Chris Pratt in 'Mercy')
Uploaded: 2026-01-17T17:51:25.000Z
Duration: 7 min 55 s

to 不定詞

I'm proud to have sent the first suspect for trial here, and

我很驕傲能把第一個嫌犯送上法庭，

未來簡單式

I will continue to send more until the message is received.

我會繼續送更多人，直到訊息傳達出去。

Detective Raven, I know precisely who you are.

Raven 警探，我非常清楚你是誰。

Like, I think turn it into the Easter tree.

Well, I didn't know what to do, but is that.

嗯，我不知道該怎麼辦，但就是這樣。

You can have Christmas as long as you want.

任何叫 Chris 的人都能得到他們想要的。

You got the second coolest name in the room.

So, I mean, I gotta take your silver medal.

所以，我是說，我得拿走妳的銀牌。

我不知道妳知不知道這件事，但是

Chris has accused you of making him break character several times while filming this movie.

Chris 說過好幾次，在拍這部電影的時候，妳讓他破壞了 character。

I was wondering, what's your side of the story?

我想知道，妳這邊的說法是什麼？

It's hard to not have a rapport with this man.

But then on the day, it's really hard when you have an earpiece to not take the piss out of each other.

但到了那天，戴著耳機時，真的會忍不住互相開玩笑。

And make each other's close ups really difficult.

然後讓彼此的近鏡頭拍攝變得非常困難。

And then, of course, you're filming this movie on screen together, but

然後呢，當然，你們是在螢幕上一起拍攝這部電影，但

from what I understand, on separate sound stages.

據我所知，是在不同的攝影棚裡。

Just how is that different than your other films?

這跟你的其他電影有什麼不一樣？

I mean, I have done films where there are characters that I'm interacting with who are not actually there.

我意思是，我拍過一些電影，裡面有我會互動的角色，但他們其實並不在現場。

You know, that I might be talking to a mocap actor.

你知道，我可能是在跟一個動態捕捉演員說話。

But here there was, you know, she's an AI character, so she's living kind of on a screen, in essence, around this LA municipal courtroom, which we shot inside of a volume.

但這裡，你知道，她是一個AI character，所以她基本上就活在一個螢幕裡，在這個洛杉磯的市政法庭周圍，我們是在一個volume裡拍攝的。

So it felt and looked very much like what you would expect that courtroom would look like.

所以感覺和看起來都跟你預期法庭該有的樣子非常接近。

But my interaction with her was all through an earpiece.

但我跟她的互動全都是透過耳機。

I was talking to her and I'm listening to her and she's listening to me.

我跟她說話，我在聽她說話，她也在聽我說話。

But the communication was not looking into a human being's eyes.

但這種溝通並不是看著一個人的眼睛。

And oftentimes the magic that happens with actors is when the two of you are sitting across from each other and just having a moment.

而且很多時候，演員之間的火花，是當你們兩人面對面坐著，就那麼一個瞬間。

It kind of lent itself to creating what is ultimately not a human interaction, but

它有點像是，最終創造出一個不是人類的互動，而是

rather with something that's just a thin veil over what should be a human interaction.

與某種東西的互動，那東西只是人類互動應該有的樣子，但上面蓋了一層薄紗。

And I thought, I think it was really helpful to create that sort of the chemistry that should live between a man fighting for his life and the judge who's AI accused.

而且我認為，這真的有助於創造那種應該存在於一個為生命奮鬥的人和身為 AI 的法官之間的化學反應。

Did you ever get the question if you wanted me in the room?

你是不是曾經問過我，想不想要我在場？

Yeah, I think I had all my close ups if I wanted to interact opposite you.

對，我想我所有的特寫鏡頭都是為了能跟你對戲。

And I remember distinctly saying no, I think I would have had too.

我清楚記得我說了不，我想我本來也會這樣。

It would have been really hard to shift from an AI a perspective who doesn't have an emotional.

從一個沒有情感的 AI 角度來轉換，會非常困難。

Shouldn't have an emotion behind her eyes.

I don't know that I got the question because I don't know.

我不知道我懂不懂這個問題，因為我真的不知道。

Practically it would have worked to have you in the camera need to kind of move around and capture the whole space.

實際上，讓你在鏡頭裡，需要稍微移動來捕捉整個空間，這樣會比較好。

And so they were like, do you want to see Chris?

然後他們就說，你想見 Chris 嗎？

對，我懂了，我們得告訴 Chris。

And then Chris, you mentioned asking to be strapped to that chair.

然後 Chris，你提到過要求被綁在那張椅子上。

而且你知道，你可是個動作巨星。

I know that there are a lot of actors who really like to force themselves into strange positions because it helps them in their process.

我知道，有很多演員喜歡把自己逼進奇怪的姿勢，因為這有助於他們的創作過程。

I would say really it was practical because the first time I tried to fight and pull myself out of the chair, I.

我會說，這真的很實際，因為我第一次試著掙扎著把自己從椅子上拉出來的時候。

And so I thought, well, that doesn't, that's not good.

所以我想，嗯，那不行，那不太好。

I'm not supposed to be able to get out of the chair.

我本來是不應該能離開椅子的。

Yeah, I mean, this, you know, so obviously they had to use, like, they had to use.

對啊，我的意思是，這個，你知道，所以很明顯他們必須用，就是，他們必須用。

So they strapped, they strapped the chair together so that I could fight against it.

所以他們把椅子綁在一起，這樣我才能對抗它。

And then I found that, wow, that really helps to sell the idea of being trapped and feeling claustrophobic and wow, it's wild to not be able to touch your face for an hour.

然後我發現，哇，這真的有助於傳達被困住、感到幽閉恐懼的感覺，哇，一個小時不能碰臉，這太瘋狂了。

Because the takes that we did were very long, upwards of an hour long.

因為我們拍的鏡頭都很長，長達一小時以上。

We'd go through the whole movie and so to not be able to wipe a tear off your face or wipe sweat out of your eyes or, or you know, even when you feel the release after all the tension, 40 minute takes and you are exhausted, to then not have the possibility to touch your neck or to, to adjust to reset.

我們會演完整部電影，所以不能擦掉臉上的眼淚，或擦掉眼睛裡的汗水，或者，你知道，即使在所有緊張情緒之後感到釋放，長達 40 分鐘的鏡頭，你已經筋疲力盡了，卻又不能觸碰脖子或調整來重置。

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蕾貝卡·弗格森拒絕與克里斯·普瑞特《Mercy》中正面對戲！ (Rebecca Ferguson Said “No” to Working Face-to-Face with Chris Pratt in 'Mercy')

practical

character

evolve

interact