Name: 優秀繪畫作品 - 10 分鐘提升繪畫水準 - 第 10 集 (Good Drawing - 10 Minutes To Better Painting - Episode 10)
Uploaded: 2025-04-02T09:17:58.000Z
Duration: 11 min

Break out your pocket watch and your paintbrushes.

It's time for episode 10 of 10 Minutes to Better Painting.

現在是 "10 分鐘改善繪畫 "第 10 集的時間。

I am your asymptomatic host, Marco Bucci.

In the Spider-Verse movie, Miles Morales wonders when he'll know he'll be ready, to which Peter Parker replies, you won't.

在《蜘蛛俠：星際穿越》中，邁爾斯-莫拉萊斯想知道自己什麼時候能準備好，彼得-帕克回答說："你不會準備好的。

This episode's about good drawing, which falls under the category of, well, drawing is the category.

這一集的主題是 "好的繪畫"，也就是 "繪畫"。

Here's some art by legendary teachers Glenn Vilppu and Steve Houston.

下面是傳奇教師格倫-維爾普（Glenn Vilppu）和史蒂夫-休斯頓（Steve Houston）的作品。

They may range from lines to values to paint, but drawing is the foundation of all of them.

它們可能從線條到數值再到繪畫，但繪畫是所有這些的基礎。

Drawing isn't merely something you do with lines.

繪畫不僅僅是用線條來完成的事情。

Drawing is the skill that converts a 2D space into the illusion of a 3D space.

繪畫是將二維空間轉換為三維空間幻覺的技能。

And in this lesson, we'll be reviewing these very classical subsets of good drawing.

在本課中，我們將回顧這些非常經典的優秀繪畫子集。

Speaking of classical art, the intern and I took a little summer vacation, and down in the tombs of the Vatican, we unearthed a forgotten invention by Leonardo da Vinci.

說到古典藝術，我和實習生放了一個暑假，在梵蒂岡的陵墓裡，我們發現了達文西的一項被遺忘的發明。

This device channels interdimensional forces and can alter matter itself.

這個裝置能引導跨次元力量，並能改變物質本身。

And remember, the minute you don't respect that thing, it destroys us all.

記住，一旦你不尊重它，它就會摧毀我們所有人。

It's a circle, foreshortened in perspective.

這是一個圓形，在透視圖中被放大了。

Now, as a circle moves through 3D space, a series of ellipses happen.

現在，當一個圓在三維空間中移動時，會出現一系列橢圓。

These are circles with various degrees of foreshortening.

這些都是有不同程度前縮的圓。

If you connect the two end ellipses, you get a cylinder.

如果將兩端的橢圓連接起來，就會得到一個圓柱體。

This already looks 3D, but a good draftsman keeps track of all those individual ellipses along the way.

這看起來已經是 3D 效果了，但優秀的繪圖員會一路追蹤所有這些單獨的橢圓。

You can do the same thing with box forms, too.

您也可以用盒式表格做同樣的事情。

So these intermediate outline thingies are called cross contours, and they are a cornerstone of good drawing.

是以，這些中間輪廓線被稱為十字輪廓線，是良好繪畫的基石。

To get your brain doing that 2D to 3D conversion, you could practice applying cross contours on top of a reference like this.

為了讓你的大腦完成從二維到三維的轉換，你可以練習在這樣的參照物上應用十字輪廓。

Then try it on your own cylinders, starting with the end caps first, connecting them, and then going back and drawing behind the form, as if you had x-ray vision.

然後在你自己的圓柱體上試試，先從端蓋開始，連接它們，然後像有 X 光透視眼一樣，回頭在形狀後面畫畫。

You could practice foreshortening this way, and don't forget to go back and put in all those intermediate cross contours.

你可以用這種方法來練習前縮短，而且不要忘記回頭再畫上所有的中間十字輪廓線。

This discipline will help you conjure 3D space without needing a perspective grid.

這門學科將幫助你在不需要透視網格的情況下描繪三維空間。

The flat faces of a box make for easy, trackable scaling.

箱體表面平整，便於跟蹤縮放。

And you get these handy points on each corner, which allow you to do sophisticated things like twist the form in 3D space.

每個角上都有這些方便的點，讓你可以做一些複雜的事情，比如在三維空間中扭曲形狀。

When you do this exercise, work on maintaining a consistent volume to the box from drawing to drawing.

在做這個練習時，要努力使每張圖的方框體積保持一致。

Now we're not only practicing drawing form, but we're getting into posing, too.

現在，我們不僅要練習繪畫形式，還要擺出各種姿勢。

These boxes are looking quite animated, aren't they?

這些盒子看起來很生動，不是嗎？

The pioneers of Disney animation used a half-filled flower sack, which was a box with a belly on it, to help visualize emotions, poses, and character.

迪斯尼動畫的先驅們用一個裝了一半的花袋，也就是一個有肚子的盒子，來幫助想象情緒、姿勢和角色。

And decades later, Disney would further prove that basic forms can emote just like humans.

幾十年後，迪斯尼進一步證明，基本形態也能像人類一樣表達情感。

Speaking of humans, here's a study of one by Steve Houston.

說到人類，這裡有史蒂夫-休斯頓對人類的研究。

Take a look at that twisted box that makes up the entire upper and middle trunk.

看看這個扭曲的盒子，它構成了整個軀幹的中上部。

Here's another box for the hips, a cylinder-slash-box for the upper leg, a little tapered cylinder here for the lower leg, and cylinder, and cylinder, and cylinder.

這是另一個用於臀部的盒子，一個用於上肢的圓筒形斜面盒子，一個用於下肢的小錐形圓筒，還有圓筒、圓筒、圓筒。

You can indicate the complex forms of the human body this way.

您可以用這種方式來表示人體的複雜形態。

And you notice how Steve Houston even further clarifies 3D space with those cross contours.

你會注意到史蒂夫-休斯頓是如何通過這些交叉輪廓進一步明確三維空間的。

Artists study the human form because it demands accuracy.

藝術家研究人體形態是因為它要求精確。

A tree has form, but nobody knows or cares if you move a limb.

樹是有形狀的，但沒有人知道或關心你是否移動了樹枝。

Do that to the human form, even a little bit, and...  All right.

對人形做這樣的事，哪怕是一點點，然後...  好吧

What's next on Da Vinci's interdimensional thingamabob? ...

達文西的 "跨時空飛行器 "的下一個目標是什麼？

If all that form stuff was on the academic side of drawing, then gesture would be on the opposite side, which has more to do with feeling.

如果說形式是繪畫中學術性的東西，那麼姿態則是相反的東西，它更多地與感覺有關。

These gesture drawings by Glenn Vilppu capture not volume, but movement, flow, and rhythm.

格倫-維爾普的這些手勢繪畫捕捉的不是體積，而是運動、流動和節奏。

There's no real correct way to draw a gesture.

It's more like a system of personal notation, important information you jot down to expand upon later.

它更像是一個個人記事系統，你記下重要資訊，以便日後擴展。

Generally, though, you're looking for overall flow and rhythm through the body.

不過，一般來說，您需要的是身體的整體流動性和節奏感。

For example, both of these poses, to me, are made up of curves versus straights.

例如，在我看來，這兩種姿勢都是由曲線和直線組成的。

And in my gesture notation, I want to be very specific about how those rhythms are arranged.

在我的手勢記譜法中，我想非常明確地說明這些節奏是如何安排的。

It's often useful to compare the shoulder line with the hip line, as that can indicate weight and balance.

比較肩線和臀線通常很有用，因為這可以顯示體重和平衡。

From there, I can map out an overall rhythm to the body, then maybe mark the shoulders and go down the arms, and then, in this case, see if the legs are a continuation of the upper body's rhythm.

從那裡，我可以勾勒出身體的整體節奏，然後可能會在肩膀上做個標記，再順著手臂往下，然後，在這種情況下，看看腿部是否是上半身節奏的延續。

Notice that I'm not just running lines down the middle of things.

請注意，我並不只是在中間劃線。

It's common to make lines that ping-pong from one side to the other offset in symmetry.

在對稱的情況下，讓線條從一邊偏移到另一邊是很常見的。

This is a pattern that nature uses over and over.

這是大自然反覆使用的一種模式。

It's a good foundation for then building your form.

這為你以後的訓練打下了良好的基礎。

In this Vilppu drawing, gesture lines were laid in first, followed by the assembly of In finished art, those early gesture marks get completely covered up, but gesture is what keeps the whole endeavor on track.

在維爾普的這幅畫中，首先鋪設的是手勢線，然後才是"...... "的組合。 在完成的藝術作品中，這些早期的手勢標記會被完全掩蓋，但手勢卻能讓整個創作步入正軌。

All right, intern, what else has that doohickey got in store for us?

好了，實習生，那個小玩意兒還為我們準備了什麼？

So a twisted box and a couple of cylinders are helpful in simplifying a pose like this.

是以，一個扭曲的盒子和幾個圓柱體有助於簡化這樣的姿勢。

Anatomy then provides the next layer of observation.

然後，解剖學提供了下一層觀察。

For example, just how the back connects to the arm from this view includes at least three muscles.

例如，從這個角度看，背部與手臂的連接至少包括三塊肌肉。

It's easy to get mired in anatomy due to the sheer amount of it.

解剖學內容繁多，很容易讓人陷入其中。

But essentially, there are bones, and there are muscles.

但從本質上講，有骨骼就有肌肉。

Muscles have tendons that attach to bone, but the muscle belly itself is mostly what shapes the body.

肌肉有肌腱附著在骨頭上，但肌肉本身主要是塑造身體的。

Sometimes bones are hidden by muscle, and the muscle is the star of the show.

有時，骨骼被肌肉所掩蓋，而肌肉才是主角。

Other times, though, the skeleton defines the overall mass, over which we can then build our muscle forms.

但有時，骨架決定了整體品質，我們可以在骨架上構建肌肉形態。

Muscle fibers run across the form, just like cross-contours describing dimension.

肌肉纖維橫貫形體，就像十字輪廓描述尺寸一樣。

Knowing anatomy will help you place those basic forms.

瞭解解剖學知識可以幫助你擺放這些基本形狀。

The biceps inserts underneath the deltoid.

From under the pecs comes the corchiobrachialis.

The lats emerge from behind the ribcage, inserting at the upper arm.

腹肌從肋骨後方出現，插入上臂。

From behind the lats comes the triceps, and from behind the biceps comes the...

肱三頭肌來自大腿後側，肱二頭肌來自小腿後側，...