Name: 顛覆POV視角的第一名導演！ (The Director Who Revolutionized The POV Shot)
Uploaded: 2026-01-13T17:04:35.000Z
Duration: 6 min 30 s

Okay, so in the iconic chase scene in Kathryn Bigelow's Point Break, there's a blink and you'll miss it.

好的，在凱瑟琳·畢格羅的《驚爆點》那經典的追逐場景裡，有個一閃即逝的。

程度副詞

Moment of camera work that is just so fascinating to me there.

This half second moment of pause before the camera pans to the right to follow Keanu.

在鏡頭往右邊移動跟拍基努之前，有這零點五秒的停頓。

What kind of information does that communicate to the viewer?

那樣的資訊傳達給觀眾什麼呢？

In this earlier shot, you can see that the camera is clearly objective and impersonal.

在這個比較早的鏡頭裡，你可以看到攝影機明顯是客觀且不帶個人情感的。

This shot, on the other hand, of Patrick Swayze could conceivably be a POV of Keanu, who is coming up from behind him.

不過，派屈克·史威茲的這個鏡頭，很有可能就是基努的POV，基努從他背後追上來。

But this shot has to be objective because no character is following here.

但這個鏡頭必須是客觀的，因為這裡沒有角色在跟拍。

And yet this is a moment of subjectivity, as if the camera itself had to think for a second before turning right.

但這卻是一個主觀的時刻，好像攝影機自己也要思考一下，才能往右轉。

這是個小細節，卻有很大的影響。

Bigelow uses the formal language of POV to activate a sense of immediacy in the viewer.

畢格羅運用POV的正式語言，來激發觀眾的即時感。

The same principle is at work in a handheld whip pan like this.

同樣的原理也用在這個手持的甩鏡頭上。

It's designed to mimic the turn of a head.

To achieve these fast paced, to enable an incredible cameraman like J.

要達成這種快節奏，讓像J. Michael Miro這樣厲害的攝影師，能以跟演員一樣的速度，在狹窄複雜的環境裡奔跑，你需要一個小巧輕便的設備。

Michael Miro to run at the same speed as the actors through cramped, complicated environments, you need a rig that is small and light.

這說起來容易，但用35毫米攝影機來做，可沒那麼簡單。

That's easier said than done with a 35 millimeter camera.

So Bigelow and her team created something they called the Pogo cam, essentially a 35 millimeter camera attached to a stick with a gyro stabilizer on the bottom.

所以 Bigelow 和她的團隊就創造了一個他們稱之為 Pogo cam 的東西，基本上就是一個 35毫米攝影機，裝在一個棍子上，底部還有一個陀螺儀穩定器。

Bigelow is a pioneer and virtuoso of action cinematography.

Bigelow 是動作攝影的先驅和翹楚。

You can see the direct influence of this chase scene on movies like Inception, the Jason Bourne movies, and

你可以看到這個追逐場景對《全面啟動》、《神鬼認證》系列，還有

Casino Royale, to cite just a few examples.

《007首部曲：皇家夜總會》等電影的直接影響，這只是其中幾個例子。

And all these films had better technology and smaller cameras.

而這些電影都用了更好的技術和更小的攝影機。

My intent was to put the audience in as close to, you know, an experiential situation as possible.

我的目的是要讓觀眾盡可能地處於一個體驗式情境。

In other words, I wanted it all to be shot with as much sort of movement as possible so that you're actually feeling the velocity that those people are feeling.

換句話說，我希望所有畫面都能盡量多地運用移動鏡頭，讓你實際感受到那些人感受到的速度。

So we had to technically figure out how to do it and how, you know, how to put the cameraman in the same situation as the actors are in giving you as realistic a sense as possible.

所以我們必須在技術上找出方法，以及如何讓攝影師和演員處於相同的狀況，給你盡可能真實的感受。

The funny thing about that quote is that Bigelow is actually talking about the astonishing skydiving scene later in the movie.

關於那段引言好笑的地方是，Bigelow 其實是在說電影後面那個令人驚豔的跳傘場景。

But the sentiment applies to all her action set pieces.

但這種感覺適用於她所有的動作場面。

The chase is designed to make us feel the velocity of the sprinting characters.

這場追逐的設計就是要讓我們感受到角色奔跑的速度。

The handheld camera does that, but so does the environment and the lens.

手持攝影機可以做到這點，但環境和鏡頭也可以。

As a general rule, a wide angle lens makes a moving image move faster.

一般來說，廣角鏡頭會讓移動的影像看起來移動得更快。

And that is accentuated when you're running in tight spaces like alleys, narrow streets and living rooms.

當你在巷弄、狹窄的街道和客廳等緊密空間裡奔跑時，這一點會被加強。

And constructing the chase like a maze allows Bigelow to throw all kinds of food, fun and dangerous obstacles at the characters.

而將追逐設計成迷宮，讓 Bigelow 可以對角色投擲各種食物、有趣的以及危險的障礙物。

In fact, an inspiration for this chase was the classic Disneyland ride, Mr.

事實上，這個追逐場景的靈感來自迪士尼樂園經典的遊樂設施「Mr.

Toad's Wild Ride, in which you're in a car careening recklessly through the streets of London, taking sharp turns left and right, dodging pedestrians, cars and other obstacles.

Toad's Wild Ride」，在裡面你會坐在車上，在倫敦的街道上橫衝直撞，左轉右轉，閃避行人、汽車和其他障礙物。

This is what Bigelow means by putting the audience in an experiential situation.

這就是 Bigelow 所說的，把觀眾帶入一個體驗式情境。

這場追逐應該要有遊樂設施的感覺。

Bigelow clearly had a fascination with the experiential power of POV shots, especially moving POV shots to bring you into the action.

Bigelow 顯然著迷於 POV 鏡頭的體驗力量，特別是移動中的 POV 鏡頭，能讓你身歷其境地進入動作場面。

Like you're sitting in that car in Mr. Toad's wild ride.

就像你坐在 Mr. Toad's Wild Ride 的車裡一樣。

Later in the movie, in the final bank heist, Bigelow uses this tool again and puts us behind the eyes of Keanu's character Johnny Utah, as he storms into the bank with the ex president.

電影後面，在最後的銀行搶案中，Bigelow 再次運用這個技巧，讓我們以 Keanu 飾演的角色 Johnny Utah 的視角，看著他和前總統衝進銀行。

But Bigelow took her experimentation with POV much further in her next film, the criminally underappreciated Strange Days, A cyberpunk sci fi movie that features a technology called squid Superconducting quantum interference device.

但 Bigelow 在她下一部電影，這部被嚴重低估的賽博龐克科幻片《Strange Days》中，將她對 POV 的實驗推向了更遠，片中有一項名為 squid 的技術，全名是 Superconducting quantum interference device。

Squid, which allows you to experience other people's memories.

Squid 讓你可以體驗別人的記憶。

Bigelow films these scenes entirely in POV and the film starts with an incredible 3 minute long take POV shot of a group of criminals robbing a Chinese restaurant.

Bigelow 拍攝這些場景時，完全採用 POV 鏡頭，電影開頭就是一段令人驚嘆、長達三分鐘的 POV 長鏡頭，描繪一群罪犯搶劫一家中餐廳。

For this sequence, even the 16 pound pogo cam wasn't light enough for months.

在這段場景中，即使是重達 16 磅的 pogo cam 也不夠輕便，試了幾個月。

In pre production, Bigelow worked with camera technicians and her ex husband and frequent collaborator James Cameron to develop a camera that weighed just eight pounds.

在前期製作中，Bigelow 與攝影技術人員以及她的前夫兼長期合作夥伴 James Cameron 合作，開發出一臺僅重八磅的攝影機。

Now, eight pounds might sound a little funny today in the world of GoPros and action cameras that weigh the tiniest fraction of that these days, you can get a POV of, well, anything.

現在，在現今重量微乎其微的 GoPro 和運動攝影機的世界裡，八磅聽起來可能有點好笑，你可以獲得任何東西的 POV。

YouTube is filled with first person parkour chase scenes on city rooftops and POVs of dogs running on the beach.

YouTube 上充滿了第一人稱的跑酷城市屋頂追逐場景，以及狗狗在海灘上奔跑的 POV。

In 2015, Russian director Ilya Naishuler made an entire movie in POV called Hardcore Henry and then a POV music video for the Weeknd, both of which owe a debt to the pioneering work of Kathryn Bigelow.

2015 年，俄羅斯導演 Ilya Naishuler 拍攝了一整部 POV 電影《Hardcore Henry》，然後為 The Weeknd 拍攝了 POV 音樂錄影帶，這兩部作品都歸功於 Kathryn Bigelow 的開創性工作。

But even though the tech has gotten better, the point break Chase.

但即使技術已經進步，Point Break 的追逐場景。

All the action in that movie still holds up 33 years later.

那部電影中的所有動作場景，在 33 年後依然精彩。

It's just as exciting now as it was in 1991.

現在看來，和 1991 年時一樣令人興奮。

And that will be true 33 years from now, too.

那是如果我們還在看電影的話。

Who knows, Maybe all the entertainment of the future will be experienced as pov.

誰知道呢？也許未來所有的娛樂都會以 POV 的方式體驗。

Thank you so much for watching this episode was brought to you by Squarespace, the all in one website platform for entrepreneurs to stand out and succeed online.

非常感謝收看本集節目，本集由 Squarespace 贊助播出，這是為創業者打造的一站式網站平臺，讓你在線上脫穎而出並取得成功。

Whether you're just starting out or managing a growing brand, Squarespace makes it easy to create a beautiful website.

無論你是剛起步還是管理著一個不斷成長的品牌，Squarespace 都能讓你輕鬆打造一個漂亮的網站。

And now you can make a completely personalized website with their new guided design system, Squarespace Blueprint.

現在，透過他們全新的引導式設計系統 Squarespace Blueprint，你可以打造一個完全個人化的網站。

Choose from professionally curated layout and styling options to build a unique online presence from the ground up, optimized for every device and with optimized SEO tools so you show up more often to more people.

從專業策劃的版面配置和風格選項中進行選擇，從頭開始建立獨特的線上形象，針對各種裝置進行優化，並提供優化的 SEO 工具，讓你更容易被更多人看見。

You can even sell access to your video library all from within Squarespace.

你甚至可以透過 Squarespace 販售你的影片庫的存取權。

Basically, a Squarespace site is going to make whatever you're sharing or selling look professional.

基本上，Squarespace 網站能讓你想分享或販售的內容看起來都非常專業。

And that's going to help you get the word out, whatever that word actually is.

這樣一來，無論你想傳達什麼訊息，都能更有效地傳播出去。

Head over to squarespace.com for a free trial trial.

快到 squarespace.com 申請免費試用吧。

And when you're ready to launch that site, go to squarespace.

當你準備好要推出網站時，請到 squarespace。

Com Nerdwriter for 10% off your first purchase.

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