subjectivity
US /ˌsʌbdʒek'tɪvətɪ/
・UK /ˌsʌbdʒek'tɪvətɪ/
C1 高級
n. (u.)不可數名詞主觀性
In her subjectivity she could see nothing wrong with her lover
影片字幕
珍·奧斯汀如何永遠改變了小說界！ (How Jane Austen Changed Fiction Forever)
- But then we slip right back into her spirit again, her subjectivity, in clauses like "a good-humored, well-meaning, respectable young man." In Emma especially, Austen uses free indirect speech with extraordinary finesse, dipping in and out of several minds without ever interrupting the flow of narration, representing subjectivities, as Gunn says, with great immediacy while still providing a frame within which that subjectivity can be understood.
然後在第二句話，它無縫切換到自由間接引語，我們就進入了 Emma 的思緒，你可以從「非常合適」和「十足的紳士」等措辭看出來。
- But then we slip right back into her spirit again, her subjectivity.
但接著我們又會再次滑入她的精神之中，她的主觀意識。
小津安二郎為何要拍花瓶？ (Why Did Ozu Cut To A Vase?)
- By cutting to something that is clearly not in Noriko's line of sight, he's blocking us from the subjectivity of a normal POV shot, decentering our viewing experience so that we can consider the story from various angles, and
而是關於萬物的無常，關於短暫即是生命的真諦。
- By cutting to something that is clearly not in Noriko's line of sight, he's blocking us from the subjectivity of a normal POV shot, decentering our viewing experience so that we can consider the story from various angles and not just from Noriko's perspective.
透過切換到一個顯然不在紀子視線內的物體，他阻止我們從正常的視角主觀地觀看，打亂了我們的觀看體驗，讓我們能從不同角度思考故事，而不僅僅是紀子的觀點。
徹底改變主觀視角鏡頭的導演！ (The Director Who Revolutionized The POV Shot)
- And yet this is a moment of subjectivity, as if the camera itself had to think for a second before turning right.
不過，派屈克·史威茲的這個鏡頭，很有可能就是基努的POV，基努從他背後追上來。
- And yet this is a moment of subjectivity, as if the camera itself had to think for a second before turning right.
但這卻是一個主觀的時刻，好像攝影機自己也要思考一下，才能往右轉。
測測你的個性適合哪種醫學專科？MBTI 大解析！ (Your Medical Specialty Based on Personality | Myers-Briggs Breakdown)
- There's no subjectivity or human relationships involved.
沒有主觀性或人際關係的考量。
- When pathologists study biopsy results, there's no subjectivity or human relationships involved.
他們會自然地優先考慮醫病互動，並始終顧及病人的感受和偏好。
Gerhard Richter (1932–至今) 的傳奇故事！ (The Story of: Gerhard Richter (1932–Today))
- Realism, and with reference to Socialist Realism, but also a label Richter wasn't too satisfied about. Richter was interested in current affairs, consumer society, new media and popular culture. He incorporated these elements into his painterly practice, depicting for instance televisions, design magazines, advertisements or political figures and events. This was the genesis of Richter's professional oeuvre, and photography was the starting point, something which used to be impossible with his academic background. He combined photography with his characteristic blurred effect, and immediately started to examine the relationship between both media, photography and painting, a true pillar within his artistic practice. The German artist was interested and fascinated by the dialectic relation between the objectivity and the subjectivity when painting photographs. For Richter, the photograph was the most perfect picture. He could eliminate conscious thinking, as the picture does not change, it is absolute, autonomous, unconditional and not linked to any style. With his blurred effect, he made everything equal, equally important and simultaneously equally unimportant. He was strongly drawn to depicting certain subjects from found photographic material. Think of military subjects, family portraits, images from newspapers or magazines. These selected images all have their very own narrative and motive to be painted, most often combining death or suffering, and its exploitation of death and suffering in media. From 1963 until 1964, Richter had his first exhibitions and commercial successes, collaborating with several galleries, and also collectors were starting to get really interested in his work and career. A landmark year for Gerhard Richter was 1966, for many reasons. The first, the birth of his daughter, Betty, whom he iconically painted in 1988. He also painted his wife
現實主義"，並參考了 "社會主義現實主義"，但這也是裡希特不太滿意的標籤。裡希特對時事、消費社會、新媒體和大眾文化很感興趣。他將這些元素融入自己的繪畫實踐中，例如描繪電視、設計雜誌、廣告或政治人物和事件。這就是裡希特專業創作的起源，而攝影則是他的起點，這在他的學術背景下是不可能實現的。他將攝影與他特有的模糊效果相結合，並立即開始研究攝影和繪畫這兩種媒介之間的關係，這是他藝術實踐中的真正支柱。這位德國藝術家對繪畫照片時客觀性和主觀性之間的辯證關係非常感興趣，併為之著迷。對裡希特來說，照片是最完美的圖畫。他可
- The German artist was interested and fascinated by the dialectic relation between the objectivity and the subjectivity when painting photographs.
電影中的「返老還童」特效怎麼變得這麼厲害？ (How de-aging in movies got so good)
- And since all this meticulous face swapping takes place after filming is wrapped, there's a huge amount of subjectivity and kind of filtering in between what the actor does and what ends up on the screen.
由於所有這些細緻的換臉工作都是在拍攝結束後進行的，是以演員的表演和最終呈現在銀幕上的效果之間存在著巨大的主觀性和過濾性。
- There's a huge amount of subjectivity and kind of filtering in between what the actor does and what ends up on the screen.
是以，我們創建了這些圖片組，我們可以向人工智能提供這些圖片，並以同樣的方式進行教學，如果我給你一本厚厚的書，你知道，裡面有一千頁湯姆-漢克斯在不同地方拍攝的圖片，它們可能是家庭照片，可能是宣傳劇照、電影海報，也可能是他出演過的電影中的圖片。
梵谷如何徹底改變了色彩在藝術中的運用！ (How Matisse Revolutionized Color In Art)
- He was substituting for their illusion of objectivity a conscious subjectivity, a 20th century art that would draw its validity essentially from the painter's own visual and emotional responses.
他用一種有意識的主觀性取代了他們的客觀性幻覺，這種 20 世紀的藝術主要從畫家自身的視覺和情感反應中汲取其有效性。
- He was substituting for their illusion of objectivity a conscious subjectivity, a 20th-century art that would draw its validity essentially from the painter's own visual and emotional responses.
這種記憶的一個版本可以在《生活的樂趣》中找到，但現在馬蒂斯努力用新的風格和新的工具重現這一場景。
