Name: AI 繪畫革命還是噱頭？ (AI art divide: Revolutionary or a gimmick?)
Uploaded: 2026-02-23T23:05:56.000Z
Duration: 13 min 20 s

情態助動詞 B1

When you think about the way art is created, you might imagine painters, photographers or sculptors immersed in their work at their studios.

當你想到藝術創作的方式時，你可能會想像畫家、攝影師或雕塑家在他們的畫室裡專心創作。

But what about a person sitting in front of a computer screen using artificial intelligence and data to create visuals?

但如果一個人坐在電腦螢幕前，運用人工智慧和資料來創作視覺藝術呢？

It's a question that is being asked and answered by some of the most prestigious museums, critics and auction houses in the world.

這個問題正被世界上最負盛名的博物館、評論家和拍賣行所探討和解答。

Some artists call AI a revolutionary new medium.

有些藝術家稱 AI 是一種革命性的新媒介。

We wanted to see it for ourselves, so we went to Los Angeles to meet Rafiq Anadol.

我們想親眼看看，於是我們前往洛杉磯拜訪 Rafiq Anadol。

The 40 year old Turkish American artist is considered a pioneer in the world of AI art.

這位 40 歲的土耳其裔美國藝術家被認為是 AI 藝術領域的先驅。

If you're wondering what that world looks like, grab your Dramamine.

如果你好奇那個世界是什麼樣子，請準備好你的暈車藥。

Rafiq Anadol invited us inside this space at his LA studio.

Rafiq Anadol 邀請我們進入他在洛杉磯工作室的空間。

Every image that surrounds us, Anadol created using artificial intelligence.

環繞著我們的每一個影像，都是 Anadol 用人工智慧創作的。

We'll get to exactly how he created it in a moment, but first, take it in.

我們馬上就會講到他到底是怎麼創作的，但首先，先感受一下。

A hypnotic flow of shapes and colors that morph and evolve in the mirrors and LED screens that surround us.

令人著迷的形狀和色彩流動，在環繞著我們的鏡子和 LED 螢幕中變形、演進。

It can make you feel like Alice in Wonderland stumbled into Studio 54.

這會讓你覺得愛麗絲夢遊仙境闖進了 Studio 54。

I will say that you should not have a cocktail before standing here.

我得說，你站在這裡之前最好別喝雞尾酒。

All of this while a device around your neck pumps out different AI generated scents such as rain and flowers to accompany what you're seeing.

脖子上的裝置還會釋放不同的 AI 生成的氣味，像是雨水和花香，來搭配你看到的景象。

Anadol says eventually another device will monitor viewers vital statistics such as heartbeat.

Anadol 表示，未來還會有另一種裝置來監測觀眾的生命體徵，像是心跳。

And that data will be used to change the art in real time.

而這些資料將被用來即時改變藝術作品。

這只是一個派對上的小把戲嗎？

我覺得這是一種新的藝術形式。

Like we are discovering a new place that's never been before.

就像我們正在發現一個前所未見的新地方。

If that all sounds a bit out there, consider the planetary scale of Rafiq Anadol's work.

如果這聽起來有點超現實，那就想想 Rafiq Anadol 作品的行星規模。

His massive mind bending images have been stretched across the sphere in Las Vegas, the facade of the Walt Disney Concert hall in Los Angeles, and

他那令人驚嘆的巨大影像，已經被投射在拉斯維加斯的球體、洛杉磯迪士尼音樂廳的外牆，以及

巴塞隆納 Antonio Gotti 的卡薩巴特羅。

When people ask you what you do, what do you say?

當別人問你做什麼工作時，你會怎麼說？

So I'm a media artist and I'm using data and AI in my work.

所以我是一位媒體藝術家，我的作品運用了資料和 AI。

So more than 16 years, I paint with a thinking brush.

所以我用了十六年多的時間，用思考畫筆來創作。

I believe that in information around us, the data around us have its own voice.

我相信我們周遭的資訊，也就是我們周遭的資料，都有它自己的聲音。

But like painting, drawing, the things we traditionally think of, sculpting.

但就像傳統上我們認為的繪畫、素描、雕塑一樣。

So technically I may not draw well, but in my mind's eye I can compute.

所以技術上來說，我可能畫不好，但在我的心靈之眼中，我可以運算。

I can imagine geometrically what exactly the mind's eye is looking for to create art.

我可以在幾何上想像，心靈之眼到底在尋找什麼來創造藝術。

For this piece, he used 200 million photos of Earth.

對於這件作品，他使用了兩億張地球的照片。

Data from NASA was the driving force behind these exhibits.

來自 NASA 的資料是這些展覽的驅動力。

When I think about data as a pigment, I think it doesn't need to dry.

當我把資料想像成顏料時，我認為它不需要乾燥。

It can move in any shape, in any form, any color and texture.

它可以以任何形狀、任何形式、任何顏色和紋理移動。

It is trippy because I think as artists we ask what is beyond reality?

確實很迷幻，因為我認為身為藝術家，我們會問「現實的極限在哪裡？」

我們可以將這個與另一個連結起來。

To show us how he does that, Anadol grabbed a gaming controller.

為了展示他是如何做到的，Anadol 拿起了一個遊戲控制器。

So we are in this new algorithm that I am literally controlling the whole system.

所以我們進入了一個我正在實際控制整個系統的新演算法。

Anadol says his team curated 153 million images for a piece on California landscapes.

Anadol 表示，他的團隊為一幅關於加州風景的作品，精選了 1.53 億張圖片。

We are flying in our data set of nature, okay, so in this archive we have flora, fauna.

我們正在導入我們的自然資料集，好的，在這個檔案庫裡，我們有植物、動物。

Each image is converted into a series of data points that represents its characteristics, such as color, texture and shape.

每張圖片都會被轉換成一系列的資料點，代表它的特徵，像是顏色、紋理和形狀。

They're then plotted into multi dimensional space.

接著，這些資料點會被繪製到多維空間中。

So when it receives a prompt, it can create its own new version.

所以當它收到一個提示時，就能創造出自己的新版本。

Images, Anadol says only quote, exist in the mind of a machine.

Anadol 說，圖片只存在於機器的「心靈之眼」裡。

This is AI dreaming this world and now we are reshaping this world together.

這是 AI 在夢想這個世界，而現在我們正一起重塑這個世界。

Anadal then applies special algorithms to blend and make the images into his signature fluid style.

Anadol 然後會套用特殊的演算法，將圖片融合並製成他獨特的流暢風格。

Are you a computer programmer or are you an artist?

你是電腦程式設計師還是藝術家？

But now with AI, I feel like I have now programmed it in a way that I never imagined before.

但現在有了 AI，我覺得我以前所未有的方式編寫了它。

How much of this is driven by you and how much by the machine?

這個有多少是你主導的，又有多少是機器主導的？

So this is a great question because I tried my very best last 10 years to make a 50% machine, 50% human.

所以這是個很棒的問題，因為我過去十年來盡了最大的努力，想做到機器佔 50%、人類佔 50%。

Treating AI as a co creator has made Rafiq Anadal a darling of the tech world.

將 AI 視為共同創作者，讓 Rafiq Anadal 成為科技界的寵兒。

He's teamed up with Google, MIT and Microsoft to create large public installations.

他與 Google、MIT 和 Microsoft 合作，創作大型公共裝置。

He's been embraced by some in the art world.

Sold at 1 million1 selling his pieces for upwards of a million dollars at auction.

他的作品在拍賣會上賣到百萬美元以上。

His work has been exhibited at museums around the world.

他的作品曾在世界各地的博物館展出。

And in 2022 the Museum of Modern Art, New York commissioned this P a colossal 24 foot high installation that filled the MoMA lobby, called Unsupervised.

而在 2022 年，紐約現代藝術博物館（MoMA）委託創作了這件高達 24 英尺的巨型裝置，名為「Unsupervised」，佔據了 MoMA 的大廳。

How did the public react to Unsupervised?

公眾對「Unsupervised」的反應如何？

When they came in and saw it, it was a utter extraordinary hit.

當大家進來看到它時，它獲得了極大的迴響，非常成功。

People sat in front of it for hours, literally transfixed by what they were seeing.

人們坐在它前面好幾個小時，完全被他們所見到的景象深深吸引。

Glenn Lowry was the director of the MoMA for three decades.

Glenn Lowry 擔任 MoMA 總監長達三十年。

He retired in September to Create unsupervised.

他在九月退休，並創作了「Unsupervised」。

Lowry told us Rafiq Anadol trained an AI system on the publicly available metadata of the entire MoMA collection.

Lowry 告訴我們，Rafiq Anadol 訓練了一個 AI 系統，使用 MoMA 整個館藏的公開中繼資料。

Think of metadata as the digital DNA of each piece.

想像一下，中繼資料就像是每件作品的數位 DNA。

Anadol used MoMA's metadata to to reimagine 200 years of art, wrote some algorithms that allowed the data from one object to evolve into the data of another object, to become yet a third object or a fourth object never before seen.

Anadol 利用 MoMA 的中繼資料，重新構想了 200 年的藝術，寫了一些演算法，讓一個物件的資料演變成另一個物件的資料，進而成為前所未見的第三個或第四個物件。

And I think people found it deeply satisfying.

我覺得大家對此感到非常滿足。

It's one of the most popular images in the collection.

這是館藏中最受歡迎的圖像之一。

Studies have found that typically museum visitors spend about 28 seconds looking at great works of art.

研究發現，一般參觀博物館的民眾，通常只花大約 28 秒欣賞一件偉大的藝術品。

For unsupervised, Anadol Sundays, it was 38 minutes.

而對於 Unsupervised，Anadol 的作品，觀賞時間長達 38 分鐘。

但不是每個人都對它讚譽有加。

It's like a giant lava lamp that you can't take your eyes off of.

它就像一個巨大的熔岩燈，讓你目不轉睛。

Jerry Saltz is the Pulitzer Prize winning art critic for New York Magazine.

Jerry Saltz 是《New York Magazine》的普立茲獎得獎藝術評論家。

It's like an Etch A Sketch he called Unsupervised, a half million dollar screensaver splashing into.

他稱 Unsupervised 就像一個巨大的電子畫板，一個價值五十萬美元的螢幕保護程式，潑灑進來。

When people came in and they looked at this, they looked at it for 38 minutes.

當人們進來看到這個作品時，他們看了 38 分鐘。

How long you spend with a work of art is not a sign of success so much as your willingness to get quiet within yourself, go to uncomfortable places, become comfortable in those places.

你在一件藝術品上花費的時間，並不像你願意在內心平靜下來、進入不舒服的境地，並在那些地方感到舒適，那麼能證明成功。

Asking yourself questions in front of a Rafiq Adenol.

在 Rafiq Anadol 的作品前問自己問題。

You sit down, go into a stupor, and you don't have to think much.

你坐下來，進入一種恍惚狀態，而且不用怎麼思考。

You go, oh, there goes a painting that looks a little like Renoir morphing into one that looks like Picasso morphing into an amoeba.

你會說，哦，那是一幅畫，有點像雷諾瓦，然後變成畢卡索，再變成變形蟲。

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AI 繪畫革命還是噱頭？ (AI art divide: Revolutionary or a gimmick?)

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