Name: 探索萊頓之家：東方內裝與西方建築的完美融合！✨ (Exploring Leighton House: A Harmonious Blend of Eastern Interiors & Western Architecture)
Uploaded: 2026-02-18T09:26:26.000Z
Duration: 9 min 23 s

程度副詞

I do remember of having this feeling almost every time.

God, I can't believe that such a room can exist in the middle of London.

天啊，我真不敢相信倫敦市中心竟然會有這樣的房間。

Sound, beauty, water, the tinkling fountain.

聲音、美感、水、還有潺潺的噴泉。

I think Leighton's vision was to create something beautiful.

我覺得 Leighton 的願景是創造出美好的事物。

Not necessarily orientalist, as we would call it now, but

不一定是我們現在說的東方主義，而是

he wanted to create something beautiful also inspires a sense of curiosity about the person who created something so extraordinary.

他想創造出能激發人們對創作者產生好奇心，進而欣賞這份非凡之作的美好事物。

He was brought up in a very cosmopolitan, very international way.

他在一個非常國際化、非常國際化的環境中長大。

He spoke four or five languages fluently, which is unusual in those days.

他當時能流利地說四到五種語言，這在那個年代很不尋常。

He suggested that he wanted to become an artist.

他提議說，他想成為一名藝術家。

The father sort of disagreed at the beginning and eventually agreed.

父親一開始有點不同意，但最後還是同意了。

And he said, as long as you become an eminent one.

然後他說，只要你成為一個傑出的藝術家。

Queen Victoria bought his first important painting.

Queen Victoria 買了他的第一幅重要畫作。

And his dream was to have a house, studio that, you know, he could live and work there in the Middle East.

而他的夢想就是擁有一個房子、一個工作室，你知道的，他可以在中東生活和工作。

You have a tiny door, you have to almost bend down to go into the house, and

你會有一個小小的門，你幾乎要彎下腰才能進到房子裡，然後

You get so many different elements from different cultures.

你可以看到來自不同文化的元素。

You know, the floor, which is more into Roman in some areas, and

你知道，地板，在某些區域更偏向羅馬風格，而

then the columns, which are completely European looking.

然後是柱子，看起來完全是歐洲風格的。

And then when you look at the actual tiles and the whole combination of things is fascinating.

然後當你看看實際的磁磚和所有組合起來的東西，真的非常迷人。

There is definitely a kind of influx of Islam and Byzantium.

這裡絕對有融合了伊斯蘭和拜占庭的風格。

You've got two cultures not colliding, but marrying in a very beautiful, harmonious.

你有兩種文化，不是在碰撞，而是在非常美麗、和諧地結合。

This, actually this room is based on this palazzo in Palero, La.

這個，其實這個房間是參考了Palero, La的這座宮殿。

Got these kind of carved corners which again, bring the space in gradually before you reach the dome.

有這些雕刻的角落，又再次讓空間逐漸收窄，在你到達穹頂之前。

When somebody asked him, why did you build the Arab hall?

當有人問他，你為什麼要蓋這個阿拉伯廳？

Because it was so unusual for a time like that.

因為在那個時代，這實在太不尋常了。

And his response was, for the sake of something beautiful to look at once in a while.

而他的回答是，為了偶爾能有美麗的東西可以欣賞。

我的意思是，這太令人驚豔了。

I mean, this is English, an absolutely wonderful English understatement of this country.

我的意思是，這是英國人，一個絕對美妙的英國式剋制，來形容這個國家。

I mean, who would say something like that?

我的意思是，誰會說出這種話呢？

我的意思是，看看這個，付出的心力。

This is the original staircase hall sort of inspired by Venetian interiors.

這是原始的樓梯間，靈感來自於Venetian的室內設計。

What I love about it, these amazing blue tiles to connect the two spaces.

我很喜歡它，這些超讚的藍色磁磚連接了兩個空間。

The color of these tiles were based on the peacock.

這些磁磚的顏色是從孔雀身上得到的靈感。

Inserted them with some 16th, 17th century Ottoman and some Iznic tiles on the staircase to just make it more interesting.

在樓梯間嵌入了一些16、17世紀的Ottoman和Iznic磁磚，讓它更有趣。

And by painting all the woodwork black with these highlights of gold.

然後把所有木作都漆成黑色，點綴一些金色。

Again, everything was tied in together, but in not an obvious way.

再次強調，所有東西都融合在一起了，但不是那種很明顯的方式。

My whole idea of interior design is that by the time I finished the house is that it was there forever.

我對室內設計的全部想法是，等我完成這棟房子時，它就好像永遠都在那裡一樣。

I just went and tweaked it, you know, I just sort of restored it.

我只是去稍微調整一下，你知道的，我只是稍微修復了一下。

但事實上，這一切都是從零開始做的。

And the whole idea is that you mix different cultures, different periods, different things together.

所以整個想法就是，你要把不同的文化、不同的時期、不同的東西融合在一起。

So we're in the dining room of Leighton House here, which is a very strong contrast in a way to the very exotic Islamic inspired Narcissus hall and Arab Hall.

所以我們現在在Leighton House的餐廳，這跟非常異國風、受伊斯蘭啟發的Narcissus hall和Arab Hall，在某種程度上形成了強烈的對比。

You will have probably come through the library, which is a Victorian room.

你可能已經經過了圖書館，那是一個維多利亞時期的房間。

Then into this surprisingly dark dining room dresser.

然後進入這個令人驚訝的昏暗餐廳的櫥櫃。

There is a modern replica, very nicely done, with freezers above, carved to sort of not replicate, but

這裡有一個現代的複製品，做得非常精緻，上面有冰櫃，雕刻得像是要呼應，而不是複製

to kind of echo with the carving around the doors.

There's the same freeze carvings all around the doors.

門的周圍都有相同的裝飾雕刻。

Isnik's inspired ceramics have been used in this room in a number of ways.

Isnik啟發的陶瓷在這間房間裡以多種方式被運用。

So there's a sort of strong embellishment using these plates.

所以這裡用了這些盤子，做出了很強烈的裝飾效果。

There's also a dish there which is a modern reproduction of an Isnik dish.

那裡還有一個盤子，是Isnik盤子的現代複製品。

So you have the traditional motifs on both of these.

You have carnations, you have tulips, the sort of classic Ottoman motifs, the floral design that we see in the Arab hall as well.

有康乃馨、鬱金香，這些經典的Ottoman圖案，就是我們在Arab hall也看得到的那種花卉設計。

So in, in these Cheney, these Turkish tiles and in these ceramics.

所以，在這些Cheney，這些土耳其瓷磚和這些陶瓷裡。

So there's a thread that flows through the whole house.

And I think that's something also that people can incorporate in their own interiors, even if they can't create something as.

而且我覺得這也是大家可以在自己的室內設計中融入的元素，即使你們無法打造出像。

This room is Frederick Leighton's Studio, a 19th century artist studio with a huge north facing window.

這裡就是Frederick Leighton的工作室，一間有著巨大北向窗戶的十九世紀藝術家工作室。

Artists used northern light because it was consistent.

藝術家們喜歡用北向的光線，因為它很穩定。

They didn't have strong contrasts of light and dark and shadow during the day.

白天的時候，光影的對比不會太強烈。

So this was sort of perfect conditions for paintings.

所以這對畫畫來說，簡直是完美的條件。

One of the aspects that's interesting about this room is the way in which they've used carpets.

這個房間有趣的一點，是他們使用地毯的方式。

So they have carpets on the floor, these sort of Persian carpets, wool carpets.

他們在地板上鋪了地毯，像是波斯地毯、羊毛地毯。

And then they have carpets hanging and other textiles hanging from the ceiling.

然後他們還把地毯和其他紡織品掛在天花板上。

They would have created a very nice atmosphere at the time.

那時候一定營造出很棒的氛圍。

They add color and pattern, something that we don't do much here, possibly because we're afraid of moths.

它們增添了色彩和圖案，這點我們現在比較少做了，可能是因為怕被蛾蛀吧。

There's always the terror of moths eating things.

總是擔心蛾會把東西吃掉的恐懼。

But they're a very nice decorative element.

You haven't got the tiles, but what you have are examples of Leighton's work on the walls.

你們沒有看到磁磚，但牆上這些就是 Leighton 的作品。

There are sketches on the walls showing his travels.

From the Acropolis, the Parson and Fries, the Elgin Marbles.

來自雅典衛城、Parson and Fries、還有愛丁堡的希臘大理石雕塑。

There's this kind of plaster copy of that.