Name: 羅浮宮必看10大藝術品！拆解大師畫作背後的故事 (10 Artworks to See at the Louvre Museum | Behind the Masterpiece)
Uploaded: 2026-02-15T07:17:51.000Z
Duration: 17 min 30 s
Description: 【看影片學英語】數萬部 YouTube 影片，搭配英漢字典即點即查，輕鬆掌握單字發音與用法，長久累積看電影不必再看字幕。

The Louvre is home to some of the world's most famous masterpieces, including the Mona Lisa and Venus de Milo.

羅浮宮收藏了世界上許多最著名的藝術傑作，包括蒙娜麗莎和米洛的維納斯。

This 60,000 square meter exhibition space is the world's largest museum and holds over 35,000 pieces of art.

這個佔地六萬平方公尺的展覽空間是世界上最大的博物館，收藏了超過三萬五千件藝術品。

基礎被動語態

It is said that if you spend 30 seconds looking at each piece, it would take about four months and that's non stop, 24 hours a day.

聽說如果你每件藝術品看三十秒，不眠不休、一天二十四小時地看，大概需要四個月。

But visiting the Louvre is one of the most enjoyable things to do when you're in Paris.

不過，參觀羅浮宮絕對是你在巴黎時最享受的活動之一。

From the Roman and Greek antiquities to Egyptian, African, oceanic and Islamic arts, there's something for everyone to help your visit as you go through this majestic place brimming with culture and history.

從羅馬和希臘的古物，到埃及、非洲、大洋洲和伊斯蘭藝術，這裡應有盡有，能幫助你在這個充滿文化與歷史的壯麗之地盡情遊覽。

The first thing you'll see on your visit is this large glass and metal structure.

你一進來參觀，最先看到的就是這個巨大的玻璃與金屬結構。

The Louvre pyramid has become one of the most recognizable Parisian landmarks.

羅浮宮金字塔已經成為巴黎最知名的地標之一。

It was designed by the Chinese American architect I.M.

這是由華裔美籍建築師貝聿銘於1988年設計的，是擴建計畫的一部分。

pei in 1988 as a part of an expansion project.

The French president at the time, Francois Mitterrand, initiated this project in 1981 to add on the Richelieu wing of the palace that was previously home of the Ministry of Finance.

當時的法國總統 François Mitterrand 在 1981 年啟動了這個計畫，用來擴建當時是財政部舊址的皇宮的黎塞留翼。

This decade long project doubled the exhibition space with the pyramid as a new entrance.

這個耗時十年的計畫，透過金字塔作為新入口，將展覽空間擴大了兩倍。

But it was not loved then as it is today.

但當時大家並不喜歡它，不像現在這麼受歡迎。

Some argued that its modernist style clashed with the classic French Renaissance style of the art and history of the museum.

有些人認為，它現代的風格與博物館的藝術和歷史中，經典的法國文藝復興風格格格不入。

Others were hesitant about trusting a Chinese American architect who was unfamiliar with French culture to take on this massive renovation of a treasured French landmark.

有些人則對於信任一位不熟悉法國文化的華裔美籍建築師，來負責這個珍貴法國地標的大規模翻新感到猶豫。

Today it stands as one of France's most important architectural icons, welcoming millions of visitors every year.

如今，它已成為法國最重要的建築標誌之一，每年迎接數百萬名遊客。

It is almost synonymous with the Louvre, The first piece of artwork everyone is heading towards.

它幾乎等同於羅浮宮，是大家一進來就爭相前往的第一件藝術品。

The most famous artwork in history really is the Mona Lisa.

史上最著名的藝術品，真的是蒙娜麗莎。

Millions crowd around this rather small painting every year to snap a photo, knowing the power it holds on society today.

每年都有數百萬人擠在這個相當小的畫作周圍拍照，都知道它在當今社會擁有的影響力。

Shocking to note that up until the beginning of the 20th century, the Mona Lisa was actually relatively unknown outside of the art world.

令人驚訝的是，直到 20 世紀初，蒙娜麗莎在藝術界以外其實相對不為人知。

Its sudden rise to fame occurred in 1911 when a Louvre employee, Vincenzo Peruggia, stole the portrait to bring it back to his home country of Italy, where he believed it belonged.

1911 年，一位羅浮宮員工 Vincenzo Peruggia 偷走了這幅畫，想將它帶回他的祖國義大利，因為他認為那才是它該待的地方，這也讓它聲名大噪。

He kept the painting hidden in his apartment for two years before presenting it to the Ulfizi Gallery in Florence where it was hung for only two weeks before it was returned to the Louvre.

他把畫藏在公寓裡兩年，之後送到了佛羅倫斯的烏菲茲美術館，在那裡展出了兩週就被送回羅浮宮。

that was enough time for this previously looked painting to be thrusted into the spotlight.

這段時間足以讓這幅先前被忽視的畫作一夕爆紅。

This oil painting by Leonardo da Vinci is a portrait of a woman seated in front of an imaginary landscape.

這幅李奧納多·達文西的油畫，描繪了一位女子坐在虛構風景前。

The background is done in this format of painting technique, which is the softening of transitions between colors and tones, we see that here, through hazy outlines, blurred forms and the absence of clear lines.

背景運用了這種繪畫技巧，也就是柔化顏色和色調之間的過渡，我們在這裡可以看到，透過模糊的輪廓、朦朧的形體以及不明顯的線條。

The figure, who is believed to be Lisa Gherardini, the wife of a silk merchant, sits at the center with her arms folded as she gazes at the viewer with a soft smile.

畫中人物據信是絲綢商人的妻子 Lisa Gherardini，她坐在中央，雙手交疊，帶著一抹淺笑望向觀者。

A smile whose ambiguous nature has made this iconic painting even more enigmatic, enticing the viewers to try and understand both the intentions of da Vinci and his muse.

這抹笑容的模糊特質，讓這幅標誌性的畫作更加神祕，引誘著觀者試圖理解達文西和他的謬思女神的意圖。

Eugene Delacroix, a leader of Romanticism, painted Liberty leading people in 1830, the same year of the Second French Revolution, also known as the Three Glorious Days.

浪漫主義的領袖德拉克洛瓦於 1830 年創作了《自由引導人民》，這一年也是法國七月革命（又稱光榮的三天）發生的年份。

This conflict was due to the different views on who should rule France.

這場衝突源於對誰應該統治法國的不同看法。

For three days, working class citizens fought the French Royal army, abdicating King Charles X and creating a constitutional monarchy, radically altering the course of French history.

這三天，勞工階級的公民對抗法國皇家軍隊，迫使國王查理十世退位，並建立君主立憲制，徹底改變了法國的歷史進程。

This large scale painting provides visual insight into this major historical event.

這幅大型畫作提供了對這場重大歷史事件的視覺洞察。

It is an allegorical painting on the concept of liberty embodied by the female figure atop the crowd, who is believed to be Marianne, a personification of the French Republic.

這是一幅象徵性的畫作，描繪了自由的概念，由人群頂端的女性形象所體現，她被認為是瑪麗安，是法蘭西共和國的化身。

The other figures are placed in the shape of a pyramid with Marianne at the top, emphasizing her importance to the viewers, whose gaze start and end with her.

其他人物呈金字塔形狀排列，瑪麗安位於頂端，強調她對觀眾的重要性，觀眾的目光始終圍繞著她。

She is holding the national flag and is wearing a Phrygian cap, which was a garment that was historically chosen by freed slaves in Greece and Rome for its symbolism, that of liberty.

她手持國旗，頭戴弗裡吉亞帽，這是一種古希臘和羅馬被解放的奴隸選擇的服飾，象徵著自由。

Behind her, a diverse crowd from all walks of life are amidst, celebrating their victory.

在她身後，各行各業的民眾聚集在一起，慶祝他們的勝利。

The artist depicted this imaginary scene to show his support for the ones who have risked their lives during the second Revolution for the future of France.

藝術家描繪了這個虛構的場景，以表達他對那些為法國的未來在第二次革命中冒生命危險的人們的支持。

I have undertaken a modern subject, a barricade, and

我採用了一個現代主題，一個街壘，並且

although I may not have fought for my country, at least I shall have painted for her.

雖然我可能沒有為我的國家戰鬥過，但至少我為她畫過。

Painted by Paolo Veronese in 1563, this large scale painting sits opposite to the Mona Lisa and often goes unnoticed because of its location.

這幅由保羅·委羅內塞於 1563 年創作的大型畫作，就掛在蒙娜麗莎的對面，但由於其位置，經常被忽略。

It is painted in a Mannerist style, an art movement that exaggerates classic characteristics of the Renaissance art movement.

這幅畫採用了風格主義的風格，這是一種誇張文藝復興時期藝術特徵的藝術運動。

Mannerism is depicted through asymmetrical and unnatural choices of light, colors and figures filled with dozens of subjects.

風格主義透過不對稱、不自然的燈光、色彩和擠滿了數十個角色的構圖來呈現。

This piece shows the biblical story of the marriage at Cana, which was attended by Mary, Jesus of Nazareth and some of his apostles.

這件作品描繪了聖經中迦拿的婚禮故事，瑪麗亞、拿撒勒的耶穌和他的幾位門徒都參加了。

During the wedding ceremony, the supply of wine ends and at Mary's request, Jesus commands the servants to fill stone jugs with water, which he then transformed into wine, which that is what we are seeing here, the moment of this miracle.

在婚禮進行中，酒用完了，應瑪麗亞的要求，耶穌命令僕人將石罐裝滿水，然後他將水變成了酒，這就是我們在這裡看到的，這個奇蹟發生的時刻。

In a grand style of a feast of food, music and people, this painting is the largest artwork at the Louvre and was brought to the museum in 1797, over 200 years after it was completed.

這幅畫以盛宴般的宏偉風格呈現了食物、音樂和人群，它是羅浮宮中最大的藝術品，於 1797 年被帶到博物館，當時距離畫作完成已超過 200 年。

Originally, it was hung at the San Giorgio monastery in Venice.

起初，它懸掛在威尼斯的聖喬治修道院。

But under Napoleon's reign, during the French Revolutionary wars, his army took this piece as spoils of war, and

但在拿破崙統治時期，在法國大革命戰爭期間，他的軍隊將這幅作品作為戰利品帶走，

that proved to be a difficult task due to its substantial size.

這 proved to be a difficult task due to its substantial size.

The soldiers had to cut this artwork down the middle and roll it so it could be brought back to France, where it was to be reassembled.

阿兵哥們不得不將這件藝術品從中間切割並捲起來，以便將其運回法國重新組裝。

This exquisite marble masterpiece graces the top of the Daru stairway for all to see as they move through the building.

這件精美的石雕藝術傑作裝飾在達魯樓梯的頂部，供所有人欣賞。

Located in this modern space, she almost looks like she is floating.

擺放在這個現代空間裡，她看起來幾乎像是漂浮著。

Like many other antiquities, its origins were essentially unknown when it was discovered.

和許多其他古物一樣，它剛被發現時，起源基本上是未知的。

But experts have conducted research for years and now believe that it was likely crafted by the people of Rhodes, a Greek island, in the early second century B.C.

但專家們已經研究多年，現在相信它很可能是公元前二世紀初期，由希臘羅德島的居民所創作。

this 18 foot sculpture depicts Nike, the Greek goddess of victory, triumphantly stepping forward to the front of a ship during a successful sea battle.

這座 18 英尺高的雕塑描繪了希臘勝利女神 Nike，在一次成功的海戰中，凱旋地踏上船頭。

We can see how much the artist has cared for this piece.

我們可以看到藝術家對這件作品付出了多少心力。

The hard texture of the marble somehow looks wet and windblown as Nike's seemingly translucent garment clings onto her, twisting around her waist and wrapping around her legs.

大理石堅硬的質地，卻看起來濕潤且被風吹拂，Nike 彷彿半透明的服裝緊貼著她，纏繞著她的腰部並包裹著她的雙腿。

Discovered in 1863 by a French diplomat and archaeologist, this statue was originally only three pieces, the base, the torso and the legs.

這座雕像於 1863 年由一位法國外交官兼考古學家發現，最初只有三塊：基座、軀幹和腿部。

The museum made a choice to add on the wings, which were only partially found, and

博物館選擇加上了部分發現的翅膀，

stopped there, choosing not to recreate the head or the arms.

並在此停止，選擇不重塑頭部或手臂。

Almost a century later, archaeologists from Austria found the figure's right hand.

將近一個世紀後，奧地利的考古學家發現了雕像的右手。

As the figure is armless, there was no way to reattach it to the sculpture, and they didn't.

由於雕像沒有手臂，是以無法將其重新接回，他們也沒有這麼做。

But unearthing this open palm was still significant, as it disproved theories that the figure originally had have been holding an object.

但挖掘出這隻張開的手掌仍然很重要，因為它推翻了雕像原本手裡拿著某樣東西的理論。

Throughout the years, this masterpiece has inspired other artists like the surrealist Salvador Dali or the futurist Umberto Boccioni.

多年來，這件藝術傑作啟發了像超現實主義者薩爾瓦多·達利或未來主義者翁貝託·薄丘尼等其他藝術家。

But no other piece can captivate audiences as powerfully as the original.

但沒有任何一件作品能像原作一樣強烈地吸引觀眾。

The Code of Hammurabi is an artifact from ancient Mesopotamia and the earliest collection of written laws.

漢摩拉比法典是來自古代美索不達米亞的文物，也是最早的成文法集。

282 to be exact, in the history of mankind.

確切來說，是人類歷史上的 282 條。

The text covers various rules and punishments for theft, agriculture, women's rights, slave rights, murder, and death.

內容涵蓋了盜竊、農業、女性權利、奴隸權利、謀殺和死亡的各種規則與懲罰。

In fact, the common phrase an eye for an eye is actually paraphrased from this text.

事實上，「以眼還眼」這句俗語其實是從這段文字改編而來的。

Created by King Hammurabi in Babylon in 1760 BC it was brought to Susa 3000 years later as spoils of war.

這是在公元前 1760 年由巴比倫國王漢摩拉比創作的，3000 年後作為戰利品被帶到蘇薩。

The steel is made from basalt an extremely hard volcanic rock that's very difficult to work with, making the accuracy of these intricate engravings even more impressive.

鋼材由玄武岩製成，這是一種極其堅硬的火山岩，非常難加工，這使得這些複雜雕刻的精確度更加令人印象深刻。

The figure on the top left is King Hammurabi himself, symbolically receiving the laws from the sun God on the right, Shamash, who was the patron of justice depicted by the flames behind him.

左上角的人物是漢摩拉比國王本人，他象徵性地從右邊的太陽神沙瑪什那裡接受法律，沙瑪什是司掌正義的神，身後熊熊燃燒的火焰就是他的象徵。

The two figures are portrayed in a rigid stance.

這兩個人物都以一種僵硬的姿態呈現。

This was typical of Babylonian art, which aimed to portray recognizable characters and scenes without the desire to make them look real or lifelike.

這在當時的巴比倫藝術中很常見，他們旨在描繪可識別的人物和場景，而不追求寫實或栩栩如生的效果。

Before the existence of this piece, rules were passed down generations orally.

在這件作品出現之前，規則都是口頭傳承的。

Hammurabi was the first ruler who decided to convert rules into written laws on record to be available to all.

漢摩拉比是第一位決定將規則轉化為書面法律並記錄下來供所有人查閱的統治者。

This courtyard holds the remains of the city of Dur Sharukin, or the fortress of Sargon.

這個庭院裡有杜爾·沙魯金城的遺址，也就是薩爾貢的堡壘。

It was ordered to be constructed by King Sargon ii in late 8th century BC and was to be the new capital of the Assyrian Empire.

這座城市由亞述國王薩爾貢二世於公元前 8 世紀末下令建造，並將成為亞述帝國的新首都。

It was built at the foot of the Mount Musri in present day Iraq and measured at 1,758.6 by 1635, making it the largest city in the ancient world.

它建在現今伊拉克穆斯里山腳下，面積為 1,758.6 x 1635，是古代世界最大的城市。

It was worked on for 10 years, but was unfortunately never completed.

這項工程耗時 10 年，但不幸的是從未完工。

Its construction came to an abrupt stop when King Sargon II died in a battle.

薩爾貢二世國王在戰役中身亡，工程也是以戛然而止。

The site was Then rediscovered in 1843 by the French vice consul in Mosul.

這裡在 1843 年被法國駐摩蘇爾副領事重新發現。

The Lamassu were among the pieces that were excavated and brought back to France.

拉瑪蘇就是被挖掘出來並帶回法國的藝術品之一。

These magical creatures take the form of hybrid beasts with bodies and ears of winged bulls, the wings of an eagle and the heads of human males which resemble depictions of Sargon ii.

這些神獸有著長著翅膀的公牛的身體和耳朵，以及老鷹的翅膀，頭部則像薩爾貢二世的男性頭像。

They are Mesopotamian protective entities and have the combined powers of the many different animals their bodies take the form of.

他們是美索不達米亞的守護神，擁有牠們身體所代表的各種動物的綜合力量。

Yet they are benevolent as seen from their gentle smile.

然而，從牠們溫柔的微笑可以看出，牠們是仁慈的。

The roles of these gigantic alabaster figures was to watch over the city.

這些巨大的雪花石膏雕像的作用是守護這座城市。

Should the city have been completed and preserved, the Lamassu would be carved at important doorways in order to provide protection.

如果城市得以完工並保存下來，拉瑪蘇就會被雕刻在重要的門口以提供保護。

This marble masterpiece is famous for its beauty and recognized for its missing arms.

這件大理石藝術傑作以其美麗聞名，但其斷臂也廣為人知。

But like many other artifacts, not much was known about this piece when it was unearthed in the 19th century on the Asian islands of Milos.

但和許多其他文物一樣，這件藝術品在 19 世紀於亞洲的米洛斯島出土時，人們對牠的瞭解並不多。

Thanks to the years of research conducted, experts have now pieced together a narrative.

經過多年的研究，專家們現在拼湊出了一個故事。

It is said to have been created by Alexandros of Antioch, a Greek sculptor, sometime during 150 to 125 BC.

據說是由一位希臘雕塑家亞歷山卓（Alexandros of Antioch）在公元前 150 至 125 年間創作的。

This sculpture is made of Parian marble, which is a fine grained, semi translucent pure white material that's found in quarries on the island of Paros, Greece.

這座雕像由帕羅斯大理石製成，這是一種質地細膩、半透明的純白色材料，產自希臘帕羅斯島的採石場。

It features a semi nude female figure posed in a classic S curve.

它呈現一位經典 S 形曲線的半裸女性。

Bending one way first and then back to the other.

先彎向一邊，然後再彎回另一邊。

The identity of this larger than life statue has remained a mystery since it was discovered without its arms.

這座真人大小雕像的身分，自從被發現時就缺少了手臂，至今仍是個謎。

It's nearly impossible to confirm who she's supposed to represent, as many artistic depictions of Greek goddesses contain clues to their identity in the characteristics of their hands.

由於許多希臘女神的藝術描繪，都會透過手部特徵來暗示身分，是以幾乎不可能確定她究竟代表誰。

Some believe it to be Aphrodite, the goddess of beauty.

有些人認為她是美麗女神阿芙蘿黛蒂（Aphrodite）。

This is due to her uncovered body and the statue's proximity to a hand holding an apple when it was discovered, which is an attribute of hers.

這是因為她裸露的身體，以及雕像在被發現時靠近一隻拿著蘋果的手，而蘋果是她的象徵之一。

Others believe it to be Amphitrite, the sea goddess that was worshipped on the island of Melos, where it was found.

其他人則認為她是海神安菲特里忒（Amphitrite），她在發現地米洛斯島上受到崇拜。