contemporary
US /kənˈtɛmpəˌrɛri/
・UK /kən'temprərɪ/
B1 中級英檢中級
adj.形容詞當時的；同時代的
Many contemporary writers write political novels
n. (c.)可數名詞同年齡的人
He is my contemporary, we went to school at the same time
adj.形容詞同時的
There were several major contemporary events happening in the 1930s that lead to the war
adj.形容詞當代的
Contemporary art is often challenging and thought-provoking.
adj.形容詞現代風格的
The house was designed in a contemporary style, with clean lines and open spaces.
adj.形容詞當代音樂的
The concert featured contemporary music.
影片字幕
你懂藝術嗎？要價二億的畫作居然是全白的？！(Why these all-white paintings are in museums and mine aren't)
06:30
- While there is a lot of skill in a lot of modern and contemporary art, there's also a lot of art that is more about the idea than it is about skill.
雖然現代與當代藝術中仍有許多技法，但在許多藝術作品中，背後隱藏的意涵比技法更加重要。
在布宜諾斯艾利斯的終極阿根廷早餐美食之旅!在布宜諾斯艾利斯吃什麼早餐？ (Ultimate ARGENTINE BREAKFAST Food Tour in BUENOS AIRES! ?☕ What to EAT for Breakfast in Buenos Aires)
15:49
- and lastly we'll visit a more contemporary cafe with some more savory food options
，最後我們將參觀一個更現代的咖啡館，提供更多美味的食物選擇，
- third type of breakfast a contemporary breakfast so we've come to a place called tostado where
第三種類型的早餐 現代早餐 所以我們來到了一個叫 tostado 的地方
揭祕臺灣8000年的寶藏 (Discovering 8000 Years of Treasure in Taiwan)
05:20
- can sometimes feel
so contemporary at the same time.
有時可以感受到 同時具有現代感。
夏洛特-帕金斯-吉爾曼的《黃壁紙》 | 摘要與分析 (The Yellow Wallpaper by Charlotte Perkins Gilman | Summary & Analysis)
10:02
- The yellow wallpaper also symbolizes contemporary xenophobia, particularly fears of Asian immigration.
黃色牆紙還象徵著當代的仇外心理，尤其是對亞洲移民的恐懼。
的故事：格哈德-裡希特（1932-至今） (The Story of: Gerhard Richter (1932–Today))
19:49
- Emma, nude on a staircase, one of his most famous works he ever painted, and he took on geometric abstraction with his colour chart, influenced by his friend Blinky Palermo, but also influenced by pop art and minimal art. Richter had already been experimenting with abstraction and minimal painting, think of the abstracted blur or washed out zones of oil paint, but also depicting very minimal elements, such as curtains, tubes, turning sheets or daily objects. The colour charts were copies of paint sample cards, which paved the way for Richter's future abstract paintings. After Emma, nude on a staircase, Richter would paint several erotic nudes in 1967, followed by cityscapes, aerial views, mountains, starscapes, clouds, seascapes and landscapes in 1968 and 1969. With these artworks, there is this notion of both an almost nostalgic romanticism and an ongoing exploration of abstraction. He would paint many shadow pictures, corrugated iron as a geometric abstract work, grey monochromes, colour streaks and grit, arriving at pure abstraction and questioning the limits of representation. By the end of the decade, Richter had established himself as a contemporary artist, participating in group exhibitions across the globe. In 1969, he was included in the exhibition Nine Young Artists at the Solomon R. Guggenheim Museum in New York, his first show at a major institution. However, Richter was still unsure about his future and in search for a specific direction, so his paints and the experiments would continue.
受朋友布林基-巴勒莫（Blinky Palermo）的影響，同時也受到波普藝術和極簡藝術的影響，裡希特開始用色彩圖表現幾何抽象。當時，裡希特已經開始嘗試抽象和極簡繪畫，比如油畫顏料中抽象化的模糊或沖淡區域，以及描繪非常簡約的元素，如窗簾、管子、翻轉的床單或日常物品。色彩圖是顏料樣本卡的複製品，這為裡希特未來的抽象繪畫鋪平了道路。繼《樓梯上的裸體艾瑪》之後，裡希特在 1967 年又創作了多幅色情裸體畫，隨後在 1968 年和 1969 年又創作了城市風景、鳥瞰、山景、星空、雲彩、海景和風景畫。在這些作品中，
- Gerhard Richter got together with Isa Genzken, one of the most important sculptors of the contemporary era, as they got married in 1982. They would move to a new and larger studio offered by Richter's gallerist Rudolf Swerner in Cologne. At this very moment, he was really getting into his stride with his abstract paintings. With his abstract paintings being very successful, there was somewhat a question mark next to his figurative paintings. However, at this point in time, he painted his iconic candles during the first half of the decade, but also new landscapes in a very close dialogue with his abstract works, indicating the close alignment of both spheres in Richter's oeuvre. Even more, during the second half of the 1980s,
格哈德-裡希特（Gerhard Richter）與當代最重要的雕塑家之一伊薩-根茲肯（Isa Genzken）於 1982 年結婚。他們搬到了裡希特的畫廊主魯道夫-施維爾納（Rudolf Swerner）在科隆提供的一個更大的新工作室。此時此刻，他的抽象畫創作才真正步入正軌。由於他的抽象畫獲得了巨大成功，他的具象畫在某種程度上被打上了問號。然而，在這一時期，他不僅在上半葉創作了標誌性的蠟燭畫，還創作了與抽象畫密切對話的新風景畫，這表明裡希特的創作中兩個領域緊密結合在一起。在 20 世紀 80 年代後半期，
劍橋 17 Test 2 雅思聽力測試 2025 - 附答案 (Cambridge 17 Test 2 IELTS Listening Test 2025 - With Answers)
28:57
- I was a bit surprised by the contemporary dress, I must say.
不得不說，我對這件現代服飾感到有些驚訝。
