Name: 哈利波特：魔法聽起來是什麼聲音？✨ (Harry Potter: What Magic Sounds Like)
Uploaded: 2026-02-11T17:07:14.000Z
Duration: 7 min 53 s

情態副詞

That's only one of a million questions that those who brought the world of Harry Potter to film had to answer.

這是那些將哈利波特的世界搬上大銀幕的電影製作人必須回答的數百萬個問題之一。

When you bring a beloved story to life, you're in a sense, collapsing the millions of movies that already exist in the imaginations of readers into one.

當你把一個深受喜愛的故事情節活現時，某種程度上，你就是在將讀者腦海中已存在的數百萬部電影濃縮成一部。

It may not be your intention to create a definitive version, but

你可能無意創造一個權威版本，但

if you do your job right, that's what's going to happen for a lot of people.

如果你做得對，對很多人來說，這就是會發生的事。

So every little technical question matters.

所以，每一個小小的技術問題都很重要。

Though there are some precursors in literature before, Harry Potter film had never really seen such a formalization of magic, such a variety of possible spells cast with specific gestures and feelings.

雖然文學中有些前驅，但哈利波特電影以前從未真正見過如此形式化的魔法，如此多樣的可能咒語，透過特定的手勢和情感施放。

And if the filmmakers didn't quite know what all that should sound like, they at least knew what they didn' want it to sound like.

而且如果電影製作人不太確定所有東西聽起來應該是什麼樣，他們至少知道他們不想要聽起來是什麼樣。

In preparation for the first film, director Chris Columbus told supervising sound editor Eddie Joseph that he didn't want anything modern, futuristic, or electronic.

為了準備第一部電影，導演 Chris Columbus 告訴總負責的聲音剪輯師 Eddie Joseph，他不想有任何現代、未來感或電子的聲音。

The Star wars blaster and lightsaber being, I think, key points of reference.

我認為 Star wars 的爆能槍和光劍是重要的參考點。

And though the sound profile of magic spells changed throughout the series, that was a mantra that subsequent filmmakers and sound designers, for the most part, held to.

雖然魔法咒語的聲音特徵在系列中有所改變，但這是一個後續的電影製作人和聲音設計師，在大多數情況下都遵循的核心理念。

For example, here's the very first wand magic in the Umbrella Magic.

舉例來說，這是「雨傘魔法」中最早的魔杖魔法。

I guess the filmmakers use a technique here that they return to again and again.

我想電影製作人這裡使用了一種他們一再使用的技巧。

When the magic being created has a specific sound already associated with it, they use that.

當被創造的魔法已經有特定的聲音與之相關時，他們就會使用它。

In a lot of these cases, the spell doesn't really need a sound of its own.

在很多情況下，咒語本身並不需要有聲音。

If the thing it's impacting is immed, that'll do the job.

如果它影響的東西是立即的，那就可以了。

And there are others, like levitation, that work just fine silently.

還有一些，像是漂浮術，安靜地執行也沒問題。

But Harry Potter has plenty of spells that do need sound effects, ones that don't have any obvious connection to sounds in the real world.

但哈利波特有很多咒語是需要音效的，這些咒語跟現實世界中的聲音並沒有明顯的關聯。

It's in these cases that the filmmakers and sound designers get to be creative.

這種時候，電影製作人和聲音設計師就能盡情發揮創意。

In the first two films, you can tell that there was a fair amount of experimentation going on.

在前兩部電影裡，你可以發現當時有很多的實驗。

Here are all the sounds from Sorcerer's Stone back to.

這裡有從《神祕的魔法石》到後來的聲音。

I heard some whooshes, some explosives, some firecrackers, some electricity, and even a couple animal noises.

我聽到了一些呼嘯聲、爆炸聲、鞭炮聲、電流聲，甚至還有幾種動物的叫聲。

What's interesting here is that the team on the second movie appears to be consolidating the styles from the first movie into one what you could call the explosive whoosh sound effect.

有趣的是，第二部電影的團隊似乎將第一部電影的風格整合成了所謂的「爆炸呼嘯聲效」。

It sounds like a combination of rocket boosters, explosives, and air jets.

聽起來像是火箭推進器、爆炸物和噴射氣流的結合。

And it's not unreasonable to assume that this style may have dominated the series going Forward if not for a radical change in the Prisoner of Azkaban.

而這種風格如果不是因為《阿茲卡班的逃犯》的劇烈改變，很有可能就主導了整個系列。

Alfonso Cuaron and his team completely redesigned the Sound of Magic for the third movie.

阿方索·柯朗和他的團隊為第三部電影徹底重新設計了魔法的聲音。

Gone are the explosive whooshes, replaced with soft, fluty sounds for just about every spell.

那些爆炸性的呼嘯聲消失了，取而代之的是幾乎所有咒語都變得柔和、悅耳的聲音。

It makes the magic feel less aggressive and more mysterious, like it's just a wisp wind on the air.

這讓魔法感覺不那麼具攻擊性，而是更神祕，就像空氣中一縷微風。

It serves as a good foundation from which the movie builds its central spell, the Patronus Charm.

這為電影建立其核心咒語「護法咒」打下了良好的基礎。

The Patronus is a projection of your happiness, a positive force built from your fondest memories that repels dementors which feed on despair.

護法是快樂的投射，一種由你最美好的回憶建立起來的正面力量，用來驅逐以絕望為食的催狂魔。

In Azkaban, the Patronus is built out of voices, a chorus of angels that fits with that heavenly projection of your soul without fear.

在《阿茲卡班》，護法是由聲音構成的，像是天使的合唱，與你靈魂無懼的天國投射相符。

I think the Prisoner of Azkaban freed up the rest of the filmmakers in the series to find the unique sound of magic that that fit their movie.

我認為《阿茲卡班的逃犯》讓系列中其他的電影製作人得以釋放，找到適合他們電影的獨特魔法聲音。

And as spellcasting became more and more prominent in the second half of the series, directors and sound designers had to find unique sound profiles, not just for different spells, but

隨著咒語在系列後半段越來越突出，導演和聲音設計師必須找到獨特的聲音特徵，不只是針對不同的咒語，而是

also for different people and different key events.

也針對不同的人和不同的關鍵事件。

One of the things that David Yates, director of the final four movies, was really great at was combining the incantations with the spell sounds to create this sense that the magic was leaping from people's bodies just as they said the words.

David Yates，也就是後續四部電影的導演，他非常擅長將咒語的唸誦與咒語的聲音結合，創造出一種魔法彷彿從人們說出咒語的瞬間就從他們身上躍出的感覺。

My favorite spell moment from the whole series is at the beginning of Order of the Phoenix, when Harry and Dudley are run down by the dementors.

我最喜歡的整個系列中的咒語時刻，是在《鳳凰會的密令》開頭，哈利和達力被催狂魔追趕的時候。

Listen to the sound design here to when the Patronus initiates.

聽聽這裡的聲音設計，當護法咒啟動時。

For me, it's sound that makes that moment so powerful.

對我來說，是聲音讓那個時刻如此強大。

Voice mixed with the flamethrower sound of the spell coming in on the O in Patronum, then giving way to that familiar heavenly chorus.

聲音與咒語進入「Patronum」時的火焰聲混合，然後讓位給那熟悉的、來自天堂的合唱。

There's an urgency to this kind of spell casting, and

a personal quality, like the spell is equivalent to the voice.

以及一種個人化的特質，就像咒語等同於聲音一樣。

This is brought home most of all in the various examples of the death curse cast in the final films.

這在最後幾部電影中各種索命咒的例子中得到了最充分的體現。

sound design is a deeply consequential part of moviemaking.

聲音設計是電影製作中一個非常關鍵的部分。

People understand what they see, but they feel what they hear.

觀眾明白他們看到的，但他們感受到的卻是聽到的。

透過創造一個多元的聲音調色盤。

Whether it's explosive whooshes, wisps of wind, or crackling lightning mixed with voice.

無論是爆炸性的呼嘯聲、微風的低語，或是夾雜著人聲的閃電噼啪聲。

These filmmakers and sound designers brought Harry Potter to life.

這些電影製作人和聲音設計師讓哈利波特活了起來。

Hey, everybody, thank you so much for watching.

哈囉，大家好，非常感謝收看。

One of the questions that you guys ask me all the time is what software I use to make these videos.

你們一直問我的問題之一，就是我用什麼軟體來製作這些影片。

I use final cut Pro10 to edit the neural writer, and

我用 Final Cut Pro 10 來剪輯 Neural Writer，

there was actually a little bit of an uproar when X came out because Apple completely redesigned the program from the previous version.

其實當 X 出來的時候，引起了一點騷動，因為 Apple 把這個程式跟之前的版本完全重新設計了。

An editing tool that I'd become an expert on for over 10 years was just gone.

一個我已經精通了十多年的剪輯工具就這樣消失了。

Eventually, I learned how to use Final Cut Pro X by watching a bunch of YouTube videos, but

最後，我透過看很多 YouTube 影片學會了 Final Cut Pro X，但是

what I really wish I had was something like Today's Sponsor skillshare skillshare is an online learning community for creators with more than 18,000 classes in graphic design, animation, video game design, and

我真的很希望有像今天贊助商 Skillshare 這樣的東西。Skillshare 是一個給創作者的線上學習社群，有超過 18,000 堂課，涵蓋平面設計、動畫、遊戲設計，還有

All the classes are professional and understandable and follow a clear learning curve.

所有的課程都很專業且易於理解，並有清晰的學習曲線。

A premium membership begins around $10 a month for unlimited access to all the courses, but

付費會員方案每月約 10 美元起，就能無限暢看所有課程，但是

the first 500 people to sign up using the link in the description get their first two months for free.

前 500 名透過下方連結註冊的人，可以享有前兩個月免費。

In those two months, you could easily learn the skills you need to start a new hobby or business.

在這兩個月裡，你就能輕鬆學到開始新嗜好或事業所需的技能。