Name: 魔法壞女巫：善惡不分 | 打造魔法奧茲的聲音！ (Wicked: For Good | Creating the Sounds of Oz)
Uploaded: 2025-12-10T05:49:58.000Z
Duration: 4 min 51 s

Every single filmmaker on Wicked in every single department is at the top of their game.

《Wicked》裡的每一位導演、每一個部門，都頂尖至極。

And so what we've got is a huge collaboration on the set.

所以我們在電影拍攝場景裡，有著大規模的合作。

程度副詞

We've got people that really want to help me and my team record great sound.

有很多很棒的人，真的想幫助我和我的團隊錄製出很棒的音效。

This is between the wizard and I, because they know that what we're trying to do here is not just record live dialogue.

這是巫師和我之間的默契，因為他們知道我們在這裡不只是要錄製即時對白。

They know that we're actually trying to record live vocals in every song.

他們知道我們其實是要在每一首歌曲裡錄製即時人聲。

So effectively, our movie set is also a recording studio.

所以實際上，我們的電影拍攝場景也是一間錄音室。

It's a really rich visual in the world that John's created, and

這是 John 創造的世界裡，一個非常豐富的視覺效果，而且

he's very much into bringing that world to life and showing it to the audience.

他非常投入地讓那個世界活起來，並將它呈現給觀眾。

But he's also very meticulous in regards to what we need to hear versus what we need to just feel every day.

但他在我們需要聽到的和我們每天只需要感受到的之間，也非常嚴謹。

The terror comes from a craft point of view.

I treat the vocals and dialogue exactly the same before I even bring the music tracks into the mix, because to me, that's the foundation of it.

在我把音樂音軌混音之前，我會把即時人聲和即時對白視為完全相同，因為對我來說，那就是基礎。

The transition is seamless and everything grows from that.

轉換是無縫的，一切都由此發展。

Good news now at last, all roads lead to the Wizard.

好消息終於來了，條條大路通往巫師。

哦，我們今天將有一個多麼盛大的慶祝。

Even the two leads, you know where they are in age and in their experiences, they're changing the style of their singing to match what their character is going through.

即使是兩位主角，你知道他們的年齡和經歷，他們正在改變他們的演唱風格，以配合他們角色所經歷的一切。

And so I like to think we're doing that as well with the sound.

所以我想我們在音效方面也是這樣做的。

Everything was made for Wicked for good, from scratch.

一切都是為了《Wicked》而生，從零開始。

When it comes to the music and sound of Wicked, we always tried to find what was the Ozian version of anything.

談到《Wicked》的音樂和音效，我們總是試圖找出任何事物的奧茲版本。

Something that wasn't obvious, something that felt true to the world of Oz, but

一些不那麼明顯，感覺真實屬於奧茲世界的東西，但

also have them evolve into something so new and so cinematic to challenge the audience, to give them something that they might not be expecting.

同時也讓它們演變成如此嶄新且電影感十足的東西，來挑戰觀眾，給他們一些意想不到的東西。

To me, is just one big movie that we just got to do in two sections.

對我來說，這就是一部我們分兩部分完成的宏大電影。

But there's certain things that there's more of.

There's more sonic kind of signature things, like there's a lot more of Elphaba's cape in this one.

有更多聲音上的標誌性元素，像是這部裡有更多艾芙芭的披風。

Get to develop a bit more of the language and all that kind of stuff that goes on with the monkeys, the sound of the Tin man and the squeak and those types of things.

可以稍微發展更多語言，以及猴子們會發出的聲音，錫人的聲音和吱嘎聲等等。

There's a lot of subtle stuff going on in the sound effect realm throughout all of the movie, just in regards to the timbre, the tone, the rhythms.

在整部電影的音效領域裡，有許多細微之處，這都關乎音色、語調和節奏。

Anything you're hearing is always in service of the music that we're hearing.

你聽到的任何東西，都是為了我們聽到的音樂服務。

You know, there's always machinery behind the wizard.

你知道，巫師背後總是有機械裝置。

Those machines are always ticking along in time to the score.

那些機器總是隨著配樂的節奏滴答作響。

Kind of maintaining a level of abstractness with that.

It's such an iconic moment that we can capitalize on to defy people's expectations of what it's going to sound like.

這是一個如此標誌性的時刻，我們可以藉此來顛覆人們對它聽起來會是什麼樣子的預期。

So I was looking for a singular sound that would convey this type of growling vocal terror.

所以我一直在尋找一個能傳達這種咆哮式恐怖聲音的獨特音效。

為什麼一片土地會有這麼多意義？

But what's been pleasantly surprising is we've ended up shooting more live than we ever thought we were going to, because John Chu, Stephen Schwartz, the whole music team, and

但令人驚喜的是，我們實際拍攝的即時演出比我們預期的還要多，因為 John Chu、Stephen Schwartz、整個音樂團隊，

Ari and Cynthia have just been 100% behind the live vocal vibe.

以及 Ari 和 Cynthia 都百分之百支持即時人聲的感覺。

Every single time we've recorded live, there's been something jumping out of the screen.

每次我們錄製即時演出時，總有東西從螢幕裡跳出來。

Not only does it support the live performance, but it also supports the film making.

這不僅支持了現場演出，也支持了電影製作。

So that we're not tying a camera move to a pre recorded piece of music.

這樣我們就不會將鏡頭移動綁死在預錄的音樂上。

We're doing the camera move that is best for the performance that we're seeing visually as we shoot.

我們會根據拍攝時看到的視覺表演，做出最適合的鏡頭移動。

So what we've been able to do with sound is open up the world of Oz, make it bigger, make it more believable, make the audience just be able to fall into it and become part of it and believe it.

所以我們透過音效，讓奧茲國的世界得以開展，變得更大、更真實，讓觀眾能夠沉浸其中，成為其中的一部分，並相信它。