Name: 《混沌少年時》的製作過程：一鏡到底的解釋 | Netflix (The Making Of Adolescence: The One-Shot Explained | Netflix)
Uploaded: 2025-04-21T15:43:29.000Z
Duration: 12 min 51 s

to 不定詞

Okay, confirming 10-51, ready to go, over.

好的，確認 10 -51，準備就緒，完畢。

Bravo Delta 5-0 to Bravo Delta 6-0, are you ready to roll up?

Bravo Delta 5-0 到 Bravo Delta 6-0 準備好了嗎？

You see a swan glide gracefully across the water, but its legs are flapping like mad.

你看到一隻天鵝在水面上優雅地滑行，但它的雙腿卻瘋狂地拍打著。

And that is basically what each one of these episodes are.

All right, police, get down on the floor.

With adolescence being a single-shot format, it all runs very differently to normal.

由於青春期是一次性的，它的運行方式與正常情況截然不同。

It took a few weeks to really understand that it was only one camera moving through space, that there was no cuts, and that whatever was shot is the episode.

我花了幾周時間才真正明白，這只是一臺攝影機在空間中移動，沒有剪輯，拍什麼就是什麼。

I have a warrant to search your premises, sir.

我有搜查令可以搜查你的房子 先生

You kind of feel like you're in a theatre space more than a TV space.

比起電視空間，你會覺得自己身處劇院空間。

Once the train starts moving, no one can stop it.

火車一旦開動，誰也無法阻擋。

Mr. Miller, I will arrest you for obstruction.

米勒先生 我要以妨礙公務罪逮捕你

I'm arresting you on suspicion of murder.

Adolescence is not a whodunit, it's a why-dunit.

青春期不是一個 "偵探小說"，而是一個 "為什麼偵探小說"。

Your son, he's been arrested on suspicion of murder.

And this started with a phone call from Stephen saying, how do we tell that story in four one-hour shots?

起因是斯蒂芬打來電話說，我們如何用四個一小時的鏡頭來講述這個故事？

I always wanted to tell a tale over a long time span, but not do it the way normal chronological stories work.

我一直想講述一個時間跨度很長的故事，但又不想按照正常的時間順序來講述。

That was the idea of spanning it across 13 months, but dipping in and out.

這就是橫跨 13 個月，但時斷時續的想法。

And so we quickly worked out, we're going to do the arrest, we're going to do school, then we're going to spend some time with Jamie, and then we're going to spend some time with the family.

所以我們很快就想好了，我們要去抓人，我們要去上學，然後我們要花一些時間和傑米在一起，然後我們要花一些時間和家人在一起。

In episode one, he's looking at a particular situation and trying to be as impartial as possible.

在第一集中，他正在觀察一個特定的情況，並試圖儘可能做到公正。

Dad, can you tell me when we can see my son?

爸爸，你能告訴我什麼時候能見到我兒子嗎？

不會太久的 米勒先生 Not long, Mr. Miller, all right.

It could happen to anybody, you know what I mean?

這可能發生在任何人身上，你明白我的意思嗎？

We thought it'd be interesting to shine a light on the devastation that causes, the ripple effect that that has on everybody.

我們認為，揭示這種破壞對每個人造成的連鎖反應會很有意思。

It's going to touch a nerve with a lot of different people, and it's important for us to represent in the right way and be accurate.

這將觸動很多人的神經，我們必須以正確的方式準確地表達。

不要把它放在非同尋常的地方。

Make this feel like it could happen to you, because that is the reality of what is happening in our world.

讓人感覺這可能發生在你身上，因為這就是我們這個世界正在發生的現實。

You'd have a bit by your side all the way through it, all right, okay?

你會有一個人一直陪著你，好嗎？

We wanted the audience to be thinking, there's no way he's done this.

我們想讓觀眾覺得，他不可能做到這一點。

So for him to see this act committed by his boy, he's pollaxed, and his life from that moment on will never be the same again.

是以，當他看到自己的兒子做出這種行為時，他被嚇壞了，從那一刻起，他的生活再也不一樣了。

Episode two should be something that makes people think, sparks debate, and opens the door for other directors, writers, to feel that they can show the harsher sides of reality beautifully.

第二集應該讓人們思考，引發爭論，併為其他導演、編劇打開一扇門，讓他們覺得自己可以把現實中更殘酷的一面展現得淋漓盡致。

這個節目是關於窗戶的，對嗎？

You get four different windows into Jamie's world, but it was working out where the windows were best placed so that we could understand him.

你可以通過四個不同的窗口進入傑米的世界，但我們要想辦法確定窗口的最佳位置，這樣我們才能理解他。

Episode two is kind of like piecing it together within the school and seeing how kind of social media can affect our children these days.

第二集就像是在學校內部進行拼湊，看看如今的社交媒體會對我們的孩子產生怎樣的影響。

It's not going well because you're not getting it.

You're not reading what they're doing, what's happening.

你沒有讀懂他們在做什麼，發生了什麼。

The youngsters don't live in a blinkered world where they don't know that these things happen.

年輕人不是生活在一個懵懂的世界裡，他們不知道這些事情的發生。

There's 300 kids, as well as all of the teachers, all the chaperones that are being led around by lots of dressed in ADs.

有 300 個孩子，還有所有的老師、所有的陪護人員，他們由許多身著助理人員服裝的人帶領著四處走動。

So it's got to be really meticulously planned out.

是以，必須要有非常縝密的計劃。

You're going to get instructions from the cast teachers to get back in line.

演員老師會訓示你們回到隊伍中去。

We have three weeks for one episode, right?

我們有三週的時間來製作一集，對嗎？

So our first week is spent literally walking through scene by scene.

是以，我們的第一週就是一個場景一個場景地走。

We're going to be going through it a lot, over and over again.

我們會經常這樣做，一遍又一遍。

然後它就變成了肌肉記憶，你知道嗎？

Then we do the tech rehearsal with all the crew.

然後，我們與所有工作人員進行技術排練。

That week, you know, we put a lens on it, we start moving through the space, we start realising what doesn't work.

那一週，你知道，我們把鏡頭對準它，我們開始在空間裡移動，我們開始意識到哪些地方行不通。

Kind of two steps forward, one step back a little bit.

This is just rehearsals and look, we're all doing it with our scripts already anyway.

這只是排練，你看，反正我們都已經拿著劇本在排練了。

And then the last week, we get 10 chances to a day at shooting one take.

最後一週，我們每天有 10 次拍攝機會。

簡，這是一個巨大的損失，親愛的。

We'll arrange for somebody for you to have a chat.

Please, Jane, no, you can't go back to class.

求你了，簡，不，你不能回去上課。

When I first read the scripts, it blew my mind.

當我第一次讀到劇本時，我大吃一驚。

I felt like I just knew all these characters and I could visualise the whole thing.

我覺得我認識所有這些角色，我能想象出整個故事。

The collaboration on this show, a lot of it was technical, but the surprising thing was using technical to free us.

在這個節目中的合作，很多都是技術性的，但令人驚訝的是用技術解放了我們。

I'd written in this chase sequence and this chase sequence took Bascom and this boy beside the murder site and then the camera was going to travel back on its own back to the school.

我寫了一個追逐鏡頭 這個追逐鏡頭把巴斯科姆和這個男孩帶到了凶案現場旁邊 然後攝影機會自己回到學校。

That moment would have felt almost like a video game walking down the street.

那一刻，走在街上的感覺就像在玩電子遊戲。

I think it would just take the audience away from what the piece is.

我認為這隻會讓觀眾遠離作品的本質。

And then Phil called me up and he said, Matt and I think we found a way to make the camera fly.

然後菲爾給我打電話說 馬特和我想我們找到了讓攝影機飛起來的方法

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《混沌少年時》的製作過程：一鏡到底的解釋 | Netflix (The Making Of Adolescence: The One-Shot Explained | Netflix)

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