Name: 《SINNERS》的視覺特效幕後揭祕 | 華納兄弟影業 (Behind the Visual Effects of SINNERS | Warner Bros. Entertainment)
Uploaded: 2026-03-04T16:50:47.000Z
Duration: 3 min 1 s

You play your twin brother, you play across opposite of yourself.

你扮演你的孿生兄弟，扮演與自己對立的角色。

關係子句

But it's a new technology that actually looks like you're two different actors.

但這是一項新技術，看起來就像是兩個不同的演員。

A visual effects artist's job, like an actor or a cinematographer, is to take words on a film script and an idea in a director's mind and even if it doesn't exist, make it into something real for Sinners.

視覺特效藝術家的工作，就像演員或攝影師一樣，是將電影劇本上的文字和導演的構想，即使它不存在，也要為 Sinners 變成真實的東西。

Ryan Coogler's vision was simple, but without visual effects, impossible.

Ryan Coogler 的願景很簡單，但沒有視覺特效，是不可能實現的。

Jordan would star in the film twice as twins, sometimes side by side, sometimes in hand to hand combat, and

Jordan 在電影中飾演兩次孿生兄弟，有時並肩而立，有時還要進行近身搏鬥，

sometimes handing a cigarette back and forth between himself.

有時候還會把香菸在他自己之間傳來傳去。

The crew pushed multipass twinning to its limits.

工作團隊將 multipass twinning 推到了極限。

But more interactive shots demanded more advanced solutions and custom technology had to be invented.

但更多互動式的鏡頭需要更先進的解決方案，於是必須發明客製化技術。

The VFX team developed a new piece of film technology called the halo camera rig.

VFX團隊開發了一項新的電影技術，叫做 halo camera rig。

A 10 camera array that captured Michael's performance on a set using a Gaussian avatar pipeline that made it possible to reference Michael's photographic head performances from any angle.

這是一個有 10 臺攝影機組成的攝影機陣列，捕捉 Michael 在片場的表演，並使用 Gaussian avatar pipeline，讓從任何角度參考 Michael 的頭部影像表演成為可能。

Every expression you see, every blink and breath is 100% Michael.

你看到的每一個表情、每一次眨眼和每一次呼吸，都是 100% 的 Michael。

And that human philosophy transcended every aspect of this film.

而這種人文哲學貫穿了這部電影的每一個面向。

Every visual effect began with something practical.

每一個視覺特效都始於實際的東西。

Every creative intention was preserved from pre production to final picture.

每一個創意意圖都從前期製作保留到了最終畫面。

Ryan was clear from the start that Sinners would be shot on IMAX 65 millimeters millimeter film.

Ryan 從一開始就明確表示 Sinners 將會以 IMAX 65 釐米膠片拍攝。

The VFX team developed a custom lens profiling and film emulation pipeline, wrote a bible about it all and trained artists worldwide to ensure every frame preserves the filmic timelessness of celluloid, even under the scrutiny of a six story tall IMAX projection.

VFX團隊開發了客製化的鏡頭描檔和膠片模擬管線，並為此撰寫了詳盡的指南，在全球培訓藝術家，確保每一幀畫面都能保留賽璐珞的經典永恆感，即使是在 IMAX 六層樓高的巨幕放映下。

On top of the new technology, Sinners is full of more traditional VFX as well.

除了新技術，Sinners 也充滿了更多傳統的視覺特效。

Some you probably noticed like tornadoes of fire, hordes of vampires.

有些你可能注意到了，像是火焰龍捲風、成群的吸血鬼。

And some you probably didn't notice like the endless cotton fields, the vultures and snakes with metaphor meanings, the 1930s train station and the monumental juke joint shot.

有些你可能沒注意到，像是象徵意義的無盡棉花田、禿鷹和蛇，還有 1930 年代的火車站和那場宏偉的 Juke Joint 戲。

That scene took over 50 iterations of visualization from the VFX team before anyone stepped foot on set.

那個場景，VFX團隊光是視覺化就花了 50 多次迭代，才有人踏上片場。

It's a 3 1/2 minute continuous shot stitched from five discrete takes spanning generations of black history.

這是從橫跨數代黑人歷史的五個獨立鏡頭拼接而成，長達 3 分半鐘的連續鏡頭。

Almost certainly the longest continuous shot ever shot on IMAX film.

幾乎可以肯定是有史以來在 IMAX 膠片上拍攝的最長連續鏡頭。

The role of VFX isn't to replace reality, it's to expand it.

視覺特效的角色不是取代現實，而是擴展現實。

To help actors do more, to help the director's dream bigger and to help films become become everything they can be.

幫助演員做得更多，幫助導演的構想更大，幫助電影成為它們能成為的一切。