Name: **【歌劇魅影】「人生如舞」完整場景解析：編舞、特效與更多！(feat. 強納森·貝利)** (Wicked's ‘Dancing Through Life’ Full Scene Breakdown: Choreography, VFX & More (ft. Jonathan Bailey))
Uploaded: 2025-11-17T15:49:04.000Z
Duration: 12 min 33 s

My name is Johnny Bailey and I play Fierro in Wicked.

我是 Johnny Bailey，我在 Wicked 裡飾演 Fierro。

We're here together to break down one of the scenes in the film.

我們今天在這裡要一起解析電影中的一個場景。

So this scene is where Fiero is loosening up this school.

所以這個場景是 Fiero 在讓這個學校放鬆下來。

It was this idea of spinning into it and landing and crashing into a new headspace.

這個想法是旋轉進入，然後落地，並進入一個新的心境。

這個舞臺佈景佔據了整個舞臺。

它長約 180 英尺，寬約 145 英尺。

And it went all the way up to the roof in the center, which is 45ft high.

中間部分直達屋頂，高達 45 英尺。

I think when we were shooting this, about 350 people were on set.

我記得拍攝時，現場大約有 350 人。

We knew if this worked, if Dancing Through Life works, that we had our movie.

我們知道如果這個可行，如果 Dancing Through Life 可行，我們就有我們的電影了。

So I was like, let's call it a tornado wheel from now on.

所以我想，從現在開始我們就叫它龍捲風輪吧。

Sorry, John hates it being called the hamster wheel.

抱歉，John 討厭人家叫它倉鼠輪。

Three different bookshelves would be rotating with these ladders.

三個不同的書架會隨著這些梯子旋轉。

How do we move a camera through this tornado wheel safely?

我們要怎麼安全地讓攝影機穿過這個龍捲風輪？

The amount of engineering and people that had to go into securing this.

為了固定這個，投入了多少工程和人力。

I mean, insurance alone really didn't want us to do this.

我的意思是，光是保險公司就真的不讓我們做這件事。

I wasn't sure they were going to allow Jonathan Bailey in the tornado wheel because of safety, which makes sense because this is, you know, he needs to carry on.

我不確定他們會不會讓 Jonathan Bailey 進入龍捲風輪，因為安全考量，這也很合理，因為他需要繼續演出。

I remember getting the dailies for the scene and thinking, how is no one getting crushed while they're dancing through it?

我記得拿到那場戲的 dailies，心想，怎麼會沒人被壓扁，還要在裡面跳舞？

Because there's about four or five people that are behind that are looking at a bunch of monitors in there and they're changing the speed so that the dancers don't get crashed.

因為有四五個人在後面看著一堆螢幕，他們會改變速度，這樣舞者才不會被撞到。

And you have to have dancers who can move that thing.

而且你必須要有能移動這個東西的舞者。

You have to have engineers who can run that thing.

你必須要有能操作這個東西的工程師。

And you don't know what kind of dancers you can do until you have the thing built.

而且你不知道在東西蓋好之前，能用什麼樣的舞者。

And this thing wasn't built till two weeks before shooting.

這個東西直到開拍前兩週才蓋好。

We very early on started placing cameras in the wheel, seeing where we could attach cameras to and Then I worked with our key grip, the camera operator, to figure out how do we get our massively huge crane in here and make it feel like you're moving through all three of the ladders, but

我們很早就開始把攝影機放在輪子裡，看看哪裡可以固定攝影機，然後我和我們的關鍵燈光師、攝影師一起研究，要怎麼把我們那個超巨大的吊臂放進來，讓它感覺像是你穿過了所有三個梯子，但是

you physically can't and keep it centered.

你實際上做不到，而且還要保持在中間。

Those ladders were headaches because they are stationary on that, even though they're turning, and

那些梯子很讓人頭痛，因為它們是固定在上面的，即使在轉動，

But, Johnny, the dancers, Chris, what you guys did was ignored all the technical parts of it and made it feel like butter.

但是，Johnny，舞者們，Chris，你們所做的就是忽略了所有技術層面的東西，讓它感覺像奶油一樣順暢。

They did build us a little miniature model that worked.

他們確實為我們建造了一個可以運作的小型模型。

It ran, and so I could, like, kind of, like run it and, like, think about the things.

它跑起來了，所以我可以，像是，大概，像是跑動它，然後，像是思考那些事情。

But ultimately it was like, you gotta get in there and play.

但最終感覺就像，你必須進去玩。

You know, you can think about a million things, but

你知道，你可以想很多事情，但是

until you get inside of that space, there's really nothing you can do.

直到你進入那個空間，你真的什麼都做不了。

We had these extraordinary dancers, Chris, gathered from far and wide.

我們有這些非凡的舞者，Chris，從四面八方聚集而來。

We ended up with some martial artists, some parkour performers, some circus performers.

我們最後找來了一些武術家、跑酷表演者、馬戲團表演者。

Really, parkour was probably the most valuable skill set to put into a contraption like this.

說真的，跑酷大概是放進這種裝置裡最有價值的技能了。

Because it's timed and everything's moving.

因為它是有時間限制的，而且所有東西都在動。

People need to react fast, and that's what parkour does really well.

人們需要快速反應，這正是跑酷很擅長的地方。

They could keep up with the speed of this contraption.

我們的跑酷表演者，像是 Chima。

he jumps and he slides down the thing at the time we rotate the camera.

他會在我們轉動攝影機的時候跳躍並滑下裝置。

That was another thing I found very early on in the rehearsal process.

這是我在排練初期就發現的另一件事。

I played with this with the contrasting the camera with the ladders going a certain way and the books going a certain way.

我用這個裝置，對比攝影機、梯子和書本的擺放方式來玩。

It's like an easy illusion to pull off because of the nature of the circle Life is fraudless when you're thoughtless those who don't try Never look foolish Dancing through life Some of those shots that you're looking at, these people are upside down, and

這就像是一個很容易達成的視覺錯覺，因為圓形的特性。人生無憂無慮，當你無所顧忌，那些從不嘗試的人，從來不會顯得愚蠢，盡情享受人生。你看到的那些畫面，這些人是倒立的，

Well, it's between the design of the rotating drum and the camera moving the opposite way.

嗯，這是在旋轉圓筒的設計和攝影機反方向移動之間達成的。

It would take about 25, 30 seconds to get then strapped in.

大約需要 25 到 30 秒才能完成固定。

And then you'd wait for, you know, the blood to.

然後你會等待，你知道，血液的。

Then you black out for a second, maybe really him, by the way, going all the way upside down.

然後你會瞬間失去意識，也許真的，順帶一提，完全倒立。

And I just remember, like, how it looked when their legs just start to float.

我只記得，你知道，他們的腿開始飄起來的時候看起來是怎樣。

And you're like, oh, this is a whole moment in this number.

然後你會覺得，喔，這在這次表演裡是個很重要的時刻。

It's one of my favorite moments of the whole thing.

It's amazing what hair products can do, though.

不過，頭髮產品真的能做到很厲害的事。

It was very hard for us to keep it in place because they were upside down most of the time, and

我們要把它固定好其實很難，因為他們大部分時間都倒立著，

we had to keep resetting because it's extraordinarily complicated from our point of view, it was keeping them perfect even though they'd been upside down for 20 times at this stage.

我們必須一直重設，因為從我們的角度來看，這非常複雜，要讓他們完美，即使他們在這個階段已經倒立了 20 次。

Jonathan certainly has product, but one wants to keep him a little more natural and let it move.

Jonathan 確實有造型產品，但我們想讓他看起來自然一點，讓頭髮能動。

Whereas our dancers, we concentrated on keeping it as solid as we could so we didn't have to keep going.

至於我們的舞者，我們則專注於讓他們的頭髮盡可能地固定，這樣我們就不用一直重來。

In 2000, cans of hairspray went mainly on the background.

2000 年時，髮膠罐子主要用在背景。

If he's singing about being carefree, you know, let go and just live life.

如果他唱的是關於無憂無慮、放開去活著的人生，你知道的。

It's like, well, what does that look like inside of this tornado wheel from his perspective?

就像，嗯，從他的角度來看，在這個龍捲風輪裡，那看起來是什麼樣子？

How does that translate through his body when he drops down and he lifts up and that thing picks him up?

當他放下又提起，那個東西又把他托起來時，這會透過他的身體如何傳達出來？

It's like I remember just finding that moment.

You know, this feels carefree when you're dancing through the.

你知道，當你在跳舞時，感覺無憂無慮。

So I chose blue as his signifying color palette.

所以我選擇藍色作為他代表性的色調。

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【歌劇魅影】「人生如舞」完整場景解析：編舞、特效與更多！(feat. 強納森·貝利) (Wicked's ‘Dancing Through Life’ Full Scene Breakdown: Choreography, VFX & More (ft. Jonathan Bailey))

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