Name: 倫敦歷史悠久的藝術場景正在進行技術升級 (London's historic art scene is getting a tech upgrade)
Uploaded: 2025-10-14T18:01:25.000Z
Duration: 13 min 48 s

基礎被動語態

The UK has one of the largest shares of the global art market and much of that ecosystem is centred right here in London.

英國在全球藝術市場中佔有相當大的份額，而這個生態系統的很大一部分就集中在倫敦。

This city's art scene is steeped in history and has helped lay the foundations for much of today's global market, with some of the world's most prestigious auction houses first opening here as far back as the 1700s, including Phillips.

這座城市的藝術氛圍歷史悠久，為當今的全球市場奠定了基礎，其中一些世界上最負盛名的拍賣行早在 1700 年代就已在此開業，包括 Phillips。

Founded by Harry Phillips in 1796, the house was initially known for selling paintings from Mariannette's estate.

該拍賣行由 Harry Phillips 於 1796 年創立，最初以出售 Mariannette 遺產的畫作而聞名。

Today, Phillips sells everything from jewelry to modern and contemporary art and proving it's still at the fore.

如今，Phillips 拍賣從珠寶到當代藝術品無所不賣，證明瞭它仍然處於領先地位。

Throughout Freeze week, the house is hosting an exhibition and private sale of digital and AI art called Spacers, as part of a collaboration with local gallery Hoffa.

在 Frieze 藝術博覽會期間，該拍賣行將舉辦一個名為 Spaces 的數位和 AI藝術展覽及私人銷售，這是與當地畫廊 Hoffa 合作的一部分。

We have all the big auctions over freeze, but

在 Frieze 藝術博覽會期間，我們有所有大型拍賣會，但

we've got a whole department running private sales which is really sourcing individuals artworks that they're looking for.

我們有一個專門負責私人銷售的部門，他們會為客戶尋找他們想要的藝術品。

But behind the scenes, privately, we also have Philips X, which is the platform for private sales and selling exhibitions, which, as you can see, Spaces is part of the Philips X platform and the exhibition program that we have.

但在幕後，私下裡，我們還有 Philips X，這是私人銷售和展覽銷售的平臺，正如你所見，Spaces 是 Philips X 平臺和我們展覽計畫的一部分。

請為我介紹一下 Spaces 這個展覽。

We've got this exhibition here that has eight leading voices at this fascinating intersection of technology and arts.

我們在這裡有一個展覽，匯集了八位來自技術與藝術交匯點的領導者。

And I think it's Philip's recognizing the importance and significance of AI art in the broader art market.

我認為 Phillips 正在認識到 AI藝術在全球藝術市場中的重要性。

The fact that we've got this on over the Frieze Art Fair, which is our busiest time of the year, you can go downstairs and we have some of the great 20th century painters like Hockney and Warhol, but

我們在 Frieze藝術博覽會期間舉辦這個展覽，這是一年中最忙碌的時候。你走下樓可以看到一些偉大的20世紀畫家，像是 Hockney 和 Warhol，但是

we really want to be able to have something fresh and new.

我們真的很想呈現一些新鮮、創新的東西。

We've typically been at the vanguard of what is contemporary and new at Phillips here.

在 Phillips，我們一向走在當代和創新的最前沿。

So it's so important that we have a show like Spaces on that's concurrent with our traditional auction offerings downstairs.

所以，我們在 Frieze藝術博覽會期間舉辦像 Spaces 這樣的展覽，與樓下的傳統拍賣會同時進行，這非常重要。

And talking about AI and technology and art, there are those critics that say it isn't AI is affecting the way that we live our lives, the way that we work, the way we communicate, the way that we research within the art world.

談到 AI、技術和藝術，有些評論家認為 AI 正在影響我們的生活方式、工作方式、溝通方式，以及我們在藝術領域的研究方式。

It's been sort of bubbling away, burning away for a while and it's suddenly caught fire for us.

這股趨勢已經醞釀了一段時間，現在對我們來說突然爆紅了。

There was this breakthrough moment in 2018 when we had a work by Edmond of Enemy which sold for over $400,000.

在 2018 年有一個突破性的時刻，我們有一件 Edmond of Enemy 的作品，賣了超過 40 萬美元。

It was the first time there was a AI related artwork sold at a traditional auction house.

這是第一次有 AI 相關的藝術品在傳統拍賣行售出。

One of the works for sale at this exhibition is Spectral by Chinese Canadian artist Su Gwen Chung, who has a studio in London.

在這次展覽中販售的作品之一是《Spectral》，由擁有倫敦工作室的華裔加拿大藝術家蘇蕓（Su Gwen Chung）所創作。

My Mother is a computer programmer and my father is an opera singer.

我媽媽是電腦程式設計師，我爸爸是歌劇演唱家。

So we really grew up in the house with really hybrid and really different types of influences, both in the arts and both in the sciences.

所以我們從小就生活在一個充滿各種不同影響的環境裡，涵蓋了藝術和科學領域。

So that was really one of the foundations of my interest in education and what I'm doing now.

這也奠定了我對教育以及我現在所做事情的興趣。

I was a researcher at MIT Media Lab and from there became really interested in ways to extend the human hand.

我曾在 MIT Media Lab 擔任研究員，從那裡開始，我對如何延伸人類的雙手產生了濃厚的興趣。

I've been drawing my whole life, like many artists, and

就像許多藝術家一樣，我從小就一直在畫畫，

I wanted to think about ways to catalyze different ways of understanding and working with collaboration, working with gesture in a way that I could really take ownership of and really explore in my own way.

我想尋找能激發不同理解方式和合作模式的方法，透過手勢進行合作，讓我能真正掌握並以自己的方式探索。

I work primarily with robotic performance and artifacts, which means translating the digital movement data, spatial data, into really tangible works that can be expressed, experienced by an audience and can be felt in space.

我主要從事機器人表演和藝術品創作，這意味著將數位動作數據、空間數據轉化為可以被觀眾表達、體驗並在空間中感受到的具體作品。

I started this exploration in 2014 in my very first drawing operations project I call the collaborative system that I design Drawing Operations Unit Generation One.

我從 2014 年開始進行這項探索，在我稱為「協作系統」的第一個繪圖操作專案中，我設計了「繪圖操作單元一代」。

We began with mimicry, in which a very simple overhead camera was tracing the mark of my gesture and repeating it in real time.

我們從模仿開始，一個非常簡單的頂部攝影機實時追蹤我的手勢筆跡並重複。

Then we moved on to the idea of memory, where I trained a robotic unit, the second generation, on two decades of my own drawing data.

接著我們進入記憶的概念，我訓練了第二代的機器人單元，使用了我過去二十年的繪圖數據。

It was really, really interesting because we could see my own stylistic input, my own decision making transferred and translated into a machine system.

這真的非常非常有趣，因為我們可以看到我自己的風格輸入、我的決策被轉移並轉化為機器系統。

This recent collaboration is really going inward and really thinking about our own biofeedback.

這次近期的合作真的很深入，也在思考我們自身的生物回饋。

I've used a brainwave headset to measure my own meditation brainwaves.

我使用腦波頭帶來測量我自己的冥想腦波。

So the work you see behind is the outcome of my collaborating with my own biofeedback.

所以你身後看到的這件作品，就是我與我自身生物回饋合作的成果。

There's such a steadfast notion of tradition here in London that is really the bedrock of really exciting innovation moving forward.

倫敦這裡有著非常堅定的傳統觀念，這確實是未來令人興奮的創新的基石。

I'm really curious about designing in a way that benefits artists, collectors and institutions for the next hundred years.

我對設計能為藝術家、收藏家和機構在未來一百年帶來益處的方式感到非常好奇。

Just around the corner from Philips in the heart of London's Mayfair, I caught up with Ilio Danna at Sugwen's Gallery Hoffa.

就在 Phillips 旁邊，位於倫敦梅費爾的核心地帶，我在 Sugwen's Gallery Hoffa 遇見了 Ilio Danna。

The Segwen Chung spectral piece is set at US$35,000.

Segwen Chung 的光譜作品定價為 35,000 美元。

There are definitely several buyers lined up to buy the work, so it will sell.

絕對有好幾位買家排隊想買這件作品，所以一定會賣掉。

The whole team at Philips been wonderful and we're very happy with the whole installation.

Phillips 的整個團隊都很棒，我們對整個裝置感到非常滿意。

The bespoke robotic system of Seguin is very exciting and there are some what I would call classics in the whole exhibition.

Seguin 的客製化機器人系統非常令人興奮，整個展覽中有一些我稱之為經典的作品。

How much are Gen Z and the Millennials part of this new market?

Z 世代和千禧世代在這個新市場中佔了多少比例？

So we did an analysis about five years ago and we saw that our target was more in the 35 to 45 year old buyers, almost 50, 50 men and women.

大約五年前我們做了一項分析，發現我們的目標客群是 35 到 45 歲的買家，男女比例接近 50/50。

But now we are seeing more the 25 to 35 buyers.

但現在我們看到更多 25 到 35 歲的買家。

I think it's something that can be noticed across luxury markets overall that the buying power is younger.

我認為這在整體奢侈品市場中都能注意到，購買力越來越年輕化。

But of course, in order to really connect with the millennial buyer, you need to present yourself as a brand in a certain way and you need to always adapt and you need to be very fluid, I think.

但當然，為了真正與千禧世代買家建立連結，你需要以某種方式將自己定位為一個品牌，而且你必須不斷適應，我認為你必須非常靈活。

How do you think technology is going to impact art going forward?

你認為科技未來會如何影響藝術？

When it comes to digital, what is still complicated is perhaps how to collect.

談到數位藝術，比較複雜的可能是如何收藏。

So we also developing sets of screens and different sizes and so on to make it more acceptable, to make it more collectible, to have it in your home.

所以我們也在開發各種尺寸的螢幕等等，讓它更容易被接受，更容易被收藏，擺在家裡。

After months of planning and preparation, Freezers opened its doors for 2024 in London's Regent's Park.

經過數月的規劃與準備，Frieze 藝術博覽會於倫敦攝政公園為 2024 年揭開序幕。

Around 60,000 visitors are expected to attend the fair this week, making this the highlight of not just Lond, but

本週預計將有約 6 萬名訪客參觀，這不僅是倫敦，

We have been going for 21 years now and it's a meeting point.

我們已經舉辦了 21 年了，這裡是一個交流的場所。

We have over 160 galleries from 42 countries coming to present the work of the artists.

我們有來自 42 個國家的 160 多家畫廊前來展出藝術家的作品。

And it's really the moment where the entire art world community comes together.

這真的是整個藝術界社群齊聚一堂的時刻。

So there's a lot happening inside the tent.

所以帳篷裡有很多精彩的活動。

We also have sections dedicated to younger galleries and younger artists.

我們還有專門為年輕畫廊和年輕藝術家設置的專區。

Focus, which is where we're standing right now.

這裡就是我們現在站著的 Focus 專區。

The Focus section hosts 34 galleries that must have been in operation for less than 12 years, each presenting work by just one artist.

Focus 專區匯集了 34 家成立未滿 12 年的畫廊，每家都只展出一件藝術家的作品。

One of those galleries is Ginny on Frederick, which is presenting work by artist Charlotte Edie.

其中一家畫廊是 Ginny on Frederick，他們展出的是藝術家 Charlotte Edie 的作品。

I'm Charlotte Edie and I'm a multidisciplinary artist based in London.

我是 Charlotte Edie，一位跨領域藝術家，住在倫敦。

A lot of my work is sort of concerned with interiority and selfhood, these spaces where the body and mind meet.

我的許多作品都關注內在性與自我，也就是身體與心靈交會的空間。

And so I consider a lot of these almost emotive structures.

是以，我將這些作品視為情感結構。

This particular show draws on the sort of image of interior space, of the house, of the domestic space, and

這次的展覽特別借鑒了室內空間、房屋、居家空間的意象，

how that can be used as a vehicle to explore a more emotional, bodily or psychological structure.

以及如何運用這些意象來探索更具情感、身體或心理結構的作品。

I start with pencil drawings and then develop them into pastel works.

我從鉛筆畫開始，然後發展成粉彩作品。

And the pastel drawings form the basis for the Jacquard tapestries, which I then hand, bead and present in these artist frames or found objects.

而粉彩畫則構成了提花織錦的基礎，我再手工製作、串珠並以這些藝術家畫框或現成物品呈現。

So I suppose it's sort of like a threefold practice in terms of materials.

所以我想，這在材料上算是三種實踐方式。

This show is something that I've been wanting to do for a really long time.

這次的展覽是我一直以來都想做的。

I've historically worked on quite an intimate scale.

我過去的作品尺幅都比較小巧。

It actually felt Just really exciting to push and expand and see.

能夠推動、擴展並觀察，感覺真的很令人興奮。

Well, how do you, like, maintain these levels of intimacy or these levels of intrigue on something that's significantly bigger?

那麼，你如何在一件尺寸大得多的作品上，維持這種親密感或神祕感呢？

So it's been like a real privilege to work on this body of work, to have the time and the space to devote to really pushing into a sort of more ambitious space.

所以，能夠投入時間和空間來創作這批作品，並真正進入一個更具野心的空間，這真是一種榮幸。

After five days of freeze, it's time to see how the experience has been for this first time exhibitor.

在Frieze藝術博覽會五天後，是時候看看這位首次參展者的體驗如何了。

We've marked the threshold with soft carpeting and built these two walls and a stained glass.

我們用地毯鋪設了入口的門檻，並建造了這兩面牆和一扇彩繪玻璃。

So, actually, I think when you're in the booth, you do get this sense of separation.

所以，其實，我覺得當你在展位裡時，確實會有一種分離感。

You're able to engage more intimately, I think, with these quiet works.

我認為，你能夠更親密地欣賞這些寧靜的作品。

So I hope that people have a moment of respite amongst all the chaos.

所以我希望大家能在這片混亂中找到片刻的喘息。

This is your first time at Frieze London.

這是你第一次參加 Frieze London。

We're so happy with the reception and the footfall.

我們對大家的迴響和人潮感到非常高興。

Yeah, it's been a whirlwind, but it's amazing.

對，這一切都像旋風一樣，但真的很驚人。

Over 60,000 visitors are expected to have visited Fries this week.

預計本週將有超過 60,000 名參觀者造訪 Frieze。

What does that kind of visibility do for you?

這種曝光度對你來說意味著什麼？

We've had some really amazing conversations on the booth.

我們在攤位上進行了一些很棒的交流。

We're thrilled with the interest and the reaction.

我們對大家感興趣和熱烈的迴響感到非常興奮。

You know, I grew up in London, Like, Fries is very much like London's fair, so it really is quite like a sentimental space for me.

說到這個，我在倫敦長大，Frieze 就像是倫敦的藝博會，對我來說是個充滿情感的地方。

So, yeah, I'm just so thrilled to show the work here.

所以，是的，我真的很開心能在這裡展出作品。

Your gallery, Ginny on Frederick, they've said that it's actually been in very successful, successful time for them.

妳的畫廊 Ginny on Frederick 表示，這次對他們來說是非常成功、非常成功的時期。

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倫敦歷史悠久的藝術場景正在進行技術升級 (London's historic art scene is getting a tech upgrade)

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