Name: 這家工作室讓死人重獲新生 (This Studio Rebuilds the Dead for a Living)
Uploaded: 2025-07-17T08:20:20.000Z
Duration: 6 min 23 s

This is the gravesite of a queen who died in 9th century AD, Peru.

這是一位死於公元 9 世紀的祕魯王后的墓地。

Fast forward 1,200 years and she's been resurrected in 21st century Europe.

快進 1200 年後，她在 21 世紀的歐洲復活了。

轉承詞

All thanks to Oskar Nielsen, one of the world's only forensic artists, specializing in hyper-realistic sculptures of the deceased.

這一切都要歸功於奧斯卡-尼爾森（Oskar Nielsen），他是世界上唯一的法醫藝術家之一，專門從事超逼真的死者雕塑。

I am aware that my job is a bit morbid, but as I see it, I'm more, I try to bring life to all these things.

我知道我的工作有點病態，但在我看來，我更多的是努力為這些事情注入生命力。

In this video, we'll uncover the science behind it, his top tips for creating lifelike sculptures and his most haunting discovery to date.

在這段視頻中，我們將揭示其背後的科學原理、他創作栩栩如生的雕塑的祕訣以及他迄今為止最令人驚歎的發現。

She was found buried with a sickle placed over her neck.

她被發現埋在地下，脖子上架著一把鐮刀。

歡迎來到我的工作室，請跟我來。

This is actually originally a box for chocolates.

這其實原本是一個裝巧克力的盒子。

Before we properly dig into Oskar's treasure trove of body parts, just how scientifically accurate are these sculptures?

在我們好好研究奧斯卡的人體器官寶庫之前，這些雕塑的科學準確性如何？

Oskar is commissioned by actual archaeologists and museums who extract DNA from their findings.

奧斯卡受實際考古學家和博物館的委託，從他們的發現中提取 DNA。

Providing Oskar with key information about the deceased, such as skin, hair, and eye color.

向奧斯卡提供死者的關鍵資訊，如皮膚、頭髮和眼睛的顏色。

But DNA can't tell us the life a person has lived, so they study the bones for clues.

但 DNA 無法告訴我們一個人的一生，是以他們研究骨骼來尋找線索。

Together we can get quite an accurate and true image of an individual's appearance.

我們可以共同獲得一個人準確而真實的外貌形象。

A 3D-printed replica of the skull forms the base of his sculptures.

頭骨的 3D 打印複製品構成了他雕塑作品的基座。

But it's his obsessive artistry that brings them to life.

但是，正是他執著的藝術創作讓這些作品栩栩如生。

So here are Oskar's top tips for sculpting a hyper-realistic head.

以下是奧斯卡雕刻超逼真頭部的頂級技巧。

Starting with the skull, Oskar adds pegs to reflect tissue depth.

從頭骨開始，奧斯卡添加了反映組織深度的釘子。

I also try to reconstruct muscle by muscle in the face.

And it's about 17, 18 different muscle groups that I reconstruct in this way.

我用這種方法重建了大約 17、18 種不同的肌肉群。

Each layer of muscle builds to form the skin.

So this is how I create the pores and small wrinkles.

這就是我製造毛孔和小皺紋的方法。

But I can also use a well-used brush to smoothen out areas like this.

不過，我也可以用一把好用的刷子來抹平這樣的地方。

Once he's happy with the face shape, Oskar creates a silicon mold.

一旦對臉型滿意，奧斯卡就會製作一個硅模。

Lucky for us, Oskar's got a cured body part ready to go.

幸運的是，奧斯卡已經準備好了一個治癒的身體部位。

And very important when you paint skin, you work with small dots or small details to create the depth that does exist in the skin surface.

非常重要的一點是，在繪製皮膚時，要使用小點或小細節來營造皮膚表面的深度。

And it's important to make these dots as small as possible.

重要的是，這些點要儘可能小。

As you can see, they should be almost hard to discover.

如你所見，它們幾乎很難被發現。

This delicate dotting will take Oskar around three hours.

這一精細的點綴工作將花費奧斯卡大約三個小時。

And his eyes are just as detailed, made bespoke from each individual's DNA.

他的眼睛也同樣細緻入微，是根據每個人的 DNA 定製的。

Transparent layer of resin over the painted eye creates a depth to the eye, a convincing illusion that it actually is a human eye.

透明的樹脂層覆蓋在畫好的眼睛上，使眼睛更有深度，讓人產生錯覺，以為這真的是人的眼睛。

Oskar's pursuit for hyperrealism doesn't stop there.

奧斯卡對超寫實主義的追求不止於此。

This is, if you like, the library of hair in my studio.

如果你願意，這就是我工作室裡的頭髮圖書館。

So I have them sorted out in different tones and different colors.

是以，我把它們按照不同的色調和不同的顏色進行了分類。

Try to find hair among friends and friends of friend.

試著在朋友和朋友的朋友中尋找頭髮。

This particular head has taken Oskar three weeks of full-time painstaking hair punching.

奧斯卡花了三個星期的時間，全心全意地為這顆特殊的頭顱打毛。

Each reconstruction takes Oskar around eight weeks in total from skull to face.

每次重建，從頭骨到面部，奧斯卡總共需要八週左右的時間。

One of his most haunting subjects is a woman known only as Socia, who died in the 17th century in a small Polish village.

他最令人難以忘懷的作品之一是一位名叫索西婭的婦女，她於 17 世紀死在波蘭的一個小村莊裡。

When they started excavating her grave, they found over her throat was placed a sickle, and on her left toe was left an open padlock.

當他們開始挖掘她的墳墓時，發現在她的喉嚨上放著一把鐮刀，在她的左腳趾上留著一把打開的掛鎖。

The only logical explanation can be traced from Polish folklore, which tells the story of Strega, a vampire.

唯一合理的解釋可以追溯到波蘭民間傳說，其中講述了一個吸血鬼 Strega 的故事。

If their soul was not locked into the ground, they could come back and haunt us.

如果他們的靈魂沒有被鎖在地下，他們可能會回來糾纏我們。

So this tells a story that the people of the neighborhood, they were just scared to death about this woman.

這說明，附近的居民對這個女人非常害怕。

The osteological report told us the story about a very sick young woman.

骨學報告向我們講述了一位身患重病的年輕女性的故事。

She's not more than 20 when she passes away.

She's suffering from some kind of cancer.

I felt it was my responsibility to make her not become this monster, but more become a human being.

我覺得我有責任讓她不再變成這個怪物，而是更像一個人。

Her life, it was not long, but for sure it was hard.

她的一生並不長，但可以肯定的是很艱難。

And even after her death, she was not treated fair.

甚至在她死後，她也沒有得到公平的對待。

對奧斯卡來說，這些不僅僅是雕塑。

When I spend so many hours working with these people from the past, they do become sort of mates here in my studio.

當我花這麼多時間與這些過去的人一起工作時，他們確實成了我工作室裡的夥伴。

I can't help thinking about who they were, of course.

And it makes you humble looking back at history from this point of view, when you actually can sort of meet people from the past.

從這個角度回顧歷史，當你能真正見到過去的人時，你會感到謙卑。

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這家工作室讓死人重獲新生 (This Studio Rebuilds the Dead for a Living)

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