Name: 單反相機大戰：富士 x100VI 對理光 GR IIIx (Battle of the point and shoot: Fujifilm x100VI vs. Ricoh GR IIIx)
Uploaded: 2025-05-23T07:37:09.000Z
Duration: 10 min 25 s

程度副詞

Incredibly compact or a long history of incredible color science?

是令人難以置信的緊湊設計，還是源遠流長的色彩科學？

These are two of the most popular digital point-and-shoot cameras for folks who don't wanna break the bank.

這是兩款最受歡迎的數碼單反相機，適合不想破費的人使用。

You have the Ricoh GR3X for $1,100 and you have Fujifilm's X106 for $1,600.

理光 GR3X 售價 1100 美元，富士 X106 售價 1600 美元。

But which one of these systems reigns supreme?

但是，這些系統中哪一個才是至高無上的呢？

I just wanna state maybe the obvious, that is the Ricoh GR3X came out in September 2021 and it is also $500 cheaper than the Fujifilm X106 that came out last month.

我只想說明一個顯而易見的事實，那就是理光 GR3X 於 2021 年 9 月上市，而且比上個月上市的富士 X106 便宜 500 美元。

And here at The Verge, we always review what we have in front of us now, and this is what we have.

在 The Verge，我們總是會回顧眼前的一切，而這就是我們所擁有的。

But in a lot of ways, it's last-gen versus latest-gen.

但在很多方面，這都是上一代與下一代的較量。

I don't know any other camera systems that have as loyal of fan bases as these two.

我不知道還有哪款相機系統能像這兩款相機一樣擁有如此忠實的粉絲群體。

You have the Fujifanatics that are posting aesthetically colored and composed photos on threads endlessly.

富士狂熱分子在主題上無休止地發佈色彩和構圖極具美感的照片。

And then you have the Ricoh fans that have been privately sliding into my DMs for the last three years with photos of their family and friends in an attempt to get me to review one of these cameras.

在過去的三年裡，理光的粉絲們一直私下在我的 DM 中上傳他們家人和朋友的照片，試圖讓我評測其中的一款相機。

And those differences actually describe these systems quite well.

而這些差異實際上很好地描述了這些系統。

One of these photos is from the Fuji and one's from the Ricoh.

其中一張照片來自富士，另一張來自理光。

The point is, Ricoh has been on the left and Fuji's been on the right.

問題是，理光在左，富士在右。

I'm talking just small changes to white balance or contrast, you can get nearly identical images from either one of these systems.

我說的只是白平衡或對比度的微小變化，你可以從這兩種系統中獲得幾乎完全相同的影像。

They both have similar fixed focal lengths.

That's 35 millimeter full-frame equivalent on the Fuji and a 40 millimeter full-frame equivalent on the Ricoh.

富士的全畫幅相當於 35 毫米，理光的全畫幅相當於 40 毫米。

And both can capture a lot of detail with rich color and contrast to accurately represent a scene.

兩者都能捕捉到豐富的色彩和對比度，準確表現場景的大量細節。

Again, side by side, it can be nearly impossible to tell a difference between the images from these cameras.

同樣是並排拍攝，這些相機拍攝的影像幾乎不可能有什麼區別。

So what actually sets these systems apart in like a huge way is how you get to those final images.

是以，這些系統的最大區別在於如何獲得最終影像。

The Fujifilm X106 is best known for its distinct digital film simulations that can provide beautiful JPEGs straight out the cam.

富士 X106 以其獨特的數碼膠片模擬功能而著稱，可直接提供精美的 JPEG 影像。

And new to the X106, which launched last month, is a 40.2 megapixel sensor.

上個月推出的 X106 配備了 4,020 萬像素傳感器。

Though to many folks' disappointment, it is still APS-C.

不過，令許多人失望的是，它仍然是 APS-C。

You can instantly have the desaturated colors of classic chrome, the sharpness and contrast of Acros.

您可以立即擁有經典鉻合金的不飽和色彩，以及 Acros 的清晰度和對比度。

And the vibrancy of Velvia at the turn of the lens ring or whatever button you decide to program it to.

只需轉動鏡頭環或任意按鈕，就能獲得 Velvia 相機的鮮豔色彩。

You can even set the bracket settings to capture an image in three different simulations at the same time.

您甚至可以設置包圍式設置，同時拍攝三種不同模擬的影像。

And while many other cameras have a few color presets,

雖然許多其他相機都有一些色彩預設、

Fujifilm's are based on real film stocks and tonally, they are worlds more pleasing and different than others.

富士膠片的膠片是基於真正的膠片，從色調上看，它們比其他膠片更令人愉悅，也更與眾不同。

Not to mention there are 20 film presets in the X106 and I found myself filtering through them often.

更不用說 X106 還有 20 種膠片預設，我發現自己經常要對它們進行篩選。

I was bouncing between black and white options, of which there are many, but then I got hooked on the desaturated blues of classic negative and I did not want to stop taking photos of the sky or vibrant yellows.

我在黑白照片之間徘徊，黑白照片有很多，但後來我迷上了經典底片的不飽和藍色，我不想停止拍攝天空或鮮豔的黃色。

But regardless of what I landed on, all of the profiles are consistently pleasing.

但無論我選擇了哪一款，所有的輪廓都始終如一地令人愉悅。

I don't understand why camera companies still include that preset, even on cameras that aren't known for the preset.

我不明白為什麼相機公司還在使用這種預設值，即使是在不使用這種預設值的相機上。

So if you know, DM me or comment down below.

如果你知道，請給我發送 DM 或在下面評論。

The Ricoh GR3X, on the other hand, has a 24.2 megapixel APS-C sensor.

理光 GR3X 則採用 2,420 萬像素 APS-C 傳感器。

And although there are color presets, they aren't that unique or pleasing, which is why I just shot raw.

雖然有顏色預設，但它們並不那麼獨特或討人喜歡，這就是為什麼我只拍攝原始照片。

And that was totally fine for straightforward, clean, crisp results.

這對於直接、乾淨、利落的效果來說完全沒問題。

Ricoh reworked one of the most popular presets, which was the positive film effect for the worst.

理光修改了最受歡迎的預置之一，即最差的正片效果。

So now this camera almost solely relies on film recipes made by its users.

是以，現在這款相機幾乎完全依賴於用戶製作的膠片食譜。

I'm gonna pronounce these names wrong and I'm so sorry, but shout out to Jacob Iglot and Reggie Ballesteros from whom I got my presets.

我的預設是從雅各布-伊格洛特（Jacob Iglot）和雷吉-巴勒斯特羅斯（Reggie Ballesteros）那裡得到的。

Using the three custom user profile notches on the top adjustment wheel,

使用頂部調節輪上的三個自定義用戶配置文件凹槽、

I set different looks to quickly move between.

我設置了不同的外觀，以便快速切換。

I had Reggie's Fujifilm simulation on U1 for matching photos quickly to the X106, a positive film look based on that of the GR2 on U2, and a high contrast black and white simulation on U3.

我在 U1 上使用了雷吉的富士膠片模擬，以便快速將照片與 X106 配對；在 U2 上使用了基於 GR2 的正片外觀；在 U3 上使用了高對比度黑白模擬。

But setting these up took research and time.

但建立這些系統需要研究和時間。

You have to really want a unique look or simply love camera blogs in order to tune the GR3X to your liking.

你必須非常想要一個獨特的外觀，或者只是喜歡相機博客，才能將 GR3X 調整到自己喜歡的樣子。

You can't instantly take this camera out of the box and expect unique or interesting results.

你不能把這臺相機從盒子裡拿出來，就指望它能產生獨特或有趣的效果。

But once the setup is complete, man, the Ricoh rips.

但是，一旦設置完成，理光就會大開殺戒。

And the Fujifilm, it kind of pulls in the reins.

Taking a photo on the GR3X feels like being an undercover agent.

The process is quick, it's stealthy, but most importantly, it is non-intrusive.

該過程快速、隱蔽，但最重要的是，它不具侵擾性。

The design of the GR3X is so minimal that the camera sets off no alarm bells for a subject.

GR3X 的設計非常簡約，不會給拍攝對象敲響警鐘。

It might as well be a point-and-shoot from, like, 2008.

I'm saying, like, eight megapixels at best.

我的意思是，最多隻有 800 萬像素。

I have been incredibly confident taking photos of strangers, reaching my hand across train tracks, or holding this thing above a crowd, because absolutely no one thinks it could possibly be capturing anything of importance.

我一直非常自信地給陌生人拍照，把手伸過火車軌道，或者把這東西舉過人群，因為絕對沒有人認為它能拍到什麼重要的東西。

I mean, its size allows for it to be pulled in and out of a pocket on a dime.

我的意思是，它的大小可以讓它在口袋裡隨意進出。

Adam Gu of, at GUI, best described this camera as a little pocket rocket.

GUI 的 Adam Gu 用 "袖珍火箭 "來形容這款相機再合適不過了。

And I think he's spot on, because despite the size and appearance of this camera, oh my gosh, it totally rips both in image quality and speed it can capture a moment.

我覺得他說得很有道理，因為儘管這款相機的體積和外觀都很小巧，但我的天哪，它的畫質和捕捉瞬間的速度都非常出色。

On the other side of the photography experience, you have the Fujifilm X106.

攝影體驗的另一面是富士 X106。

This camera wants to be seen with its classic retro design, and you will want to be seen with it, considering how popular this thing is on social media.

考慮到這款相機在社交媒體上的受歡迎程度，你一定也想讓別人看到它的經典復古設計。

But it's this same design that makes for a more relaxing, thoughtful experience.

但也正是這樣的設計，讓人體驗到更輕鬆、更周到的服務。

The dials have satisfying clicks that require purposeful movement, and the large rangefinder-style viewfinder, it's, like, calling to be put up to your eye.

撥盤發出令人滿意的 "咔嗒 "聲，需要有目的地移動，而大型測距儀式取景器則需要將其置於眼前。

Then internally, having all of the different film simulations encourages you to really look at the colors in front of you and, like, mindfully decide how you want to portray them.

從內部來說，有了各種不同的模擬膠片，你就能真正審視眼前的色彩，並用心決定如何描繪它們。

It all adds up to a relaxing experience that instantly produces nostalgic results, and you'll want to brag about them.

所有這一切都會讓您感到輕鬆愜意，並立即產生令人懷念的效果，讓您忍不住想要誇耀一番。

So to put it simply, the Ricoh gains all of its value by being small, quick, and not compromising on image quality, whereas in the Fujifilm provides this, like, relaxing, slow, artful experience, and it can produce unique results with no effort.

是以，簡單地說，理光通過小巧、快速和不影響影像品質獲得了其所有價值，而富士則提供了這種輕鬆、緩慢、藝術般的體驗，它可以不費吹灰之力就能產生獨特的效果。

There's one last huge hardware difference between these two cameras.

這兩款相機還有一個巨大的硬件差異。

On the GR3X, the lack of a viewfinder or articulating screen forces you to, for the most part, blindly take photos.

由於 GR3X 沒有取景器或鉸接式螢幕，是以大部分情況下只能盲目拍照。

It's both great practice at quick framing, a very valuable skill in shooting street, and a total pain in the ass when you just want to clearly see your subject and take your time with capturing a shot.

這既是快速取景的絕佳練習，也是街景拍攝中非常寶貴的技能，但當你只想清楚地看到拍攝對象並慢慢捕捉鏡頭時，它又會讓你非常頭疼。

There are, of course, optical viewfinders you can buy for the GR cameras, but again, we are reviewing what is here.

當然，您也可以為 GR 相機購買光學取景器，但我們還是要再次回顧一下這裡的產品。

There are a few things I would love to see come to this camera in the next generation.

我希望這款相機能在下一代產品中實現一些功能。

I really don't think that would add that much bulk.

我真的不認為這會增加多少體積。

And then also just please bring back the flash.

The X106, on the other hand, has both an articulating screen and one of the coolest viewfinders out there.

而 X106 則同時擁有鉸接式螢幕和最酷的取景器之一。

It's a hybrid optical and electronic viewfinder that can show you an unobstructed view of the frame, an unobstructed view with a tiny preview of the frame in the corner, or just fully the preview of the frame.

它是一個光學和電子混合取景器，可以顯示無遮擋的取景畫面，也可以顯示無遮擋的取景畫面，並在角落裡顯示微小的取景畫面預覽，還可以完全顯示取景畫面預覽。

And then outside of the usefulness of this viewfinder, it is such a fun bar trick to show folks.

除了取景器的實用性之外，它還是一個有趣的酒吧小把戲，可以向人們展示。

Okay, what I hope you're starting to understand is that these cameras are wildly different systems, even though they can produce very similar results.

好了，我希望你們開始明白，這些相機是完全不同的系統，儘管它們能產生非常相似的效果。

字幕列表影片播放

單反相機大戰：富士 x100VI 對理光 GR IIIx (Battle of the point and shoot: Fujifilm x100VI vs. Ricoh GR IIIx)

articulate

equivalent

incredibly

compromise