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exhibitions
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n. pl.名詞 (複數)展覽會
The exhibitions of artwork are very interesting to see
n. pl.名詞 (複數)展覽
Exhibitions of poor health need a doctor's attention
影片字幕
的故事：格哈德-裡希特（1932-至今） (The Story of: Gerhard Richter (1932–Today))
- Realism, and with reference to Socialist Realism, but also a label Richter wasn't too satisfied about. Richter was interested in current affairs, consumer society, new media and popular culture. He incorporated these elements into his painterly practice, depicting for instance televisions, design magazines, advertisements or political figures and events. This was the genesis of Richter's professional oeuvre, and photography was the starting point, something which used to be impossible with his academic background. He combined photography with his characteristic blurred effect, and immediately started to examine the relationship between both media, photography and painting, a true pillar within his artistic practice. The German artist was interested and fascinated by the dialectic relation between the objectivity and the subjectivity when painting photographs. For Richter, the photograph was the most perfect picture. He could eliminate conscious thinking, as the picture does not change, it is absolute, autonomous, unconditional and not linked to any style. With his blurred effect, he made everything equal, equally important and simultaneously equally unimportant. He was strongly drawn to depicting certain subjects from found photographic material. Think of military subjects, family portraits, images from newspapers or magazines. These selected images all have their very own narrative and motive to be painted, most often combining death or suffering, and its exploitation of death and suffering in media. From 1963 until 1964, Richter had his first exhibitions and commercial successes, collaborating with several galleries, and also collectors were starting to get really interested in his work and career. A landmark year for Gerhard Richter was 1966, for many reasons. The first, the birth of his daughter, Betty, whom he iconically painted in 1988. He also painted his wife
現實主義"，並參考了 "社會主義現實主義"，但這也是裡希特不太滿意的標籤。裡希特對時事、消費社會、新媒體和大眾文化很感興趣。他將這些元素融入自己的繪畫實踐中，例如描繪電視、設計雜誌、廣告或政治人物和事件。這就是裡希特專業創作的起源，而攝影則是他的起點，這在他的學術背景下是不可能實現的。他將攝影與他特有的模糊效果相結合，並立即開始研究攝影和繪畫這兩種媒介之間的關係，這是他藝術實踐中的真正支柱。這位德國藝術家對繪畫照片時客觀性和主觀性之間的辯證關係非常感興趣，併為之著迷。對裡希特來說，照片是最完美的圖畫。他可
- Emma, nude on a staircase, one of his most famous works he ever painted, and he took on geometric abstraction with his colour chart, influenced by his friend Blinky Palermo, but also influenced by pop art and minimal art. Richter had already been experimenting with abstraction and minimal painting, think of the abstracted blur or washed out zones of oil paint, but also depicting very minimal elements, such as curtains, tubes, turning sheets or daily objects. The colour charts were copies of paint sample cards, which paved the way for Richter's future abstract paintings. After Emma, nude on a staircase, Richter would paint several erotic nudes in 1967, followed by cityscapes, aerial views, mountains, starscapes, clouds, seascapes and landscapes in 1968 and 1969. With these artworks, there is this notion of both an almost nostalgic romanticism and an ongoing exploration of abstraction. He would paint many shadow pictures, corrugated iron as a geometric abstract work, grey monochromes, colour streaks and grit, arriving at pure abstraction and questioning the limits of representation. By the end of the decade, Richter had established himself as a contemporary artist, participating in group exhibitions across the globe. In 1969, he was included in the exhibition Nine Young Artists at the Solomon R. Guggenheim Museum in New York, his first show at a major institution. However, Richter was still unsure about his future and in search for a specific direction, so his paints and the experiments would continue.
受朋友布林基-巴勒莫（Blinky Palermo）的影響，同時也受到波普藝術和極簡藝術的影響，裡希特開始用色彩圖表現幾何抽象。當時，裡希特已經開始嘗試抽象和極簡繪畫，比如油畫顏料中抽象化的模糊或沖淡區域，以及描繪非常簡約的元素，如窗簾、管子、翻轉的床單或日常物品。色彩圖是顏料樣本卡的複製品，這為裡希特未來的抽象繪畫鋪平了道路。繼《樓梯上的裸體艾瑪》之後，裡希特在 1967 年又創作了多幅色情裸體畫，隨後在 1968 年和 1969 年又創作了城市風景、鳥瞰、山景、星空、雲彩、海景和風景畫。在這些作品中，
日本建築工人的一天 (Day in the Life of a Japanese Construction Worker)
- So over the years Kaori has gotten so skilled at maneuvering the excavator arm That she's able to write Japanese calligraphy with it And now one of her dreams is to perform it At one of the international exhibitions Hopefully she gets a chance at that dream That's for her oldest son Apparently he's not eating with them lately So she kindly brings his food to his room You don't want to eat?
多年來，薰已經能熟練地操縱挖掘機的機械臂 她能用它寫日本書法 現在她的夢想之一就是在國際展覽上表演它 希望她能有機會實現這個夢想 那是給她大兒子的 他最近顯然不和他們一起吃飯 所以她好心地把他的食物送到他的房間 你不想吃嗎？
忽必烈汗的世界繪畫革命 (The World of Khubilai Khan: A Revolution in Painting)
- Those two exhibitions combined mean that we have more great Yuan art in this building than under any other museum roof in the world.
這兩個展覽加在一起，意味著我們在這棟建築中擁有的偉大的元代藝術品比世界上任何其他博物館的屋頂都要多。
- Look at both exhibitions.
看看這兩個展覽。
童話王國之旅：丹麥，千萬別錯過的 10 個景點 (✅ TOP 10: Things To Do In Copenhagen)
- The National Museum of Denmark in Copenhagen is Denmark's largest museum of cultural history and has exhibitions from the Stone Age, the Viking Age, the Middle Ages, the Renaissance and Modern Danish History.
哥本哈根的丹麥國家博物館是丹麥最大的文化史博物館，展覽從石器時代、維京時代、中古世紀、文藝復興時期、到現代丹麥史都有。
託尼-克拉格--"在那裡，看到它，迴應它" | TateShots (Tony Cragg – 'Be There, See It, Respond to It' | TateShots)
- We've done, I think now, 45 exhibitions of sculptor's work. I didn't know it was going to take up so much time, but actually, to be honest, that's a fantastic experience that I enjoy.
我想現在我們已經舉辦了 45 場雕塑家作品展覽。我不知道這會佔用這麼多時間，但實際上，說實話，這是我非常喜歡的一種奇妙體驗。
