characteristic
US /ˌkærəktəˈrɪstɪk/
・UK /ˌkærəktəˈrɪstɪk/
A2 初級英檢中級
adj.形容詞特有的，獨特的
It is very characteristic of her to plan big birthday parties for her husband
n. (c./u.)名詞 (可數/不可數)特徵；特性
One of the main characteristics of the disease is a high fever
影片字幕
辛苦工作一整年拿到的年終想用來買什麼呢？正在觀望 Apple Vision Pro 的朋友們搶先帶你們看使用 24 小時的體驗！ (I Spent 24 Hours Wearing Apple’s Vision Pro Headset | WSJ)
08:29
- The Vision Pro has every characteristic
Vision Pro 具有以下所有特點
的故事：格哈德-裡希特（1932-至今） (The Story of: Gerhard Richter (1932–Today))
19:49
- Realism, and with reference to Socialist Realism, but also a label Richter wasn't too satisfied about. Richter was interested in current affairs, consumer society, new media and popular culture. He incorporated these elements into his painterly practice, depicting for instance televisions, design magazines, advertisements or political figures and events. This was the genesis of Richter's professional oeuvre, and photography was the starting point, something which used to be impossible with his academic background. He combined photography with his characteristic blurred effect, and immediately started to examine the relationship between both media, photography and painting, a true pillar within his artistic practice. The German artist was interested and fascinated by the dialectic relation between the objectivity and the subjectivity when painting photographs. For Richter, the photograph was the most perfect picture. He could eliminate conscious thinking, as the picture does not change, it is absolute, autonomous, unconditional and not linked to any style. With his blurred effect, he made everything equal, equally important and simultaneously equally unimportant. He was strongly drawn to depicting certain subjects from found photographic material. Think of military subjects, family portraits, images from newspapers or magazines. These selected images all have their very own narrative and motive to be painted, most often combining death or suffering, and its exploitation of death and suffering in media. From 1963 until 1964, Richter had his first exhibitions and commercial successes, collaborating with several galleries, and also collectors were starting to get really interested in his work and career. A landmark year for Gerhard Richter was 1966, for many reasons. The first, the birth of his daughter, Betty, whom he iconically painted in 1988. He also painted his wife
現實主義"，並參考了 "社會主義現實主義"，但這也是裡希特不太滿意的標籤。裡希特對時事、消費社會、新媒體和大眾文化很感興趣。他將這些元素融入自己的繪畫實踐中，例如描繪電視、設計雜誌、廣告或政治人物和事件。這就是裡希特專業創作的起源，而攝影則是他的起點，這在他的學術背景下是不可能實現的。他將攝影與他特有的模糊效果相結合，並立即開始研究攝影和繪畫這兩種媒介之間的關係，這是他藝術實踐中的真正支柱。這位德國藝術家對繪畫照片時客觀性和主觀性之間的辯證關係非常感興趣，併為之著迷。對裡希特來說，照片是最完美的圖畫。他可
- Germany and terrorist attacks in the 1970s, a topic which was Richter's most provocative and politically charged body of work up to this day. His abstract works developed towards his characteristic technique using a large squeegee instead of a paintbrush, pushing the colour across the surface, creating new depths, textures and contrasts. The variety of his oeuvre could easily have been a pitfall for Richter's career, but in the end, it was his greatest strength. During the 1980s, and in particular by the end of the decade, Richter achieved true international recognition. In 1985, he received the Oskar Kokoschka Prize and had his first major retrospective, and by the turn of the decade, he was being represented by industry-leading galleries, such as Marion Goodman in New York, or Anthony Dauphine in London.
在 20 世紀 70 年代，裡希特創作了《德國和恐怖襲擊》，這是裡希特至今最具挑釁性和政治色彩的作品。他的抽象作品逐漸形成了自己獨特的技法，即用大刮刀代替畫筆，將色彩推過表面，創造出新的深度、質感和對比。他作品的多樣性很容易成為裡希特職業生涯的一個陷阱，但最終卻成為他最大的優勢。20 世紀 80 年代，尤其是到了 80 年代末，裡希特獲得了真正的國際認可。1985 年，他獲得了奧斯卡-科科什卡獎，並舉辦了自己的首次大型回顧展。到了十年之交，紐約的瑪麗安-古德曼或倫敦的安東尼-多芬等業界領先的畫廊都開始代理
老子 - 像水一樣 (Lao Tzu - Be Like Water)
06:50
- I said that water could be described in many ways, but I think it has one, chief characteristic:
我說過，水可以用很多方式來描述，但我認為它有一個主要特徵。