Name: 猛！Wolfgang Van Halen 影響吉他的祕密武器大揭密！ (Wolfgang Van Halen’s Secret Influence on Guitar)
Uploaded: 2026-03-29T21:38:38.000Z
Duration: 6 min 53 s
Description: 【看影片學英語】數萬部 YouTube 影片，搭配英漢字典即點即查，輕鬆掌握單字發音與用法，長久累積看電影不必再看字幕。

到一個雙腳踢的部位，我們就這樣過去。

to 不定詞

Pavel, did that—did you get that or not?

So you're going to show me this again, Wolf.

所以你要再給我看一次這個，Wolf。

好的，那這個聲音是怎麼弄出來的？

but it's more going like trying to slice your strings like this and using your thumb to press.

但更像是試著這樣切你的弦，然後用大拇指去壓。

Still not good at it, but it's fun to try and fit it.

我還不太厲害，但試著融入進去很有趣。

Tell me about this riff that you're doing, the slapping riff.

跟我說說你那個打弦的 riff 吧。

You know, I think my dad was right to start me on drums.

欸，我爸讓我學打鼓，我想他當初是對的。

It's a really good place to start rhythmically.

那個在節奏上真的是個很棒的起點。

You know, you just understand music from that dynamic first, and you kind of grow from there.

你知道嗎，你一開始就是從那個動態去理解音樂，然後再慢慢成長。

So I think that really has helped me a lot.

所以我覺得這真的幫助我很多。

I mean, really, all of your stuff when you're playing your bass, everything.

說真的，你彈貝斯時的所有東西，全部都是。

Like, it's everything I start with is the rhythm of it, you know?

就像，我開始的一切都是它的節奏，你懂嗎？

And I think that's what's fun, where I personally think it really locks in, where the rhythm band is—where the rhythm section is just me.

而且我覺得這就是好玩的地方，我個人覺得它真的鎖定的地方，就是節奏組的部分——節奏組就是我一個人。

It's tight because it's my instincts and exactly what I would play it on each instrument.

很緊密，因為那是我的直覺，也是我會在每個樂器上演奏的。

所以這就是為什麼它真的、真的這麼緊密。

Okay, so how do you play the slapping riff?

好，那這個Slapping的Riff要怎麼彈？

Okay, so it's literally just a bass slap part, and I get it.

好，所以這完全就是一個Bass Slap的段落，我懂。

A lot of people were like, "Oh, a little bit of mean street there, hey Wolf." And no, it's not.

很多人會說：「喔，那裡有點Mean Street的感覺耶，嘿 Wolf。」但不是。

And of course you can play that, Wolf, a little bit.

當然你也可以彈那個，Wolf，一點點。

但這就只是一個Bass Slap的段落。

When you do it on the bass, it's a bass slap part.

你在貝斯上彈出來，那就是一個Bass Slap的段落。

And I told Elvis, I was like, "Hey, I have this cool idea that could be a cool break." And I looked at him, I was like, it goes like this.

然後我跟Elvis說，我說：「嘿，我這有個很酷的想法，可以做一個很酷的過門。」我看了他，我說，大概是這樣。

And I was like, "But imagine that on the bass." And Elvis, the cool dude he is, was like, "You need to do that on guitar." On guitar, yeah.

我就說：「但想像一下用貝斯彈會是什麼感覺。」然後Elvis，他就是這麼酷，他就說：「你應該用吉他來彈。」用吉他，對。

所以它基本上就是一個Bass Slap的段落，

but the plucks are the harmonics on the seventh fret, on A and G.

但是那個撥弦是第七個和絃的泛音，在A弦和G弦上。

But then you have to sing at the same time.

I remember I asked Elvis, I was like, "How the hell am I supposed to do this live?" And he's like, "That's a problem for you to figure out later." And I figured it out,

我記得我問 Elvis，我說：「我到底該怎麼在現場表演這個？」他則說：「那是你之後要自己想辦法解決的問題。」然後我就想出來了，

Is it just a matter of practicing it a bunch of times?

I remember specifically watching you talk to Les Claypool about Tommy the Cat, which is like, when I think of who is the best at just like separation, it's him, man.

我記得我特別看到你跟 Les Claypool 聊到 Tommy the Cat，這就像，當我想到誰最擅長分離技巧時，就是他了，老兄。

Just Tommy the Cat alone is unbelievable, the fact that he's just like.

光是 Tommy the Cat 就已經很驚人了，他就是那樣。

I asked Sting about how he plays the bass, and everybody just says the same thing.

我問了 Sting 他怎麼彈貝斯，大家講的都一樣。

A lot of people are really—it comes from a really nice place where people are like, "Oh, those jeans, man.

很多人真的—他們出發點很好，會說：「喔，那條牛仔褲，老兄。

You got those jeans." And it's like, I've been playing for 20 years.

你買了那條牛仔褲。」然後我就想，我已經彈了 20 年了。

So while the jeans sure maybe make me a bit more musically inclined or interested, they don't make my muscles do it.

所以雖然那條牛仔褲或許讓我對音樂更有興趣，但它不會讓我的肌肉做到這件事。

It's a matter of just you putting the time in.

As I like to say, Wolf, instruments don't play themselves.

就像我常說的，Wolf，樂器不會自己彈。

All right, so a song like this, which actually has a really intricate arrangement, are you playing to the demo when you're doing it at first,

好，那像這首歌，其實編曲很細膩，你一開始是照著 Demo 彈嗎？

Usually—not usually, always it's drums, then bass, then rhythms, and

通常—不是通常，一定都是鼓，然後貝斯，然後節奏，然後

then usually we'll take like—we'll do whatever, like mini, maybe leads, or like in the chorus, there's the.

接著我們通常會做一些，像是，像是 Mini，或是 Lead，或是在副歌那邊，有那個。

Like stuff, those sort of octaves or whatever layers.

像是那種八度音，或是其他層次的聲音。

It was in between the last two Metallica shows in Mexico that we opened for that I recorded the initial most of the demos.

那時候我是在墨西哥最後兩場 Metallica 的演出之間，我們為他們暖場的時候，錄了大部分的 Demo。

And then when I got back, we started tracking,

然後我回來之後，我們就開始錄音了，

and then we took a break for the holidays and then got back together at the beginning of January.

然後我們就放了聖誕假期，一月初的時候再回來。

And then that's when we used that break of time for me to work on lyrics and vocal and melodies and stuff and guitar solos.

那時候我就利用這個空檔，來寫歌詞、人聲、旋律，還有吉他 Solo 那些。

And then we get back together and do all that and anything we may have missed.

然後我們再碰面，把這些都完成，還有任何我們可能漏掉的部分。

But we like to split it up that way just to give me—because normally with a band where everybody's a separate person, while the drummer's recording, the singer can work on the vocals.

但我們喜歡這樣分開來做，是為了給我時間—因為通常一個樂團，大家都是獨立的個體，鼓手在錄音的時候，主唱就可以去處理人聲。

But since it's just me, we need that little bit of extra time, I think.

但因為只有我一個人，我們就需要多一點額外的時間，我認為。

And how much practice do you do beforehand?

Like if you're doing a drum part like that, do you need to practice them that much or not really?

像是如果要做那樣的鼓的部分，需要練那麼久嗎？還是還好？

Because once you've programmed, you know exactly what to do.

因為一旦你都寫好了，你就知道該怎麼做。

I found that if I can play what's in my head on my knees like this, it just takes—give me three takes and I'll have it.

我發現如果我能把腦袋裡想的，像這樣跪著彈出來，大概錄個三次就會有了。

There was a lot like the very first song off of the second album, Right.

就像是第二張專輯裡的第一首歌，對。

I did not know how I was going to play that drum part.

我那時候不知道要怎麼彈那個鼓的部分。

I knew what it was, but I was just visualizing.

我知道是什麼，但我只是在腦袋裡想像。

And I didn't really actually try until I sat there the day we were recording it.

而我實際上並沒有真的去嘗試，直到我們錄音那天我坐在那裡。

Usually, I like to leave the demo really vanilla so that when I sit down on the kit, usually the fills, unless there's something really specific I have in mind, everything sort of comes naturally.

通常，我喜歡讓 Demo 保持很簡單，這樣當我坐在鼓組前時，通常那些過門，除非我有特別想到的東西，不然一切都會自然而然地出現。

How long do you guys spend getting drum sounds?

你們大概花多久時間弄鼓的音色？