riff
US /rɪf/
・UK /rɪf/
C1 高級
n.名詞即興重複段
The band was known for its catchy riffs
v.t./i.動詞 (及物/不及物)即興演奏
The band started to riff on the main theme.
v.t./i.動詞 (及物/不及物)即興創作
The comedian began to riff on current events.
v.i.不及物動詞閒聊
They were just riffing, not really discussing anything serious.
影片字幕
強尼 B. 壞！-回到未來 (Johnny B. Goode - Back to the Future)
- Alright guys, uh, listen, this is the blues riff from B.
<i>好吧，這是一個老古董，但是...</i>。
- All right, listen, this is a blues riff in B.
好吧，聽著，這是B調的布魯斯樂段。
為什麼策略永遠能贏過天賦？(feat. Seth Godin) (Why Strategy Always Beats Talent (w/Seth Godin))
- So how are you going to talk to somebody about the riff number 147?
結果，幾年下來，你碰上了不同的蔬菜。
- So I'm going to number riff 147.
這就是我們學習一切的方式。
春風少年：將我從虛無中拯救 | 真實紀錄 | 現正熱映中！ (Springsteen: Deliver Me From Nowhere | Authentic | Now Playing In Theaters)
- Every single riff on that record he got down in a dead man's town Bruce Springsteen delivered me from nowhere.
那張專輯裡的每一個 riff，都是 Bruce Springsteen 在 dead man's town 裡，從無到有錄製給我的。
- Every single riff on that record you got down.
那張專輯裡的每一個 riff，都是 Bruce Springsteen 在 dead man's town 裡，從無到有錄製給我的。
13 張專輯帶你速覽硬搖滾簡史！ (A Short History Of Hard Rock in 13 Albums)
- Smoke on the Water is a song that is so ingrained in musical culture, its guitar riff is arguably more famous than the band that created it.
〈Smoke on the Water〉這首歌深深烙印在音樂文化中，它的吉他 Riff 甚至比創作它的樂團還有名。
- Plus, album standout Smoke on the Water is a song that is so ingrained in musical culture, its guitar riff is arguably more famous than the band that created it.
這張專輯充滿了不留情面的能量，一種狂暴的硬搖滾方式，完美融合了金屬、龐克和經典搖滾的元素。
10 首激怒最多人的搖滾歌曲！ (10 Rock Songs That Offended the Most People)
- This was a knowing riff on the United Kingdom's national anthem, a defining anthem of the 70s punk era that didn't really care who it offended.
這是對英國國歌的明知故問，是 70 年代朋克時代的標誌性國歌，它並不在乎冒犯了誰。
- This was a knowing riff on the United Kingdom's national anthem, a defining anthem of the '70s punk era that didn't really care who it offended.
Jacob Collier 駕到！關於樂器你有什麼問題嗎？ | Tech Support | WIRED Japan (ジェイコブ･コリアーだけど楽器について質問ある？ | Tech Support | WIRED Japan)
- On the piano there are two notes between right what happens if we try and squeeze in more notes right right you go forever these are all microtones these are notes that you can't find on the piano here's a question from piss kink wow what a username bro why do people even play bass you can't even hear that shit laugh my ass off that's crazy to me okay well let's let's get let's get there's actually a bass here it's handy bass player is extremely important in music as a bass player you could you can be the drummer you can play melodies and you can also play chords so the bass is a beautiful and very important instrument in music and I'm a huge fan of the bass from at hexa chordal why do minor chords sound sad I would probably say that I think the reason why minor chords potentially sound sad is that a minor chord is actually an exact reflection of the relationships of a major chord so a major chord sounds like this this is e major one of my good friends and that is e minor another one of my good friends major chords exist in physics they exist in nature for example there's a harmonic series in your mouth if you go what you actually make here is really really quiet notes here in my mouth every note has these overtones if you yell in a chapel or a cathedral I'd recommend yelling in cathedrals in general it's just actually quite a fun thing to do but if you go in a massive room you will hear all those overtones shining back at you and you hear a major chord which is crazy a minor chord which you could say is derived from the undertone series as opposed to the overtone series it doesn't actually really exist in nature in that in that exact state in a nutshell I would say minor chords don't always sound sad but perhaps one of the reasons why they can inherently feel a little heavier the major chords is that they are the exact opposite in physics to what a major chord is it's actually not a question it's a it's a statement I think we're entering a post riff world all the riffs have been used up and there are no more riffs left to be written all new riffs are either bad or a copy of another riff I disagree personally yeah you think you can make up I think there are new riffs like let's make up one right now right I've definitely heard I've heard that before and I've heard like or something like that before perhaps no one has collided I mean let me know in the comments if you if this riff is taken and I wouldn't write a song with it but it's my ability as a riff maker to combine things that I like that maybe aren't normally put together that's what's cool that's interesting and that's what's worth doing so don't be afraid to take something you like like a riff or a chord or whatever and make it your own in an interesting way from at rod goels what makes a bass line funky that's in capital letters there what makes a bass line funky is also a little bit subjective but stable time right so just having something that's stable that you can move your body to repetition sit on this all day and then making variations on that it's not just the notes that you play or when you play the notes it's actually the duration of the notes like how long the notes are if I play all those notes long that is maybe less funky in my opinion so it's actually a mixture you see some of those notes are longer and and the control you have over the length of your notes you can go a huge distance here is another bass ready question from uh add comfortable 8467 do bassists always tune the octave down from the guitar the answer is fundamentally yes actually the bass is essentially tuned an octave down from an ordinary guitar not this five string tailor but this this is a six-string tailor that i have just stowed down here e a d g e and e these four notes here are the same as these on this bass guitar here okay this is a drum question so i'm going to answer it here at this drum kit what are your favorite tricks to keep your drum tracks interesting and or evolving well think about this all the time if you take an ordinary beat that's one of the most legendary beats of all time you can make that interesting without adding any notes or even changing any notes all i'm going to do is i'm going to nudge certain things forward and certain things backward say for example i move the snare drum backwards just a fraction this is what that sounds like and already i'm kind of like if i move the hi-hat forwards right so it's kind of sluggish falling all over itself one of the absolute pioneers of this was of course jay diller the legendary hip-hop producer from around 2000 he was just absolutely masterful at creating these kind of recipes sonic recipes for grooves that had gravity in them had grooves that have momentum in them so certain parts of the groove pulling back some parts of the groove pulling forwards all that stuff makes your drum tracks far more interesting without having to add a bunch of crazy fills this is from a core user what is four on the floor there are a few different elements here before me at the drums there's cymbals there are toms there's a snare drum but most importantly for four on the floor is a kick drum four on the floor every beat of a four four bar is filled or anchored by a kick so something like this as long as those four beats are going you'll find this you can call it up from the floor here's another question from wallow squeegee how the hell do you count odd time signatures in music in music we have we have these things called time signatures within every measure every bar you can divide that amount of space into a variety of different numbers so a lot of music is in four beats in a bar one two three four one two so if i go that's a grooving four if i were to go one two three four five six seven one two three four five six that is cool that's a bar in seven seven four you can basically divide time into any number of beats or subdivisions as you so please this is a fun question from at jp underscore bse and the question is hey music nerds i'm trying to understand the concept of polyrhythm aren't we all i've long been fascinated with the idea of polyrhythm polyrhythm just means many rhythms at once if i play three in my left hand and five in my right hand that sounds like this see so one two three four five one two three one when i was a teenager i set myself a challenge what if i could do five rhythms at the same time on the fingers of one hand so like a five-way here goes so one two three four five six one two three four five one two three four one two three one two one they happen at the same time it's funky it's fun it's cool this question comes from charles welcher how does a musical piece played with unweighted keys compare to it played with weighted keys this is a nord keyboard and this keyboard has what we call weighted keys in the sense that when i play a note the key is a little heavy it's actually it's mimicking a real piano and inside of a piano are hammers and a hammer will hit three strings per note many of us who play keyboard instruments we kind of seek that feeling there's just there's just more degrees of nuance that you can find it it's nice to be able to lean into the dimension of the sound now in this drawer here what have we here we have this lovely mini by arteria this keyboard is unweighted we say unweighted in the sense that the keys are light as a feather this can be really fun especially if you're playing like fast stuff you can whiz around it your fingers don't get so tired if i whiz around on here it just takes a bit more muscle power this is easier to fly around on but it's harder to maybe find some of the depth to maintain some of the nuance and performance with something like this here's the question what is the difference are all the notes of the c major scales the black notes are all the notes which are not in the key of c major so there are seven notes in c major and there are five notes that are not in c major they're in a completely different part of the musical key question here from vegetable oil underscore why do some chords sound better together in chord progressions than others it's a great question if i pick up this five string guitar here this is in the key of d so certain chords are when you're in d they sound nice oh you can say they sound constant in d because they have common notes so for example the chord of g major right does not sound too foreign in d major because both chords contain a d in fact this g major i played also contained an a because it had a little bit of color in it it's about the notes that carry over between chords okie doke that's everything we have time for today thanks for such amazing questions hope you learned something i sure did and i hope to see you out there very soon okay cheerio bye
On the piano there are two notes between right what happens if we try and squeeze in more notes right right you go forever these are all microtones these are notes that you can't find on the piano here's a question from piss kink wow what a username bro w
- I think we're entering a post-riff world.
史上最適合空氣吉他彈奏的十大搖滾歌曲！ (Top 10 Most Air Guitar Rock Songs Of All Time)
- Number 10 – Smells Like Teen Spirit, Nirvana Featuring perhaps the most instantly recognizable guitar riff of all time, Kurt Cobain's Magnum Opus is commonly regarded as one of the greatest rock songs ever recorded, although you'd be forgiven for hearing the resemblance to
第 10 位 - 《Smells Like Teen Spirit》，涅槃樂隊 科特-科本（Kurt Cobain）的這首《Magnum Opus》也許擁有史上最容易辨認的吉他旋律，被公認為有史以來最偉大的搖滾歌曲之一。
- Cobain himself initially referred to its timeless riff as cliché, to which bassist Chris Novoselic agreed.
科本本人最初稱其永恆的旋律為陳詞濫調，貝司手克里斯-諾沃肖裡奇對此表示贊同。