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("Hearts in the Sky" by Gurney Slade and Peter Albion)
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- [Dustin Hoffman] A man's thoughts, a man's feelings
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are kind of what seem to be the attractive thing,
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not somebody's face or somebody's famosity.
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You know, just the fact that someone is famous
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isn't a thing to be adored.
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The people that come up and grab you and touch you,
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and the people that kind of go haywire
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are the people who have come from another time,
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from a time of myth, heroes, of movie stars.
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("Hearts in the Sky" by Gurney Slade and Peter Albion)
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There's like an ambivalence about being a star.
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Well, I'm a star, so I lead a double life
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being a star.
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In those kinds of times where you come out to support someone
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or you want to pay tribute,
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I'm aware that I'm a public display.
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It's like when the bombing took place
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next to the apartment in which my wife
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and children and I lived in.
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I upstaged the bombing, whether I liked it or not.
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I happen to run in and get a painting,
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and that was in all the papers.
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The fact that I lived next door seemed to be more important
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than the dynamics really of what had taken place.
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("Hearts in the Sky" by Gurney Slade and Peter Albion)
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When I walk down the street today,
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I am molested least by young people.
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Youth itself is today more famous than anybody,
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than any single person.
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There is a sense of self.
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They're their own movie star.
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("Folk Rock" by Henry Marsh and Phil Pickett)
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I mean, it's sad that there are a whole bunch of people
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who are at an age now,
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and will live a few years and die,
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who did not experience any kind of sexual freedom,
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outside of getting married,
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and turning out the lights,
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and making kids,
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and talking dirty with their friends,
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and have tremendous antipathy toward marijuana,
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which they think of as, "Gee, these kids are going out,
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"smoking, and making love."
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And it's pure envy.
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("Folk Rock" by Henry Marsh and Phil Pickett)
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I know that when I was an adolescent
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it was a very, very painful time for me.
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And I had a lot of trouble in school.
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I had tremendous bouts with passivity.
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And had I been brought up today
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and been involved with marijuana, or been smoking,
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it could be dangerous.
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People used to call them growing pains,
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but certain pains of emergence should be dealt with.
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I don't think you solve the problem by saying,
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"Everybody, turn on."
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("Peace and Love" by Chris Goulstone and Clive Deamer)
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I grew up on the coattails of an aggressive society.
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I carried a knife taped to my leg.
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I never used it, but it was there.
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And thought of gang warfare as being really
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quite glamorous and exciting.
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And dragging your car next to another guy
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and evil eyeing him,
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and see who could evil eye out the other one.
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And getting the girl was based upon how tough you were,
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not what an egghead you were.
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("Peace and Love" by Chris Goulstone and Clive Deamer)
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Kids on the street, if they recognize me or something,
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sometimes they say, "Hey, Ratso,"
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or something like that.
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A lot of them have yelled the same thing, which is...
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- "Hey, I'm walking here.
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I'm walking here!"
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- [Voiceover] "I'm walking here.
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"I'm walking here."
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You know, and that wasn't in the script.
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That was an accident.
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We were walking across the street, and a cab came by
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and threatened to ruin the shot.
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And at that moment I was not Ratso,
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I was just myself trying to save the scene,
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but because I had been saying the lines with Jon Voight,
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I said it through the character.
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Now maybe that's what acting's all about.
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I felt connected with the role.
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It was a side of myself that I had always felt
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a little bit like Ratso.
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I like to think that Ratso Rizzo lives,
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but he's a conglomeration of street life.
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He's a conglomeration of maybe several lonely people.
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He's lifted a little bit.
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("Water Rising" by Gareth David Dickson)
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There are traits in my own personal character
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which I don't feel are admirable,
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which I feel are unattractive.
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I've tried to bring out unattractive aspects of me
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in roles that I've played,
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and sometimes achieved that.
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I can't apologize for anything I've done.
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I did as much as I could do at that time in my life
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with the part.
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As much as I knew about acting,
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or about myself, I did.
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I tried as hard as I could, and I couldn't do better.
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("Water Rising" by Gareth David Dickson)
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We all defend ourselves against shock.
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We don't like to be shocked.
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I think if you walk into a room and someone scares you,
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you go through the shock,
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and then you very quickly try to put down the shock,
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and say, "Whoa, boy, well you scared me, you scared me."
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And you try to nullify its effect by becoming very rational.
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It's funny because when I'm reviewed now,
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I'm reviewed like I'm an old man.
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A reviewer that likes me will say
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I'm my usual, admirable self.
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I get the feeling they're talking about, you know,
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some aging actor who's done dozens of films.
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And I've just been around three years,
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and I'm thought of as a veteran.
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I'm no longer a newcomer.
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I'm kind of establishment I guess.
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("Water Rising" by Gareth David Dickson)
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Subtitles by the Amara.org community
