Name: TED】科技與生物的交匯點上的設計｜Neri Oxman｜TED Talks (【TED】Design at the Intersection of Technology and Biology | Neri Oxman | TED Talks)
Uploaded: 2021-01-14T05:50:17.000Z
Duration: 17 min 33 s
Description: 【看影片學英語】數萬部 YouTube 影片，搭配英漢字典即點即查，輕鬆掌握單字發音與用法，長久累積看電影不必再看字幕。

情態副詞

基礎被動語態

One is designed for nature, the other is designed by her.

Michelangelo said that when he looked at raw marble,

And in our smallest units of life, our cells, we carry all the information

that's required for every other cell to function and to replicate.

At least since the Industrial Revolution, the world of design has been dominated

by the rigors of manufacturing and mass production.

Assembly lines have dictated a world made of parts,

framing the imagination of designers and architects

who have been trained to think about their objects as assemblies

of discrete parts with distinct functions.

But you don't find homogenous material assemblies in nature.

Our facial skins are thin with large pores.

Our back skins are thicker, with small pores.

and yet it's the same skin: no parts, no assemblies.

It's a system that gradually varies its functionality

So here this is a split screen to represent my split world view,

the split personality of every designer and architect operating today

between machine and organism, between assembly and growth,

These two worldviews, my left brain and right brain,

analysis and synthesis, will play out on the two screens behind me.

Why was this not possible 10 or even five years ago?

We live in a very special time in history,

a time when the confluence of four fields is giving designers access to tools

allowing us to design complex forms with simple code;

additive manufacturing, letting us produce parts

by adding material rather than carving it out;

materials engineering, which lets us design the behavior of materials

enabling us to design new biological functionality by editing DNA.

And at the intersection of these four fields,

We design objects and products and structures and tools across scales,

like this robotic arm with an 80-foot diameter reach

with a vehicular base that will one day soon print entire buildings,

to nanoscale graphics made entirely of genetically engineered microorganisms

an archetype of ancient Arabic architecture,

and created a screen where every aperture is uniquely sized

to shape the form of light and heat moving through it.

we explore the possibility of creating a cape and skirt --

this was for a Paris fashion show with Iris van Herpen --

like a second skin that are made of a single part,

stiff at the contours, flexible around the waist.

Together with my long-term 3D printing collaborator Stratasys,

we 3D-printed this cape and skirt with no seams between the cells,

This helmet combines stiff and soft materials

It's also the resolution of a CT scanner.

to such high-resolution analytic and synthetic tools,

enables to design products that fit not only the shape of our bodies,

but also the physiological makeup of our tissues.

a chair that would be at once structural, comfortable

Professor Carter, my collaborator, and I turned to nature for inspiration,

and by designing this irregular surface pattern,

We printed its surface out of 44 different properties,

corresponding to pressure points on the human body.

Its surface, as in nature, varies its functionality

not by adding another material or another assembly,

but by continuously and delicately varying material property.