Name: 吉他即興彈奏：主音超好玩！保母級教學！ (Improvising In Major Is Insanely Fun. Here's How To Do It! [GUITAR LESSON])
Uploaded: 2026-02-12T06:07:31.000Z
Duration: 16 min 50 s

現在進行式

If you've ever enjoyed that sweet, soulful sound from artists like Eric Johnson or the Allman Brothers or Jerry Garcia, that's the major scale that you're loving so much.

如果你曾經喜歡過像 Eric Johnson、Allman Brothers 或 Jerry Garcia 這類藝術家那種甜美、充滿靈魂的聲音，那就是你非常喜愛的大調音階。

A lot of guitarists ignore the major scale.

很多吉他手都會忽略大調音階。

It's just for classical music and nursery rhymes.

And in this lesson, I'm going to show you how much fun it can be to rock out and improvise with the major scale if you know what you're doing.

在這堂課裡，我會示範給你看看，如果你知道自己在做什麼，用大調音階來盡情演奏和即興演奏會有多好玩。

Our first step is to get familiar with this scale shape.

我們的第一步是熟悉這個音階形狀。

And if you watched the last lesson, this shape should look suspiciously familiar.

如果你看了上一堂課，這個形狀應該會讓你覺得似曾相識。

I highly recommend you do watch that other lesson, because everything we're doing here is going to build off of what we learned there.

我強烈建議你去看那一堂課，因為我們在這裡做的一切都會建立在我們在那裡學到的基礎上。

To keep things simple, this shape generates major scales.

為了簡單起見，這個形狀會生成大調音階。

So wherever we start, that's what major scale we're going to get.

所以我們從哪個音開始，就會得到相對應的大調音階。

And the weird part about this is we're starting with our pinky and we're starting on the fifth string.

比較特別的是，我們會從這裡開始，也就是從第五絃開始。

所以請在你的第五絃上選一個音。

舉個例子，這裡的 G 音，也就是第 10 個音格。

And now we play this shape and we get the G major scale automatically and it's moving.

然後我們彈奏這個音階形狀，就會自動生成 G 大調音階，而且它還在移動。

So if we moved our pinky to G sharp, we all of a sudden get the G sharp major scale or the A.

所以如果我們把小指移到 G 升，我們就會瞬間得到 G 升大調音階，或是 A。

So now you can play any major scale in history.

所以現在你可以彈奏歷史上任何一個大調音階了。

And with that knowledge, what I want you to do is download the free G major jam track that we're going to be using for this lesson.

有了這個知識，我希望你下載我們這堂課要用的免費 G 大調伴奏音軌。

The link is below in the description and like I said, it is totally free.

連結就在下方的說明裡，就像我說的，它是完全免費的。

But if you're supporting these lessons through Patreon or through my site memberships, I've also made this two page PDF which summarizes the most important parts of this lesson.

不過如果你是透過 Patreon 或我的網站會員資格來支持這些課程的話，我還準備了這份兩頁的 PDF，總結了這堂課最重要的部分。

Once you've got the jam track, turn it on, get your fingers ready to play in G major, which means we're going to do the shape on the 10th fret and do exactly what I taught in the last lesson.

拿到伴奏音軌後，就打開它，準備好你的手指彈奏 G 大調，這表示我們要按照上堂課教的，在第十個音格彈奏那個形狀。

Go up the scale, go down the scale, repeat yourself, do scale patterns, let some notes ring out, and

往上彈奏音階，往下彈奏音階，重複練習，做音階的模式，讓一些音持續響著，然後

I want you to just experiment before I tell you what to do.

我希望你在我告訴你該怎麼做之前，先自己去嘗試。

I want you to get familiar with the flavor and the tastes of the G major scale.

我希望你熟悉 G 大調音階的味道和感覺。

And most importantly, I want you to get familiar with the tempo.

最重要的是，我希望你熟悉這個節奏。

I've set things up pretty quickly here, so about as fast as most people can down pick, that's how fast I've set this up.

我這裡設定的速度還蠻快的，大概是大多數人能夠下刷（down pick）的速度，我就是用這個速度設定的。

So If I play the scale in down picking, 2, 3, 4, and back.

所以如果我用下刷的方式彈奏音階，二、三、四，然後回來。

I think most guitar players with a lot of practice can get that speed going just with down picking.

我想大多數有大量練習的吉他手，光是用下刷就能達到這個速度。

If you can already do that, learn to alternate pick the same thing.

如果你已經能做到，試著用交替撥弦彈奏相同的東西。

So to demonstrate, I'm just going to get messy now.

所以我現在就來示範，我會隨意彈奏。

Not a lot of thought of what I'm doing playing around with different speeds.

沒有太多思考我正在做什麼，只是隨意變換速度。

Just kind of getting into it before I try to plan anything out.

在我試著規劃任何事情之前，先進入狀況。

So the most important thing is staying on time.

then maybe from the top, some of those scale patterns we learned before.

接著從頭開始，彈一些我們之前學過的音階形狀。

So same techniques we learned before just applied here to the major scale.

所以跟我們之前學的技巧一樣，只是應用在這個大調音階上。

We haven't even learned anything advanced.

我們甚至還沒學到什麼進階的。

Now that your hands are dirty, your next step is to find the chord tones of G major.

現在你的手已經熱起來了，接下來就是找出 G major 的和絃音。

This is the G major scale, but the notes of the G major chord are extremely important.

這是 G大調音階，但 G major 和絃的音符非常重要。

You've seen the G major chord, and it only has three notes.

你已經看過 G major 和絃了，它只有三個音符。

Believe it or not, it only has the notes G, B, and D.

你相信嗎，它只有 G、B 和 D 這三個音。

And we can find those notes extremely easily.

而且我們能非常輕鬆地找到這些音。

Right here we have G, B, and D. And then here's G, B, and D again.

這裡我們有 G、B 和 D。然後這裡又是 G、B 和 D。

所以這個音階形狀就是一個大調琶音的形狀。

So we get the notes of G major just by knowing that shape, which means we also know the notes of any other major arpeggio.

所以我們只要知道這個形狀，就能得到 G major 的音符，這也代表我們知道任何其他大調琶音的音符。

So here's moving my finger to A. I start my pinky on A.

所以這裡我把手指移到 A。我的小指從 A 開始。

我就得到了 A major 和絃的音符。

所以今天就把這個形狀移動一下。

We're only using it right here in G. But outside of this lesson, practice it in different spots.

我們現在只在這裡 G 的地方使用它。但這堂課結束後，試著在不同的地方練習。

And what I'd like you to do now is start playing through the G major scale on your guitar.

現在我希望你開始在吉他上彈奏 G大調音階。

But really stop on these chord tones and listen to how nice it sounds when we take all of these notes and we stop and really focus on those chord tones.

但真的要停在這些和絃音上，聽聽當我們把這些音符都彈出來，然後停下來，專注在這些和絃音時，聽起來有多棒。

And this is your first kind of goal, is don't worry about the jam track just now on your own.

這就是你的第一個目標，先不要管伴奏音軌，自己先練習。

Just improvise some melodies that really focus on the G major scale.

試著即興演奏一些旋律，專注在 G大調音階上。

But more importantly, focus on the chord tones of the G major chord.

但更重要的是，專注在 G大調和絃的和絃音上。

Once you can do that, go back to the jam track and start messing around again and getting your hands dirty.

當你做到之後，再回到伴奏音軌，開始再次嘗試，讓自己動動手。

But really focus on hanging out on those chord tones whenever you can.

但真的要盡量多停留在這些和絃音上。

And what I want you to experience firsthand is that even though the chords are going to change in this jam track, we're going to have a G, we're going to have an E minor, we're going to have a C and a D.

我想讓你們親身體驗的是，即使在這個伴奏音軌裡，和絃會不斷變換，我們會用到 G、Em、C 和 D。

Even over those chord changes, these notes are still going to sound good.

即使在這些和絃變換中，這些音符聽起來還是會很棒。

So this gets to one of the biggest questions guitarists have is they say, am I supposed to change, you know, over every single chord?

這就引出了一個吉他手最常問的問題：我應該跟著每個和絃都變嗎？

And I want to prove to you first, you don't have to.

我想先證明給你聽，你不用這麼做。

You can actually just get away with playing the G major chord tones the whole time, and

你其實可以一直只彈奏 G大調和絃的音，然後

they will still sound good over all of those other chords.

它們聽起來還是跟其他和絃很搭。

I'm really going to be harping away on these G major chord tones.

我真的會一直強調這些G大調和絃的音。

That's really all I'm playing is the G major chord tones.

我其實就只彈奏G大調和絃的音。

You're not supposed to ignore the chord changes, but you certainly can.

你不是 supposed to 忽略和絃的變化，但你絕對可以。

And that's the point that I want to get across.

But as a guitar player, you really want to be thinking about the chord changes and thinking about what.

但身為吉他手，你真的會想去思考和絃的變化，以及在想什麼。

What's happening underneath and can I better match that underlying chord?

底下發生了什麼事，以及我能不能更好地去配合那個底層的和絃？

For example, my jam track goes from G to E minor.

舉個例子，我的伴奏音軌從 G 轉到 E minor。

You already know how to play the notes of an E minor chord, and

你已經知道怎麼彈 E minor 和絃的音符了，而且

you know that those notes exist nice and neat in the shape that we're already using.

你知道這些音符就在我們已經在用的那個音階形狀裡，而且很整齊。

So what I'd like you to try doing is matching that chord change.

所以我想讓你試著做的是去配合那個和絃的變化。

When the G major chord comes up, try to focus on these four tones.

當 G大調和絃出現時，試著專注在這四個音。

But when the E minor chord comes up, focus on those chord tones instead.

但當 E minor 和絃出現時，則專注在那些和絃音上。

And when you do that, you might get something like this again.

當你這麼做的時候，你可能會再次得到像這樣的東西。

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吉他即興彈奏：主音超好玩！保母級教學！ (Improvising In Major Is Insanely Fun. Here's How To Do It! [GUITAR LESSON])

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