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  • when New Orleans was the only place in the United States where the African

  • slaves were allowed to keep their drum tradition they played in a place

  • call Congo Square

  • the most important aspect of African drumming for jazz musicians is the way

  • improvisation is organized is generally some type of high rhythm called the

  • bell rhythm

  • and everybody can hear that rhythm

  • and then there is a lower rhythm

  • then the middle rhythm will be the person

  • that improvises

  • these things together

  • this form of improvisation became a part of jazz

  • that is one very important aspect of African music

  • another important aspect of African music the jazz musician inherited

  • is the prevalence of ritual and the importance of ritual

  • so we have these two worlds colliding one the African world where a part might be

  • played 200 years the same way

  • with very little change so the ritual is important it reminds you of who you are and it wards

  • off evils spirits it gives you comfort and lets know you can fend off

  • whatever is in the environment that is disturbing you and then we have European

  • focus on evolution so when those two things that appear to be opposites come

  • together we have jazz

when New Orleans was the only place in the United States where the African

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B1 中級 美國腔

溫頓-馬薩利斯 - 爵士樂歷史 - 非洲節奏 (Wynton Marsalis | History of Jazz - African rhythms)

  • 104 13
    Erica Chai 發佈於 2021 年 01 月 14 日
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