Name: 史上十大最被低估的恐怖片 (Top 10 Most Underrated Slasher Movies of All Time)
Uploaded: 2025-07-23T16:52:22.000Z
Duration: 12 min 3 s

關係子句

Welcome to WatchMojo, and today we're counting down our picks for the slasher films that never got the praise and admiration they deserved.

歡迎來到 WatchMojo，今天我們將為您盤點那些從未獲得過應有讚譽和欽佩的恐怖片。

進階被動語態

We'll do our best not to spoil these films, but some of the twists and turns involved in them may be revealed in discussing their merit.

我們將盡力不破壞這些影片的內容，但在討論它們的優點時，可能會揭示其中的一些曲折。

The Prowler Released just as slashers were truly coming into their own in the early 80s, The Prowler was a down-and-dirty film that helped solidify the genre.

徘徊者》（The Prowler）上映時，正值 80 年代初殺手題材電影真正嶄露頭角之時，《徘徊者》（The Prowler）這部下三濫的電影幫助鞏固了這一類型電影的地位。

Underappreciated and underseen in its time, the film followed a group of California college students who were stalked and killed by the titular Prowler.

該片講述了一群加利福尼亞大學生被名為 "徘徊者 "的人跟蹤並殺害的故事。

While it helped solidify several tropes, it also subverted a number of them by making the villain a World War II veteran.

雖然它幫助鞏固了一些套路，但也通過讓反派人物成為二戰老兵而顛覆了其中的一些套路。

Coming out when many were returning from Vietnam, it raised many questions about how we treat our veterans.

在許多人從越南歸來時，它的問世引發了許多關於我們如何對待退伍軍人的問題。

The film was also revolutionary in its special effects, even with a shoestring budget.

該片在特效方面也具有革命性的意義，即使預算很低。

Legendary effects artist Tom Savini designed the intricate and beautifully gory murder sequences which hold up to this day.   After an abundance of slashers in the 1980s, where shadowy killers stalked teens staying in cabins or on cul-de-sacs, Intruder switched things up with a rather different setting.

傳奇特效師湯姆-薩維尼（Tom Savini）設計了錯綜複雜、美輪美奐的血腥謀殺場面，這些場面至今仍歷歷在目。   20 世紀 80 年代，大量的恐怖片都以陰暗的殺手跟蹤住在小木屋或死衚衕裡的青少年為主題，而《闖入者》則改變了這一風格，採用了截然不同的場景。

Following a group of teens working in a to-be-closed grocery store, the film effectively captured the feeling of retail hell that many of us felt in a crappy first-time job.

影片講述了一群青少年在一家即將倒閉的雜貨店裡工作的故事，有效地捕捉到了我們許多人在初次工作時所感受到的零售地獄般的感覺。

Even worse than just working in a terrible dead-end job, the teens were also being hunted down and killed.

更糟糕的是，這些青少年不僅從事著一份糟糕的無前途的工作，還遭到追捕和殺害。

Messages about the disposability of minimum-wage workers and small roles from Sam Raimi and Bruce Campbell merit a second look for the Intruder.

關於最低工資工人可有可無的資訊，以及山姆-雷米和布魯斯-坎貝爾的小角色，都值得我們再看一遍《入侵者》。

Featuring a twisting plot involving a murderous identical twin, this film was initially cut down and heavily censored as Nightmare at Shadow Woods.

本片情節曲折，涉及一個殺人不眨眼的同卵雙胞胎，最初被剪輯成《暗影森林的噩夢》，並經過嚴格審查。

Regrettably, the theatrical version had almost all of the spectacularly bloody special effects excised.

遺憾的是，劇場版幾乎刪去了所有壯觀血腥的特效。

It wasn't until the VHS release that these scenes were finally included, and it was retitled Blood Rage.

直到 VHS 版本的發行，這些鏡頭才最終被收錄進來，並被重新命名為《血之狂怒》。

Confusingly, on screen for that home release, it had a third title, simply Slasher, while TV airings kept the theatrical version.

令人困惑的是，在家庭版的銀幕上，該片有第三個片名，即 "Slasher"，而電視播出的版本則保留了劇場版。

For decades, tracking down the better and therefore underrated version could be quite a chore.

幾十年來，尋找更好的、是以被低估的版本可能是一件相當麻煩的事。

However, an Arrow video release of the DVD in 2015 contained both versions, as well as the third composite cut, which finally made it easily accessible.

不過，2015 年箭牌公司發行的 DVD 光盤包含了這兩個版本以及第三個合成剪輯版，終於讓人們可以輕鬆地觀看到這部影片。

Conceived in the vein of the low-budget slasher films of the 70s and early 80s, particularly the first two Friday the 13th movies, The Burning followed a killer hunting down teens at a summer camp.

烈日灼心》的構思與上世紀 70 年代和 80 年代初的低成本恐怖片（尤其是前兩部《13 號星期五》）一脈相承，講述了一個殺手在夏令營追殺青少年的故事。

The murderer out for revenge on the camp counselors, a burn victim, notably three years before the release of A Nightmare on Elm Street, was inspired by a urban legend.

凶手為報復營地輔導員而殺人，他是一名燒傷患者，這比《榆樹街的噩夢》上映早了三年，其靈感來自於一個都市傳說。

The film fully leaned into that inspiration with campers telling the story sitting around the fire.

影片充分發揮了這一靈感，讓營員們圍坐在火堆旁講述故事。

While The Burning was trashed by critics in its day, many involved with it have gone on to huge success.

雖然《烈日灼心》在當時遭到了評論界的抨擊，但許多參與其中的人都獲得了巨大的成功。

Aside from helping establish indie film company Miramax, it launched the careers of Jason Alexander and Academy Award winners Holly Hunter and Fisher Stevens.

除了幫助成立獨立電影公司 Miramax 之外，它還開啟了傑森-亞歷山大（Jason Alexander）、奧斯卡獎得主霍莉-亨特（Holly Hunter）和費希爾-史蒂文斯（Fisher Stevens）的職業生涯。

Like so many slashers before and since in You're Next, a group of young people are hunted down by a group of home invaders.

在《你是下一個》中，一群年輕人被一群入室搶劫者追殺。

True to slasher conventions, the mysterious invaders wear masks and leave threatening messages in blood.

神祕入侵者戴著面具，用鮮血留下威脅資訊，這也是恐怖片的一貫風格。

The film even follows what seems to be a typical final girl with Erin.

影片甚至還講述了一個看似典型的最終女孩與艾琳的故事。

Slowly but surely, however, the typical genre tropes are turned on their head.

然而，典型的流派套路逐漸被顛覆。

Erin is able to fend off her attackers and sets traps for them, revealing that she grew up in a survivalist cult.

艾琳成功擊退了襲擊者，併為他們設置了陷阱，還透露了自己是在一個生存主義邪教組織中長大的。

The hunted becomes the hunter, as she takes out the masked men in a spectacular final act that cements it as an underrated cult classic.

被追殺者變成了追殺者，她在精彩的最後一幕將蒙面人一網打盡，使這部影片成為被低估的經典影片。

The Rise of Leslie Vernon Exploring the very conventions of the slasher genre, this mockumentary follows an aspiring masked killer training to become one of the greats.

萊斯利-弗農的崛起》（The Rise of Leslie Vernon）這部模擬紀錄片探索了殺手類型片的傳統，講述了一個有抱負的蒙面殺手為成為最偉大的殺手之一而接受訓練的故事。

The black comedy shows the titular Vernon's intense training regime to get his body in shape while also meticulously planning how to execute his spree, down to sabotaging his prey's potential weapons.

這部黑色喜劇片展示了名為弗農的人為了塑身而進行的高強度訓練，同時還精心策劃如何實施他的瘋狂計劃，包括破壞獵物的潛在武器。

The film intentionally plays with and subverts familiar slasher cliches in a final act that shifts away from the documentary style.

影片在最後一幕有意玩弄和顛覆了人們熟悉的恐怖片窠臼，擺脫了紀錄片的風格。

These include the killer's childhood trauma, victims tripping on nothing, and, of course, the virginal final girl.

其中包括凶手的童年創傷、受害者的無事生非，當然還有最後的處女女孩。

Despite positive buzz after a festival circuit, the film only received an incredibly limited release, and remains largely unknown to all but the most dedicated horror fans.

儘管該片在電影節上獲得了積極的反響，但上映的場次卻少得可憐，除了最忠實的恐怖片迷之外，其他觀眾對該片基本一無所知。

Jason Lives Releasing eight films in the 80s, few, if any, slasher franchises have so wholly defined a decade as Friday the 13th.

傑森的生活》在上世紀 80 年代推出了八部電影，很少有恐怖片系列能像《13 號星期五》一樣，如此完整地定義了一個十年。

However, as the masked killer Jason had been definitely killed off in a prior entry, the producers had to get creative with how to continue the series.

然而，由於蒙面殺手傑森已在前一部作品中被明確殺害，製片人不得不創造性地繼續拍攝該系列。

As the title suggests, Jason Lives brings him back from the dead via a bolt of lightning, turning him from nearly invulnerable to literally supernatural.

正如片名所示，《傑森的生命》通過一道閃電讓他起死回生，使他從幾乎刀槍不入變成了真正的超自然生物。

The film manages to strike the right balance between terror and campy fun, and would say set the tone for the series moving forward.

影片在恐怖和野營樂趣之間取得了恰當的平衡，可以說為該系列奠定了前進的基調。

While other entries may be better remembered, Part VI is arguably the best we got.

雖然其他作品可能更令人難忘，但第六部可以說是我們得到的最好的作品。

Death Proof Part of the reason Death Proof might be underrated is that it was initially released as part of a double feature that underperformed at the box office.

死亡證據》被低估的部分原因是，它最初是作為雙片之一上映的，但票房不佳。

Unsurprisingly, the film contains all the pop culture references and over-the-top violence that one would expect from a slasher directed by Quentin Tarantino.

不出所料，影片中包含了所有流行文化的引用和過激的暴力，這也是人們對昆汀-塔倫蒂諾執導的恐怖片的期待。

He also intentionally tweaked the traditionally formulaic structure of the slasher film to challenge audience expectations.

他還有意調整了傳統上公式化的恐怖片結構，以挑戰觀眾的期待。

With a lead performance from Kurt Russell as a deranged stuntman and featuring several talented stunt performers, the film was also a love letter to the people who put their bodies and lives on the line to make these kinds of films.

庫爾特-拉塞爾（Kurt Russell）在片中飾演了一位瘋狂的特技演員，幾位才華橫溢的特技演員也在片中大顯身手，這部影片也是寫給那些為了拍攝此類影片而將自己的身體和生命置之度外的人們的一封情書。

Hush Perhaps best known for his Stephen King adaptations and numerous supernatural horror series for Netflix, director Mike Flanagan had made a little-known slasher film for the streamer early in his career.

噓聲》（Hush） 導演邁克-弗拉納根（Mike Flanagan）可能因其改編的斯蒂芬-金作品和為 Netflix 拍攝的眾多超自然恐怖劇集而為人熟知，但在其職業生涯早期，他曾為流媒體拍攝過一部鮮為人知的恐怖片。

Hush was co-written by Flanagan's wife and frequent collaborator Kate Siegel, who also stars in the film as deaf and mute author Maddie Young.

噓聲》由弗拉納根的妻子、經常合作的凱特-西格爾（Kate Siegel）共同編劇，她還在片中飾演聾啞作家麥迪-楊（Maddie Young）。

This led to an atmospheric and tense film with sparse dialogue that provided social commentary on ableism via a serial killer targeting Maddie, assuming she would be an easy target.

這使得影片大氣而緊張，對白稀少，通過連環殺手瞄準瑪蒂（她是一個容易下手的目標），提供了對殘疾歧視的社會評論。

However, she proves to be anything but, with many in the deaf community praising the film.

然而，事實證明她並非如此，聾人社區的許多人都對這部影片讚不絕口。

Those outside the community were impressed as well by the creative script, unique sound and great performances.

創意十足的劇本、獨特的音效和精彩的表演也給外界留下了深刻印象。

Before we continue, be sure to subscribe to our channel and ring the bell to get notified about our latest videos.

在我們繼續之前，請務必訂閱我們的頻道，並按鈴接收我們最新視頻的通知。

You have the option to be notified for occasional videos or all of them.

您可以選擇偶爾收到或全部收到視頻通知。

If you're on your phone, make sure you go into your settings and switch on notifications. 1.

如果您正在使用手機，請確保進入設置並打開通知。1.

Wes Craven's New Nightmare Horror films have always pushed meta boundaries, commenting on and even completely going against their own tropes.

韋斯-克雷文（Wes Craven）的《新惡夢》（New Nightmare）恐怖電影總是突破元界限，評論甚至完全違背自己的套路。

Wes Craven, creator of A Nightmare on Elm Street, famously did this with the Scream franchise, but years earlier went even more meta for this off-the-wall entry in his Nightmare franchise.

榆樹街的惡夢》的創作者韋斯-克雷文（Wes Craven）在《驚聲尖叫》（Scream）系列中的表現非常著名，但早在幾年前，他在《惡夢》系列中的這部離經叛道的作品則更加玄幻。

Featuring a plot where Freddy Krueger enters the real world and begins terrorizing the cast and crew of the films made about him, the film had much to say about the slasher genre itself.

弗萊迪-克魯格（Freddy Krueger）進入現實世界，開始恐嚇以他為題材的電影的演員和劇組人員。

This concept, and a more sinister, less quippy Freddy, may have scared some audiences away, as it was regrettably the lowest-grossing Nightmare film.

這個概念，以及一個更加陰險、不那麼嬉皮笑臉的弗萊迪，可能嚇跑了一些觀眾，因為它是票房最低的一部《盜夢空間》，令人遺憾。

Nevertheless, it silently became one of the most influential horror films ever made, not to mention one of the scariest.

儘管如此，它還是默默地成為有史以來最具影響力的恐怖片之一，更不用說是最恐怖的恐怖片之一了。

Are there any underrated slashers that you love that didn't make the cut?

是否有您喜歡的被低估的恐怖片沒有入選？