The 1990s would be filled with one-man shows, awards and recognitions. He started the decade strongly committed to his abstract paintings, and would also continue to experiment with mirrors and glass, a result of his ongoing interest in minimal abstraction. The intersection of both was also noticeable in his abstract painterly practice, with structures and minimal abstraction, using stripes and grids as another chapter in his painterly research. With Richter, his personal life is often reflected in his work. In 1993, he painted a series of works of his wife Isa Gensgen, with her back faced to the artist, as if a certain detachment is being suggested. Shortly after, they would go their separate ways. Richter met Sabine20 世紀 90 年代,他舉辦了多次個人畫展,並獲得了各種獎項和認可。在這十年間,他堅定地致力於抽象繪畫,並繼續嘗試使用鏡子和玻璃,這也是他對極簡抽象一直感興趣的結果。在他的抽象繪畫實踐中,結構和極簡抽象這兩者的交集也很明顯,條紋和網格是他繪畫研究的另一個篇章。在裡希特那裡,他的個人生活常常反映在他的作品中。1993 年,他為妻子伊薩-根斯根(Isa Gensgen)創作了一系列作品,她背對著藝術家,似乎在暗示某種疏離感。不久之後,他們分道揚鑣。裡希特遇到了薩賓