Name: 復仇者聯盟》導演們的職業生涯。從《阿凡達》到《終結者》｜《名利場》雜誌。 (Avengers Directors Break Down Their Career: Arrested Development to Endgame | Vanity Fair)
Uploaded: 2021-01-14T09:33:09.000Z
Duration: 23 min 48 s
Description: 【看影片學英語】數萬部 YouTube 影片，搭配英漢字典即點即查，輕鬆掌握單字發音與用法，長久累積看電影不必再看字幕。

You know, we're sort of film geeks guys that like to watch a lot of movies and talk about a lot of movies.

And I remember the day that we told our father that he was gonna drop out of law school to make a movie blow.

Where the Russo Brothers I'm Anthony and I'm gel.

And this is the timeline of our careers l a x 2194.

If you pull us up on I am Devi, you'll find this interesting title there.

So we don't know why it's on our We've actually tried for years to get it off, or I am Devi Page unsuccessfully.

Were Cleveland at the time going to school?

I have no idea What So I am Devi, if you're listening, please, Can you take that off?

Are very very first movie was called pieces Joe and I made it.

We shot it between like 94 97 because about which is why we weren't working at l.

A x 21 exactly took three years to shoot this movie in our hometown of Cleveland.

I'll using friends and family is cast and crew.

Yeah, we were inspired by Robert Rodriguez, who had recently made El Mariachi and wrote a book about how he made a movie for $7000.

We, unfortunately, did not get this movie done for $7000.

We did remember we shot this shot on 16 millimeter.

We ran out of money and we had a key negative in the fridge there six months Saturday.

If there had been a black the entire film, we would have lost the whole movie.

We're sort of film geeks, guys that like to watch a lot of movies and talk about a lot of movies.

And we weren't necessarily Spielberg in the backyard with the camera shooting films.

We really didn't know how to make a movie.

We had to buy some books to teach yourself how to do it from one guy in Cleveland.

That could be a GP, and I remember the day that we told our father that he was gonna drop out of law school to make a movie.

But a lot of awkward meals at the dinner, too.

Yeah, it was awkward for a period there, but he eventually came around and became one of our biggest champion.

So he he became very happy at some point.

Choices were not here sitting here, not her father.

So, yeah, it was a very experimental genre film, the kind of movie that only a guy like Steven Soderbergh would, uh would enjoy.

And thank goodness he was actually sitting in the theater for that screening.

Said he really liked the movie and it was the start of our careers.

We never released it because we have a lot of meat music in that movie that we actually cut the film to.

We don't know anything about the film business and how much music costs.

So when we went to clear Led Zeppelin and Funkadelic and all these other awesome bands were used in the movie, I couldn't afford, you were sort of like what we need to pay for this stuff.

It's supposed to look like that good news is save his crack.

I received a phone call while I was living, you see, like student housing, and I picked it up and the voice on the other end said, I this is Steven Soderbergh.

Joe there was getting an M f A degree in film at the time.

You see a way, and I thought it was one of my fellow classmates messing with me.

Unfortunately for us, it was actually Steven Soderbergh.

We want Thio eat with him at a Riverside Cuban restaurant on Venice Boulevard in Los Angeles.

Had a really interesting conversation with him.

He said he wanted to produce her next film and help us get into the business.

He really liked some of the stylized elements of pieces, and I thought we had potential.

I was gonna become our godfather, said Speak, at which point we, Joe and I went into about a three year cycle where we wrote three screenplays.

Eventually, Stephen formed a partnership with George Clooney when they were making Ocean's 11 so they had a production company based at Warner Brothers and we got a call one day from the head of their production company and he said, Basically, Stephen wants to produce the mother movies through this company, and you guys were the first name he brought up.

So we sort of showed up with our three scripts that we had written, and Steven said that one and we made welcome to Collinwood took us about a year to cast the movie were relatively unknown filmmakers with movie that only Steven Soderbergh liked.

So you know, not necessarily a calling card phone, and we sat on the couch in Jordan.

Stephens office used to call it the Russo Brothers Corner on.

We had a phone and a side table, and we make calls all day just trying to get actors interested talking to agents.

This was in the very like a right around 2000.

I think that we're doing this so is right after that sort of the epic nineties, the indie films of the nineties.

So we were able to target like some of our favorites from those movies.

Macy, Patricia Clarkson, Michael Jeter, Washington.

George Clooney played a role in the film George actually jump start the movie.

I could get the budget we needed until George actually took a roll.

Uh, but, uh, he steals every scene he's playing.

A safecracker teaches, um, teaches our group of criminals how to crack a safe, which is the way we were able to go back home in Cleveland, where we had made pieces originally.

And, you know, the prior film we had made was basically a do it yourself movie where where the crew is, like, you can count them on one hand.

We're shooting in this warehouse area and we start to pull up to set the two of us on the first day.

And all of a sudden there's all these trucks all over the place, all these police all over the place, and I start to get really anxious.

He had no idea that this was our crew and the police were there for our production.

We literally like we had no frame of reference from that scale from a budget like that to a budget like that.

But it was still minuscule compared to a cat America water soldier.

So we had to shoot some complicated stunts on on this movie, one of which involved hanging Michael Jeter and Sam Rockwell from a pipe about 30 feet.

Uh, well, the ground for sequence in which they're trying to sneak across the pipe in order to get into this apartment to break into a safe.

The learning curve was steep again for guys who had played just about every roll on their first movie behind the scenes.

Now we had to start understanding how of the departments worked.

It's very much was this was right after the rise of The Sopranos, and I think the Shield had just premiered on FX.

FX was striving to be like free cable HBO run by a guy named Kevin Reilly.

Yeah, Kevin Ryan, who is a real maverick.

The time when they were trying to make television more cinematic, they couldn't afford.

Like the big feature director, they began looking at indie directors for t Bring to television for the first time.

字幕列表影片播放

復仇者聯盟》導演們的職業生涯。從《阿凡達》到《終結者》｜《名利場》雜誌。 (Avengers Directors Break Down Their Career: Arrested Development to Endgame | Vanity Fair)

episode

sort

potential

approach