Name: 如何在現場拍攝。燈光教程 (How to Shoot on Location: A Lighting Tutorial)
Uploaded: 2021-01-14T04:48:28.000Z
Duration: 6 min 21 s
Description: 【看影片學英語】數萬部 YouTube 影片，搭配英漢字典即點即查，輕鬆掌握單字發音與用法，長久累積看電影不必再看字幕。

While we've been shooting out at Vasquez Rocks, it gives us a perfect opportunity to

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look at shooting on location and how we can make that a very successful experience. So

on today's Slanted Lens Lesson, we're going to look at shooting on location. We're

going to be shooting a woman dressed as a warrior princess with her bow and arrow. And

we're going to use an air cannon to create an instant layer of smoke that will help blend

the background with our talent. But before we get started on all that, let's talk about

some of the things that will help us be ready to shoot on location.

The foundation to every good shoot on location starts with going out and scouting the location

ahead of time. You know, that's it's imperative that you go out before the day of the shoot

and see the things you're going to encounter and come up with a plan in order to make that

day go very smoothly. It doesn't matter if you're doing a large production or headshot.

You need answers to these following questions. (1) The number one question is, where is the

sun? To know where the sun is and how you're going to light the shot you're

going to need to go and scout at the very same time of day that you're going to do

your shoot. For me, that's imperative. Locations change with sunlight throughout the day and

so I want to see it in the light that I'm going to encounter when I come shoot. When

I scout a location, I'm looking for interesting, graphic areas to shoot in that will not have

the sun at my back. I can work with just about any kind of light as long as the sun is not

coming straight over my shoulder. When the sun is at my back, you have to use it as a

key source and there are very few options. It's just not a look I really enjoy.

This location we're using today is great because we'll have a nice rim light

throughout the afternoon and move into a back light or sunset as the day ends. I want to

select ahead of time the place we're I'm going to shoot so the client's not watching

me wandering around, wondering where I'm going to place my camera. I want that decision

done ahead of time so I know exactly what's going on. It makes me look more professional.

(2) Question number two is always, how will I power my equipment? You know, is there power

at the location? Can we get an extension cord to plug into power? How far is it? If I don't

have power available, do I need to bring generators? Can I use portable power? What do I need to

do to get power to my equipment? (3) The next question is, where is the bathroom?

You know, the shoot comes to a quick halt when there's no facility. You've got to

find a restroom or bring a restroom. Whatever you need to do to make sure there is a facility

on site. That's a key element to a good production day.

(4) Directions. How do I get everyone there? Check the address and decide how to explain

to people where to meet. You know, using Google Satellite is really a big help with this.

Identify a place ahead of time where you're going to stage your equipment, or your base

camp. This is important to know so that as you arrive you can set everyone up; you know

exactly where they're going to be. (5) Where is lunch going to come from? When

you're out on location, the question needs to be answered ahead of time. Are you going

to bring lunch in? Are you going to cater lunch? Are you going to send someone out to

a restaurant close-by? So that people can have food on time and the production can move

ahead. Let's move on to our production and see

how we set up our shot. The idea is to set up a structure for the talent to sit on. This

is going to give her the look of shooting the bow and pushing off from the rocks. This

gives us the option of moving her legs around and doing something interesting things when

she's in the air. We're going to get everything set up in daylight but then we're going

to shoot at sunset. We wanted to have smoke in the background, but it's not allowed

at Vasquez Rocks. So we're going to use an air cannon to blow dust into the air. This

is going to give us the same look as smoke. One thing I always bring when I'm on location

is a tilt-up. It's a great place to keep everyone out of the sun and a place to change

clothes. For our clothing, we are going to dress her in very primitive clothing but use

a very modern bow. I like the modern versus the primitive juxtaposition.

Let's take a look at the lighting breakdown. We first set a head with a reflector up on

the rocks. It's going to have Rosco CTO on it. It's a very warm light. I do this

often so I can correct the warmth out of the image and make the background blue. Here's

our image with just the rim light. Now we'll add a key light. It's a octodome with a

grid. This also has a Rosco full CTO gel; so we have that warmth that we can correct

out and make that background go a little blue. Here's our image with both the rim light

and the key. We are now going to add a head in the background that has a reflector and

a full CTB on it. I want that to be very blue. That's going to light the rocks up behind

her and backlight the dust or dirt we're blowing into the air. You can see the blue

light on the rocks in the background now. Next we add the air cannon to the image. It's

a slow process compared to using a smoke machine. Each frame, you got to reload it, reset, and

reshoot. We're going to have to work with this air cannon to get the right amount of

dust in the air. But we're doing what we have to here because that's the limitation

of the area. Here's our image with the final lighting

in place. It's now time to start work with our talent and move ahead.

Let's look at some of the final images that we shot today. Julene retouched and cleaned

up a lot of these images. It was a great look; fun to be here; thought everything came together

really well. I thought it'd be interesting to end with

a list of things you should bring. This is a list of things that you might not have thought

of, but would really help the day go much smoother.

(1) Bring sunscreen. It's a life-saver. Most people will end up without it there and

it's nice to have some on-set so everyone is taken care of and we don't get sun burnt.

(2) Bring a tarp; a plastic tarp. You can lay it on the ground. It really makes for

a nice clean place to put your equipment so you don't get dust in it. It also helps

if it gets a little windy to fold it over your equipment so the dirt's not blowing

into the equipment laying on the ground. (3) Something I've found invaluable over

the years is that I keep a head lamp in my camera case. Then when I'm cleaning up,

I can put the head lamp on, I can use it to get all of my equipment into place because

it's usually pretty dark when we finish up.

(4) It's important to have plenty of water on hand. That keeps everybody hydrated that

that makes for a successful day. That's just a few tips that I hope you find

helpful. It really should give you a foundation for making a successful day as you go out

to shoot on location. So keep those cameras rolling and keep on clicking.