Name: 漫威編劇解讀如何編寫漫威電影｜《名利場》。 (How To Write A Marvel Movie Explained by Marvel Writers | Vanity Fair)
Uploaded: 2021-01-14T08:52:37.000Z
Duration: 19 min 31 s
Description: 【看影片學英語】數萬部 YouTube 影片，搭配英漢字典即點即查，輕鬆掌握單字發音與用法，長久累積看電影不必再看字幕。

- We had over the course of writing Civil War,

Captain America who was willing to jump on a grenade

is slowly learning to value things other than sacrifice.

He realizes that maybe there's more to life

And for Tony to become his best self, he needs to lose his.

everybody should have a milkshake, that's a good day.

largely based around Steve Rogers, Captain America.

It's been very satisfying, you rarely get

to take a character through that many changes.

we were able to reach through for Endgame.

It was always going to be Avengers three and four.

It was always intended to be two separate movies.

They're very different structurally and tonally

Kevin never called and said I want you guys to write these.

- I think really all we were handed was Thanos

which necessitated the use of the Infinity Stones

which are this, this and this throughout the MCU

and, if you want to get rid of people you can

kill them willy nilly and that was just about all.

- This is not to say we picked people at random to kill.

- Not anymore than we do on a daily basis.

- And there were a bunch of obvious implications from that.

because two of Thanos' stepdaughters were on that ship.

It could be anybody from anywhere and, in fact, should be.

The beauty of working for Marvel as compared

to the rest of Hollywood is, when you get a job,

you have, for the most part, a release date.

So you are working on a real concrete movie the whole time

- We spent the last four months of 2015 locked

in a conference room reading everything we could.

- Reviewing all the movies that we knew about.

We're the ones that are locked in the room

- Some people are afraid to go into the room

and other people don't know how to leave.

- It's a big table where there's usually one representative

from Marvel, in this case it was a woman named Trinh Tran,

then it's Kevin as often as he can get in there

and Joe and Ant as often as they can get in there.

Our collective is really important to how these

last four movies that we've worked on have come out.

That's one of the delightful parts of that room

was they came in and said, "Here's all the baseball cards

and we went oh, amazing and so we really did just throw up

every face of alive and dead people in the MCU.

On the back it said whether we had this actor or not.

- There were something like 60 or 70 names up there

I've never seen those two people together that would be fun

or they are gonna hate each other let's put them together.

Really did give them to Marvel and to the Russos

Let's start winnowing down the movie that we're all

thinking of in our heads but haven't talked about yet.

- It's research and development sort of that stage.

we all agree that should happen somewhere.

- It gives you little mile markers to make

you feel like you're not just in a vast sea.

If you say, when would Cap pick up the hammer?

Well probably pretty late, probably over there,

put that card over there we can work toward it.

- That's why the snap was really helpful.

It was always going to be the marker between the movies

The four months in that room are us slowly getting

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漫威編劇解讀如何編寫漫威電影｜《名利場》。 (How To Write A Marvel Movie Explained by Marvel Writers | Vanity Fair)

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