Name: 將 "音樂 "放回 "古典音樂"｜Luka Marinkovic｜TEDxYouth @ColumbiaSC (Putting the 'music' back into 'classical music' | Luka Marinkovic | TEDxYouth@ColumbiaSC)
Uploaded: 2021-01-14T08:41:19.000Z
Duration: 8 min 57 s
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Translator: Joyce (Wan-Hsuan) Wu Reviewer: Adrienne Lin

and this is true as well in the world of music.

A quick glance at iTunes reveals such genres as:

death metal, black metal, thrash metal, and so on;

all these categories that have come in in the past ten years.

However, the classical music scene shows a different picture.

but it leads to many misconceptions about classical music,

that it all sounds the same, that it all sounds like this...

dictates that the audience remain in absolute silence

adding to an air of almost funereal silence.

In the 18th century, opera houses were noisy

and filled with all sorts of chatter, gossip, and even heckling.

with the advent of composers  and conductors such as Mahler and Wagner

and did absolute silence become the norm.

This was a turning point in classical music

because it became increasingly associated

with solemness, grimness, and absolute seriousness.

and fun as in any other form in music. (Laughter)

and all the sorts of Baroque and classical dances

that we associate with high art and courtroom dances.

At the time, these dances were the popular music of the time.

kind of like modern day twerking, isn't it? (Laughter)

In addition, countless composers have drawn

on the folk and popular music of their time

for inspiration in their classical music.

Bach's Goldberg Variations are a series of 40 variations on a single theme.

The last variation is a combination of four humorous German songs,

"Cabbage and turnips have driven me away,

had my mother cooked meat, I'd have opted to stay."

Later on, Hungarian composer Béla Bartók spent years traveling

in the Eastern European countryside collecting folk songs

and using them in his music, such as in the first Piano Sonata.

And here he is with Czech villagers in 1908,

In the 20th century, Maurice Ravel, a French composer said:

"Jazz is a very rich and vital source of inspiration for modern composers."

His Piano Concerto in G [major] features many jazz themes and idioms.

He is also pictured with George Gershwin who, in the same way,

combined classical music with orchestral timbre,

such as in his piece "Rhapsody in blue" that many of you may know.

More recently, Giovanni Dettori, an Italian composer, wrote a fugue,

which is a piece where successive voices enter repeating the same theme,

I'll just play the beginning because I don't know the rest.

classical music has influenced popular music as well.

For example, the Beatles used orchestral timbre

using glissandi in the violins and many things

to create an illusion of dizziness and confusion.

are inextricably linked throughout music history.

In addition, the notation systems are similar.

which was used by harpsichordists in the 1600s and 1700s.

and then they would improvise a chord on top of that bass line.

And then we have the tab notation used by guitar players today.

Although these written systems display much information,

musicians of both periods  often depart from the written score

and choose to improvise their own additions.

In the case of Baroque music, those were ornaments, and in modern rock, riffs.

that classical music and popular music are really quite similar,

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將 "音樂 "放回 "古典音樂"｜Luka Marinkovic｜TEDxYouth @ColumbiaSC (Putting the 'music' back into 'classical music' | Luka Marinkovic | TEDxYouth@ColumbiaSC)

illusion

reveal

applause

reinforce