What I love about Charlie...

我之所以愛查理...

Charlie is undaunted.

是因為他不屈不撓。

This is the second part of the two opening montages that begin the movie.

這是電影開頭的兩段拼接片段的第二部分。

The first is Charlie talking about Nicole.

第一部分是查理談論妮可。

Then here is Nicole saying what I love about Charlie.

然後這裡換妮可說她愛查理的原因。

Charlie eats like he's trying to get it over with and like there won't be enough food for everyone.

查理吃東西的時候好像都只想趕快結束，好像食物不夠似地狼吞虎嚥。

A sandwich is to be strangled while devoured.

三明治要被掐著吞噬。

And so I thought it was a kind of interesting way to establish these characters but also create a kind of rhythm for the movie that will both continue throughout the movie.

所以我就覺得這是建立延續於整個電影的角色與節奏的有趣方式。

But it's also going to alter and change once we find out that this couple is getting divorced.

不過一旦發現這對夫婦將要離婚，我們對一切都會改觀。

I also sort of thought of this section a little bit like an overture in a musical.

我也將這個部分視為類似音樂劇的序曲。

It's almost like we're establishing all the themes of the movie before the movie begins, in a sense.

某方面看來，幾乎像是在電影開始前我們就在建立所有的主題。

Randy Newman did this beautiful score with this chamber orchestra that establishes the musical themes for the movie too.

Randy Newman 和室內樂團作出了一首美麗的配樂，這也建立了電影的主旋律。

We're going to revisit these themes later on in the movie.

之後在電影中我們將會重訪這些主題。

And sometimes these moments can be difficult to shoot because they're so small.

而有的時候這些時刻因為太細微了，所以拍攝起來相當困難。

Like if you're setting up a big scene in a movie, you're kind of starting at the beginning, you're going to the end.

像是如果你要打造電影中的重大場景，通常都是從頭開始。然後順著結束。

When you do these little moments, you're kind of capturing people in the middle.

當拍這些細微的時刻時，都像是捕捉人們在情境當中的樣子。

And so, for instance, the Monopoly sequence, we're kind of setting up a whole Monopoly game even though they know the moment that's going to be in the movie.

舉例來說，大富翁那組鏡頭，就算知道哪個時刻會被放進電影，我們還是拍了整場大富翁遊戲。

But you're kind of trying to capture something spontaneous and ordinary, but you know you're only going to use seconds of it.

嘗試要捕捉到自然、平凡的樣子，就算知道最後只會用其中的幾秒鐘。