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  • - Okay. Let's put you in the situation.

  • So, you're there

  • and you're diving in a pool. - [Eli] I'm in a thong.

  • I go in the pool,

  • and the guy comes in with a chainsaw.

  • (chainsaw revving)

  • - Hey, I'm James A. Janisse.

  • Some of you may know me as Dead Meat.

  • If you do, you probably already know

  • that I love to watch people die,

  • you know, like on screen.

  • I've always wanted to talk to before legends

  • who put those kills on screen

  • and find out what scares them,

  • and also if they could survive

  • their favorite kill scenes. (scream)

  • This is, Meat Up.

  • Today's guest, Eli Roth.

  • Eli Roth is making a kid's movie?

  • When are we going to get another Hostel...

  • Hey, man. Hey, how's it going? - How are ya dude?

  • Good to see ya. - Good.

  • I was just admiring your display here.

  • - Yeah, welcome to my new house.

  • - It's very lovely.

  • I like it, good location.

  • Yeah, you want to talk about it more over coffee?

  • - Yeah, I'd love too.

  • - Cool, lets go.

  • - Lets do it.

  • (jazzy piano music)

  • - Hey, we're here with Eli

  • at Commissary Coffee in West Hollywood,

  • a place that you actually picked out.

  • Is this your favorite coffee spot

  • - This used to be my Sunday spot,

  • kinda before I got into editing,

  • I would just walk down here with my dog,

  • have breakfast.

  • - Were any of your movies written here?

  • - I generally write at my house.

  • I usually go to coffee places to read.

  • I find if I get a script and I read it,

  • and I'm reading at my house,

  • I always fall asleep,

  • and that's just a bad, bad way to read a script.

  • Cuz, you're just cozy, and you have a snack,

  • and you just fall asleep.

  • But, you know, in a coffee place you're like,

  • Oh, by the time this coffees done

  • I'll be finished with the script.

  • - Cool. I just ordered whatever you ordered.

  • What'd we get?

  • - I went for the iced almond milk cappuccino,

  • because they have a nice almond milk here.

  • I make my own almond milk.

  • I'm really like an almond milk snob.

  • (James giggling) But, I cut out sugar.

  • So, I'm super hard-core, no sugar.

  • I had a real sugar addiction problem

  • that I certainly indulged on Death Wish.

  • (James chuckling)

  • So, for House of the Clock, I was like,

  • I gotta do something, man.

  • And I 100% cut out sugar,

  • just so I'd get off being addicted to the taste of it.

  • So I stay off it now.

  • - Haven't you actually been labeled

  • as one of the fittest directors before?

  • - That was actually a great scam

  • that I pulled - Oh Yeah?

  • - Yeah. One of the early scenes,

  • Back when your IMBD trivia was kind of everything

  • and a journalist would just look for that.

  • A friend of mine from college

  • was doing an article for Men's Fitness Magazine

  • or Men's Health Magazine

  • and he was like,

  • hey, can I put you as most fit director?

  • And, I was like,

  • absolutely you can. - Nice.

  • - So, he put me as most fit director

  • and man did that piss off the other directors.

  • I really did it to (bleep) with the

  • other directors.

  • - Did anyone in particular

  • say like - All of them. Quentin's like,

  • I'm taking your (bleep) title (James laughs)

  • And Edgars, Edgar Rowe's like,

  • (in nasally voice) oh, it's the most fit director

  • (James laughs)

  • I'm gonna take your (bleep) title next year,

  • and then you'd see like

  • director, I saw Rich Kelly's all jacked up.

  • He's like, guess who's going to be most fit director?

  • So, it's funny that,

  • you know once I got labeled that,

  • so of course I put it on my IBMD trivia,

  • and then it just got into the vernacular of Eli Roth,

  • the most fit director.

  • And that's just like,

  • it's just,

  • I didn't think I was going to win an Oscar

  • with Cabin Fever, so it's just a good way

  • to needle everybody. - Yeah, sure.

  • - It's like I might not have that, but I do have this title.

  • (island drum music)

  • - With you're new movie

  • it's rated PG.

  • Did you feel like you had to approach the set differently

  • then you would for Green Inferno? (laughs)

  • - Yeah, sure.

  • I mean, Green Inferno we were in the Amazon,

  • and it was all adults.

  • But look, there were kids around in the village

  • in Green Inferno, but they didn't speak English.

  • That was the difference.

  • I wanted to make a PG movie.

  • I miss PG movies.

  • I miss scary PG movies.

  • You know, I miss movies like Gremlins, Goonies,

  • Poltergeist, ET, Raiders.

  • The movies people are still watching

  • are Gremlins and

  • Beetle Juice and films like that.

  • There isn't that movie that's your stepping stone

  • to really scary, intense horror.

  • I mean I didn't start out, I mean I was the exception.

  • Yeah, I started out with Alien

  • - Yeah. - The Exorcist, but most kids,

  • (James chuckles) they didn't start out with

  • Texas Chainsaw Massacre.

  • A lot of those violent movies,

  • I remember seeing Texas Chainsaw Massacre

  • when I was 12 or 13 because these are VHS movies.

  • But the movies that I saw in the theaters,

  • with your parents that were scary and fun,

  • or at a birthday party, a whole group of kids would go see.

  • Those are the ampler movies.

  • Those were big, fun, scary theatrical experiences.

  • And the movies were fun,

  • and they had a sense of humor too.

  • But they got you excited about scary,

  • they showed you the fun of being scared.

  • And the thing about those ampler movies was

  • they always did something you were like,

  • Whoa! Can they do that in a kid's movie?

  • - Yeah. - Like even in ET

  • when he was like, it was nothing like that penis breath,

  • and we were like, (James laughs)

  • did they really just say that in this movie?

  • It was like, even when ET is dead in the movie

  • you're like,

  • Oh my God, they really killed him.

  • And they were like leaving.

  • - Yeah. - I was crying. I was a mess

  • when Et died.

  • Then the plant, the flower goes up

  • and you're like,

  • the flower, look at the flower.

  • So, all those moments,

  • they really push you to that emotional extreme,

  • and Spielberg's hits me.

  • I had a really great meeting with him before

  • and he was like, make it scary.

  • Really, really, make it scary.

  • Cuz kids love to be scared. They love it.

  • I think people are getting that

  • fix with Stranger Things. - Yeah.

  • - I think they're getting it in other places.

  • But, there isn't the movies that's like,

  • wow, that's darker than I thought it was going to be.

  • - Yeah. - A movie that was scary,

  • properly scary. - Yeah.

  • (light instrumental music)

  • - So you mentioned History of Horror,

  • that's your latest project?

  • - Yes. History of Horror for AMC.

  • - And that's interviewing a bunch of horror legends, right?

  • - Yeah, I've been wanting for a long time

  • to do a documentary series that fully catalogs the genre.

  • No one has ever really done a deep dive

  • saying this is where this came from,

  • this is where vampire movies started,

  • and there's something in it for everybody.

  • From the casual fan to the super geek.

  • You know we've got everyone from Stephen King

  • to Jordan Peele, Tarantino, Tippi Hedren,

  • Jamie Lee Curtis, Rob Zombie, Greg Nicotero,

  • I mean like the most incredible list of people,

  • Catherine Hardwicke, Jill Shoemaker,

  • so we went after everybody.

  • Not everyone was available but you know,

  • we said, let's do a thing that's for all time.

  • That this can be the definitive series

  • on the history of the genre.

  • And I finally got to sit down with Stephen King

  • and ask him his thoughts on The Shining,

  • and it was amazing to hear his insight.

  • And talk to Tarantino about Get Out

  • and Rosemary's Baby.

  • And the influence of Abbot and Costello

  • meet Frankenstein on him. - Yeah.

  • - Tarantino and I did a whole thing

  • on mashing up his two favorite genres.

  • When he was a kid it was like,

  • whoa, he loved horror movies and he loved comedies.

  • So, he was talking about his movies today

  • being a confluence, like this mash-up of different genres.

  • It's like it's really, really fantastic.

  • I'm really proud of it.

  • It's a way of keeping the movies alive

  • and a way of you know, sorta teaching people

  • this kind of oral history.

  • Cuz after Wes Craven died, Tobe Hooper died,

  • Romero died,

  • I was like we're losing the stories these guys have.

  • - Yeah, that's how I felt. - Not only are we losing

  • these masters.

  • They have these amazing stories that go with them,

  • so let's get everyone on camera,

  • and tell their stories,

  • because 10 years from now,

  • who knows who's going to be around?

  • (mellow jazz music)

  • - In this segment,

  • What Would You Do?

  • We're going to put you in a scene

  • of the movie that you chose, Pieces,

  • and ask what you would do in the situation.

  • - [voiceover] Warning.

  • What you will see in the movie Pieces

  • cannot be revealed.

  • (chainsaw revving)

  • Cannot be described.

  • (loud scream)

  • Cannot even be imagined.

  • (chainsaw revving) (loud scream)

  • - So, I chose the scene, - Right.

  • - where the character Jenny goes for a little swim

  • in the schools pool and then she gets cut to pieces

  • with the chainsaw.

  • - Of course.

  • - Before we put you in that scene and ask you

  • what you would do,

  • we're going to have you draw some items

  • from my chum bucket here.

  • - Okay.

  • - Draw three out of there.

  • Okay what do you got there?

  • - Okay, I have a pair of stiletto heels,

  • a pair of furry handcuffs,

  • Smash Mouth's debut album.

  • - That's Walking on the Sun.

  • That's their best work I would say.

  • - Wow.

  • - Okay. Let's put you in the situation.

  • So, you're there.

  • And your diving in the pool. - I'm in a thong.

  • I go in the pool and the guy comes in with a chainsaw.

  • And it's to me,

  • what do I do?

  • Well the first thing you do is,

  • you want to get the pair of furry handcuffs,

  • and try to get his leg,

  • and cuff him to like the top of the railing of the pool,

  • where you get in and out of the ladder.

  • - [James] Okay.

  • - So at least for a moment.

  • Now if this person has a chainsaw,

  • (chainsaw buzzing) they're going to get out

  • of there pretty quickly.

  • But that gives you enough time to get up

  • and go to the record player,

  • because it is 1982,

  • even though Smash Mouth hasn't been invented yet,

  • (James chuckles)

  • to put on Smash Mouth's debut album

  • And they are so smooth this wild beast

  • is so distracted by sounds of Smash Mouth

  • they can't stand it because they're used to

  • the beautiful score by Stelvio Cipriani

  • and then it's making them think of that kid on YouTube,

  • who basically takes any song and sings it

  • to the lyrics of All Star.

  • So, he's thinking about that

  • (chainsaw revving) He goes after the

  • record player with the chainsaw.

  • - Are you out of the pool yet or

  • you're out of the pool? - Well you're out of the pool

  • because you've got the stiletto heel

  • and as soon as he turns around you

  • jam one (chainsaw maniac screams)

  • in his eye and then you take the other one

  • and quickly fasten it onto his foot,

  • and he's so jarred by what just happened

  • with the thing in his eye and the heel on his foot,

  • he goes backwards (chainsaw buzzing)

  • and the chainsaw's very likely to chop his own head off.

  • - [James] He just falls right onto the chainsaw?

  • - [Eli] No, he falls and then the chainsaw falls on him,

  • So, if he falls onto the chainsaw he didn't see it.

  • - [James] Right. - [Eli] If he falls

  • and then the chainsaw falls on him.

  • - [James] That sounds like you survived the scene

  • much better than that character did.

  • (clapping) cuz she wound up

  • naked against a pillar getting cut into pieces.

  • - But the best part is about her death is afterwards

  • the extras that play the police officers

  • are kinda like circus clowns,

  • they have to come in and they put the stretcher down

  • and it's clear that they're like,

  • what do we do? Okay let's just..

  • So they like pick up a leg and move it onto the stretcher

  • and then they're like,

  • you can tell they're just Spanish dudes that have never

  • been in a medical.. - Yeah.

  • - situation before.

  • - They weren't given any direction.

  • - No direction whatsoever.

  • It's interesting with Pieces.

  • Like the whole thing of the girls crotch missing

  • in the jigsaw,

  • he's doing a naked jigsaw puzzle

  • and the mom catches him and he kills the parents.

  • But the crotch is the last piece and it's missing,

  • so of course, then he makes a human jigsaw puzzle.

  • But, there's a lot of

  • shall we say phallic

  • imagery in the movie.

  • It's one of those movies that Carol Clover

  • could dissect for years.

  • It's really really interesting about,

  • think about the directors frustration,

  • his difficult

  • sexual relationship with women,

  • it's difficult relations..

  • You think about the time he made it,

  • he was probably in Franko to very repressed Spain.

  • Being openly gay director,

  • all of those things.

  • But made a lot of fun movies.

  • He did another film called slugs

  • where there's some amazing deaths.

  • But anything that's directed by J.P. Simon

  • it's Juan Piquer Simón.

  • - Well, thanks so much for - Thanks James.

  • - joining us on this first episode

  • - This is great, this is fun.

  • We actually, we're filming this on the release day

  • of House with a Clock in it's Walls.

  • - Yeah, it's amazing.

  • - But it's so cool,

  • but this is going to air right around when

  • History of Horror starts.

  • - That's some good synergy. - At midnight

  • October 14th on AMC.

  • - Yeah. - So.

  • Set them DVRs.

  • - Set em. I'm very excited for em.

  • - Alright, tune in. Let me know what you think.

  • - Thanks so much.

  • - Awesome.

  • - Appreciate it a lot.

  • (smooth music)

- Okay. Let's put you in the situation.

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