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  • With the internet, it's hard to--

  • it's hard for something special to rise to the surface.

  • And I kind of see--

  • and yet, we all like put so much energy towards this thing,

  • right?

  • We're all constantly dumping our attention and energy

  • into this place that reduces everything to one context.

  • So I think to take something out of that and make it real

  • and make it a physical thing is a resistance to that,

  • I guess, in a way.

  • So your assignment is to articulate something intimate

  • that is indispensable to you.

  • So, first, before you do anything, take a selfie.

  • Find somebody who you think could never

  • understand your perspective.

  • Fashion your own uniform out of whatever materials

  • you have at hand.

  • It could be anything.

  • It could be something that started

  • on the side of the road, or it could

  • be something you find in your basement, in your attic,

  • or it could be something you find in the trash.

  • You know, if you're creating something out

  • of your own urges, out of thin air,

  • you're going to come up with something,

  • and I'm sure it will be great.

  • But there's something else that happens,

  • a different kind of mental process,

  • and a different kind of creative process, when

  • you create something in response to someone else's heart.

  • It's really not about being able to make things well

  • with your hands.

  • FEMALE VOICE: There's going to be beauty in the way

  • that you find objects, and put them together,

  • whatever your ability is.

  • That's something to be embraced.

  • Your assignment is to conjure a studio.

  • All I need you to do is go get a piece of paper.

  • Find a drawing surface.

  • Make a line drawing of a shape you think represents yourself.

  • Call the number that is on the screen now.

  • Make an imaginary friend.

  • Create a visual representation of your family.

  • Make an object that is embarrassing.

  • Gather up all the old clothes and sheets.

  • And when it looks cool, you're done.

  • If you do this assignment, you're

  • going to learn more about yourself.

  • And you're going to find something about yourself

  • that you can extend to others.

  • And I actually think that's the only reason to make art.

  • So as an artist, I understand things a little bit more

  • when I measure them, but then when I put them out

  • into the world, they become a way for us

  • to understand something together.

  • There is no goal.

  • It's not a competition.

  • You're just doing something.

  • You need a thing to do.

  • So your assignment is to be a newspaper

  • photographer for the day.

  • To become a science fiction character.

  • Turn off a screen.

  • Take a photo, almost random photo, but just not too close,

  • and not too far.

  • And each of the photos should convey one emotion.

  • That's the beauty of being an image maker.

  • You can do whatever you want.

  • You can create whatever you want.

  • And it's all in the realm of how vivid

  • and how broad your imagination is.

  • Well, you do one thing.

  • You put it out there.

  • If it works, you do another.

  • And if it doesn't, you do another.

  • So this is true for all of us.

  • You can't expect one thing to make a difference.

  • But if you keep doing it, and keep chipping away, over time,

  • you can make a difference.

  • [MUSIC PLAYING]

With the internet, it's hard to--

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A2 初級 美國腔

看我們做了什麼|藝術作業|PBS數字工作室。 (Look What We've Done | The Art Assignment | PBS Digital Studios)

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    tedwang 發佈於 2021 年 01 月 14 日
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