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  • Here lies Arthur, king who was, and king who will be.”

  • So reads the inscription on King Arthur's gravestone

  • in Thomas Malory's Le Morte d'Arthur.

  • Writing in the 15th century,

  • Malory couldn't have known how prophetic this inscription would turn out to be.

  • King Arthur has risen again and again in our collective imagination,

  • along with his retinue of knights,

  • Guinevere,

  • the Round Table,

  • Camelot,

  • and of course, Excalibur.

  • But where do these stories come from, and is there any truth to them?

  • King Arthur as we know him is a creation of the later Middle Ages,

  • but his legend actually has its roots in Celtic poetry from an earlier time:

  • the Saxon invasions of Britain.

  • After the Romans left Britain in 410 CE,

  • Saxon invaders from what's now Germany and Denmark

  • quickly capitalized on the vulnerability of the abandoned territory.

  • The inhabitants of Britain fought fiercely against the invaders

  • through several centuries of turmoil.

  • There are hardly any written records from this time,

  • so it's difficult to reconstruct an accurate history.

  • However, surviving poetry from the era gives us some clues.

  • One of the poems, The Gododdin, contains the very first reference to Arthur,

  • though Arthur himself doesn't actually appear in it.

  • It says a different warrior, named Gwawrddur,

  • was skilled at slaying his enemies, but was no Arthur.

  • That's not much to go on,

  • but whoever this Arthur was,

  • he must've been the gold standard of warriors.

  • Whether he ruled anyone, or even lived at all is, unfortunately, less clear.

  • Despite this uncertainty,

  • references to Arthur caught the attention of an aspiring historian

  • hundreds of years later.

  • In 1130, Geoffrey of Monmouth was a lowly cleric with grand ambitions.

  • Using Celtic and Latin sources,

  • he spent years creating a lengthy chronicle

  • titled, "The History of the Kings of Britain."

  • The centerpiece of this tome was King Arthur.

  • History is a generous term for Geoffrey's account.

  • Writing six hundred years after the Saxon invasions,

  • he cobbled together fragments of myth and poetry

  • to compensate for the almost complete lack of official records.

  • A few of his sources contained mentions of Arthur,

  • and some others were realistic accounts of battles and places.

  • But many featured mythic heroes fighting long odds

  • with the help of magical swords and sorcery.

  • Geoffrey blended them all:

  • A magical sword called Caledfwlch

  • and a Roman fortress called Caerleon appeared in his source material,

  • so Geoffrey's Arthur ruled from Caerleon and wielded Caliburnus,

  • the Latin translation of Caledfwlch.

  • Geoffrey even added a wise counselor named Merlin,

  • based on the Celtic bard Myrrdin, to Arthur's story.

  • If Arthur did live, he would likely have been a military leader,

  • but a castle-bound king better fit Geoffrey's regal history.

  • Geoffrey's chronicle got the attention he'd hoped for,

  • and was soon translated from Latin into French

  • by the poet Wace around 1155 CE.

  • Wace added another centerpiece of Arthurian lore to Geoffrey's sword,

  • castle,

  • and wizard:

  • the Round Table.

  • He wrote that Arthur had the table constructed

  • so that all guests in his court would be equally placed,

  • and none could boast that he had the highest position at the table.

  • After reading Wace's translation, another French poet, Chrétien de Troyes,

  • wrote a series of romances that catapulted Arthur's story to fame.

  • He introduced tales of individual knights like Lancelot and Gawain,

  • and mixed elements of romance in with the adventures.

  • He conceived Arthur,

  • Lancelot,

  • and Guinevere's love triangle.

  • In addition to interpersonal intrigue, he also introduced the Holy Grail.

  • Chrétien probably based his Grail's powers on magical objects in Celtic mythology.

  • He lived in the middle of the Crusades,

  • and others imposed the preoccupations of the time on the Grail,

  • casting it as a powerful relic from the crucifixion.

  • Numerous adaptations in French and other languages

  • followed from Chrétien's work.

  • In the course of these retellings, Caerleon became Camelot,

  • and Caliburnus was rechristened Excalibur.

  • In the 15th century,

  • Sir Thomas Malory synthesized these stories in Le Morte D'arthur,

  • the basis of many modern accounts of King Arthur.

  • In the thousand years since Arthur first appeared in a Celtic poem,

  • his story has transformed over and over

  • to reflect the concerns of his chroniclers and their audiences.

  • And we're still rewriting and adapting the legend today.

  • Whether or not the man ever lived,

  • loved,

  • reigned,

  • or adventured,

  • it's undeniable that the character has achieved immortality.

Here lies Arthur, king who was, and king who will be.”

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亞瑟王的傳說有真實性嗎?- Alan Lupack (Is there any truth to the King Arthur legends? - Alan Lupack)

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    April Lu 發佈於 2021 年 01 月 14 日
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