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  • Some of you asked me about my process behind creating logos

  • And I'm going to show you that today by using a fake company and show you a basically an hour long logo design process

  • This video is brought to you [by] Squarespace

  • So let's say we're working for a company called

  • Electro, Mass

  • And they're an electricity meter reading company or someone who provides electricity to

  • You at your home?

  • They're from the uk, but they have been doing this for like a Few years now

  • But they want to have a heritage feel to the logo, so they've been in business for quite a while

  • They don't have children visited field

  • But they wanted to be a sort of standing out so the first thing I do

  • Is that I'm going to write down a bunch of stuff in a little notepad here?

  • You can use any no-fat that you want but fields notes are great little things to have but you can use whatever you want

  • So I'm just going to go ahead

  • Open up a new page here. I think is the new one it is a new one

  • [I] want to go here and just start writing some stuff down. There's an electricity media company

  • I'd say a lot of blue should be used because blue is a nice sort of corporate [Colour] or green or blue Green

  • When he's green as well

  • bold put as a question mark so what you'll see is a lot of companies that have like a mark like an

  • Icon and then they have like some nice type

  • Below it and then everything else [falls] within that branding so that's what we're going to do today

  • We're going to create sort of like a square of mark kind of thing like this

  • So now we're going to go ahead and sketch some ideas down

  • So get a little dot spread Sketchbook out now and start drawing out some ideas

  • So I want it to be sort of blocky and this is called Electro math, so I'm going to say [C] Electro

  • [math] at the top, and this is just going to be an idea so I'm going to draw a standard e

  • Formation like this, we're just going [to] go you see how rough. I'm treating. This is very rough

  • We've gone either what we can do is you can make another ear right here?

  • But this time have it cut off at these ends

  • we're just playing around with the words really just around here seeing what we get out [of] it because

  • There's so many different plays on the letter because it was going to be an icon this is a pretty easy

  • Form of design that we've got going here, but the idea is just to get the ideas out when you're drawing [them] stuff

  • You don't want to be precision or anything you want to get out as fast as possible to get these different flows out

  • You'll surprise yourself. [we'll] just go here [and] you can create like a lowercase e if you want me to

  • Like so you create like a brush sort of type that might not work, but it's good to explore different options in this

  • And because it's electricity so I have like you know

  • these sort of zigzags of lightning

  • We could even have a little play on that

  • So just write everything down get all these things

  • Down on here the main thing to keep in mind is when doing this that you're actually just getting the best ideas out you don't

  • Have to worry about it. Don't feel pressured same time. We have like an angled E if you wanted to

  • We kind of like

  • angled slopes here

  • You see how rough [I'm] being with this

  • and that is the

  • idea so you have these little [things] and then you can fill them in if you want to see the way in the balance of

  • Them and stuff like that then the menu can give you a different perception of the type in itself

  • so just fill them in lightly like so

  • So when I've done that, I'm cleared all my ideas out [of] my head

  • I'll look at some

  • Inspiration at some icons and there's a great book [and] I'll link it in the description for you to get it's called logo

  • Modernism's there are tons and tons of things inside of here right inspiration

  • So we're just going to like literally surf this book and we can find some great inspiration like right here

  • We've got a bunch of [keys]

  • What approach to start on a so you got a bunch of ease on here and you see I've created?

  • These are now some of these are [design] in 19, but you can tell if he's all work today

  • And that's the idea of logo [designer] everything that worked before should work now most of the times we work season

  • This is going alphabetical order, so when you're looking at stuff like this, you don't want to steal anything on here

  • you want to actually be going ahead and

  • Taking inspiration for it [so] or the form leads now. I didn't [know] before that

  • We have this sort of like lowercase [sound] sort of eat, and we can do plays on that

  • So now [that] I've got that out the way I can just go ahead and start making a little plays on this

  • Of this all [centre] of e and this is why the the dot grid Sketchbook is so important. So here's a [Samsung] e

  • It's a lower case under e, and it's not gonna be very good

  • But the idea is just to get them out

  • I'm going to go [ahead] and come up with a few more ideas, and then we'll go ahead and go to illustrator

  • So the next stage of logo design is bring it into your computer use any computer

  • But I'm using illustrator here adobe illustrator

  • [and] we're going to scan those

  • Ideas in and once you've created a few of those ideas that say like 10 to 15 depending on how long we spending on this

  • Logo, I'll suggest bringing out as many ideas as possible because just letting your pen roam freely. It's going to read the real

  • Mastery behind this it's just gaining those shapes that you never thought you could gain so basically

  • [I'm] [just] going to go through this and work out which one

  • I like best unlike it [is] on the [computer] just to see what it [looks] like in its flat version and

  • I've got a couple of ideas that [I] like I like this one here

  • Which is an e that's in the shape of a pyramid kind of collector of math

  • I like this one here [because] when you flip this around the can looks like an m

  • But it also looks like a spark plug, but the problem is it looks like a wrench and I like this one

  • This is a very minimalistic idea here

  • [I] was like this spark plug one here or like this American style plug

  • Which I might go for might create a few variations of the client

  • But we're going to be creating more variations on the same logo within this process

  • The way that I work is by basically creating different shapes of seeing how we go so the first thing

  • I'm going to start off [with] probably at this simple logo here

  • We're going to come up with like [three] different variations of this load here quite simply

  • So the first thing I'm going to do is just create some

  • Mastery down here like so just quickly get these ideas into effect

  • Really? [I] want to make sure that these look okay?

  • and we'll see how this looks further down with skew these in and

  • Like so so that's kind of what I wanted to go for there, Electro bass

  • So what we can do here is create another duplicate of that and just go straight in with another

  • variation of this

  • [if] you go for that Kinda like Fuckin s though

  • But we're going to deal [with] that later

  • And you can see here all things play around these different shapes seeing how the room of each other

  • Seeing what you can do with them just keep creating different ones that you like

  • I mean that one looks much better than this one. So what I'm going to do is just

  • Swing this back here

  • Create a new different one. I'm just pressing alt command or drag

  • Just because then you can create like a new copy

  • But the idea is [that] you can just create all these different shapes getting them out of your mind

  • And seeing where you want to go with them. It wasn't going to go ahead and like create a duplicate of this one, so

  • [I'm] going to do this that's going to create namal ear itthere everyone's if I do this

  • [Kanaka] weirdy going on right there not too sure about all them. What would do this the

  • Baseband is up like so and create like a a

  • Little diagonal flow going on here, and there's been quite real fear. I'm not getting the finalized logo down

  • I just [want] to create something that looks half decent

  • Something that I can show to the client see whether they like it or not see what happens of that

  • You've got little shapes going on there, so you can see variations of that single shape right there?

  • So the next version of this I'm going to do is the one down here on this part here. [you] can see it

  • It's like a circle would like these deformations inside it and you can see that they sort of been circled off

  • [so] the basically the idea of loads [lines] keeping very simple so this might even get simpler as we go along

  • So I'm going to create like an o here or like a circle just holding shift and create in that then the next thing

  • I'm going to do is sort of like divide these off so this could be done probably better in a grid system

  • To get grids up here

  • And make sure that this is like on a grid

  • We can make [sure] that by going to outline mode this is the way you do it. You know logo

  • That is simple keep it simple all done

  • Then the next time we'll [use] you just [making] sure it snaps to get a grid

  • Just so it's a lot easier [when] [I'm] creating like these different shapes

  • There you go. It's going to snap those grid points right there like so I'm going to copy. This is well

  • Just in case you get rid of it because I'm going to just put it in white and see what we got going on here

  • I

  • Mean it doesn't look too bad. I've got like another idea as well that I could like implement. I'm sure

  • We've got this which is kind of like an e, but looks a bit strange

  • We're not looking for perfect ideas here. We're just looking for an idea of where we can go with the shapes in themselves

  • But [I'm] not going to get rid of these ideas

  • It's going to like keep them if the client asks if I've been doing any work on the logo has taken a while

  • Then I've got something to show them in the end all [go] do is create a couple more of these create this one is black

  • again

  • So I'm happy with it. It's just a very [sweet] looking design that [we're] wanting here

  • So that's another design. We've got going on there. [I] mean that one's okay

  • It's not my favorite and there's not the best, but you can see well again

  • We can do it into the different colors that we may use for electricity and stuff like that which commit you know

  • blue

  • Doesn't want it's blue in there. Let's get rid. I will change this color to this green as well like right

  • Yeah, so the things we're going to do is a pretty simple one. Which is one that I think we'll use which is an

  • E formation, so we're going to just do it like this

  • We've got snap to grid on again so we can just let go ahead and snap this into place where we [need] [it] to be

  • And I'm going [to] eyeball [and] I'm not really too fussed at the moment

  • Exactly where they should be so there's an ease very basics and sophie that but the difference with this is

  • that these are going to sort of like come into [the] center a tiny bit so we're going to move these into the center a

  • Tiny bit whether it's just one square or whatever and so slightly [scorners] out as well as of it fix itself

  • And here. This is me manipulating tight quite little just manipulating the type

  • And with this we're going to create this little square Arc on the right, which is basically just filling it again

  • so we can like go ahead and

  • Swing go ahead like bring this out

  • Ever so slightly like so and get them to meet actually she sketching takes time

  • But the actual real side of it is you [know] getting in on this computer here and making other ideas happen

  • From this now if you know me. I'm more of a vintage style designer

  • but I'm I love grit and I love big fat logo design and I love the a

  • Vintage aspect of it. I've got this book called logo Modernism

  • Which is all about the vintage style of modern logos which is logos

  • [I] created in the 1920 to the [9] 70s or 80s, and there's a bunch of different shapes in there

  • And that's what really challenged me so guys I want to see what your logo designs are like it's going to be hilarious to see

  • You guys are

  • Absolutely going for it in a good way

  • And just to know this isn't a real logo design that I'm working on right here for a client. You know

  • This is just me playing around with a fake company, and you know what I'm actually doing it. I'm spending a bit more time

  • Creating the logo getting the idea isn't the hardest part I normally know the idea Roughly within the first day

  • And it's all about telling the client why they should have this idea and because those are designers know it to the best

  • So we treat it like so guys thank you so much for watching this I just wanted to give a huge shout-out to our sponsor

  • Over [at] squarespace if you don't know I use squarespace on my website because they are awesome

  • [you] don't have to be a web design wizard to actually

  • Understand how to use squarespace basically you can choose from a bunch of templates, and you have your website there. It is customizable

  • You can have a shop on that and sell things people like clients can contact you and it works really well

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  • to use and for the customer too if you want 10% off

  • Squarespace click the link down in the description below and let me know what you think of the squarespace platform?

  • Tweet at me. Get me on Instagram and let me know about your website and your squarespace platform guys

  • Thank you so much for watching this video, and I'll catch you in the next one. See you soon

Some of you asked me about my process behind creating logos

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A2 初級 美國腔

如何設計一個現代化的標誌|從頭到尾 (How To Design A Modern Logo | Start To Finish)

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    Cheng Xun Li 發佈於 2021 年 01 月 14 日
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