Name: 史上最恐怖的電影時刻 (Scariest Movie Moments of All Time)
Uploaded: 2021-01-14T07:04:48.000Z
Duration: 14 min 4 s

There's nothing that makes you want to sleep with the lights on more than a good old fashioned scary movie.

沒有什麼比一部老式的恐怖電影更能讓你想開燈睡覺了。

We took a look at some of these scenes that did it best.

我們來看看其中一些做得最好的場景。

These are our picks for the seven scariest moments of all time kicking us off at number seven.

以下是我們評選出的有史以來最恐怖的七個時刻，其中第七個是最恐怖的時刻。

People complain a lot about jump scares in horror films.

人們經常抱怨恐怖電影中的跳躍式驚嚇。

And if these people are to be believed, jump scares are played out, but we don't think that's true.

如果這些人是可信的，那麼跳樓驚魂就會上演，但我們認為事實並非如此。

We think that bad jump scares are played out mostly because the audience is way way ahead of the filmmakers.

我們認為，跳樓驚魂之所以被玩壞，主要是因為觀眾遠遠走在了電影製作者的前面。

We see those hiding spots a mile away but filmmakers who can keep ahead of expectations, who can put jump scares where we least expect them.

我們在一英里之外就能看到那些藏身之處，但電影製作人卻能領先於人們的預期，在我們最意想不到的地方製造驚嚇。

That's what we love says to us on some deep subconscious level.

這就是我們的愛在潛意識深處對我們說的話。

Think insidious is from behind a head Friday the 13th.

認為陰險的人來自 13 號星期五。

The descent in the darkness carries below ground.

The fellowship of the rings right in front of us and even the cabin in the woods title.

指環王之戰就在我們面前，甚至還有林中小屋的稱號。

However, for number seven, we've got to give it to Jaws, even when you know it's coming, you almost don't know it's coming and sure the sound helps it along.

然而，在第七項中，我們必須把它歸功於《大白鯊》，即使你知道它要來了，你也幾乎不知道它要來了，當然，聲音會幫助它前進。

But the real genius here is that Jaws sneaks around our expectations by not even letting us think.

但《大白鯊》真正的天才之處在於，它甚至不讓我們思考，而是悄悄地繞過了我們的期望。

It's a horror in disguise, a low key horror that doesn't have any of the surface signifiers to warn us to keep our guards up.

它是一種偽裝的恐怖，一種低調的恐怖，沒有任何表面符號來警告我們保持警惕。

So we sit back, relax and spend our time watching it like an action film or a disaster film or maybe even a thriller.

是以，我們坐下來，放鬆心情，像看動作片、災難片，甚至驚悚片一樣消磨時光。

但我們並沒有嗅到驚險刺激的味道。

So when one does emerge, it's all the better.

是以，如果真的出現了，那就更好了。

Next up at number six, we're moving from surprise to suspense and where the jump scare hits us where we don't see it coming.

接下來是第六項，我們將從驚喜轉向懸念，跳躍式驚嚇會在我們意想不到的地方出現。

Well, almost do suspense is really just fear of the unknown anxiety about the future.

其實，幾乎所有的懸念都是對未知的恐懼，對未來的焦慮。

You take your protagonist, you confront them with the terrifyingly deadly outcome and then inject a ambiguity into the mix.

你讓主角面對可怕的致命結果，然後在其中注入模糊性。

It's the bathtub in Lady Aoli, the hallway in nos frau the basement in silence of the lands and the ending of wreck.

它是《Lady Aoli》中的浴缸，是《nos frau》中的走廊，是《寂靜之地》中的地下室，也是《殘骸》的結尾。

And while those all make us wet our collective drawers, we think that Zodiac takes the wet drawer kick.

雖然這些都會讓我們溼透抽屜，但我們認為《十二生肖》更能讓我們溼透抽屜。

這個提示就是你把它記在腦子裡的方法。

The handwriting is the closest that we have ever come to a match.

筆跡是我們找到的最接近匹配的筆跡。

I won't, I won't take any more of your time.

我不會，我不會再耽誤你的時間了。

Why don't I just go and find out when we play that film?

我為什麼不在我們播放那部電影時去看看呢？

It's not a problem just down in the basement.

Not many people have basements in California.

在加州，沒有多少人有地下室。

I do zodiac devotes its entire plot up to this point building up a terrifying impression of the killer and teaching us subtle clues that might identify him.

黃道十二宮》在這之前的整個情節都在為凶手建立一個可怕的印象，並告訴我們可能識別他的微妙線索。

And then when all of a sudden, Bob Vaughan starts ticking all the clue boxes, we can't help but recall that terrifying reputation he now might possess while Fincher is as always pitch perfect in his execution of the scene.

當鮑勃-沃恩突然開始勾選所有的線索框時，我們不禁回想起他現在可能擁有的恐怖名聲，而芬奇則一如既往地完美演繹了這一幕。

Building the suspense into a fever pitch of terror through camera and editing an audio.

通過鏡頭和音頻編輯將懸念營造到恐怖的狂熱程度。

We think the reason it's so effective is that while we might be yelling, don't go down there.

我們認為，它之所以如此有效，是因為我們可能會大喊 "不要下去"。

He's not walking down there without any sense, but in spite of his sense, his character is just as afraid as us.

他不是毫無理智地走下去的，儘管他有理智，但他的性格和我們一樣害怕。

But his decision to press onward is completely in keeping with who he is curious and obsessive to a fault and the best part, despite the distinct probability of getting super murdered, we're so curious that we want to go down there with him too.

但他繼續前進的決定完全符合他的個性，他的好奇心和執著到了極點，最重要的是，儘管他很有可能被超級凶殺，但我們還是非常好奇，想和他一起下去看看。

At number five, we've got a twist on suspense that takes it one step further.

排在第五位的是一個懸念的轉捩點，讓懸念更進一步。

It's not the suspense that comes from knowing something bad might happen, but the dread that comes from just kind of suspecting that it might.

這不是因為知道可能會發生壞事而產生的懸念，而是因為懷疑可能會發生壞事而產生的恐懼。

這是一種感覺，而不是一種想法。

It's a visceral uneasiness, a nameless anxiety, not a conscious objection.

這是一種內在的不安，一種無名的焦慮，而不是有意識的反對。

Our emotions are telling us to feel suspense, but our intellects got no reason to confirm it in stark contrast to the surprise of the jump scare.

我們的情感告訴我們要有懸念，但我們的理智卻沒有理由去確認它，這與跳樓驚魂的驚喜形成了鮮明對比。

它的成功之處在於讓人耳熟能詳。

It's usually hidden away in the way the story is told.

它通常隱藏在故事的敘述方式中。

It's the imperceptible, an inexplicable shift in the music.

這是音樂中難以察覺、無法解釋的變化。

It's the shot that's holding way way too long.

It's the meta narrative understanding that the filmmakers have got to do something bad sometime soon.

這是一種元敘事的理解，即電影製作人必須儘快做些壞事。

It's right before we meet Leatherface in Texas Chainsaw massacre.

就在我們見到《德州電鋸殺人狂》中的 "皮臉 "之前。

這是《大白鯊》中的第一場殺戮。

It's most of the entirety of the Blair Witch project.

這是《女巫布萊爾》項目的大部分內容。

It's the hospital scene in Exorcist three.

這是《驅魔人3》中的醫院場景。

It's every part in a movie where the horror strings swell for no goddamn reason other than that's what they do.

在電影中的每一個部分，恐怖的弦都會無緣無故地繃緊，因為它們就是這樣做的。

However, our favorite version of this might just be the diner scene from Mulholland Drive.

不過，我們最喜歡的版本可能是《穆赫蘭道》中的餐廳場景。

You came to see if he's out there to get rid of this God awful feeling right?

你來看看他是不是在外面 好擺脫這種可怕的感覺，對吧？

Then this scene is such a perfect example because while we're feeling it, watching it, Patrick Fischler's character is feeling it, living it and there's perhaps no one better at executing it than David Lynch.

這個場景就是一個完美的例子，因為當我們在感受它、觀看它的時候，帕特里克-費施勒飾演的角色也在感受它、生活它，也許沒有人比大衛-林奇更擅長演繹它了。

He sets us up with a brilliantly detailed story of a dream, the illogical, emotional terror of it and then prods us through it.

他用一個精彩詳盡的故事為我們講述了一個夢境，以及夢境中不合邏輯的、情感上的恐怖，然後引導我們去經歷它。

Us no reason to fear anything except that we do with the reverie sound creeping drone and lingering POV camera.

我們沒有理由害怕任何東西，除了遐想的聲音、蠕動的無人機和揮之不去的 POV 攝影機。

He gives us subtle emotional cues to feel uneasy.

他給了我們微妙的情感暗示，讓我們感到不安。

So when the jump scare at the end confirms our nonsensical fears, it turns our whole world upside down.

是以，當結尾處的驚險一跳證實了我們無稽的恐懼時，我們的整個世界都被顛覆了。

Moving forward to number four, we're turning away from those scares that play with our expectations and anxieties.

進入第四個環節，我們將遠離那些玩弄我們的期望和焦慮的恐懼。

And instead looking at the ones that frighten us on a primal level.

而不是去看那些讓我們感到恐懼的原始層面的東西。

And first up, we want to talk about the grotesque, the shocking perversion of the human body.

首先，我們要談的是人體的怪誕和令人震驚的變態。

There's something intrinsic to human nature that makes looking at the distorted human form horrifying.

人性中固有的一些東西讓人看到扭曲的人形就會感到恐怖。

這就是 "不可思議谷 "出現的原因。

It plays on our basic fear of mutilation are repressed, denial of the fallibility of our body.

它利用了我們對肢體殘缺的基本恐懼和對身體缺陷的否認。

It's the distorted figure like in Jacob's Ladder, the others safe in the Dark Crystal.

就像《雅各布的天梯》裡的那個扭曲的人形，而《黑暗水晶》裡的其他人則很安全。

It's torture porn like eyes without a face, martyrs, misery or human centipede.

這是折磨人的色情，就像沒有臉的眼睛、殉道者、苦難或人體蜈蚣。

It's body horror like American werewolf in London.

這是一部類似《美國狼人在倫敦》的人體恐怖片。

The thing Tetsuo eraserhead video drone and Pinocchio.

哲夫橡皮頭視頻無人機和匹諾曹。

We think it's gotta be the demonic perversion of a little girl from the exorcist shit.

我們認為，這一定是驅魔人電影中小女孩的惡魔變態。

I love um oh my God, that the exorcist is brilliant with its body horror because it's not as much the form of the human body that's distorted but its movement and it doesn't just pick any old victim, a devil with red skin and horns that we can deal with.

我喜歡《驅魔人》在人體恐怖方面的出色表現，因為它扭曲的並不是人體的形態，而是人體的動作，而且它並沒有隨便挑選一個受害者，一個我們可以對付的紅皮長角的魔鬼。

But a little girl in pajamas feels so evil.

但一個穿著睡衣的小女孩給人的感覺是如此邪惡。

The distance between the fantasy of the story and the reality of our lives is collapsed.

故事的幻想與我們生活的現實之間的距離被拉近了。

It's playing on the border of the familiar all the while making it dreadfully horrifyingly strange.

它在熟悉的邊界上玩耍，同時又讓人感到可怕、恐怖和陌生。

There's something wrong, something deeply inhumanly wrong and it's hard to watch, which is exactly why we want you to watch it.

這裡面有些問題，有些非人道的大問題，讓人很難看下去，而這正是我們想讓你看下去的原因。

The human form isn't the only thing movies can pervert.

人的外形並不是電影唯一可以變態的東西。