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  • [opening music begins]

  • [music fades]

  • Cinnamon: Hi. How are you guys doing today?

  • I'm Cinnamon Cooney. I'm your art sherpa. Welcome to the live event. And if you're here on replay,

  • thank you for coming, and going ahead and giving this painting a try.

  • Today, together, we're going to paint

  • this wonderful aurora borealis, inspired by Acadia National Park.

  • [inhales deeply]

  • Let's all take a deep breath. Woooo! What a time of year, right?

  • John: Mm-hmm.

  • Cinnamon: Oh, I'm feeling it. Are you feeling it, John?

  • John: Oh, I am.

  • Cinnamon: Today my co-captain, John Cooney, is with you. He's gonna be directing the camera so you can

  • follow my craziness around, and paint along easily.

  • John: Pushing buttons.

  • Cinnamon: Pushing buttons. We're gonna tell you everything you need to know to complete this painting.

  • So even if it's your first time painting, you're gonna have enough information to get a painting done.

  • That's gonna be really exciting to you and a lot of fun, so....

  • I'm looking forward to doing this with you guys. Everyone here who's live, how are you doing?

  • Happy holidays. Are you surviving the stress?

  • [chuckles]

  • It's really quite extraordinary out here in Humble. The, uh- Oh. Stunt Hands is adjusting the camera.

  • Um... Yay, Stunt Hands!

  • [exhales]

  • It's been really intense on the roads, right?

  • I mean it is kind of the rest of the year, and people will be painting this painting all year so wherever you are in your year,

  • [inhales deeply]

  • Let it go. Release it. We're gonna paint it out. We're gonna get rid of it.

  • We're gonna talk about materials real quick. I'm gonna put this painting up.

  • Show you again what you're gonna be doing.

  • Now, in the comments below, if you look down, if you click down, there's gonna be a link to the full painting.

  • I highly recommend that you either print out the finished painting or have it up on a screen.

  • Cause that will really help you follow along and make things much more calm and much more relaxing,

  • and that's gonna be the theme of today.

  • Just calming it down.

  • John: Yeah.

  • Cinnamon: Just relaxing it out. That's what we're gonna be about today.

  • I'm painting on a pre-gessoed sixteen by twenty canvas from Michael's.

  • Many of you ask me if you need another coat of gesso for your canvas.

  • And the answer to this is....

  • On these pre-manufactured canvases, especially the economic ones,

  • the coatings are not really consistent from canvas to canvas, and if it's bothering you,

  • I would say go ahead and hit it with another coat of gesso, but remember, gesso is absorbent.

  • So that's something that will impact you too, but it can help your finish, and you might like that.

  • Um, also today let's cover our fun materials. We have a few special materials today.

  • The toothbrush.

  • An old toothbrush that no one in your family is ever going to put in their mouth ever again.

  • I mark mine with tape so these people will stop taking it back to the bathroom to brush their teeth.

  • I also have sponges. Now I got a package of different kinds of sponges

  • from Michael's for about four dollars.

  • You could- This is gonna be for a future painting. I really liked that sponge.

  • These are just natural, free form, shapey sponges.

  • If you didn't have an ability to get one of those, you could take a kitchen sponge and kind of

  • tear little bits out of it and make it an unusual, free form, weird little shape.

  • If you can get these, for the convenience of not having to

  • fidder with a sponge, I would say do it, but if you've gotta pull one apart-

  • I've certainly done it before, and it will work.

  • The other, um, thing that's gonna help us today is fluid-

  • See the Golden fluid paint here? John: Mm-hmm.

  • Cinnamon: Now, here's the thing. Artist Loft now makes a fluid paint.

  • It's like a dollar.

  • [chuckles]

  • So.

  • Um, the only thing to watch on that is that it's not chunky or gummy.

  • So you don't have to spend the money for the Golden.

  • I'm using the Golden today cause it's very consistent and I can count on it.

  • And I'm gonna give you some more tips on how to get a successful spatter, cause I think that's really been

  • challenging everyone, and that's sort of the secret to the stars.

  • John: Mm-hmm.

  • Cinnamon: The other kind of unusual materials. Quinacridone Magenta.

  • But what if you couldn't get quinacridone?

  • Well, any bright pink magenta would work, guys.

  • John: So you could substitute passamaquoddy pink in there and be fine?

  • Cinnamon: You could totally substitute passamaquoddy pink.

  • And then the other two colors that I'd like you to have is either some type of Aqua. Some type of turquoise.

  • This is Liquitex Bright Aqua Green.

  • But you know I also love me some Southern Ocean Blue.

  • So, there's a lot of options out there. And then of course, our Dioxazine Purple.

  • Our Phthalo Blue. Our cad yellow.

  • Our black.

  • John: Mm-hmm. Cinnamon: Right. Mars Black.

  • John: Mars Black.

  • Cinnamon: But listen. On this kind of painting,

  • if you happen to have carbon black, your painting isn't ruined. Don't worry about it.

  • And I also like to use a transparent mxing white.

  • Now, yes, there is a student grade transparent mixing white.

  • Zinc white also works, and if you just have regular white, that will work too.

  • And there is an exchange, if you find similar or approximate colors is craft paints.

  • You guys are not in any way lost.

  • I'm still celebrating my... Cause I feel this is spacey.

  • I've got- I don't know why I feel Batman ties into the aurora borealis today, but I did, so.

  • I'm wearing the Batman. Cause the bat signal would be in the night sky, I guess is what...

  • The process was.

  • How's everybody doing?

  • John: Oh, they- It's quite a lively crown with us today.

  • [Cinnamon laughs]

  • John: I'm surprised. We got about seventy five people out here, hanging out with us,

  • on this, you know, wonderful Christmas eve.

  • Cinnamon: [chuckling] Clinging to art for sanity, I imagine.

  • John: I'm just so happy that we have such a big family with us today.

  • Cinnamon: It is a big art family.

  • John: Yeah. That's a real blessing.

  • Cinnamon: It's our calm supportive family. John: Yeah.

  • [both laugh]

  • John: So, we have a lot of wishes coming in today.

  • Cinnamon: Yeah, I would like to definitely- Cause it's the holidays,

  • because we have a lot going on, I'd like to do some wishes.

  • Wishes, if you're brand, brand new, go ahead- If you're not into wishing you can fast forward but I highly recommend

  • you try this experiment cause it makes you feel so much better.

  • A lot of artists, like art journalists, like to put words or wishes or intentions in a canvas. Hopes. Deams.

  • They can be serious. They can be silly. It can be like, I really hope this piece sells. It's all good.

  • It's just the idea of being just a little bit optimistic and hopeful, which you have to be, to paint a white

  • canvas and think you're gonna get something out of it.

  • Do you have a wish for us, John?

  • John: We have- I have some wishes up for us. Yeah, we have a couple quick wishes and then we have a special

  • wish that we're gonna do here. So. You know, a lot of our community have been sending out

  • light and love to all of- all the people out there with crazy weather and crazy driving and

  • crazy stuff happening. It's- You know, this time of the season there's a lot of...

  • A lot of risk in going out there due to weather or just crazy drivers.

  • There's been a lot of car accidents, so we wish a lot of light and love to all those who are out there traveling.

  • That they have safe journeys and get to where they're going safe and warm.

  • Cinnamon: So what I have written is light and love for the craziness. Safety to travelers.

  • John: Yeah.

  • Cinnamon: That's a wish that we have. I'm writing these in watercolor pencil. Don't do these in pencil

  • or pen cause it can bleed through your paint. You can do it in chalk though.

  • Kid's chalk will work too. Or you can always write

  • on the back here.

  • Works too.

  • John: We're gonna send out a couple of special- We've had some family losses ins ome of our community members.

  • Cinnamon: Oh... Uh- oh.

  • John: Bonnie M. her, uh, her brother's wife, uh...

  • Her brother passed away last night. So, you know.

  • Cinnamon: I'm so sorry Bonnie.

  • John: Yeah. We'd like to send love to her family.

  • Cinnamon: Bonnie.... John: Her brother's wife and children.

  • Cinnamon: Love and strength to your family, Bonnie. We're very sorry for your loss.

  • John: And to Sue Clark, who also had a loss in her extended family on the twenty first.

  • Cinnamon: Oh, Sue. I'm really sorry.

  • To all of you tonight,

  • and into the future that run into this video, if you're experiencing loss, our heart is with you.

  • And we just wish you strength and love.

  • Cause that's what it takes to get through.

  • Strength and love.

  • John: And we're gonna end with we wish that all the little brushes out there get all the gifts that they ask for.

  • Cinnamon: Yes! We wish ALL the little brushes... John: And big brushes.

  • Cinnamon: All the little and big brushes.

  • All the gifts, spiritual and physical, they wish for.

  • John: Mm-hmm.

  • And for all the mommies looking for little packages. New buns in the oven....

  • [Cinnamon chuckles]

  • John: Babies, we wish all that too.

  • Cinnamon: We wish all that too.

  • John: So, you know, love you guys. Thanks for all those wishes.

  • Cinnamon: And I'm gonna put a wish out there. I wish hart party keeps growing.

  • John: I do too. Gosh. You know, I'm just so epically grateful.

  • Cinnamon: And as it grows, I wish that it stays so loving.

  • And supportive.

  • John: Me too.

  • Cinnamon: Alright. John: Ok.

  • Cinnamon: Now, I could really scribble on my canvas today, because we have to do kind of an underpainting

  • in phthalo blue and dioxazine purple, which is why I hadn't put all the paint out.

  • Cause I wanted to deal with this first, to get this first coat in. This is a really important coat on your canvas.

  • John: Mm-hmm.

  • Cinnamon: You gotta- To get this space, you have to get a really rich, deep, deep base.

  • Started before you start sponging.

  • John: Oh, yeah? Cinnamon: Yeah.

  • That's one of the tricks to it. Space be deep.

  • [both laugh]

  • John: I love your space paintings, and while you're doing that, there's some-

  • Cinnamon: I've gotten- I'm using a really big brush. Just cause I want to enjoy just getting the paint on easily.

  • This is a number sixteen Pro-Stroke by Powercryl Creative Mark.

  • These brushes are crazy expensive except a couple times a year.

  • Jerry's Artarama puts them on clearance and then they're like five bucks.

  • John: Oh!

  • Cinnamon: And that's why I can have like, I don't know, I think this brush is like forty five dollars regularly. So.

  • Definitely watch for those Jerry's sales.

  • I don't know how long they'll keep having those wonderful discount sales, but they-

  • In twenty fifteen, coming on twenty sixteen-

  • John: Mm-hmm.

  • Cinnamon: Bonus sales. So I'm getting my brush a little bit wet to prime it and warm it up.

  • And I'm just gonna grab an even mix of dioxazine and phthalo, which look probably exactly the same.

  • This is the purple and this is the blue. John: Yeah.

  • Cinnamon: Notice that I don't just mix these together.

  • John: Oh yeah.

  • Cinnamon: I am always in the habit of working from the outside of my paint plops.

  • And I do use water. To thin my paint.

  • Um, right now in acrylic the thinking is is that you should be using mediums or flow agents to thin your paint.

  • But I have to tell you, that while that's wonderful in a fine art practice,

  • um, it's very expensive.

  • John: It could be cost prohibitive?

  • Cinnamon: It's cost prohibitive and this paint is designed to be thinned up to thirty percent with water.

  • You know, all these companies have, um....

  • A lot written up on their websites. They all have websites with information.

  • And they'll tell you what their extensive testing has shown their paint can withstand,

  • and they're generally pretty right.

  • John: Yeah.

  • Cinnamon: So just putting this nice...

  • deep indigo up into the sky here.

  • John: While you're laying that in there, we've got a couple birthdays among us today.

  • Cinnamon: Oh! Do we have some birthdays? I love birthdays.

  • John: Yeah, we have some birthdays.

  • Uh, I saw- Let me scroll back up here, as soon as you switch back over. There you go.

  • Let's see here. I think Cleo and I think, uh.....

  • There's one other up here that I missed, but......

  • Cinnamon: Happy Birthday, Cleo!

  • John: Happy Birthday to everybody who's having a birthday. I think there was some-

  • Cinnamon: Shout it back up. If we miss it, shout it back up, cause we love giving you birthday wishes.

  • John: Yeah. And we're gonna send some extra love out there to Jacqueline's, uh...

  • Let me go back and check, I think it's her cousin. So.

  • Cinnamon: Awe. Love to Jacqueline's cousin.

  • John: She needs a little bit of that out there.

  • Cinnamon: You know!

  • I honestly think that there is tremendous power in wishing someone well.

  • John: I- Well, yeah we do.

  • [both laugh]

  • John: We kinda commit to it! Cinnamon: I do!

  • I think that that has meaning in the universe.

  • I do.

  • John: And, I think, uh....

  • I saw that- I think it was-

  • Let's see here. I saw some good news come up here.

  • Cinnamon: Oh, I love good news!

  • John: Ste- Oh, there we go. I pushed the button again. Stephanie Bergason's-

  • Cinnamon: Bergeron. John: Bergeron.

  • Cinnamon: I'm probably saying her name wrong too. I don't know why I corrected you.

  • [both laugh]

  • John: I think it was saying, had some good news there, if you ever want-

  • Cinnamon: Oh!!! Is, um- John: Mom?

  • Cinnamon: Your mom is ok? I really hope your mom is ok. John: Feeling better I think is what it was.

  • Oh, good news about my mom turning the corner for the better. Yes. That's what it's saying.

  • Cinnamon: Oh, fantastic. I really been thinking about you, Stephanie.

  • And your family, and just hoping that she was ok.

  • And I'm so glad to hear that. That's very very good news.

  • John: Yeah.

  • So, I apologize for my butchering of the, uh, general name pronunciation.

  • [both chuckle]

  • Cinnamon: Online monikers. Yeah. Not- Again, not that show. [chuckles]

  • How to correctly pronounce names. Not our YouTube show.

  • I think I've just painted my hair dryer again.

  • John: I think you can survive.

  • Cinnamon: I'd like to personally send out some congratulations.

  • John: Oh yeah? Who to?

  • Cinnamon: Well, to my mom and Lindsay, cause they both had big milestones on their YouTube channels.

  • John: Mm-hmm.

  • Cinnamon: And they give out so much. And they do so much for everybody, and I love that.

  • And, um... I don't know. I was just excited for them.

  • John: Oh yeah.

  • Cinnamon: It's a big, big deal. Oh, doesn't that look beautiful? Isn't that color just gorg?

  • John: I love it. I can't wait to hang it on my wall.

  • [both laugh]

  • Cinnamon: You like these.

  • So this was sort of inspired by photography done-

  • There's a bunch of space photographers that go to Acadia National Park.

  • John: Mm-hmm.

  • Cinnamon: And...

  • They take these pictures and they must do it- You would know this cause you're so into telescopes and things.

  • Um, they really do a lot of filters and UV filters and things on their telescopes when they take pictures.

  • So, suddenly this color, this amazing sky appears.

  • John: Mm-hmm.

  • Cinnamon: And then I was very excited about- I'm gonna put some more dioxazine back out.

  • And some more phthalo blue.

  • Um, and the rest of my palette. They were very, uh. They do some really beautiful stuff and,

  • and then I got really excited about the fact that- Dioxazine here. Phthalo over here.

  • Sometimes, if you can't see the difference, one, don't think you're weird.

  • It takes a while for your eyes to learn to see the difference.

  • You might not know that.

  • John: Hmm.

  • Cinnamon: Little yellow.

  • And because I'm sponging I'm gonna space things out just a titch.

  • You don't really need that much of this yet.

  • John: Oh yeah?

  • Cinnamon: Mm-mmm. So I'll wait to put it out.

  • Cause that's really for the aurora.

  • You know, we only have about a- What, like less than a year left to see the aurora borealis.

  • John: Oh, yeah.

  • Before it tilts.

  • Cinnamon: Yeah. So I thought this painting was a good time to do it.

  • So that we could have it.

  • You know. In our lives.

  • John: That's something that I'd really like to see someday.

  • Cinnamon: Me too.

  • And I don't think we're gonna pull it off.

  • [John chuckles]

  • Cinnamon: For this run. Mona's getting to see it. Aren't ya, Mona?

  • John: Yeah. She's up high enough. She said that she had missed it the other day but hopefully was gonna get out

  • and, uh... see them next flare.

  • Cinnamon: I'm gonna hair dry and John's gonna talk to y'all. About- About space.

  • [Cinnamon laughs]

  • John: I'm gonna talk to you about...

  • Space, I guess.

  • That's really strange.

  • So, uh, yeah. No, I wanted to say is that, uh....

  • Thank you guys for coming and hanging out with us.

  • We've got today's broadcast, of course, live. We're gonna do another one New Year's Eve.

  • And I think that Cinnamon is recording something here this week.

  • To drop a little bit later. Uh, in the next day or two.

  • I'm not exactly sure. We'll have to get her info on that.

  • But, yeah. If you guys could come and hang out New Year's Eve,

  • we're gonna do some live stuff then.

  • I think that we're gonna be doing a dragon,

  • and uh, probably gonna glitter it.

  • And hopefully we'll do some other shenanigan fun stuff.

  • While all that's going on.

  • So...

  • Yeah. I think that's about all I have left that I could possibly talk about, so

  • hopefully she'll come and bail me out and be done any minute now. Or any second.

  • Cause... I could just make up stuff.

  • To talk about. But that would be incredibly boring for both you and me.

  • So, this is just me trying to fill the air with- Oh my gosh! She's back. Thank you so much.

  • Cinnamon: We're you left out there alone, babe?

  • John: I was like, at the end, I could just

  • keep talking to talk.

  • [Cinnamon chuckles] John: But I don't know what I would say.

  • [John laughs] Cinnamon: So here's a little trick.

  • Sometimes when you're a new painter, it's hard to know without things laid out and how far you should take a

  • technique or effect or a thing. John: Mm-hmm.

  • Cinnamon: I know this under the lower thirds portion of my canvas is going to have these trees.

  • And I'm gonna want them to be solid from about here

  • and then they break up above this.

  • John: Mm-hmm.

  • Cinnamon: So I'm just- Now normally I wouldn't give myself this. I'm gonna give myself a little light

  • chalk mark that's gonna evaporate into the paint.

  • I don't want too much of it there, cause it can gray out my black.

  • Just enough to go, I have to take my space effect at least to here.

  • I'm gonna get my brush- I mean my sponge.

  • [chuckles] Brush, sponge. Whatever this thing is.

  • Uh, damp.

  • In it's own little bowl of water.

  • I've got these little towels if I need to drag out some excess water.

  • John: Uh-huh.

  • Cinnamon: Cause if I have too much water it will bubble.

  • John: Oh.

  • Cinnamon: And not give me an effect that I really like. And I'm gonna just get right into my

  • phthalo blue.

  • And my white.

  • Maybe I'll tip with a little bit of purple and back into the white.

  • And I'm gonna start

  • my sponging.

  • This is, and I bet John can already guess. What is this painting technique all about?

  • John: Uhhh..... Layers?

  • Cinnamon: Layers!

  • [both laugh]

  • Cinnamon: I'm a bit like Dorsey, when everything is Akhenaten. Remember him?

  • John: I do.

  • Cinnamon: Yeah. There's just gonna be constant, constant talking forever and ever and ever

  • on our channel about layers.

  • When you guys ask me how to do paintings, and I never ever mind that,

  • sometimes the answer's a little more complicated than you might think

  • because it's about understanding how to layer the piece.

  • John: Yeah.

  • Cinnamon: And I'm gonna pounce over here.

  • If you can find a space picture that you love.

  • John: Mm-hmm.

  • Cinnamon: That can also be helpful.

  • John: Yeah.

  • Cinnamon: Sometimes I'll go and get some just blue and come back and

  • pounce some of that just blue in.

  • And you'll find there'll be little pockets of color.

  • This is about rolling with it.

  • John: Yeah.

  • Cinnamon: You roll with it. You go, okay, I understand that this is what I've got going on here.

  • And I've got to work with this.

  • Because these are like clouds, and they're shaded a little bit like clouds.

  • And so we gotta break up shapes. We don't want to clone.

  • Uh, those of you that paint a lot with my mom know not to clone your trees.

  • John: Mm-hmm.

  • Cinnamon: I might even pick up some of this over here. No need to waste good paint.

  • [both chuckle]

  • Cinnamon: And I'm just pouncing.

  • Pouncing my canvas. Pounce on it like a little kitten.

  • That's what we're doing. Isn't that not stressful? Pounce on it like a little kitten. Kittens are not stressful.

  • John: So, Jane was saying doing the pears was a bit more challenging than she thought.

  • Cinnamon: Really?! John: Yeah.

  • Cinnamon: Well, I appreciate you going for the challenge, and taking it on.

  • Because that will be the thing that you're so glad that you did later.

  • John: Yeah? Cinnamon: Yeah.

  • I grabbed a little purple there. Pouncing it here.

  • And I might go ahead and get a little more white on here and

  • lighten up some more little bits of...

  • sky that are coming up, and...

  • John: Wow. I have to say thank you. We have, like, ninety five people out here with us today.

  • Cinnamon: I love that ninety five of you went, "You know!"

  • "It is- It's crazy out there!"

  • John: It's painting day!

  • Cinnamon: It's painting day!

  • That's what I'm gonna do! I'm gonna paint!

  • John: Are you sippy sippy-ing?

  • Cinnamon: I am sippy sippy-ing. John: What are you sippy sippy-ing?

  • Cinnamon: I am sippy sippy-ing water.

  • John: Water.

  • Cinnamon: Yeah. Not that exciting.

  • John: The bi-hydrogen oxide. Cinnamon: I put it in an exciting cup, though.

  • John: It is an exciting cup.

  • Cinnamon: I put it on a very exc- I'm gonna put a little bit of lightness up here.

  • John: You're hyyydratin'!

  • Cinnamon: I'm hydrating.

  • So I think it's fun, this type of photography.

  • You know. And if it just starts to go away on you, you can just get right in there.

  • And I- This is really fun for kids.

  • But it's also sort of fun to find the kid in your grown up.

  • [chuckles]

  • Does that make sense, John?

  • John: Mm-hmm.

  • Cinnamon: Just to get the kid back in your grown up. You can't really do it wrong.

  • You know. I know you guys will write me and be like, "I did it wrong!"

  • [Cinnamon laughs]

  • John: There's no wrong! Cinnamon: But you really can't.

  • It's just....

  • This is one of those wonderful things that you're just doing because it makes you happy.

  • You can get your sponge a little bit wet. You're gonna get a little dirty on your hands.

  • John: With the sponges?

  • Cinnamon: Yeah. John: Yeah...

  • Cinnamon: Alcohol. Rubbing alcohol, will soften acrylic paint. John: What are you doing over there?

  • Cinnamon: So, if you're like, "It's all over me!" Acrylic paint. You're fine.

  • Off the floor. Our of your clothes. It takes it off.

  • Let me grab a little more of this, and a little more of this, and...

  • Just be pouncing around.

  • This is-

  • I- I'm so glad to be doing this painting when we are because it is-

  • Oh! This is so relaxing.

  • You wanna just completely unplug, do this on a wall.

  • John: Oh yeah.

  • Cinnamon: You'll be like, "I feel better..."

  • John: I can imagine. Cinnamon: So much better!

  • Than where it was, and I feel so much better.

  • And again, if you notice that you're getting bubbles, you just have too much water on your sponge.

  • John: Mm-hmm.

  • Cinnamon: Right. I do. So just get it into your towel and squeeze it out.

  • John: Oh. That's cool.

  • Cinnamon: And then pounce out the bubbles.

  • Don't worry. Your canvas has not turned on you.

  • Sometimes it's nice to also turn your hand with the sponge.

  • John: Oh yeah? Cinnamon: Yep.

  • John: Oh. You get the shape changing? Cinnamon: It will help break up those shapes.

  • And that's what you're doing, is you're...

  • Trying to break up shapes. And this is a great place to, uh, work on that skill.

  • You know. Space is one of those fun things to practice again and again and again.

  • Because it will help you with clouds.

  • John: Mm-hmm.

  • Cinnamon: Right? See as I'm going along, be like, thinking- I'm just thinking about a little cloud here.

  • And that's helping me.

  • Turning my little sponge around to make sure I'm breaking up the shape.

  • How nice is that?

  • John: Yup.

  • Cinnamon: Just good stuff. Good little space.

  • Beautiful galaxies, far far away. All our little problems on this planet,

  • don't even stress out the universe.

  • The universe makes stars.

  • John: Well, we are made of stardust.

  • Cinnamon: We are made of stardust.

  • It relaxes us. Just look up in the night sky.

  • You're part of something so big.

  • That is infinite.

  • We just watched Martian last night.

  • John: Mmm. We did.

  • Cinnamon: Oh, that was so good!

  • You haven't watched Martian....

  • So worth watching.

  • John: Yeah. It's a...

  • Cinnamon: It's a get up out of your chair and cheer movie, wasn't it?

  • John: It really was. it was- It sort of was a, you know...

  • A very happy ending journey in space.

  • Cinnamon: [laughs] Yeah. It was a pretty happy ending for actually what was going on.

  • John: It's like.... Yeah.

  • I mean, there's some- There's, you know, when things go wrong in space, they generally go epically wrong.

  • Cinnamon: Because it's space. [laughs

  • John: Because it's space. But this was a really awesome movie.

  • Cinnamon: It was and it- I was saying to John last night

  • that this is why human beings are wonderful and if we spent more time being like this

  • and less time hurting each other, we would be the most amazing

  • miraculous beautiful thing in the universe.

  • John: Mm-hmm.

  • Cinnamon: I know that sounds goofy.

  • But it's true.

  • If we spent as much time figuring out how to move each other and inspire each other, and....

  • Solve our problems, as how to just hurt each other as a solution,

  • the power of us would be extraordinary.

  • John: Yeah.

  • Cinnamon: I feel like for sure the universe would take notice.

  • John: Yes.

  • Cinnamon: So this is fun to do, and I can get just really lost in this all day. I'm gonna come over and get

  • some purple and really load my sponge with some purple this time.

  • John: Yeah.

  • Cinnamon: I like to do that. I'm gonna get some white.

  • And lighten that purple.

  • And then I'm gonna think about maybe...

  • adding some of that tone.

  • Value.

  • To what's happening. And you can see how it does require a sponge to be an uneven shape.

  • Which is why, if you're doing a kitchen sponge at home,

  • you really really want to make it be a weird shape.

  • But I have done this with kitchen sponges.

  • So I know for sure it's possible.

  • I like that little bit of purple tone here.

  • These little tones are worth it.

  • John: Mm-hmm.

  • Cinnamon: When you're working your sky.

  • These little bits of effect.

  • Make a huge difference in what you're doing.

  • I think there's- Is it an arm of the Milky Way you can see from Acadia?

  • John: You know, uh... You should be able to see most of, you know, we're in the Milky Way.

  • Cinnamon: No, but I mean, I feel like they've got a strap of it that-

  • John: Oh! You know, I don't know. Cinnamon: Yeah.

  • John: They may have a particular view on the, you know, like the western arm or something.

  • Cinnamon: Yeah, there's this beau- There's this series of photographs that space guys

  • like to take where it shows some pretty neat stuff.

  • I was fairly inspired by that.

  • I'm inspired by the aurora borealis. A good friend of mine, um, she loves it.

  • She's always posting things.

  • See? Isn't that lovely?

  • John: That really is.

  • Cinnamon: It just comes in and comes in. Now I'm gonna get some quinacridone.

  • On here, and some more white.

  • John: Mm-hmm.

  • Cinnamon: Fun to do, fun to do.

  • I'm gonna think about where that could... May be living.

  • The other thing, you know, don't underestimate dabbing lightly and dabbing hard.

  • John: Mm-hmm.

  • Cinnamon: Because they will give you different effects. Play with that.

  • Take this time to just be like, "You know.... Whatever else is happening today..."

  • Whatever else is happening in my life, this is simple.

  • This is just color on canvas, and color that I like.

  • John: Happy little stars.

  • Cinnamon: Happy little stars. The stars are all happy.

  • For sure, all stars are happy.

  • Because they just are what they are. They don't try to be something else.

  • They just are who they are.

  • And they just shine. And they don't worry about upsetting the star next to them because they're shinging.

  • They know that all of them shining together lights up the night sky.

  • Stars have wisdom.

  • [both laugh] Cinnamon: John is like,

  • "Oh, no! She's going on her star speech again."

  • John: No, I think it's great. [Cinnamon laughs]

  • John: I do.

  • Cinnamon: Just lo- John: I like all the layers there.

  • Cinnamon: Add a little bit. It's wonderful to add it.

  • Just to tell it.

  • Just to tell it.

  • Fun places to tell it. If you need to get some more of it to tell it, get some more.

  • And tell it wherever you need to.

  • And see, these things will peek out behind your trees. It creates layers and effects.

  • That you will love.

  • Fun stuff.

  • Little ghosts.

  • Little stories far, far away.

  • Maybe up over here.

  • Some person just like you is painting.

  • Looking back at your planet, covering your arm.

  • You don't know.

  • You don't know.

  • John: All the little layers of clouds. Star clouds.

  • Cinnamon: Star clouds. I like that. See, so we're getting that there?

  • John: Well, they aren't clouds. Cosmic dust illuminated by inner starlight.

  • Cinnamon: Clouds of cosmic dust.

  • Isn't that wonderful?

  • Isn't that beautiful? And yes,your hands will be dirty. [laughs]

  • But they clean. John: They do.

  • Cinnamon: They clean. You don't have to worry about that.

  • I'm gonna get some white.

  • I might let a little blue be on it but mostly I want it to be kind of white.

  • Some white.

  • Maybe I'll get a skoch, a smidge of the yellow.

  • Just a smidge, though.

  • John: Just a smidge. Cinnamon: Just a smidge.

  • John: I don't even know what a smidge is, but just one of those. Not two smidges.

  • Cinnamon: Not two. Just a little bit.

  • Dab your palette paper. This is Strathmore Acrylic Palette Paper. Dab your palette paper.

  • And then just tell the story. There's some- Maybe there's some....

  • Something happening here that's a little bit lighter looking.

  • Turn your sponge around and blend it in.

  • See, acrylics actually blend quite nicely.

  • John: Oh, yeah.

  • Cinnamon: You know. The idea that they don't is not really true. Like, we love how watercolors...

  • You know, give us that....

  • Give us that nice watercolor blend.

  • But acrylics give us a lovely blend too.

  • John: Mm-hmm.

  • Cinnamon: And you've just gotta...

  • find it and...

  • work it.

  • Just be like, "Oh! This is ok..."

  • John: Cari was just asking if we had seen the first of the bingo game that she was working on.

  • Cinnamon: Nooo!

  • John: No. So we'll have to get her, yin min, and everybody in so we can, uh-

  • Cinnamon: Sherpa bingo!

  • John: Sherpa bingo. She had- I think she had suggested that the other day.

  • Cinnamon: Yeah. John: So....

  • Cinnamon: So there we go. We have a little bit happening there. Anywhere you feel like you want just a little highlight...

  • You know, and just pounce it in. Pounce on it.

  • Go kitten, kitten, kitten, kitten, kitten, kitten.

  • John: Oh, yeah. And congratulations. We have a hundred people here with us today.

  • Cinnamon: We have a hundred people with us today? John: We broke a hundred today. Yeah.

  • Cinnamon: Thank you so much for coming today.

  • John: It's always nice to know that we got over a hundred people hanging out with us.

  • Cinnamon: It's just incredible.

  • John: Yeah.

  • Cinnamon: Awe, look at that. Isn't that beautiful?

  • John: I like it. Cinnamon: It's really pretty!

  • John: You should just do a walk around the stars with a close up camera.

  • [Cinnamon chuckles]

  • Cinnamon: Well, alright. You wanna see the clouds first?

  • John: Yeah. Walk around there. Show us what you do.

  • Cinnamon: I'm gonna get the nausea cam going. There it is.

  • So there we go. Can we see the stars? Can we see all the color? I'm not really sure all the color is translating on that.

  • John: It's full of stars.

  • Cinnamon: It's gonna be in just about twenty seconds.

  • So here's the deal, guys.

  • I'm gonna put up- I keep telling you, when you wanna do splatter, have practice paper.

  • John: Oh!!! That's what that was for!

  • Cinnamon: That's what that was for. Construction paper works.

  • Any colored paper will work.

  • Here's a tip.

  • Golden fluid paint. Fluid paint.

  • Not soft bodied. Fluid paints.

  • John: Mm-hmm. Cinnamon: Right?

  • And then take a sippy sippy and a deep breath.

  • John: And cover all your cameras.

  • Cinnamon: You do want clean water. [chuckles]

  • So you're gonna wanna use some clean water. Get your brush wet in some clean water.

  • John: All I see is the top of your hat, which is very cute, by the way.

  • Cinnamon: Clean water.

  • Top of my hat. And then you're gonna just take your brush.

  • And go like this.

  • John: Can you push that forward a little bit on the camera?

  • Cinnamon: Yeah. John: Oh, yeah. Thanks.

  • Cinnamon: Alright. So I'm going like this in my fluid paint.

  • Right?

  • Again, my hands are gonna get dirty. I've got my practice paper.

  • And I'm gonna see how my brush is unloading.

  • Now, you can literally do a test splatter, go it's good, and then splatter on your canvas.

  • Test splatter. Oh, it's good!

  • Because what'll happen is sometimes you guys, if you have too much loaded, you can get that.

  • Right? John: Yeah.

  • Cinnamon: If you're too close and you're getting that effect.

  • Though, I want you to think about this for a second if you're trying to do a comet.

  • John: Yeah. And there's also dense patches of star.

  • Cinnamon: There are dense patches of stars.

  • And so, experiment. Like if I flick like this, or I flick like this. If I flick like this, if I flick like this. If I flick like this.

  • Now, I'm not stressed about what's happening here.

  • John: Get your flick technique down.

  • Cinnamon: Cause I can get it down before I take the piece that I've just been pouncing.

  • You know. Pouncing, pouncing, pouncing.

  • And that's what I mean by practice.

  • Practice, practice, practice.

  • Alright.

  • Let's give our sky some stars.

  • I love giving my sky stars.

  • John: BOOM! Cinnamon: Huh?

  • John: I said, "BOOM!" It's got stars!

  • Cinnamon: Yeah. And I do like to have big blobs and small blobs.

  • John: Yes.

  • Cinnamon: And patches that are...

  • John: It looks awesome!

  • Cinnamon: Doesn't that look amazing? Now let's take a walk around the stars.

  • John: Ahh.

  • Cinnamon: Now let's definitely walk around the stars. And I just want you to see what my splatters look like.

  • Cause sometimes you see my canvas from far away.

  • And when you stand back five or six feet

  • everything looks good.

  • John: That's really awesome. Cinnamon: Isn't that wonderful?

  • Just a beautiful starry sky.

  • I'm gonna sippy sippy. I want everyone to take a deep breath. [inhales deeply]

  • Whatever's been weighing on you lately, just let it go.

  • We're just gonna put it into this canvas. We're just gonna paint it out.

  • Like you think, this woman with the yellow chicken feathers, what could be weighing on her? [chuckles]

  • John: Yeah.

  • Cinnamon: I got three kids.

  • You know. We all have stuff. We all have traffic. We all have things happening in our lives and... [inhales deeply]

  • Sometimes you just have to put it all down.

  • John: Mm-hmm.

  • Cinnamon: Put it all down.

  • John: So I've noticed, and Kim noticed, that you have a couple techniques for making star splatters.

  • Cinnamon: I do.

  • John: So, what do you prefer? The toothbrush or the two brush?

  • Cinnamon: Ok. So, if I'm thinning down thick paints, prefer the thick brush. If I'm doing the tops of waves,

  • I don't even get into my toothbrush at all, unless it's on a teeny tiny canvas.

  • If I'm doing stars, sometimes I prefer the toothbrush.

  • John: And sometimes you'll use that toothbrush for like spray, in the- That little edgy spray crest in water.

  • Cinnamon: Yeah. Where I need a finer mist.

  • Toothbrush. Where I need round little perfect spots, I'll use the brush. And I'm pretty good at deploying my...

  • My paint. I can- This has gotta dry for a second. I can show you all...

  • John: Yeah, you- Cinnamon: The brush deployment.

  • John: Yeah, you- Cinnamon: For just two seconds.

  • Cause it doesn't hurt me and we still have some canvas that can show it. And you'll see the difference in the...

  • In the splatter. So the two brush technique...

  • John: Show the brushes you got there. Cinnamon: Is to grab two brushes. So I have-

  • You can see this is- has painted many paintings. This is a natural hair bristle round.

  • He's about a twenty two. I think. From this company.

  • And then I have just another kind of heavy brush.

  • I'm gonna get this brush a little bit wet. Dab it off.

  • John: Now this could be for snow, stars, rain... Cinnamon: Yeah.

  • John: Any dab-it-ied....

  • Cinnamon: Yep.

  • John: Sprayed....

  • Cinnamon: And I whack.

  • See the difference in the splatter?

  • Can you see that? Are you on close up cam? Get on close up cam.

  • See the difference?

  • John: Yep.

  • Cinnamon: So you can definitely see where it gives you a type of splattering.

  • It reminds me of snow. It reminds me of the crest of a wave, if I need say,

  • Oh, this wave is cresting right here.

  • John: Yep.

  • Cinnamon: That's what it is.

  • I don't know if that's helpful.

  • John: I think that is helpful.

  • Cinnamon: But!

  • I- Oh! The other thing you can see this- This will be a little waterier.

  • John: Oh yeah.

  • Cinnamon: Right?

  • So, there's a lot of ways- Oh, I'll tell you what I really am not loving.

  • So, these things.

  • I'm gonna put out some more of the fluid so you can see the difference while we're here.

  • If nobody minds.

  • John: Y- Ah, I don't think anybody minds.

  • Cinnamon: I've got some fluid paint on here.

  • John: There's a hundred people that showed up to paint with you today.

  • Cinnamon: If you were to, say, see this online and go, "That would be great."

  • Can you get the close up camera on there, John?

  • This is the type of splatter. I'm gonna-

  • John: Are you supposed to bang that against the other brush?

  • Cinnamon: There's two ways to deploy.

  • There's this.

  • And...

  • That's the splatter you get from this splatter brush.

  • John: So, it's similar, but tighter...

  • Bigger. It looks like it even squirts out bigger.

  • Cinnamon: Yeah.

  • John: So interesting.

  • Cinnamon: Now you know more about splatter than most artists.

  • [both laugh]

  • John: We've done.... That was a little splatter guide.

  • Cinnamon: That brush is also very nice for pouring mediums and

  • string mediums, if you're trying to create a Jackson Pollock effect.

  • Which we will be doing.

  • We'll be learning all about that.

  • John: Who is Jason- Jackson Pollock?

  • Cinnamon: Who is Jackson Pollock?

  • Controversy is who Jackson Pollock is.

  • John: Interesting.

  • Cinnamon: Controversy with a bottle of Jack!

  • John: Mmmmm. So how's your- How are we doing, do you think?

  • Cinnamon: I am doing brilliant!

  • And I am ready to start thinking about- Oh, I gotta dry this.

  • John: You gotta dry it? Cinnamon: Yeah.

  • John: Ok. I'll...

  • Cinnamon: Just to make sure. For the aurora. John: Ok. Real quick.

  • Cinnamon: Ok. Ready? John: Yep. Go.

  • John: And she's drying it off, real fast.

  • Just to make sure. And she doesn't use heat. She just uses air over that.

  • Im, it... Uh...

  • It doesn't require the extra heat to dry. It's just about air flow, apparently.

  • Uh, so low or no heat, and just air blow.

  • Is the best way of doing that.

  • Sometimes if you put too much heat on those, it can actually cause, uh....

  • the paint to crack, which is what I think she's actually checking for there.

  • Is to make sure she's not causing this to dry too fast and crack.

  • Cinnamon: Alright.

  • John: So you don't use heat there, do you? You just use air?

  • Cinnamon: I just use air, umm......

  • Acrylic paint is highly temperature sensitive.

  • Umm....

  • Golden and Liquitex and Matisse are designed to be more resistant to that temperature change

  • than say craft paint. If you're painting with a craft paint, that can really accelerate your color shift.

  • Which is one color when it's wet, and then it gets much darker when it's dry.

  • But someone wrote me, and they were like, "Hey, I love my craft paints. I've been painting with it five years."

  • If you've been painting with a product for five years, you've probably already made adjustments.

  • In your art practice, for the fact that it's gonna dry darker.

  • Or maybe these colors mix in an unexpected way then you might think.

  • John: Mm-hmm.

  • Cinnamon: So there's nothing wrong with it. It's just knowing, well, ok, so the benefit to craft paints and,

  • you know, things like Americana or Folk Art or Deco or, you know, any of those paints,

  • is that they're really easy on your wallet. Easy on your wallet is a good thing.

  • Right. But they have color shift and color mixing issues and they can dry a little matte.

  • And they have those kinds of things, and they're not archival.

  • John: Hmm. But-

  • Cinnamon: That's all it is.

  • John: When you're- Cinnamon: Yeah.

  • John: When you turn out some artwork? To... That's ok.

  • Cinnamon: That's ok. So for the aurora borealis, I'm gonna take this aqua.

  • John: Which one? Show me.

  • Cinnamon: This aqua....

  • John: That aqua. What aqua is this? Aqua... something... I can't read it.

  • Cinnamon: Bright aqua green. John: Ok.

  • Cinnamon: Heavy body acrylic by Liquitex, professional paint.

  • Right. There it is.

  • John: Little dab of it.

  • Cinnamon: Right. Little dab of it. You got some yellow out if you want it. This is your aurora.

  • I'm gonna get the transparent mixing white cause I kinda contam- Well, I guess it's ok.

  • Cause it can be contaminated in this particular case. It's gonna be an aurora.

  • John: Yeah.

  • Cinnamon: I'm gonna put out a little blue here.

  • You could add a little yellow into it. You could add a little quin.

  • I put out more paint than you guys need in a painting.

  • Because I'm putting out what you guys can see. If I was putting out my usual little dabs.

  • John: Yeah.

  • Cinnamon: You might be like, "Wow!"

  • John: But we want you guys to see what color we're playing with, so we, you know.

  • Cinnamon: Yeah. We don't get crazy with it. So I added just a little mixing white to my aqua.

  • And I'm gonna come here.

  • Up at the upper part. Let me- I wanna make sure that we can really see it. Yeah. Ok.

  • John: Zoom it in. Cinnamon: Yeah. I zoomed.

  • John: Well, you're just a little off the camera, so-

  • Cinnamon: And this is like a ribbon, cause the aurora borealis is like a ribbon.

  • So I'm gonna come down- do do do do do do do- and then I'm gonna make a little turn.

  • And then it's going to end there.

  • John: Ah!

  • Cinnamon: And it's gonna have a little friend.

  • Who, maybe, starts off canvas here.

  • Also does a little turn.

  • And ends there as well.

  • This little ribbon just lets me know where I'm starting.

  • Right?

  • That just lets me know where I'm starting. I'm gonna get a little of my aqua,

  • and a little of my phthalo and a little of my white.

  • They're sort of loaded on the brush like this. See?

  • See how it's loaded?

  • John: Yep. Cinnamon: Yeah.

  • And I'm very lightly going to just brush up.

  • In as straight of a line as I can handle.

  • Light pressure.

  • And I let- The transparency of the paint really helps me here.

  • Right?

  • This is what I'm doing.

  • I'm taking, just telling this little story.

  • John: So, Bonnie was asking, can she, uh...

  • Cinnamon: There we go.

  • John: Could she take a little phthalo blue with some white and a tad of yellow to get that shade?

  • Cinnamon: Yes she could.

  • John: Well, there you go Bonnie.

  • From the Sherpa's mouth.

  • Cinnamon: Yes you could.

  • You can, um... Yeah. Definitely phthalo blue, a little yellow.

  • And white, and you're gonna get all kinds of turquoise, and that's what you're trying to get, is this turquoise.

  • As I'm doing my aurora, I'm take my little- It sort of fades out.

  • I'm gonna make it a little stronger up here.

  • Right. See how that goes?

  • The transparency of the paint is helping me.

  • All of these colors are slightly transparent.

  • That definitely works in my favor.

  • And what you're just trying to do is this upward stroke. That's a little challenging, but you can get it.

  • The other thing I'm doing is not too much....

  • Not too much....

  • Pattern.

  • Gonna break it up. Some of these little things go up a little higher than others.

  • And I'm just tapering down.

  • Just tapering down.

  • Every once in a while flip the brush on its edge, pull one of these up high.

  • And then this disappears.

  • Right.

  • So there they are. Two little ribbons.

  • In the sky.

  • And obviously I put out way more paint than I needed. And that's what we mean.

  • Way more paint than is needed. [chuckles]

  • John: But at least you can see what's going on.

  • Cinnamon: Though the black probably I'm gonna need quite a lot of.

  • So...

  • Here is the trick. I have a nice half inch sharp bright.

  • John: Yep.

  • Cinnamon: Right. This is by Creative Mark. Pro Stroke.

  • And Powercryl. Pro Stroke,

  • It's a numb- This- Four. It's a number four on this line.

  • But you can see the size, and that's what you're looking for. There's some great Simply Simmons versions of this.

  • And I've got my little line here. And here's what I know.

  • I'm gonna move my little camera over just a titch, where it's gonna be.

  • So you have the up close as I'm doing this.

  • So I'm gonna take, on my edge, over here towards the left.

  • A nice, straight, upwards line.

  • And I'm gonna take it up...

  • To about, oh, there's about four fingers where that stops.

  • Right?

  • And then next to it about three fingers over I'm gonna make another little tree.

  • This one is gonna have like a little shorter line.

  • And then, a few fingers over, another little short tree. This one's gonna be quite short.

  • And maybe a little closer, slightly taller friend.

  • This is one way to prevent getting too repetitive

  • with your trees

  • John: What's that?

  • Cinnamon: Where you sort of plant in the lines. That way you can look. Is this one a different height than this one,

  • than this one. You want some different distances, right?

  • Maybe a short one there....

  • And a little slightly taller but still short.

  • Way over here to the right...

  • Right.

  • Way over here to the right.

  • Give yourself another fairly tall tree.

  • Close to him maybe a slightly shorter tree.

  • A little further off, maybe.

  • A tree a little taller than that.

  • We are going to

  • vary up this trees.

  • That's important.

  • And that, that is my forest line that I'm gonna start working from.

  • I'm gonna load up my brush.

  • And that's gonna be- Well, actually, here. I'll wipe this off so you can really see the load.

  • I'll rinse it and wipe it.

  • Gonna load up.

  • My brush.

  • See the load?

  • John: Oh, very good. Yeah.

  • Cinnamon: Right. There it is.

  • And I'm gonna come to the top of this tree.

  • And I'm gonna make these little dabs. And he's gonna have two little dabs up.

  • Short little dabs.

  • We're pouncing again, really, but we're just pouncing with the edge of our brush. I;m on the edge of my brush.

  • And I'm thinking about these little branches coming out.

  • Being different from each other.

  • Right? These little spruces. Reload as you need.

  • Some branches are shorter, and some are longer.

  • It's ok if sky is showing through. It needs to show through.

  • It's ok.

  • See the dabbing?

  • It's how we get that pine in. Can we really see that? Do I need to zoom in, John?

  • John: Yeah. That's good there. Cinnamon: Ok.

  • We really wanna just see how that's going in.

  • You know.

  • Dabbing that little pine.

  • Justing pouncing it out here. Pounce.

  • Pounce that out.

  • Maybe he's getting a little bushier down here.

  • My brush pressure is getting harder as he gets bushier.

  • See?

  • John: Yeah.

  • And it's ok that little spots of sky are peeking through these pine needles.

  • Even awesome. That little spots of sky. John: Yeah. It really is awesome.

  • Cinnamon: And you will have taken your sky much further down than you need.

  • But the wonderful thing about having done this

  • Is that if you have little spots of sky showing out.

  • John: As you do.

  • Cinnamon: As you do. Like ya do.

  • John: Like ya do.

  • Cinnamon: Like ya do.

  • It feels as if you are camping.

  • That you've gotten away from the city.

  • That you've gotten away from the things in your life that are causing you any aggravation.

  • And you've gone to these beautiful, perfect woods.

  • The woods in your mind.

  • John: What about fan brushes?

  • Cinnamon: What about fan brushes?

  • John: It seems like a fan brush type.

  • Cinnamon: It does, doesn't it? And yet I don't...

  • You do get- You can get a pine effect. There's a bunch of YouTube tutorials.

  • And we're gonna cover this in the pears.

  • John: Yep.

  • Cinnamon: The way a fan brush gives us a pine tree.

  • John: Oh.

  • Cinnamon: We're gonna definitely cover it.

  • John: But not today!

  • Cinnamon: But not today.

  • John: Today is not a fan brush. But if you wanted to play with a fan brush.

  • Cinnamon: This is an ok place to do it.

  • And if you're very familiar with the fan brush technique,

  • right, that you can get,

  • then it would be an ok place to think about that.

  • John: Or you can explore your fan brushy-ness.

  • Cinnamon: Yes you could.

  • But this is how I actually like to get this type of silhouette pine.

  • John: I like these little pines. I like that they- I like the way these look.

  • Cinnamon: I like that the branches are upward.

  • John: They're like... astronomer pines.

  • Cinnamon: Astronomer pines.

  • John: And so, it's really nice. I have to say-

  • Cinnamon: I'm dabbing around here, creating sort of a forest line.

  • See how that happens? John: Yeah. I do.

  • Cinnamon: Now, it's gonna be all black below here.

  • Once I get my line in, then I can paint everything below this forest line in black.

  • John: Wow.

  • Cinnamon: But it's very important to get this part of the story well told. Get these passages beautifully executed.

  • Then the rest of this

  • is, you know- Oh, I've got splatter over on my other painting.

  • It really just goes everywhere.

  • [both laugh] John: It does.

  • Cinnamon: It's a messy thing guys. Don't do this on your goood granite.

  • John: Yeah.

  • Cinnamon: I mean, you can clean it off, but just don't do it.

  • John: And I wanna to take a chance here, and say thank you to everyone.

  • We've got like a hundred and twenty people out here with us today, hanging out on this Christmas eve.

  • And I just wanna say how thankful I am to all of you guys coming out here.

  • And you know, I appreciate, you know, if you take the time to click that subscribe and like, comment buttons.

  • You know, it really does help YouTube know that you guys were out here and enjoying what you're seeing us do.

  • And, uh.... You know. That makes a big difference for us, so.

  • Cinnamon: Yeah, it really does.

  • The shares do too. I love- You guys, I have been seeing the shares on Instagram, and Twitter, and Facebook

  • and Pinterest, and uh... Yeah, I'm in all those places.

  • Big time, big time, big time.

  • And it makes a real difference. Because I'll tell you what.

  • You, you know. You guys see shares. Maybe they don't necessarily get as many likes or whatever.

  • But then I'll hear from somebody that said, "My friend shared this on Facebook."

  • John: Yeah.

  • Cinnamon: And I- Or I saw somebody's post-

  • Like you know how Facebook does the friend of a friend of a friend thing.

  • John: Yeah.

  • Cinnamon: You know. It's a really weird, unconnected person who somehow saw your post

  • because of the privacy settings, and then, it'll be like, this is exactly what I needed.

  • I was going through this crazy time, and I saw this,

  • and I just decided to give it a go, just a whirl, and I really appreciate it.

  • So all of those shares really help.

  • John: Yeah.

  • Cinnamon: Get that word out.

  • John: Yeah, really like, you know.

  • Cinnamon: I'm just making sure on the all pines I'm putting on.

  • John: There you go. There it is. Cinnamon: There we go.

  • Little short pine. Little buddy.

  • This little buddy stands very close to his friend.

  • They're good. They're close.

  • John: Buddy pine.

  • Cinnamon: They're buddy pines. All the pines are buddies, and they talk to each other in the wind.

  • And their roots all touch. They're family.

  • John: So we have An Ocean Breeze from Russia painting with us.

  • Cinnamon: Hello Ocean Breeze from Russia.

  • John: And I think that's funny.

  • Cinnamon: I love that. John: That's awesome.

  • Cinnamon: They have some beautiful, beautiful landscape.

  • John: Mm-hmm.

  • Cinnamon: Just gorgeous.

  • John: You know in some parts of Russia you can just walk out and look up and see this.

  • Cinnamon: Yeah! [both chuckle]

  • Cinnamon: Exactly this!

  • John: Yeah. It's like- Cinnamon: WIthout a filter!

  • John: Cause there's like big areas where there isn't light pollution. And

  • Cinnamon: Yeah... John: Really awesome, beautiful trees. And sky.

  • Cinnamon: Yeah. One of our favorite programs ever was The Long Way Home.

  • John: Yeah. Well, Long Way Round?

  • Cinnamon: Long Way Round. If you haven't seen that documentary, you should watch it.

  • If you like motorcycles, and the world, and sort of believe in the brotherhood of man and all of that

  • John: Or the actor, uh... What's his name?

  • Cinnamon: Uh, well who was in The Martian? It's the same guy.

  • John: Ewan, uh...

  • Cinnamon: Oh, Ewan McGregor. John: Yeah. Ewan McGregor.

  • Cinnamon: Ewan McGregor was the guy. John: Yeah.

  • Cinnamon: Yeah, they did. They just got on their motorcycles and drove around the world.

  • John: They drove. Which was like, you know... That's back when I was driving my Ural.

  • I was very inspired to, like, drive motorcycles anywhere!

  • Cinnamon: And just made me want to visit more.

  • See more of... I'm gonna just take some dabs up there. See?

  • Sometimes I just dab up loosely and I don't connect every dab.

  • John: Mm-hmm.

  • Cinnamon: I know it's kinda like, Oh you're watching me dab in these trees.

  • But when you see me work it out, when you see me break up, no clones.

  • No genetically modified pines here.

  • These are pines that nature gives you, and they are uneven and unruly.

  • John: They're nature's pine?

  • Cinnamon: Nature's pine does not behave.

  • It is what it is, and it doesn't apologize for it.

  • It doesn't grow it's needles all the same direction all the time.

  • And it doesn't make every branch a perfect representation of the branch before it.

  • And because of its imperfection it is more beautiful.

  • To the degree as artists we can embrace that.

  • And try to mimic that. We are successful in our storytelling.

  • I'm really like this, John!

  • John: I like it too!

  • [Cinnamon chuckles]

  • Cinnamon: It's one of those paintings.

  • Now, if you're following along live today and you like this, we have another live come up.

  • We're getting caught up on some projects, some collaboration projects that we actually

  • missed the deadline on.

  • John: Oh yeah. That's right.

  • Cinnamon: Saturday that's what we'll be doing. So we won't be live Saturday even though we'll be making a video.

  • John: Mm-hmm.

  • Cinnamon: Um... But Tuesday we'll be live again.

  • And you can go to the upcoming live events on my landing YouTube page, and schedule a reminder.

  • John: Oh yeah.

  • Cinnamon: If you don't want to miss it. It's a really beautiful painting.

  • And once you've already gotten the sponge, you might as well come back and do it.

  • John: Yeah.

  • Cinnamon: It's a good painting.

  • For peacefulness.

  • John: You just wiping your brush off there?

  • Cinnamon: Every once in a while...

  • The paint can start to work it's way- Let me see if- Into this, the ferrule of your brush.

  • John: Yeah.

  • Cinnamon: And you can rinse it out and stuff, but I also will sometimes wipe it. You'll see a lot of artists will just

  • wipe it. They're just like, "Enough!"

  • Cause we're trying to actually not get that much water on our brush.

  • John: Yeah.

  • Now, see, this little tree has peeked up over where you did your aurora and that's why it's nice to do the aurora

  • before the trees. Because the inclination will be to not put our aurora work where the trees are.

  • John: Yeah.

  • Cinnamon: And therefore not have as layered of a painting. Even though this is a silhouette painting

  • we can still follow some amazing rules of landscape.

  • And we can still treat it like a landscape.

  • When we're talking about, you know, silhouettes when they are like landscapes.

  • John: Hmm.

  • Cinnamon: Making them just a little bit more.

  • So they feel very successful to us.

  • John: So there's a thread going on here for a while now.

  • Cinnamon: Oh! I'd love to hear the thread.

  • John: And- What would you think about a Sherpa cruise?

  • [Cinnamon sighs]

  • Cinnamon: [sings] Aloha-oe...

  • John: So, yeah, Pacific.

  • [both laughs]

  • Cinnamon: Yeah! I would love actually anywhere. I'll go Greece. I'll go on the Fjords.

  • I will go on the inside passage. I will- Listen. If you've got a cruise ship and you're thinking,

  • "I need that sherpa chic!"

  • [both laugh]

  • Cinnamon: I'm up for it!

  • John: I might even show up to push buttons.

  • Cinnamon: He might even show up to push buttons. I don't know who we'll get to watch the kids.

  • [John chuckles]

  • Cinnamon: Grandparents! That's what they're for.

  • Go see your family! Connect with your roots!

  • [Cinnamon laughing]

  • Cinnamon: Cause we gott go cruise! [chuckles]

  • John: Right. That's right! We got cruise.

  • We're probably gonna do something early next year.

  • Cinnamon: I'm really hoping. John: Yeah.

  • Cinnamon: We're looking into- See, I'm right by Galveston, which is has got an actual port.

  • John: Yeah.

  • Cinnamon: Though I don't know how much longer it's gonna have the cruise ships.

  • I think they're closing the port, or something.

  • John: Huh. I wonder.

  • But that's not to say that we're gonna have something a little more locally than you'd...

  • Cinnamon: Yeah. John: You know.

  • Cinnamon: Something. John: A little Sherpa-in of some kind.

  • Cinnamon: Sherpa-in, something local.

  • Start to get a sense of what that'll be like.

  • John: Yeah. Try a little one, and see how they get bigger and bigger.

  • Maybe come summer we'll be ready for a cruise.

  • Cinnamon: Yeah. That would be awesome.

  • I'd love to do an inside passage to Alaska again.

  • John: Yeah.

  • Cinnamon: I love my Alaskan cruise on the Norwegian cruise lines.

  • Not a sponsored video, but it could be, Norwegian! It could be! [laughs]

  • John: Although I have to say it would be really fun to-

  • Or [?]. Come on guys! Don't you think we should take this on the road to many of your destination loacations?

  • [both laugh]

  • John: I think that going from, like, the-

  • Cinnamon: They sent Superwoman! John: Yeah.

  • Cinnamon: They did. Why can't- me?

  • [both laughing]

  • John: We'll paint it! Cinnamon: We'll paint it.

  • John: But, no seriously. I think that-

  • Cinnamon: Seriously gone too seriously!

  • John: We should look at doing like a cruise from the States to Europe. Because-

  • Cinnamon: Oh, Gosh!

  • John: Or from Europe to the States. You know, but we'll-

  • Cinnamon: Oohh! Oh I would. So absolutely.

  • We'll just paint the whole time.

  • John: Mm-hmm. Yeah, and then-

  • Cinnamon: You can paint on a cruiseship. My mom has proved it.

  • Cause she paints on it. She paints everywhere she is. She'll just make a mess with paint wherever she goes.

  • She doesn't- She's like, "They'll clean it up!"

  • [chuckles]

  • John: Eventually they do.

  • Cinnamon: [laughing] And they do.

  • And they do. The boat can be like this... And she's like, na na na na na na. Na na na na na.

  • [both laugh]

  • John: That's a part about being on a boat that I'm not so sure about.

  • Cinnamon: It's really rare, actually. It's not that bad.

  • Not that bad. And they have medicine for it. It's totally ok.

  • John: Eh.

  • Cinnamon: And guess what? John: What?

  • Cinnamon: Whatever you want them to make you, they'll make you.

  • You could actually eat.

  • John: Interesting.

  • Cinnamon: Cause like whatever- If you find something you can eat and you're like, "I need more of that!"

  • It'll just show up at your room.

  • John: Hmm... Cinnamon: Uh-huh.

  • I'm just telling the story of

  • the tallest pine. This is the oldest pine currently in this section of the forest.

  • And he talks to the other pines and gives them sage advice about growing.

  • And about the great fire.

  • John: Mm-hmm.

  • Cinnamon: Yeah. Tells them the stories of the woods.

  • Probably later we're gonna find out that these things actually do talk to each other through the root system

  • and I wasn't even that wrong! [chuckles]

  • Cause I think we can all hear trees talking to each other.

  • We get out there and we get away from our jaded, connected, wired in, tapped in wireless lives.

  • John: Yeah. Go- Go watch the Ted from Paul Stamets.

  • Cinnamon: Right?

  • John: Yeah. That's the one that'll mess you up.

  • [both chuckle]

  • Cinnamon: This is a lot more like Pandora than we think.

  • John: Yeah.

  • Cinnamon: I'm gonna come over and tell this little tree. He's really close.

  • They- They are.

  • They're friends together. Hopefully you're seeing how fun this is a way to do pines.

  • And you guys have asked about, like, I really am trying to get my pines in and these are giving me grief.

  • John: Mm-hmm.

  • Cinnamon: And I think what can happen with a fan brush sometimes, is cause it seems like it should

  • be able to do a pine, and you try to do a pine with it.

  • But it's so technique driven.

  • And unless you have that- It's like Donna Dewberry. One stroke. Once you have the one stroke down, it's super easy.

  • But if you just had the idea of the one stroke but not the technique then it's very challenging.

  • Alright.

  • So I feel like I have created a line

  • [shooooo]

  • John: Yeah. Cinnamon: I can paint in black now.

  • Did ya know that? John: Interesting.

  • Cinnamon: Interesting. I'm gonna find a nice bright. ooh! I like this one.

  • I am really loving these Simply Simmons. This is a Simply Simmons number ten bright.

  • John: Yeah.

  • Cinnamon: I think I stole this from my mother.

  • She came and visited. [both chuckle]

  • Cinnamon: She was asking, "Do you have my brush?" and I was like, I haven't seen your brush.

  • And I wasn't even messing with her. I hadn't seen it yet. [chuckles]

  • Ok.

  • Just come along. Don't paint out the little nibbly bits.

  • These little open pockets. You need them.

  • You need this uneven edge. You worked hard to get it. Don't paint it out.

  • And then all of the rest is black.

  • Are you freaking out on how cool this is?

  • John: I think that's awesome! Cinnamon: I'm freaking out on how cool this is!

  • How totally doable. How completely achievable.

  • You know. And once you do this, you can go and do like everybody's aurora borealis. When I-

  • When I designed this I was actually talking to Maricha, the Junking Data Girl.

  • When I was like, "I wanna do this!" And we all get together on Skype and then paint and goof around.

  • John can tell you it's a whole thing. [both laugh]

  • I started looking around to see, you know, what else is out there. Cause I wanna make sure that I'm gonna tell

  • a different story than what someone else is gonna tell.

  • John: Mm-hmm.

  • Cinnamon: And contribute something different to the art conversation.

  • And I have to say there's a lot of wonderful aurora borealis conversation out there.

  • John: Yep.

  • Cinnamon: Umm....

  • One new place I really noticed, I really liked her paintings, was Pandemonium.

  • Uh, Gallery. It's a YouTube channel. [John laughs]

  • It's Jane Font. What?

  • John: So our community is wishing that our make believe Sherpa cruise gets stranded

  • on a desert island so we would be trapped there to do more painting together.

  • Cinnamon: Well, we could just go to the island, but have, like, you know.

  • John: We can not be trapped there! Cinnamon: Waiters with sippy sippy's

  • and we could just stay there and paint, and then get more paint.

  • [both laughing]

  • Cinnamon: No trap needed! [both laugh]

  • Cinnamon: Plus, guys, we're like here all the time!

  • Are you like starting to stress out, like, "I'm really not liking Monday!"

  • Where there is no sherpa painting!

  • [both laughing]

  • John: We must trap them on an island so that they can paint all the time!

  • [both laughing]

  • I think that's awesome. I wanna do it!

  • Cinnamon: I know you do.

  • But then he would sit there- He would actually walk out with Nagualero into the woods.

  • You know.

  • John: I would back pack out my equipment.

  • Cinnamon: You know, there's some really good painting's cousin to this right now, too, on Clive's channel.

  • Not aurora, but some neat stuff. Once you do this, there's more to do is all I'm saying.

  • On Monday and Wednesday when we're not here.

  • Don't feel like there's nothing.

  • [John laughs]

  • Cinnamon: There's other stuff.

  • [Cinnamon chuckles]

  • We've seen some really good watercolors but I can't remember the name

  • of the YouTube channel on the top of my head.

  • John: Hmm.

  • Cinnamon: Which is kind of a bummer.

  • I try to pay attention to see what's out there.

  • That way, especially if I don't have something but you need something, I can go,

  • "I don't have it but so and so has it!"

  • John: Yeah.

  • Cinnamon: So you're covered.

  • And I'm just gonna make sure that I have a nice even coverage of black.

  • Everywhere, that the paint is covered cause that'll be part of the effect of this looking nice.

  • John: Now, let me ask you-

  • Cinnamon: Down here in what's supposed to be solid.

  • You're gonna freak out cause we just finished the painting, John.

  • John: Oh my gosh! Well, do you do the edge and the bottom there?

  • Do you paint the bottom of this kind of canvas, or is this a-

  • Cinnamon: Oh, you can totally paint it! Ok, so this isn't really- Ok.

  • They'll say it's a gallery wrap canvas, and because the definition is is that the canvas is wrapped

  • around it and stapled on the back. So you can then paint it.

  • John: Gotcha. Ok.

  • Cinnamon: And, um, but really if you're talking about doing one of the canvases that doesn't

  • require framing you need a thicker stretcher bar.

  • John: Hmm.

  • Cinnamon: Like about a two inch stretcher bar, one inch stretcher bar, so that the canvas has structure and shape.

  • But that's just- That's like if you're showing. But if it's in your house and you're like, "I really..."

  • "Do not wanna go to Hobby Lobby and get the fifty percent off frame," for whatever reason.

  • Right. Like you just don't want to.

  • Paint around the edge.

  • John: And-

  • Cinnamon: There's no real rules in art. There's just- There's recommendations.

  • John: You know, and we have, uh, Autumn was saying that it's now snowing where she's at.

  • Cinnamon: Autumn!

  • John: So I think that it's awesome, that it's snowing there.

  • Cinnamon: See if we can...

  • John: Oh, yeah.

  • Wow, I like how the- It- The-

  • The way that you painted in the aurora, it really does look luminescent.

  • Cinnamon: It does, doesn't it?! John: It really does.

  • Cinnamon: That's what that aqua is for.

  • Because this is, um...

  • Because this is such a blue with the red, and this has the bright green in it.

  • And reds and greens are contrasts. This is color theory!

  • [both laugh]

  • Cinnamon: It's like when you're like, "I just need a little color theory to make this thing work..."

  • Oh my gosh, I'm really happy with this.

  • Now, I personally am gonna varnish this.

  • John: Yep.

  • Cinnamon: And here's my- I have to make a note on varnishing, cause you guys might varnish.

  • If you're painting student paints, and you're doing a brush on varnish....

  • Your black might smear.

  • John: Ooh!

  • Cinnamon: Do do a spray. John: Spray varnish?

  • Cinnamon: Yeah. John: Spray varnish.

  • Cinnamon: If you're painting student paints, or craft paints, or any paints where you're not sure that black

  • John: Mm-hmm.

  • Cinnamon: Is staying put, spray varnish.

  • If you don't want any brush strokes, and you're not an experienced varnisher, spray varnish.

  • I don't spray varnish cause I'm- I do but John has to do it for me

  • cause I'm really really sensitive to the chemicals in the spray varnish.

  • John: Yeah.

  • Cinnamon: Yeah. But if you're not-

  • John: Yeah, but take it outside. Grab a can of spray varnish. Throw it down on there, cause

  • you know, uh...

  • Cinnamon: Yeah. It will- The gloss will deepen these colors.

  • I'm gonna hit it with a high gloss varnish and that's gonna make my space pop and my black seem very black.

  • It's gonna unify the shininess of my paint.

  • John: Do you have a brand you prefer?

  • Cinnamon: I like Liquitex. John: Ok.

  • Cinnamon: Cause I just trust them and I know them.

  • I have a varnish video.

  • Um, and it is...

  • I mean, I explain things about like, you know, don't do it thick cause you'll get brush strokes.

  • But people will still get the plaid, and I still haven't figured out how to get the plaid out.

  • I'm not even sure you can get the plaid out.

  • So you have to varnish, but varnish is one of those things where it's like

  • I gotta do it

  • But I'm, Mm! Varnish comes in matte.

  • Which is flat.

  • John: Yeah.

  • Cinnamon: Semi gloss, and gloss.

  • It comes in brush on.

  • Right, and spray.

  • John: Wow.

  • Cinnamon: So..

  • John: Now, New Years Eve- Cinnamon: And my mom has a good varnish video too.

  • John: Yeah.

  • Yep. New Year's Eve we're gonna do a- We're gonna do a dragon.

  • Cinnamon: Yep.

  • John: And, how long do we expect that to be.

  • It's a dragon. Long time. Scales.

  • [Cinnamon laughs] John: That's...

  • Cinnamon: Scales.

  • John: So we're gonna be broadcasting for a while What- Cinnamon: Yeah.

  • John: Are we gonna start that earlier in the day or are-

  • Cinnamon: We're gonna start that earlier in the day. I'll try to get that posted up. I gotta you know choose a sign for it.

  • I'm like cause I'm trying to decide if I'm gonna do smough.

  • John: Yeah.

  • Cinnamon: Or like, a dragon we know from a- From a story we know. Or a new dragon. I haven't

  • found my- My dragon in there.

  • And so I'm gonna find my dragon. I think I'm gonna have my dragon probably in flight or perched.

  • Right. Something like that, and I just need to decide what kind of dragon...

  • John: So it could be an angry dragon or a happy dragon.

  • It could be flying or perched. It might be red or green, and we may or may not glitter it.

  • Cinnamon: [laughs] You have summed up New Year's Eve!

  • John: Cool! So we might start in the morning, but it'll probably be in the afternoon.

  • [Cinnamon laughs]

  • Cinnamon: Yep.

  • John: Cool! So then you can go. Cinnamon: I just-

  • Whooo! On John's birthday. [laughs]

  • John: And we'll be doing that on my birthday.

  • So, uh-

  • Cinnamon: And I think I might do a bigger canvas. Ok, so if we're gonna be here for a while and it's just

  • for our community, we want to do a bigger canvas.

  • John: Well, yeah. And KimSim was saying that craft shack is also doing a live with CC at nine pm.

  • Cinnamon: Hey craft shack! That is awesome! So definitely be sure and do that.

  • John: Yeah.

  • So, they're also doing that too.

  • Cinnamon: That is awesome. I think it's very good for us to be on, if we can be on.

  • John: Yeah. Cinnamon: On New Year's Eve.

  • It's better than us being out driving.

  • So definitely check out craft shack. Can you- Kim, can you spell that, cause I think there's a couple

  • that have a similar name and there's a spelling difference.

  • John: Yeah. So she'll put that up there in the comments for us.

  • So, yeah. We'll have a lot of stuff going on.

  • New Year's Eve.

  • Cinnamon: Do you want me to- Yeah, anyways. So, yeah. I'm gonna varnish this.

  • John: Yep.

  • Cinnamon: And it will make it all shiny and the colors all deep, but then it won't photograph very well.

  • John: But we'll figure that out

  • Cinnamon: We'll figure- Actually, there's some varnish right there, and I could

  • put on the smaller one, and they could see it.

  • John: You could. You could just do that.

  • Cinnamon: Oh, I don't know. We're good!

  • [both laugh]

  • John: I think we're ok for today.

  • Cinnamon: We're gonna do this on our book.

  • John: Yeah.

  • Cinnamon: We're gonna cover all this stuff in our book.

  • You guys. You have a happy holiday.

  • Be safe. Be warm. Be ok.

  • Love yourselves. Be kind to yourselves.

  • Take a deep breath and don't let the crazy get to you, cause the stars don't care.

  • And if you're just, like, feeling really lost, just look up and realize that for billions of years, it's all been fine.

  • John: All good.

  • Cinnamon: All good.

  • John: Love you guys.

  • Cinnamon: Love you guys. See you at the easel really soon.

  • John: Mm-hmm. Bye bye.

  • [closing music] [It's not about perfection]

  • [It's about the connection]

  • [Now put it on your canvas-]

[opening music begins]

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初學者學畫丙烯畫|北極光風景|藝術夏爾巴人--------。 (Beginners learn to paint Acrylic | Aurora Borealis Landscape | The Art Sherpa)

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    cathy~ 發佈於 2021 年 01 月 14 日
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