beauty and story telling and visual minded directors have created

美和故事，以及具有視覺思維的導演創造了

color palettes almost as memorable as the films themselves.

色彩調色板幾乎和電影本身一樣令人難忘。

So get out your paint samples and follow along, these are our picks for

所以，拿出你的油漆樣品，跟著我們一起去看看，這些都是我們的選擇。

the top ten best colored films of all time.

十大最佳彩色電影的所有時間。

(Music)

(音樂)

Kicking us off at number ten, let's just get it out of the way and

踢我們在十號，讓'我們只是得到它的方式和

go full balls to the wall, crazy colorama with our first slot.

去充分的球到牆上， 瘋狂的Colorama與我們的第一個插槽。

We're talking movies that are somewhere between a Skittles Taste The Rainbow

我們說的是介於 "嚐嚐彩虹 "之間的電影。

themed orgy, and a technicolor kaleidoscope acid trip.

主題的狂歡，以及科技色彩的萬花筒酸之旅。

The hyper-colorful films that really make us go wow,

超色彩的電影，真正讓我們驚歎。

are those like 'What Dreams May Come', 'Dick Tracy', 'The Cook, 'The Thief',

是那些像'What Dreams May Come'，'Dick Tracy'，'The Cook，'The Thief'。

'His Wife and Her Lover', 'The Holy Mountain', 'Gate of Hell', 'Life of Pi',

＆#39;他的妻子和她的情人'，＆#39;聖山'，＆#39;地獄之門'，＆#39;皮的生命'。

and like everything "Bas Lerman's" ever directed.

和像一切"巴斯-勒曼'的"曾經執導過。

But really, our pick's gotta be 'The Fall'.

但實際上，我們的選擇'的得是'秋天'。

- The only way to stop a when it's very beautiful and interesting.

- 只有當它非常美麗和有趣的時候，才能停止一個'的方式。

- "Tarsem Singh", 'The Fall's' madman director took four years to meticulously

- "Tarsem Singh"，'The Fall'的'瘋子導演花了4年時間，精心

create this multicolored wonderland across 24 different

在24個不同的地方創造這個五彩繽紛的仙境。

countries to an effect that "David Fincher" described as what would have

國家的影響，以"大衛-芬奇"形容為會有什麼。

happened if "Andrei Tarkovsky" had made the 'Wizard of Oz'.

如果"安德烈-塔可夫斯基"拍了'綠野仙蹤&39;，就會發生。

He employs color in every possible way, from the space-like

他用各種可能的方式來運用色彩，從空間一樣的色彩，再到色彩之間的關係。

orange dunes of the location to the sky-high, blood-red-soaked funeral banner

橙色沙丘的位置，以高聳入雲，血紅色的葬禮旗幟。

of his set design to the primary color wheel costuming of his main cast.

他的佈景設計到主要演員的主色輪服裝。

But the most important part is that he does it for

但最重要的是，他這樣做是為了

good narrative reason, as a window into the vivid imagination of the little girl.

好的敘事理由，作為小女孩生動想象的窗口。

The excess is explained, it is grounded, and it is so beautiful.

過度的解釋，它是接地氣的，它是如此美麗。

Of course, more isn't always better, in fact, for the rest of our list,

當然，更多並不總是更好，事實上，對於我們的其他列表。

we're looking at how filmmakers use less.

我們'正在研究電影製作人如何減少使用。

Creating a distinctive color look of a film often comes down to

打造一部影片獨特的色彩外觀，往往要歸結到以下幾個方面。

building a beautiful, evocative pallet.

構建一個美麗的、令人回味的托盤。

And building a pallet involves selecting a limited range of colors from the vast

而建立一個調色板需要從大量的顏色中選擇有限的顏色範圍。

assortment of all of those available, instead of just throwing them all at

所有這些可用的品種，而不是僅僅把它們全部扔到。

the screen like a Home Depot paint aisle explosion.

螢幕上像家得寶油漆過道爆炸。

Think "Tim Burton" in his darker work, we notice the colors he likes to use so

想想"蒂姆-伯頓"在他的暗色系作品中，我們注意到他喜歡使用的顏色，所以。

much because of all the other ones he avoids.

多，因為其他的他都避之不及。

Or it can also create a gap, like in '500 Days of Summer', or 'American Beauty', or

或者它也可以創造一個空白，就像在'夏日500天&39;，或者'美國美女&39;，或者。

the 'Red Shoes', where saving certain colors for moments and characters

的'紅鞋&39;，在這裡，為時刻和人物保存某些顏色。

lends those colors far more power than they might have with less of a vacuum.

賦予這些顏色更多的力量，而不是在真空度較低的情況下。

"Mishima", 'A Life in Four Chapters", limits its palette for different segments.

"三島"，'人生四章"，為不同的段子限定了它的調色板。

'The Aviator' limits it to mimic the two strip and

'飛行者'限制它模仿兩個條和。

three strip color processes of the era.

時代的三條色工藝。

And 'Do The Right Thing' painted everything, including its buildings,

並'做正確的事情'塗抹一切，包括其建築物。

red and orange to contribute to the feeling of a heat wave.

紅色和橙色來促成熱浪的感覺。

However, for our number nine pick we loved the look of O Brother,

不過，對於我們九號的選擇，我們很喜歡O哥的樣子。

Where Art Thou?, and its milestone history to boot.

你在哪裡，以及它的里程碑式的歷史。

- The color guard is colored.

- 護色是彩色的。

- "Roger Deakins", 'O Brother's' cinematographer,

- "Roger Deakins"，'O Brother'的攝影師。

set out to create a dusty, vintage, storybook type of look for 'O Brother,

著手為'O哥 "打造一個塵封的、復古的、故事書式的造型。

Where Art Thou?', and spent nearly three weeks in the film lab mucking about with

並花了近三週的時間在電影實驗室裡搗鼓。

various photochemical processes to no avail.

各種光化學過程都無濟於事。

You see, "Deakins'" palette was meant to specifically avoid green, but they'd shot

你看，"迪肯斯'"調色板本來是要特別避免綠色的，但他們'拍了。

in Mississippi in mid-summer which looked, as he described it, greener than Ireland.

在密西西比州的仲夏時節，正如他所描述的那樣，這裡看起來比愛爾蘭還要綠。

So he turned to digital color grading, a mainstay in modern features, but

於是，他轉而採用了現代功能片中的主力軍--數字色彩分級，但。

a never before used technology at the time, and changed film color history and

當時從未使用過的技術，並改變了電影色彩的歷史和。

the look is incredible.

樣子是不可思議的。

All the lush greens and blues of the mid-summer south are transformed into

南方仲夏鬱鬱蔥蔥的綠色和藍色都化作了

yellows and oranges and browns and burnt ochers,

黃色、橙色、棕色和燒焦的赭石。

evoking a dusty autumn feel without just tinting everything sepia.

喚起塵封的秋天的感覺，而不只是把一切都染成深褐色。

It's a more controlled refined look that comes from singling out and

它是一種更有控制力的精緻外觀，來自於單挑和。

affecting some colors while leaving the others alone.

影響一些顏色，而讓其他顏色單獨存在。

(Noise) Moving into more specific color palettes that come from limiting colors in

噪聲）進入更具體的調色板，來自於限制顏色在

predictable ways, the first and

可預見的方式，第一個和

most obvious is the selected saturation palette.

最明顯的是選擇的飽和度調色板。

This is limited to the extreme, everything is in black and white except for

這僅限於極致，一切都以黑白為主，除了

a focal object that gets the most vivid of color.

一個焦點物體，得到最鮮豔的色彩。

This was actually one of the earliest forms of color on film back when colors

這其實是膠片上最早的色彩形式之一，當時的色彩

were only achieved by stenciling on the stock, think the 'Great Train Robbery'.

只有通過股票上的模板來實現，想想'火車大劫案&39;。

'Pleasantville' makes this a part of its narrative while,

＆#39;歡樂谷'使之成為其敘述的一部分，而。

while 'Schindler's List' uses it to heart-wrenching emotional effect.

而'辛德勒'名單'則將其運用到了令人心痛的情感效果中。

However, for our slot, we think that 'Sin City's' color is pretty hard to beat.

然而，對於我們的檔期，我們認為，'罪惡之城'的'顏色是相當難打的。

'Sin City' takes the color grading process of ' Brother Where Art Thou?' and

'罪惡之城'採取的是'兄弟你在哪裡?'的色彩分級流程。

dials it up beyond 11.

把它撥到11歲以上。

It uses color so sparingly, that they take on a massive emotional and

它很少使用色彩，以至於它們承擔了巨大的情感和。

narrative significance.

敘事意義。

The decision to include any one color is so clearly intentional,

包含任何一種顏色的決定都是如此明顯的故意。

that the audience has no choice but to snap to attention.

以至於觀眾別無選擇，只能加快腳步。

Inspired by the art style of "Frank Miller's" comic,

靈感來自"弗蘭克-米勒'的"漫畫的藝術風格。

'Sin City's' use of color is more akin to graphic design than photography, and

'罪惡之城'的'色彩的運用更類似於平面設計而非攝影，而且。

it makes for one of the most extreme possible examples of a limited palette.

它是有限調色板中最極端的例子之一。

Next up in color palettes,

接下來是調色板。

slightly less limited than the selective saturation is the monochrome palette and

比選擇性飽和度稍小的限制是單色調色板和單色調色板。

it's pretty simple, as far as colors go, you just get one.

它'很簡單，至於顏色，你只要得到一個。

Sure, maybe you deviate in brightness or saturation a little bit, but

當然，也許你在亮度或飽和度上會有一點偏差，但... ...

you pick a spot on the color wheel and stick with it.

你在色輪上選擇一個點，並堅持下去。

It's used by design in 'Buried',

它'的設計使用在'Buried'。

naturalistically in "Kieślowski's" 'Three Colours Trilogy', Intolerance used

自然地在"基耶斯洛夫斯基'的"'三色三部曲&39;中，不忍心用。

revolutionary monochromatic tinting to separate out its timelines.

革命性的單色調，以分離出其時間線。

While 'Hero' is probably the most iconic and

雖然'英雄&39;可能是最具代表性和

readily accessible example of this over and over and in every different way.

現成的例子，一遍又一遍，以各種不同的方式。

But we've picked it enough times on our list that we're gonna keep looking.

但我們'在我們的名單上已經選了足夠多的次數，我們'要繼續尋找。

In its place, we're making room for a film we don't talk enough about 'Citizen Kane',

在它的位置上，我們'正在為一部我們不'不夠談論的電影騰出空間'公民凱恩'。

no I'm just kidding, I couldn't even finish it.

不我'開個玩笑，我甚至不能完成它。

Our number seven slot is actually going to 'Cries and Whispers'.

我們的七號位其實是要'哭聲與私語&39;。

- (Foreign) - Now, our last few slots

- (外國)--現在，我們的最後幾個時段。

have gone to films leveraging the digital intermediate technology of the 2000s, but

已經去利用2000年的數字中間技術的電影，但。

good color has been around long before the turn of the millennium.

好的顏色在千禧年之前就已經存在了。

You see, before colorists had digital trickery, production designers and

你看，在調色師還沒有數字技巧之前，製作設計師和。

cinematographers controlled color the old fashioned way, through meticulous design.

電影攝影師通過細緻的設計，用老式的方式控制色彩。

Films can follow just as strict a palette by carefully selecting and

電影可以遵循同樣嚴格的調色板，通過精心選擇和處理。

coordinating the costuming, location choices, set design, makeup and

統籌服裝、場地選擇、佈景設計、化妝和。

lighting and 'Cries and Whispers' does just that.

照明和'哭聲與私語'就是這樣。

Beyond a few relieving scenes of green and yellow,

除了一些緩解的青黃不接的場景。

everything in 'Cries and Whispers' takes place in a world that is blood red.

在'哭聲與私語&39;中的一切都發生在一個血紅的世界裡。

"Bergman" famously said all of my films can be thought of in terms of black and

伯格曼有句名言："我所有的電影都可以用黑與白的方式來看待。

white except 'Cries and Whispers' and you can see why.

白色除了'哭聲和私語'，你可以看到為什麼。

The overwhelming pervasiveness of the crimson has such a moving effect like

鋪天蓋地的深紅色有這樣一種動人的效果，就像

a sensory deprivation tank of color that you can't help but be emotionally moved.

一缸感官剝奪的色彩，讓你不禁感慨萬千。

Adding one more color into the mix, next we get to the complementary color scheme.

再加上一種顏色，接下來我們就來看看補色方案。

You take one color and combine it with its opposite, and

你把一種顏色和它的相反顏色結合起來，然後...

boom, you've got yourself a scheme that's automatically compelling.

轟，你'了自己的計劃，'的自動引人注目。

It's the source of the ever popular, every frustrating orange-teal

它'是永遠流行的源頭，每一個令人沮喪的橙黃色。

Hollywood blockbuster look, which look we get it, it's fun to complain about and

好萊塢大片的樣子，哪種樣子我們都懂，這很好玩，抱怨和。

it can definitely get stale if used to the exclusion of all else.

如果不顧一切地使用，肯定會變味。

But filmmakers use it for

但電影人用它來

a reason, it's color contrast that best emphasizes the look of human skin.

一個原因，它'的顏色對比，最能強調人類皮膚的外觀。

'Mad Max Fury Road' is maybe our favorite example of this contrast, but

＆#39;瘋狂的麥克斯憤怒之路'也許是我們最喜歡的這種對比的例子，但。

you can also spin the color wheel further and get to less common contrasts.

你還可以進一步旋轉色輪，得到不太常見的對比。

Yellow and purple, as in 'The Curse of the Golden Flower' and the very difficult,

黃色和紫色，如'金花的詛咒&39;和非常困難。

red-green, most notable in "Amelie", 'The City of Lost Children' and our pick for

紅綠相間，最引人注目的是"Amelie"、'失落的孩子之城&39;和我們選擇的"Amelie"。

number six, 'Vertigo'.

六號，'迷魂記&39;。

- The color of your hair.

- 你頭髮的顏色。

- No!

- 不！

- There's hardly a film that used technicolor so

- 幾乎沒有一部電影使用技術色彩如此。

brilliantly as 'Vertigo' and there's perhaps no other film that evokes

也許沒有任何一部電影能讓人想起《迷魂記》。

such a strong impression of a color palette as does its red and green.

如同它的紅色和綠色一樣，給人留下了強烈的印象。

Red for caution and green for envy.

紅色代表謹慎，綠色代表羨慕。

Red for Scottie and green for Madeleine and

紅色代表Scottie，綠色代表Madeleine和

the color scheme is felt even in scenes of its absence.

的場景中也能感受到它的色彩搭配。

The lack of these powerful colors feels like a lack of powerful emotion.

缺少這些強大的色彩，感覺就像缺少強大的情感。

It's a color scheme so memorable, we actually feel it when it's gone,

它'的配色讓人記憶深刻，當它消失的時候，我們其實是有感覺的。

which makes it a must include on this list.

這使得它必須列入這個名單。

(Music)

(音樂)

Adding in even more colors, we wind up in triadic and tetradic color schemes and

再加上更多的顏色，我們就會出現三元和四元的配色方案，以及。

in their most extremes lands you somewhere between a "Pete Mondrian" painting and

在他們最極端的土地你之間的"皮特-蒙德里安"繪畫和。

a game of 'Twister'.

一場'扭蛋器&39;的遊戲。

But they can make for effective color schemes, ones that tend to seem fun and

但它們可以使有效的配色方案，那些往往看起來有趣和

carefree and stereotypically colorful.

無憂無慮，色彩刻板。

Films like 'A Clockwork Orange',

像'發條橙&39;這樣的電影。

'Women on the Verge of a Nervous Breakdown', 'The Last Emperor',

＆#39;神經瀕臨崩潰的女人'，＆#39;末代皇帝'。

'Kurasawa's Dreams' and 'The Umberellas of Cherbourg' all live within this world.

'倉澤'的夢'和'瑟堡的翁貝勒'都生活在這個世界裡。

However, if there's a film that does it best, we think it's "Godard's" 'Contempt'.

然而，如果有一部'的電影做得最好，我們認為它'的"戈達爾'的"'蔑視;。

- (Sound) That's what I think of that stuff up there.

- (聲音)這就是我對上面那東西的看法。

- "Godard" has always had a love affair with colors.

- "戈達爾"一直對色彩情有獨鍾。

And in 'Contempt', they find their expression in the triadic colored red,

而在'嗟來之食&39;中，它們在三合彩紅中找到了自己的表達方式。

blue, yellow that establishes itself early on and

藍色、黃色，早早建立了自己和

then saturates the screen to greater or lesser extents.

然後使螢幕或多或少地飽和。

But they are never overbearing or garish, instead they are beautiful and striking

但它們從不張揚，也不華麗，相反，它們很美，很引人注目

and thoughtful and memorable, orchestrated by a master to masterful effect.

和思想，令人難忘，由大師精心編排，達到精湛的效果。

(Music)

(音樂)

Of course, color palettes don't always come from limiting hues.

當然，調色板並不總是來自於限制性的色調。

Sometimes focusing on some specific lightnesses or

有時專注於一些特定的輕度或

saturations can produce a stunning cinematic effect as well.

飽和度也可以產生驚人的電影效果。

For our number four, we wanna look at a more recent trend,

對於我們的第四條，我們想看看最近的一個趨勢。

that of the neon palette.

的霓虹燈調色板。

Keep your colors bright and ultra saturated, and you might wind up with

保持你的色彩明亮和超飽和度，你可能會出現以下情況

the in your face Tokyo shop front aesthetic of 'Springbreakers',

春風破浪》的東京店面美學。

'Enter The Void', 'Suspiria', or our number four pick, 'Only God Forgives'.

'進入虛空'，'Suspiria'，或者我們的第四號選擇，'Only God Forgives'。

(Music)

(音樂)

- Take it off!

- 脫掉它！

- There's very little middle ground in "Nicolas Winding Refn's" odd and

- 在"Nicolas Winding Refn'的"奇特的和"中，很少有中間地帶。

challenging followup to 'Drive', the screen is either black or

具有挑戰性的後續'驅動器'，螢幕要麼是黑色的，要麼是。

bathed in a neon glow.

沐浴在霓虹燈下。

Reds, blues, lime greens, teals, yellows, pinks, purples, and

紅色，藍色，青綠色，茶色，黃色，粉色，紫色，和。

brilliant oranges all find their place in mostly monochromatic compositions.

豔麗的橙子都能在大部分單色的構圖中找到自己的位置。

But what's consistent across the film is that there is no subtle, gentle color,

但全片一致的是，沒有細膩溫柔的色彩。

it is harsh and unnatural, violent and uncaring, like much of the plot.

它是殘酷的，不自然的，暴力的，無情的，就像很多情節一樣。

But it's certainly striking and definitely one of the best incarnations of what seems

但是，它肯定是引人注目的，絕對是最好的化身之一，似乎是

to be a popular contemporary aesthetic in our 21st century digital world.

成為21世紀數字世界中流行的當代美學。

Of course, if you dial the colors way back and stay away from the extreme of

當然，如果你把顏色往後撥，並遠離極端的顏色，那麼你就會發現，你的顏色就會變得很糟糕。

lightness and darkness, you end up with the pastel aesthetic.

明暗相間，你最終會得到粉彩的美感。

They're neutral, milky a little washed out with a relaxed feeling and

它們是中性的，乳白色的有點被沖淡了，有一種輕鬆的感覺，而且。

a storybook quality.

一個故事書的品質。

There's a notable pastel look to 'Floating Weeds', 'The Danish Girl' and

有'浮動的野草&39;、'丹麥女孩&39;的顯著粉色外觀。

'The Shining', but "Wes Anderson" is really the master here.

＆#39;閃靈'，但＆quot;韋斯-安德森＆quot;才是這裡的真正主人。

He's been developing the highly curated pastel look ever since 'Rushmore' but

自'拉什莫爾&39以來，他一直在開發高度策劃的粉色外觀；但是，他一直在發展。

come on, has he ever done it better than 'The Grand Budapest Hotel'?

來吧，他有沒有比'布達佩斯大飯店&39;做得更好？

- You're looking so well darling, you really are.

- 你看起來很好，親愛的，你真的是。

They've done a marvelous job, I don't know what sort of cream they've put on

他們做了一項了不起的工作，我不知道他們把什麼樣的霜的

you down at the morgue, but I want some.

你在停屍房，但我想要一些。

The 'Grand Budapest Hotel' is pretty much the opposite of 'Only God Forgives',

'布達佩斯大飯店'與'唯有上帝才會原諒'幾乎相反。

soft, gentle, forgiving colors.

柔和、溫和、寬容的色彩。

Never neon, rarely primary, often peculiar, and difficult to name.

絕不是霓虹燈，很少是原生的，往往是奇特的，難以命名。

"Anderson" doesn't use yellow so much as mustard, not pink so much as rose,

"安德森"不用黃色那麼多的芥末，不用粉色那麼多的玫瑰。

not red so much as burnt amber.

不是紅色，而是燒焦的琥珀。

There's a sophistication to his color choices that is, and

他的色彩選擇有一種複雜性，是，和。

we name this lovingly, a little bit hipster.

我們給這個愛稱，有點潮。

But his odd color tastes tend to both connect his work into a greater oeuvre and

但是，他奇特的色彩品味往往既將他的作品連接成一個更大的作品，又將他的作品連接成一個更大的作品。

find unique expression in each individual piece.

在每件作品中找到獨特的表達方式。

But they're so lovingly chosen and

但他們是如此的愛的選擇和

precisely expressed in every detail that you absolutely have to

準確地表達了你絕對要的每一個細節。

appreciate them even as we make fun of them at every possible turn.

欣賞他們，即使我們儘可能地取笑他們。

Depressing the palette even more, lowering the saturation

更加壓低調色板，降低飽和度。

even further while hovering just above grey, going murkier and darker and

更進一步，同時在灰色上方徘徊，越走越暗，越走越黑，越走越遠。

staying away from red, you end up with the muted palate.

遠離紅色，你最終會得到柔和的口感。

This can look like a simple desaturation as in 'The Road', or

這可能看起來像一個簡單的去飽和，如'道路'，或。

a whole computer look when tinted green as in 'The Matrix'.

整臺電腦的樣子，當被染成綠色，如'黑客帝國'。

It's the favorite of post-apocalyptic films, but

它'是末世電影的最愛，但。

it has its place in society as well as in our number two pick,

它在社會上有它的地位，也在我們的二號人物身上。

"Roy Andersson's" mad genius 'The Living Trilogy'.

"羅伊-安德森'的"瘋狂的天才'生活三部曲'。

(Sound)

(聲音)

- (Foreign)

- (外國)

- Micke Larsson.

- Micke Larsson.

- No.

- 不知道

- "Andersson's" color is so subtle yet

- "Andersson'的"顏色是如此的微妙，但又是如此的。

so meticulously controlled that we can't help but admire it.

如此細緻的控制，讓我們不得不佩服。