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字幕列表 影片播放

  • [soft music]

    [輕音樂]

  • "If the medium is the message,"

    「如果媒介即訊息」

  • "And it doesn't matter what we say on TV,"

    「我們在電視上說些什麼並不重要」

  • "Why are we all here tonight, and why am I asking this question?"

    「為什麼我們今晚都在這裡?為什麼我要問這個問題呢?」

  • "There's a huge technology involved in TV, which surrounds you, physically."

    電視牽涉到很多高科技,且這些都圍繞在你身旁。

  • "And the effect of that huge service environment on you, personally, is vast."

    並且,有這麼多服務功能的環境對你的影響,就我自己的看法來說,是無遠弗屆的。

  • "The effect of the program is incidental."

    這些節目帶來的影響其實只是附帶的、偶然的。

  • [soft music]

    [輕音樂]

  • "The effect of the program is incidental."

    這些節目帶來的影響其實只是附帶的、偶然的。

  • "The effect of the program is incidental."

    這些節目帶來的影響其實只是附帶的、偶然的。

  • "The effect of the program is incidental."

    這些節目帶來的影響其實只是附帶的、偶然的。

  • Marshall McLuhan's famous saying, "The medium is the message," poses interesting questions

    馬謖‧麥克魯漢的名言:「媒介即是訊息」,點出了個有趣的問題

  • for the age of online video.

    對於這個線上影視世代

  • He gets to the basic point in that clip. New forms of media actually reorganize our consciousness.

    在簡報中,他提到這個基本的觀點。新的媒體形式重組了我們的意識知覺。

  • In McLuhan's time, the great shift in media was from print to electronic media;

    麥克‧盧漢的當代,媒體最大的轉變是電子化輸出媒體的出現

  • Radio and, more importantly, television.

    廣播、以及,更重要地,電視。

  • Where the printed book was what he called, "Hot Media," an intense, one-way off-loading

    被印刷書籍稱之為『熱門媒體』,一種強烈的、單向的、

  • of high definition information into your mind, the TV was "cool", it was low definition,

    降低高解析的訊息進入你腦袋時的負荷。電視是『cool』,有比較少的定義。

  • on in a busy house, interrupted by commercials, playing to all the senses.

    在一個很繁忙的房子裡,被廣告打斷,運用到所有的感官。

  • In other words, it demanded your participation to fill in the gaps.

    換句話說,他要求你參與去填補在節目之間的空檔。(他要求你在節目空檔中也要投入注意力)

  • Every kind of media, from print, to radio, to music, to television, to the Internet creates a kind of

    所有種類的媒體,從印刷、到廣播、到音樂、到電視、到網路,都創造出一種

  • invisible environment around us. When you're watching TV, you may be aware of the particular show,

    圍繞在我們身邊看不到的環境。當你在看電視時,你可能會注意到某些

  • of how funny or engaging it is, of how relatable the characters are, but rarely do we perceive

    他有趣的或者是迷人的地方,跟角色的關聯,但我們很少會察覺

  • or step back to understand what it actually means to watch TV, what it means to be

    或者是反思去理解,到底看電視這件事意味著什麼。到底代表了什麼

  • in that audiovisual immersive sensory environment.

    在沉浸在視聽感知的環境中時。

  • It's no surprise that the great triumph of television is the triumph of advertising.

    沒有意外的,電視最大的勝利之處是廣告的成功。

  • And what could possibly be more attune to the medium of television than commercials?

    那要怎樣才能讓電視媒體比起廣告節目來說更為協調呢?

  • In 30 seconds or a minute, they invite or require participation while triggering each and every

    在30秒內或者1分鐘內,他們邀請或者是要求觸發參與者的所有感官。

  • one of the senses.

  • This is not to say that advertisements are good for us, just good for TV.

    這並不是說廣告對我們是好的,而是只對電視(台)來說是好的!

  • Just as early television took its cues from print, radio and film before coming into its own,

    就像早期的電視,從印刷、廣播跟電影中埋線而來到我們眼前。

  • online video has taken its cues from TV.

    線上節目則是在電視中埋伏筆。

  • But like TV, online video is a wholly new medium, operating in its own environment,

    但像是電視,線上影片則是一個完全的新媒介,有它自己的運作環境,

  • reshaping our consciousness, again.

    再次重塑我們的意識。

  • I mean, just the way we watch is different. We're close up to the screen, transfixed,

    我指的是,至是觀看的方式有所不同。我們緊靠著螢幕,兩眼發直(呆若木雞),

  • but the screens are small, often the size of a phone. Whereas my hand is rarely on the remote control,

    但螢幕很小,通常只有一個電話的大小。反之,我的手幾乎很少在遙控器上。

  • it's nearly always on the mouse, inviting different kinds of agencies, like the ease at which

    幾乎都在滑鼠上,邀請不同類型的機構,喜歡瀏覽各種東西時的輕鬆氛圍

  • you can scan through something.

  • All these things and, I'm sure many more you can identify, have effects on the styles that become

    所有的這些東西,我很確定有更多是你可以定義的,有一些在風格上的效果會成為

  • widely viewed and adopted. But I think the largest ingredient of online video is the awareness

    被廣泛的觀看與接受。但我覺得網路影片最大的吸引力其實是意識。

  • that every consumer is a potential creator. The appeal of lo-fi, of making something that anyone

    每一個顧客都是潛在的創造者。針對做些什麼的低保真(對完整度的要求較低)技術的出現,

  • could potentially produce is extremely important to the culture of online video,

    對於網路影片的文化而言,它最重要的意義是每個人都可以有創造的可能

  • so much so, I'm tempted to say that what's considered flawed and imperfect videography

    非常(重要)。我很想說,那些在其他媒體看來有缺陷且不完美的視頻,

  • in the eyes of other media is actually essential to online video.

    其實對於線上影片來說,至關重要。

  • McLuhan was fond of saying that radio was more suited to packages, to completed products,

    McLuhan 因為說「廣播更適當被包裝」而被發現,他在電視產業還有一些對於過程的偏見時,

  • while TV had a preoccupation with processes, seeing how things were done.

    把作品完成了,我們來看看他是怎麼做到的吧!

  • And I think this extends even further with online video. Just take a look at daily vlogs,

    且我覺得,我們甚至可以延伸到線上影片的部分。就讓我們先看看每天的影音部落格吧!

  • perhaps the form that's most tailored to the medium of online video.

    或許這個是最適合線上視頻媒介的形式。

  • The process of filming your day, of how the camera moves, is vital to the concept.

    錄製你一天生活的過程,包括攝影器材怎麼移動,對這樣的概念都是很真實的(生動的)。

  • And there are certainly a number of other styles that have proven to be highly compatible with online video.

    當然,還有其他無數的方式,都證明可以與線上影音高度相容。

  • One that comes to mind is animated explainers. Let's try to make a list of some more in the comments below.

    其中一個出現在我腦中的是動畫解說員。讓我們試著來擬一下關於以下評論的清單。

  • I don't completely agree with McLuhan when he says, "The effect of the program is incidental."

    當麥克魯漢說『節目帶來的影響只是偶然的。』我不全然同意

  • But I do think that great, valuable content for online video has to be matched with the style

    但我很確信,線上影音的寶貴內容必然跟媒介的風格屬性是相符的。

  • that fits the medium. Of course, it's still really early in the history of this medium.

    當然,對於這媒介史而言,這些都還很早(才剛開始)。

  • In ten or twenty years, with a better perspective, we'll be able to look back at all this work

    在十年或二十年後,往一個好的願景思考,我們將會回頭看看這些作品(過程)

  • and point to the first true masterpieces of the medium.

    並能指出媒介的第一個真實傑作。

  • But what's exciting now is that those of us who are working in online video are, in effect,

    但現在最令人興奮的是,那些我們之中在網路影音上工作的人,實際上,

  • creating the form. We're writing the language of this new medium. And for that reason, experimentation

    創造了出了這樣的方式。我們正在譜寫新媒介的語言。然後為了此理由,試驗

  • and innovation have to continue to be a top priority. And even for those who just watch, it's essential to study

    及改革,我們必須要持續的去成為這重中之重(第一優先的)。即便是為了那些只是觀看的人,去研究媒介的本質

  • this medium as it grows, to be aware of its message in the unique environment it creates,

    如同它的茁壯一般的,去意識到這些訊息在他獨特的環境中(到底是什麼樣子)怎麼創造的。

  • Because all aspects of the media,

    因為媒體的這些所有面向

  • "Have an irresistible force when invisible."

    當他是看不見的時候,反而有一種無法抵擋的力量。

  • Hey guys, some exciting news! I have twenty more Nerdwriter mugs available on my Patreon page.

    嘿!你們,有些讓人興奮的新聞!我有超過20個可以用的Nerdwriter(每週出刊一次的網媒)媒體群在我的Patreon(藝術家為主的募資平台)頁面。

  • I learned a lot from the first batch, but god, they came out so great. So, they're $5.00, and in order to make

    我從第一次的經驗中學到很多,但是上帝,他們超棒的。所以,他們有五百美元,並且為了讓

  • the price work, you'll get them after five videos and I'll be watching that.

    資金可以運作,你將會在五個影片後得到它,並且我也會去觀看。

  • So, I do a video a week now, so it shouldn't be too long. I basically break even.

    所以,我花了一個禮拜做了一支影片。所以,它應該不會太長。我基本上是收支平衡。

  • I just want you guys to have them because I think they're so cool.

    我只是希望你們能擁有他們,因為我真覺得他超酷的!

  • Click here, anywhere on the mug, and you can claim them while they last. The first batch went pretty fast.

    點擊這裡!這杯子的任何地方, 第一批麵包還蠻快就出爐了!

  • Thanks again for watching. A new video will be out next Wednesday, and I'll be in comments

    再次感謝您的觀看。新的影片下週三就會出來了,我會在評論區

  • to talk about this because I want to talk about this a lot more, so find me down there, and I'll see you next time.

    討論這個話題,因為我想要針對這個多說一些,所以在那下面找我吧!下次見!

[soft music]

[輕音樂]

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