字幕列表 影片播放 列印英文字幕 Well we finally chosen a place to paint this particular area struck be the moment I saw it's filled with beautiful nipples yellows Alizarin Crimson this area is called twenty Mule Team and we'll get into that a little bit later but let's go ahead and get started I'm gonna take burnt sienna cobalt blue and squeeze it on my pallet What I'm going to first do is is cut my canvas into three sections and what I want is the main composition to be in the center part in my painting I see little pathway okay what I'm doing is an now getting a little bit more of a dynamic sketch an little bit more positive with harder lines as I get into the corner my painting I wanna apply a little bit more cobalt blue in the corner I want to darkened the corners of my painting and then more white as I get further than now notice Im just scrubbing my color in what we want to do right now is want to capture all the little footnotes up where the highlight is at this very moment throughout the pain in the light is gonna be changing and it would be almost impossible for us to to make all those changes as the afternoon wears on what I wanted to someone put some footnotes right where the light is at this very moment now when I'm going to do them going to notice where these highlights are in my composition and I'm just gonna place them in and scribble very quickly okay these long lines of light I'm bouncing around and I'm just giving myself an idea where the light is. What I want to do right now is actually start on the main peak right at this very moment the main peak has beautiful cast of cerulean, blue cobalt blue a little bit of alizarin crimson kind of a purplish tone and I want to try to get that in my painting and I'm gonna do that by taking cobalt blue and white and alizarin crimson I'm gonna very carefully at this point start laying in the shadow sat on my mountain at this point we are not going to waste one brushstroke every brush truck counts we're past the sketching phase and we're now in the painting phase so what we're doing is we're taking a mixture of Blue and yellow I'm and a lot a white and creating a greenish tone all of these different tones makeup Death Valley. Now I'm gonna take burnt sienna cobalt blue these are the same colors that are used in the background mountains and I'm going to place a little shadows every one of these little tiny highlights has to have a shadow and it's important to make everyone in the shapes a little bit different. At this point I'm gonna switch to larger brush and we're gonna start painting in the bushes. We're going to take cobalt blue in a little bit of yellow ocher and this is a very dry brush compared to what we were using before probably one yellow ocher me if you notice I'm hitting my brush into my pallet I'm actually trying to break the hairs up so that I can create bushes with this brush now we're going to take this color and we're gonna keep in mind that the bushes in the distance or smaller this is just like the rocks things that get feather away from you they get smaller Now as the bushes come closer they need to get a larger now we're going to put a little bit a highlight on. What I've done as I mixed little bit more white and this color and we're just gonna put a little light on the topic these bushes a little bit of light we can also pick up the palette knife if you can look at the bush on the right, you can scrape in few little twigs...
A2 初級 如何畫Plein Air, Alla Prima, Stefan Baumann的油畫。 (How to paint Plein Air, Alla Prima, Oil Painting by Stefan Baumann) 57 7 Benjamin Shih 發佈於 2021 年 01 月 14 日 更多分享 分享 收藏 回報 影片單字