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Well we finally chosen a place to paint
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this particular area struck be the moment I saw it's filled with beautiful
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nipples yellows
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Alizarin Crimson this area is called twenty Mule Team
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and we'll get into that a little bit later but let's go ahead and get
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started
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I'm gonna take burnt sienna cobalt blue and squeeze it on my pallet
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What I'm going to first do is is cut my canvas into three sections
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and what I want is the main composition to be in the center part in my painting
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I see little pathway
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okay what I'm doing is an now getting a little bit more
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of a dynamic sketch an little bit more positive with
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harder lines as I get into the corner my painting
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I wanna apply a little bit more cobalt blue in the corner
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I want to darkened the corners of my painting and then more white as I get further than
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now notice Im just scrubbing my color in
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what we want to do right now is want to capture all the little
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footnotes up where the highlight is at this very moment
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throughout the pain in the light is gonna be changing
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and it would be almost impossible for us to to make
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all those changes as the afternoon wears on what I wanted to someone put some
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footnotes right where the light is at this very moment
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now when I'm going to do them going to notice where
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these highlights are
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in my composition and I'm just gonna place them in and scribble
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very quickly okay these long lines of light
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I'm bouncing around and I'm just giving
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myself an idea where the light is. What I want to do right now
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is actually start on the main peak right
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at this very moment the main peak has beautiful cast
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of cerulean, blue cobalt blue a little bit of alizarin crimson
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kind of a purplish tone and I want to try to get that
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in my painting and I'm gonna do that by taking cobalt blue
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and white and alizarin crimson I'm gonna
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very carefully at this point start laying in the shadow sat on my mountain
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at this point we are not going to waste one brushstroke
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every brush truck counts we're past the sketching phase
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and we're now in the painting phase so what we're doing is we're taking a
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mixture of Blue and
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yellow I'm and a lot a white and creating a greenish tone
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all of these different
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tones makeup Death Valley. Now I'm gonna take burnt sienna cobalt blue
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these are the same colors that are used in the background mountains
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and I'm going to place a little shadows
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every one of these little tiny highlights has to have a shadow
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and it's important to make
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everyone in the shapes a little bit different. At this point I'm gonna switch
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to larger brush
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and we're gonna start painting in the bushes. We're going to take cobalt blue
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in a little bit of yellow ocher and this is a very dry brush compared to what we
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were using before
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probably one yellow ocher me if you notice
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I'm hitting my brush into my pallet
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I'm actually trying to break the hairs up so that I can create bushes with
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this brush
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now we're going to take this color and we're gonna keep in mind that the bushes
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in the distance or smaller
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this is just like the rocks
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things that get feather away from you they get smaller
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Now as the bushes come closer they need to get a larger
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now we're going to put a little bit a highlight on. What I've done as I
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mixed little bit more white and this color and we're just gonna put a little
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light on the topic these bushes
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a little bit of light
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we can also pick up the palette knife
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if you can look at the bush on the right, you can scrape in
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few little twigs...