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  • Who do you want to be today?

  • (Imitating Franklin Delano Roosevelt) We have nothing to fear but fear itself!

  • (Imitating Bette Davis) Fasten your seat-belts.

  • It's going to be a very bumpy ride.

  • (Imitating Rocky Balboa) Yo, Adrienne! I'm gonna fight Apollo again, you know what I mean?

  • (Imitating James Cagney) You dirty rat!

  • (Imitating Winston Churchill) We shall never surrender!

  • (Imitating Joan Rivers), Uho! Can we talk?

  • (Imitating Clark Gable) Frankly, Scarlet, I don't give a damn.

  • (Imitating Rodney Dangerfield) I get no respect.

  • Narrator: Slip into the lives of the some of the world's most fascinating people.

  • Watch A & E's Biography and escape the ordinary.

  • (Imitating, Marlon Brando) I could've been somebody charming.

  • [music]

  • From A& E, this is Biography.

  • Anne: You've known for a long time that my greatest wish is to be a journalist

  • and later on a famous writer.

  • Man: She became world famous because of her diary,

  • but she also became world famous because she died in a concentration camp,

  • because she was Jewish.

  • Woman: She's so real, and she's so alive,

  • and I think that pulls you, just like a magnet.

  • Woman: She was popular with everybody.

  • She made fun, and she wanted the attention of the boys, yes,

  • and they liked her.

  • Woman: I really thought she was a little spoiled, but I don't think she thought so herself.

  • Man: She was a real 100%-real girl like everybody else,

  • like all the other girls,

  • with the exception that she had a great talent for writing.

  • Man: Nobody was able to touch every part of life,

  • and all . . . and religion . . . in her book.

  • Woman: She was a writer, you know

  • and a writer often finds survival in, in writing.

  • Anne: I see the world being slowly transformed

  • into a wilderness.

  • I hear the approaching thunder

  • that one day will destroy us too.

  • In the meantime, I must hold on to my ideals.

  • Perhaps the day will come when I will be able to realize them.

  • Narrator: The life of Annalise Marie Frank

  • began on June 12, 1929 in Frankfurt Am Main, Germany.

  • Anne, as they called her, was the second daughter

  • of Otto and Edith Hollander Frank.

  • She was a happy baby, doted on by her elder sister, Margo,

  • and surrounded by family and friends.

  • She was lucky enough to be unaware of the terrible

  • political climate outside the boundaries of her grassy backyard.

  • Her parents were both from prominent families,

  • and Otto had even been decorated

  • as a German Officer in World War 1.

  • But as German as they felt, they were also Jewish,

  • and in the late 1920's, as Germany suffered

  • through a devastating economic collapse,

  • Jewish was an increasingly dangerous thing to be.

  • [Hitler speaking in German]

  • When Adolf Hitler, the leader of the Extreme Nationalist Nazi Party.

  • was elected Chancellor of Germany,

  • on a platform of racial purity.

  • Otto Frank decided his daughters might be safer somewhere else.

  • Otto Frank: We left Germany in 1933,

  • because I didn't want to educate my children with splinkas.

  • They were not allowed to see Christian friends anymore.

  • In Holland, it was different.

  • Narrator: Holland had been neutral in the last war,

  • so Amsterdam seemed to be a safe haven.

  • Otto, an experienced businessman, quickly set up a company there,

  • selling pectin,

  • a key ingredient in making homemade jam.

  • and sent for his family.

  • One of the first people four-year old Anne met in Amsterdam

  • was his assistant, Miep Gies.

  • Miep Gies: It was in the winter. Mr. Frank said to me, my wife,

  • and my youngest daughter came in the office, and yes, Mrs. Frank with her

  • with Anne, came in. Anne, dressed in a white fur coat,

  • a little shy, and then she looked 'round in the office,

  • type machines, look out the window, and so, it was very nice.

  • The Franks, moved into a modern housing complex on the Merwedeplein in South Amsterdam

  • a neighborhood filling up with other Jewish refugees from Germany.

  • Anne was quick to make friends at her new school.

  • She was lively and outspoken, and she had a trick

  • of dislocating her shoulder for a laugh from her classmates.

  • Woman: You know, Anne was a very special girl.

  • She, in America, maybe you say, spicy?

  • Emm, uhmm, girl that knows everything.

  • My mother would describe her very good.

  • She would say, "God knows everything. Anne knows everything better."

  • Narrator: Anne's father indulged her chatter about movie stars, about her throngs of admirers,

  • but her mother wondered why Anne couldn't behave more like her older sister, Margo.

  • Margo was, by most accounts, perfect,

  • and Anne knew that she could never measure up.

  • Hannah Pick-Goslar: Margo maybe was even more special than Anna. She was a very good looking girl, very obedient and a very good scholar.

  • Jaqueline Van Maarsen, childhood friend: And Anne was jealous because Margo was always their beautiful girl,

  • and she was so neat, and so I know that she was jealous because Margo and the Mother were very much together.

  • Anne was not so easy girl. She was difficult.

  • Probably her mother told her so.

  • Narrator: Just after Anne turned 10, her own battles on the homefront

  • were overshadowed by war.

  • Hitler's army's were were on the move,

  • and it was soon apparent that no corner of Europe was safe.

  • On May 10, 1940, a month before Anne's 11th birthday

  • Hitler invaded the Netherlands.

  • Here, as in Germany and the rest of Europe, as special fury would be directed at Jews.

  • Soon, Jews had to register with the German authorities

  • and every day, it seemed, had to relinquish more of their rights.

  • In 1941, Anne and Margo had to switch schools to the Jewish Lyceum.

  • That, they didn't mind,

  • but the Germans were making life more and more difficult.

  • Hannah Pick-Goslar: Everything that was fun in life was forbidden.

  • To sit in a park or at the bench, there would be written

  • For Jews and For Dogs - Forbidden.

  • Jaqueline Van Maarsen: We couldn't go to the park

  • we couldn't go to the swimming pool,

  • we couldn't go the theatre.

  • Narrator: Despite the suffocating restrictions,

  • Otto Frank, whom Anne thought the most adorable father in the world,

  • never failed to find some bright spots in all the gloom.

  • Hannah PIck-Goslar: Mr. Frank really was a very, very nice man.

  • He was wonderful. He was always optimistic.

  • Also later, when the war started, my father always said everything will be bad,

  • and the Germans will win the war,

  • and then Mr. Frank came in and, "Everything will be OK,"

  • and, "The Americans will help," and,"No, don't speak like this."

  • Narrator: But beneath his optimism,

  • Otto Frank was laying plans, in case everything was not okay.

  • One morning, in 1942, he asked his assistant, Miep Gies,

  • to speak to him privately.

  • Miep Gies: Upon the morning, he asked me to come in his office,

  • and said, "I have to speak with you something."

  • My, uh, wife and my children, we want to go in, uh, in hiding,

  • and I listened to him.

  • Are you willing to, uh, care for us with food and other things?

  • and I said, I would, yes, of course!

  • It was very dangerous, yes, I know, but it was my choice.

  • Otto Frank: The people I worked with were really friends, and when the time came, that we had to try to hide,

  • I first spoke to Mr. Coopers, whom I knew already, for many, many, years, as a very straight, real, good Dutch man,

  • and Coopers immediately said, "Well, the best thing would be we would hide here in our office building."

  • After Coopers, I talked with Miep. Miep, I knew very, very well too.

  • She agreed, and then we talked to Mr. Kraler. He agreed, and then we talked to Ellie.

  • So, the four of them all were prepared to help us in case of hiding.

  • Narrator: Anne knew nothing of her father's preparations. She had other things on her mind:

  • in particular, a 16-year-old admirer, Hello Silverberg.

  • Hello Silverberg: Umm, I kind of, I was attracted to her.

  • but when people often ask this question about, uh-uh, a 16-year-old boy being interested in a 13-year-old girl and, uh, uh, it happens,

  • and she was fascinating. She was very articulate, and I wasn't used to that kind of intellect in somebody that young.

  • Narrator: Anne had a reputation at school for being a bit too articulate.

  • She was much more interested in flirting than algebra,

  • and as punishment for being an incorrigible chatterbox,

  • she had to write essays and poems, defending herself,

  • which she thoroughly enjoyed,

  • and she kept right on talking.

  • Hannah Pick-Goslar: And in that school, we were sitting always together

  • and we were chatting,

  • and then one day, they took me out and the next class.

  • Next morning, who sits next to me again: Anne.

  • And the teachers let us live.

  • I think they knew already,

  • we don't have a lot of time left.

  • Jacquline Van Maarsen: Can you say it was cozy in that classroom?

  • Perhaps that's right word? Because we all had the same fate.

  • We knew that outside, terrible things were happening,

  • and even the teachers,

  • we were very close.

  • Narrator: Very little was certain in occupied Amsterdam,

  • but at least Anne could count on her adorable father

  • to keep birthdays sacred.

  • On June 12, 1942,

  • the day Anne turned thirteen,

  • her Father set out a pile of presents for her party.

  • Anne was most excited about the one she had picked out herself,

  • a red and white checkered diary.

  • Van Maarsen: Well, she was, of course, very excited at that party,

  • that people were coming for each of them for a party,

  • and with sparkling eyes, she looked at the presents

  • but she was - her most important present was her diary

  • and that, I remember that so well.

  • And afterwards, when everybody had gone,

  • and we were there together, arranging her presents,

  • I couldn't find her diary. She already had put it somewhere else.

  • Narrator: By that time, Anne's favorite present was already hidden in her room

  • with Anne's inscription already in it.

  • Anne: I hope I will be able to confide

  • everything to you, as I have never been able

  • to confide in anyone.

  • And I hope you will be a great source

  • of comfort and support.

  • Narrator: Within a matter of weeks,

  • Anne would need that comfort

  • far more than she knew.

  • On Sunday, the 5th of July 1942, a few weeks after her 13th birthday,

  • Anne Frank was sunning herself on her roof

  • when she heard the doorbell ring down stairs.

  • She hoped it was a visit from her beau, Hello Silbergerg.

  • It was not. It was a Nazi order for her sister, Margo,

  • to be taken the next day to what they called a labor camp

  • in the east.

  • It was the moment her family had been dreading.

  • The next day, Anne's friends came by as usual to her apartment

  • at 37 Merwedeplein.

  • Pick-Gosslar: And we were ringing and ringing,

  • and nobody opens the door,

  • and at the end, the tenant, Mr. Goudsmit, he opens the door.

  • And he looked at us as if he had never seen us,

  • I mean, he knew for nine years.

  • "What do you want?"

  • I said, "We want to play with Anne, like always."

  • And then he said, "What you don't know is the Frank family went to Switzerland."

  • Van Maarsen: And then we went into the house,

  • and everything was upside down,

  • and everything had always been so neat in that house.

  • I saw Anne's room, and the bed was not made,

  • and the shoes that she had just received, and she was so proud of,

  • when she left them, and I thought,

  • "How is it possible that she left these shoes?"

  • But, well, she didn't need shoes of course.

  • Narrator: Though she had left her shoes,

  • Anne had taken her most important birthday present with her.

  • The diary was with Anne, and Anne and her family

  • were in the hiding place Otto Frank had carefully chosen,

  • his office at 263 Prinsengracht.

  • From the outside, no one would know they were there.

  • Once they stepped through the secret door,

  • they were in a three-story back building

  • with two living floors and an attic.

  • These few rooms would be home,

  • until the war was over, or they were discovered.

  • The Franks were soon joined in the Annex

  • by Otto's partner, Hermann van Pels,

  • his wife, Auguste, and their 16-year-old son, Peter,

  • and later, a dentist, Fritz Pfeffer.

  • They all had to follow strict rules to stay safe.

  • No one was allowed to use the faucet,

  • or flush the toilet during the day.

  • They had to speak in whispers and walk in stocking feet.

  • Only at night could they sneak down to office

  • and listen to the radio.

  • Worst of all, Anne, the chatterbox, had no one to talk to.

  • Van Maarsen: She must have been so bored to be all by herself,

  • but I think that her diary was a compensation.

  • and that's why, Kitty, she made Kitty her friend.

  • Narrator: Kitty, the name Anne gave her diary,

  • became more than her only friend.

  • She was a life saver, in the endless stretches of quiet,

  • Anne was at least able to chatter away to Kitty.

  • Anne: Gorgeous, isn't it? Oh, what a joke!

  • Whatever next? Hello! Yes, I'm fine.

  • Narrator: Anne tried to be good, but she knew she was often annoying,

  • she had a hundred opinions at any given moment.

  • She was sassy, argumentative, and fidgety.

  • Confined in the tight quarters, she raged against her mother,

  • resented comparison with her perfectly quiet sister,

  • and railed at the disapproving van Pelses.

  • She was trapped. They were all trapped, day in and day out.

  • All anyone could do was study, read, or write

  • in rooms darkened by the blackout shades.

  • Anne fought the gloom by plastering her postcard collection

  • and movie star pictures on the walls,

  • but the constant feared isolation kept the rest of the Annex

  • in a state of depression.

  • They all lived for the daily visits from their helpers

  • from the office below.

  • Miep Gies: It was an awful moment for me,

  • because I feel so, their dependence on us helpers.

  • Outside in, Anne stand in the front and said with a cheerful tone,

  • " Hello, Miep!" and "What is the news?"

  • Anne: Dear Kitty, Today I have nothing but dismal and depressing news to report.

  • Our many Jewish friends and acquaintances are being taken away in droves.

  • We assume that most of them are being murdered.

  • The English radio says they're being gassed.

  • Narrator: Anne fought despair by continuing to grow

  • in the only direction she could, inward.

  • She grew large and wise in the pages of her diary.

  • Anne: I've often been down in the dumps but never desperate.

  • I look upon our life in hiding

  • as an interesting adventure, full of danger and romance,

  • and every privation as an amusing addition to my diary.

  • I've made up my mind to lead a different life from other girls.

  • What I'm experiencing here is a good beginning to an interesting life.

  • Wendy Kesselman: That she could find that beauty and all that passion

  • and everything within that dark and enclosed space

  • is a miracle really.

  • There's something miraculous about it.

  • Narrator: As their months in the Annex stretched into a year,

  • and that stretched into two, Anne even managed to find love

  • in that small space with the only boy around, Peter.

  • She started spending hours with him in the attic.

  • As they stared out window at their chestnut tree, romance blossomed,

  • and Anne got her first kiss.

  • but she quickly realized that Peter was no match for her.

  • Anne: Peter still has too little character, too little willpower,

  • too little courage and strength.

  • He's still a child, emotionally no older that I am.

  • All he wants is happiness and peace of mind.

  • Am I really only 14?

  • van Maarsen: I feel so sorry for her.

  • She must have been very lonely because this boy, Peter, was her friend,

  • but she didn't get much out of him.

  • I think was not a real, could not have been a real friendship.

  • Narrator: Kitty was still her true friend, and possibly

  • her ticket to the life she dreamed of.

  • On March 29, 1944, Anne heard an announcement on the radio,

  • calling on Dutch citizens to save their letters and diaries

  • for publication after the war.

  • Anne: Of course, everyone pounced on my diary.

  • Just imagine how interesting it would be if I were to publish a novel about the Secret Annex.

  • The title alone would make people think it was a detective story.

  • Narrator: Anne realized now she had a goal:

  • she wanted to be a published writer.

  • She set to work immediately revising her diary.

  • Miep Gies: Once, I catched her during writing her diary.

  • This moment I will never forget because there was another Anne.

  • Narrator: This Anne was not the child they were all used to.

  • Anne, the writer, was ferocious about protecting her privacy and serious about her work.

  • Meip Gies: We didn't also not know what a very um

  • intelligent child she was.

  • We did not know that because

  • there were always the fear to care for eleven people,

  • every day, and, most of all, the danger.

  • Narrator: The danger seemed to be closing in.

  • Several times, burglars broke into the downstairs warehouse.

  • It was even more terrifying when investigative police

  • came all the way up to the bookcase that concealed their hiding place.

  • They cowered in their beds as Allied bombing raids

  • and German anti-aircraft fire broke the darkness,

  • but their spirits soared when in June 1944, they heard about the D-Day invasion on the radio.

  • After two long years in hiding, they hoped the Allies might beat the Nazis to their front door,

  • but Anne had a premonition that the worst might still come.

  • [Nazi speaking German over the radio]

  • Anne: I see the world being slowly transformed into a wilderness.

  • I hear the approaching thunder that one day will destroy us too.

  • I feel the suffering of millions,

  • and yet, when I look up to the sky, I somehow feel

  • that everything will change for the better,

  • that this cruelty too shall end,

  • that peace and tranquility will return once more.

  • In the meantime, I must hold on to my ideals.

  • Perhaps the day will come when I will be able to realize them.

  • Narrator: On August 1, 1944, Anne made her last entry in her diary.

  • She would not get the chance to write the rest of her story.

  • Three days later, this chapter would end.

  • August 4, 1944 started out as a beautiful morning,

  • the sort that made Anne Frank and the others in the Secret Annex

  • long to be in the fresh air after two years in hiding.

  • In these summer days, their constant fear of discovery was mixed with hope.

  • The Allied invasion of Europe was underway,

  • and it seemed that maybe, just maybe, they would be out soon.

  • [siren]

  • They would be out sooner than they knew.

  • That morning, Anne Frank and her family had been betrayed,

  • through an anonymous tip.

  • Miep Gies: I did not heard the door, but was standing a man with a gun.

  • "Please don't speak. No loud."

  • Now you can understand how we shocked.

  • I could not speak. Edith too.

  • Mr. Kugler spoke it first. He said to me, "Miep, it is the time."

  • Narrator: The Nazis knew exactly where they were going.

  • They walked right up to the bookcase

  • and swung open the door to the Secret Annex.

  • The leader of the group, an Austrian Nazi named Carl Silverbauer, focused on Miep

  • while the others burst into the Annex upstairs.

  • Miep Gies: He came to me,

  • so near to me that I feel his [speaks Dutch] breath.

  • "Are you not ashamed to help Jews?"

  • "You must have the highest punishment, and you know what that is."

  • Narrator: Miep and Allie barely escaped arrest.

  • They could do nothing but standby helplessly

  • as Anne and the rest were led down the stairs,

  • loaded on to trucks outside, and driven off.

  • As soon as they thought it was safe,

  • they ran up to the Annex and found it in shambles.

  • Miep Gies: All the papers were scattered on the floor,

  • and we sorted.

  • I say, "Al! This is the diary of Anne. Take home. Take!"

  • And so we took all of the things together.

  • We had hope

  • that all the people came back

  • and I want to see her smile when I give it, the diary.

  • I want to see this, this smile of this child.

  • Narrator: But now a look of terror had replaced Anne's smile,

  • as what she and the others had most feared came true.

  • In the hands of the Nazis, they were driven to Gestapo headquarters,

  • then thrown into a downtown prison.

  • Four days after their capture, they were put on a train through the Dutch countryside

  • to a concentration camp known as Westerbork.

  • Anne found some happiness at being outside in the fresh air

  • after 25 months indoors, even if it was circled with barbed wire.

  • But as the Franks soon found out,

  • Westerbork was only a transit camp.

  • Every Tuesday, trains left, bound for the east.

  • No one in Westerbork had any real idea what lay beyond.

  • They just knew enough to fear it.

  • Jack Polak: In Westerbork, one lived for two days: on Tuesday and Wednesdays.

  • On Thursday, you starts to tremble.

  • On Friday, . . . Friday, you were told that you had to leave on Tuesday.

  • On Saturday, you tried to get out of it.

  • On Sunday, you got told that you can't get out of it.

  • On Monday, you begged, all beautiful things as much as you can.

  • Just know that you are going to be killed,

  • and on Tuesday morning, 6:00 sharp, cattle cars left for an unknown destination,

  • which 95% of the people thought were labor camps

  • and turned out to be extermination camps.

  • Narrator: At 6am, on the morning of September 3, 1944,

  • after less than one month in Westerbork,

  • the Frank family were among the thousand people loaded into cattle cars,

  • bound for Auschwitz.

  • They were unlucky.

  • That train was the last that would ever leave Westerbork for the death camp.

  • Those days in the cattle cars, with no room to sit or sleep,

  • no food, no toilet, and no air,

  • put many of the passengers into a state of shock.

  • When they finally arrived at Auschwitz, they had no idea where they were.

  • Evers: It was three days and, I think, two nights,

  • and I had quite a lowered conscience.

  • We were by very big lamps, and I thought we came to another planet, with three moons.

  • So there we were because we had hardly to eat and hardly sleep all the time.

  • Auschwitz was the end.

  • That's where the Jews were brought to be killed.

  • Immediately when you came there, there was this mangalin, who said, "Left or Right."

  • And, and, Anne was lucky that she went to the other side and not straight into the gas chambers

  • because she looked a bit older than her age.

  • Children and old people immediately went into the gas chambers.

  • Narrator: Until this moment, the Franks has been lucky. At least they were together,

  • but now, their luck turned.

  • As the crowds got off the train, Otto Frank was torn away from his weeping family.

  • Anne, Margo, and their mother saw him for the last time when they were marched off to the women's barracks.

  • As they shivered with grief and fear, German officers ordered them to strip and roughly shaved their bodies and heads.

  • Evers: We were naked in, in the cold.

  • Brought to rooms where there were a pile of shoes and a pile of dresses,

  • and you could pick up a dress and a pair of shoes, and it was the whole clothing.

  • Narrator: Anne lost the long black hair she was so proud of and the light cotton dress she wore was quickly infested with vermin,

  • but at least, Anne and her mother and sister had each other.

  • Evers: What I remember was a very close relationship, especially in Auschwitz, between the mother and the two girls.

  • They were always together. They were very close.

  • Narrator: In these terrible conditions, the friction between mother and daughter disappeared.

  • All that mattered was that they survived

  • together.

  • Margo and Edith even gave up a chance to leave Auschwitz for a labor camp

  • because Anne, who was suffering from scabies, an infestation of mites in the skin, was not allowed to go.

  • Evers: In my whole interim, her mother decided to stay with Anna.

  • If they could have gone without transport, they would have survived

  • because nearly everybody of my transport, after Auschwitz, survived.

  • Narrator: The girls and their mother were split up anyway.

  • The Russian armies' advance had the Germans scrambling to dismantle Auschwitz and hide the evidence of their crimes.

  • Around the 28th of October 1944, Margo and Anne saw their mother for the last time.

  • They were put on a train headed for another concentration camp, Bergen Belsen.

  • Frightened and alone, Margo and Anne could only hope that Belson would not be worse than Auschwitz,

  • but it would be

  • for them.

  • In November 1944, after surviving two months at Auschwitz,

  • 15-year-old Anne Frank and her 18-year-old sister, Margo, arrived in another concentration camp, Bergen Belsen.

  • They were starving, sick, and alone. Yet, they should have counted themselves lucky to be alive,

  • but their luck was wearing thin.

  • Bergen Belsen had no gas chambers, but it was just as deadly to tens of thousands of prisoners.

  • Polak: The living conditions were unbearable, I would say.

  • First of all, you had a room and barrack with a bed, which is really not a bed,

  • but some, uh, some, some room, uh, wood and one blanket.

  • The horrible thing was that every blanket had lice.

  • You had to kill the lice before you went to sleep

  • because if you didn't kill the lice, you couldn't sleep, and you needed your sleep.

  • Narrator: A plague of typhus was spread by the lice, and like many others,

  • Anne and Margo soon bore its symptoms: chills, fever, sunken eyes and cheeks, deep fatigue.

  • Soon, Margo was too weak to get up.

  • Anne was only slightly stronger but was losing her will to live as her sister got worse.

  • She had no idea that just over the fence was her schoolfriend, Hannah.

  • Pick-Goslar: One day, somebody tells me,"You know, your friend Anne is here."

  • And so I stood there and was waiting, and really after some minutes,

  • I hear somebody is calling for me, and it was Anne.

  • And really it was not the same Anne I had known. It was a real broken girl.

  • She said, "I have nobody anymore."

  • That was not true, but she couldn't know.

  • Narrator: They met twice more at the barbed wire. Hannah tried to throw some extra food over for Anne.

  • Pick-Goslar: And instead of her being happy, I hear she is crying.

  • What happened?

  • Another hungry woman caughts the package, run away with it.

  • So I said, "Anna, we'll try it again."

  • We tried it again after some days, and I don't remember, two days

  • and then she caught the package at least,

  • but it was the last time we could speak.

  • By February 1945, Germany was nearing defeat but still insisted on keeping its prisoners.

  • The Allied advance produced a flurry of activity at the camp,

  • but by the time Hannah went back to the fence, the women in Anne's barracks had been moved.

  • but Anne and Margo did not make the trip.

  • Sometime in late February, Margo Frank died.

  • Anne was sure she was alone, without her family, without her diary, Kitty.

  • What she did not know was that one member of the Secret Annex had survived the Nazi death camps,

  • her beloved father, Otto.

  • Pick-Goslar: This, Anne didn't know,

  • and you know what is even most sad:

  • When I met Anna and we spoke about her father,

  • he was already liberated because Auschwitz was liberated 27 of January,

  • and I met Anne beginning of February.

  • I always thought if she would have known her father is alive,

  • maybe she'd had a little more strength to survive.

  • Anne: It's a wonder I haven't abandoned all my ideals.

  • They seem so absurd and impractical.

  • Yet, I cling to them because I still believe

  • in spite of everything, that people are truly good at heart.

  • It's utterly impossible for me to put my life on a foundation of chaos, suffering, and death.

  • Narrator: Anne Frank died a day or two after her sister Margo, sometime in late February or early March of 1945.

  • Their bodies, like so many others, were thrown into the mass graves of Bergen Belsen.

  • Little over a month later, on April 15, 1945, the camp was liberated by British troops.

  • In the following months, millions of refugees made their way across the ruins of war-torn Europe,

  • hoping to find someone waiting for them in what was left of their homes.

  • With nowhere else to go, Otto Frank arrived on the doorstep of his old friend and protector, Miep Gies.

  • Miep Gies: When the war was over after armistice,

  • Mr. Frank came back, but I did not give him the diary.

  • I was waiting for Anne.

  • Narrator: Otto Frank knew that his wife had died at Auschwitz, but he still hoped Anne and Margo might return.

  • After advertising for months, he finally received the news that he had been dreading:

  • his girls were dead.

  • He had nothing left,

  • but Miep knew she had one small thing that could bring his Anne back, if only in spirit,

  • the diary.

  • Miep Gies: I took all the papers out of my desk and give it to Mr. Frank,

  • with the words, "This is from your daughter, Anne."

  • Can you understand how this man looked at me?

  • Lost his wife, lost his two children, yet, a diary.

  • I didn't know what to do with this man.

  • Narrator: Otto Frank pored over the diary of his daughter for weeks.

  • In her vivid voice on the page, he found a girl he hardly recognized.

  • Pick-Goslar: The first thing he told me is that he got from Miep the papers and that he didn't know his daughter.

  • That is what he said to me.

  • He was looking at her always as a little girl, and she was grown up.

  • Anne: You've known for a long time that my greatest wish is to be a journalist and later on a famous writer.

  • After the war, I'd like to publish a book called The Secret Annex.

  • It remains to be seen whether I'll succeed.

  • Narrator: Her father finally saw her as she wanted to be seen, as a writer,

  • one who's clear words almost brought his daughter back to life.

  • In 1947, he honored her wish and published excerpts from the diary under her title, Het Achter huis, the Secret Annex.

  • Miep Gies: I read it, all of it.

  • and I can tell you, at last, I was happy

  • because all the people came in. I saw all the people again.

  • I heard their voices. I was happy.

  • Narrator: Otto Frank was impressed with the effect Anne's diary had on those who read it,

  • and he had a feeling her message would appeal to many others,

  • but even Anne would never have dreamed how large her audience would become.

  • After Anne Frank died in a concentration camp in 1945, her father had nothing left of his family, except his grief and her diary,

  • but that was a powerful combination.

  • Anne: I want to go on living, even after my death,

  • and that's why I am so grateful to God for having given me this gift,

  • which I can use to develop myself and to express all that's inside me.

  • Narrator: Anne's gift did grant her a kind of afterlife, helped in large part by her father.

  • Otto Frank's hope was that his daughter's words might avert some recurrence of what they had endured,

  • and that he would spend the rest of his life, making Anne a symbol, a cause, an institution.

  • Otto Frank: Every day and every day, I work and think of my people.

  • You see, after the diary has been published, I get hundreds, thousands of letters from young people,

  • and my task is to speak to them, to write to them, not to forget

  • that we have to work against prejudice and discrimination.

  • That is my task.

  • Narrator: Otto Frank's optimistic view of his daughter's work found its perfect audience in post-war America.

  • The American edition of Anne's diary, published in 1952, as The Diary of a Young Girl, became an immediate bestseller.

  • Three years later, it was Pulitzer prize-winning hit on Broadway.

  • In the play, one of Anne's phrases became the dramatic last line,

  • and those few words, taken out of their darker context, made it into a sentimental favorite,

  • which seem to make Anne into a saint.

  • Anne: I still believe, in spite of everything, that people are truly good at heart.

  • Narrator: In 1959, Hollywood also portrayed Anne as a young martyr, whose words seem to absolve the world of the crimes of war.

  • Anne (actress): I still believe, in spite of everything, that people are really good at heart.

  • Narrator: Many critics later objected to the use of this line to characterize her view of the world.

  • Langer: Why don't they quote this sentence from the diary?

  • "There's a destructive urge in people," Anne wrote, "the urge to rage, murder, and kill,

  • and until all of humanity without exception undergoes a metamorphosis, wars will continue to be waged."

  • That's the exact opposite of "In spite of everything, I still believe that people are really good at heart."

  • Does she contradict herself? Of course she does. She was a creature of moods, like all of us.

  • At one point, she believed that, and at another point, she believed this,

  • and she said to herself, If I go on believing in the destructive murderous rage in people,

  • I am going to become a pessimist, and life won't be possible.

  • So I have to go on believing that, deep down, there's some thing good in people.

  • That's all. It was a necessity for her. It was not an absolute, unalterable philosophical truth.

  • Woman tour guide: So we'll arrive in a few moments at #263, the third house from the corner,

  • is the Anne Frank house, the house where she was hidden during the last World War.

  • Narrator: Anne's story struck a chord with audiences from all over the world,

  • and it had moved hundreds of thousands of readers to make the pilgrimage to the Secret Annex,

  • which became a museum in 1960.

  • Under Otto Frank's guidance until his death in 1980, the Anne Frank House grew into an international organization,

  • spreading a message of tolerance to young people in particular, using exhibits and lectures and always Anne's words.

  • Polak: She writes about all the things young children think about,

  • about God, and about religion, and about nature, and about sex,

  • and about relationships with your parents, and about anti-Semitism, and about war

  • and you can go on and on.

  • Narrator: Yet, the messages, no matter how important,

  • would never been heard, had Anne not been the writer she was.

  • In 1986, her talent and character were revealed even more clearly

  • when her full manuscript was published,

  • followed by a new definitive edition of her diary.

  • In 1997, the new material was reflected in an updated version of the Broadway play.

  • Elias: She's not a saint. She was never a saint,

  • but people had a feeling she was some kind of, uh, an idol.

  • She's not. She was a real, 100% real girl, like everybody else, like all the other girls,

  • with the exception that she had a great talent for writing.

  • Kesselman: There's nothing false about Anne. There's not a moment in that diary that's not absolutely honest.

  • She never conceals, you know, or if she does, then she goes back and does it again and tells the truth.

  • She's just constantly digging for the truth, the truth, the truth.

  • Narrator: It was her honesty that made her the writer she was,

  • that allowed her to transcend her circumstances in the only way she could.

  • It was her search for the truth that made her live beyond her death,

  • and it is what makes her silence all the more poignant.

  • van Maarsan: I'm sure she would laugh to be, if she'd had known that she would be famous.

  • Uh, I don't know if she would have given her life for it.

  • Silverberg: I often wonder what she might have become, at an old age or perhaps as an adult.

  • We don't know.

  • Pick-Goslar: She really could have given a lot to mankind.

  • Miep Gies: So young as she was, she saw

  • how to live.

  • Polak: Anne was a sexy girl and was a bright girl and was - she hadn't even had arithmetics yet.

  • She was a philosopher. She was a, uh, plain girl.

  • I think that's the greatest thing.

  • She had all the features what everybody wants to be.

  • Anne: Writing in a diary is a really strange experience for someone like me.

  • Not only because I have never written anything before,

  • but also because it seems to me that later on, neither I nor anyone else would be

  • interested in the musings of 13-year-old school girl.

  • Oh well. It doesn't matter.

  • I feel like writing.

Who do you want to be today?

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B1 中級 美國腔

安妮-弗蘭克《一個年輕女孩的生活》 (Anne Frank The Life of a Young Girl)

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    Mmot Hsieh 發佈於 2021 年 01 月 14 日
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