Name: SINNERS 視覺特效幕後揭祕 | 超現實蒙太奇 (Behind the Visual Effects of SINNERS | Surreal Montage)
Uploaded: 2026-03-05T16:29:29.000Z
Duration: 4 min 17 s

I am Omar Miller, previously known as Kornbread Incentive.

我是 Omar Miller，以前大家叫我 Kornbread Incentive。

未來簡單式

We're gonna have a conversation with my favorite group of nerds so that they don't bug it out on you guys too far.

我們要跟一群我最愛的 nerds 聊聊，這樣他們才不會 bug it out 讓你們太難懂。

One of the most striking visuals in the film is when you burn the roof off of the jury.

電影裡最讓人印象深刻的畫面之一，就是你們 burn the roof off 的陪審團那段。

Now, in that you're talking about, you guys were able to create an iconic vis.

嗯，你剛剛說的，你們創作出一個 iconic vis。

This is something that now is a part of cinematic history.

這已經成為 cinematic history 的一部分了。

Most of our effort went into the planning of it all the way it went.

我們大部分的努力都花在整個規劃上，以及它進行的方式。

Every morning in New Orleans, in our production office, we had a roundtable meeting.

每天早上在紐奧良，在我們的 production office，我們會開一個 roundtable meeting。

And so Hannah slapped a blueprint in the middle of that table.

然後 Hannah 就把一張 blueprint 拍在桌子中間。

And then Autumn drew, like, concentric circle.

接著 Autumn 畫了一個，像是同心圓。

And then Ruth had, like, a list of, I think, 50 people that.

然後 Ruth 就有一份，我記得是 50 個人的名單。

And then, you know, Ryan basically started like, okay.

然後，你知道的，Ryan 就開始說，好。

And then I think they were gonna put the other guitar.

然後我想他們會放上另一把吉他。

The Bootsy Collins guitar player is gonna be here and there.

Bootsy Collins 的 guitar player 會在這裡那裡。

And then we took that and then a couple of the storyboard frames that we had and gave it to our previous partner, Veraboom Paper Valencia, and

然後我們就拿那個，還有幾個我們有的 storyboard frames，交給我們之前的夥伴 Veraboom Paper Valencia，

he turned it into, like, a mini, like, 3D animated version version of that.

然後他把它做成一個小小的、像是 3D animated version 的版本。

He made, I think, 55 versions in total, just of that previous three, three and a half minutes every single time.

他總共做了，我想是 55 個版本，就那個之前三分鐘、三分半的，每次都一樣。

And that's basically how it became what it is today, you know, like, you can put the two next to each other and they're almost identical in terms of what's happening in the frame.

這基本上就是它變成今天這樣子的原因，你知道的，就像你可以把兩個放在一起看，它們在畫面裡發生的事情幾乎是一模一樣的。

But it all started is another example of amazing collaboration because it started.

但這一切的開始，是另一個很棒的合作範例，因為它開始了。

Started with a composition from Ludwig, which gave us the.

Ludwig 的一個構圖開始，給了我們。

When you're at the hot party, you burn the roof off.

當你在熱門派對時，你會嗨翻全場。

So then did you saw a visual element of burning the roof off the mother.

所以你看到了嗨翻全場的視覺元素。

Big discussion how we were going to do that.

And my whole perspective was, well, I mean, we're going to light up the roof.

我的想法是，嗯，我們要嗨翻全場。

And I remember the first time I said that Ryan's like, you can't control the roof when it's on fire.

我記得我第一次說這話時，Ryan 說，屋頂燒起來了你管不了。

I was like, do you think you can set the roof on fire?

我問他，你覺得你能把屋頂燒起來嗎？

Well, what was funny is I was getting a text hey, have you ever burned a roof in a stage before?

很有趣的是，我收到一則簡訊，說，你以前在舞臺上燒過屋頂嗎？

And then I got the call from you right afterwards.

我的意思是，那是一大塊屋頂板。

It got bigger and bigger every time you guys would call me.

每次你們打電話給我，事情就變得越來越大。

So, like, after you said, we can do it, then I was like, oh.

所以，就像，在你說我們可以做之後，我就想，哦。

我的意思是，Donnie 說他可以做到。

Then Autumn calls me the same day, and she's like, rama, what the f is wrong with you?

然後 Autumn 同一天打給我，她說，rama，你到底怎麼了？

Like, don't tell me that, like, we're really shooting a burning room.

像是，別告訴我，我們真的要拍一個燒毀的房間。

You know, those cameras are, like a million dollars.

你知道嗎，那些攝影機，大概要一百萬美金。

然後我就跟 Autumn 說，我很抱歉。

我不是來讓妳的生活變輕鬆的。

It was on the real set on the actual roof of.

是在真實的佈景，在實際的屋頂上。

With a small panel to figure out the burn speed and patterns and what materials to go into it, because we use, like, a combination of black powder and different metals that were ground up, like titanium, magnesium, and

用一個小面板來找出燃燒的速度和模式，以及要放進去的材料，因為我們使用像是黑火藥和不同金屬的組合，像是鈦、鎂，還有

So when you see it burning away and those red streaks that are coming off.

所以當你看到它燃燒，還有那些紅色的條紋跑出來。

Because it took us about a month to figure out the materials.

因為我們花了大約一個月才弄清楚材料。

Deep into post production, Ryan comes into our office.

在後製後期，Ryan 走進了我們的 production office。

He was like, hey, what would it take to go through the roof now instead of just tilt up?

他就像說，嘿，現在要燒到屋頂需要什麼，而不是隻傾斜而已？

Because he wanted to be with the ancestors, follow the embers, and.

因為他想跟祖先們在一起，跟著餘燼，然後。

And that means we did something we had to do a lot of on this movie, and

這代表我們在這部電影裡做了很多必須做的事，

that's recreate something that's already filmed because we do something different with a camera, which is its own challenge.

那就是重現已經拍攝過的東西，因為我們用攝影機做了不同的處理，這本身就是一個挑戰。

That shot alone took five months to do it.

那個鏡頭就花了五個月才完成。