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  • Prof: Good morning.

  • As you can see from the title of today's lecture,

  • "Habitats at Herculaneum and Early Roman Interior

  • Decoration," we're going to be concentrating

  • once again, at least in the first half of

  • the lecture, on domestic architecture in

  • Campania.

  • We're going to look at several houses in Herculaneum,

  • and then we're going to move from there to begin our

  • discussion of early Roman interior decoration,

  • namely the First and Second Styles of Roman wall painting.

  • And what you'll see makes them particularly relevant to what

  • we've been discussing thus far this term is the fact that in

  • both the First and Second Styles,

  • architecture is depicted in these paintings,

  • and we're going to see some very interesting relationships

  • between that and the built monuments that we've talked

  • about thus far this semester.

  • Just to remind you of the location of Herculaneum,

  • which is usually called the sister city of Pompeii,

  • because of that locale.

  • We see it on the map here.

  • Pompeii is down in this location.

  • Herculaneum is to the northeast of Pompeii, closer to Naples

  • than Pompeii is, as you can see.

  • And note also the city of Boscoreale,

  • Boscoreale, which is located between,

  • almost equidistant -- a little bit closer to Pompeii than

  • Herculaneum -- but in between the two.

  • And I point it out to you now because we're going to look at

  • an important room, with paintings,

  • from the city of Boscoreale today as well.

  • Here you see a view, a Google Earth flyover,

  • of Herculaneum, as it looks today.

  • It's very helpful because you can see a couple of things here

  • that I want you to keep in mind, as we look at this city.

  • One, that although most of the city of Pompeii has been

  • excavated, only about a quarter or

  • twenty-five percent of the city of Herculaneum has been

  • excavated.

  • So we have much less at Herculaneum than we do for

  • Pompeii, and what we're missing, for the most part,

  • is the public architecture.

  • We don't have a great amphitheater from Herculaneum.

  • We don't have a theater and a music hall complex.

  • We think we might have part of the basilica,

  • but we're not absolutely sure.

  • We don't have the great large forum space that we have in

  • Pompeii.

  • So we're missing a lot of that public architecture at

  • Herculaneum, which gives us less of a sense

  • of what the city was originally like,

  • at least in its public face, although there's no doubt that

  • that material still lies beneath the ground.

  • So we have only a quarter of the city, mostly the residential

  • part of the city, or part of the residential part

  • of the city.

  • But there are several houses there that are extremely--

  • give us, provide information, especially about what was going

  • on between the earthquake and the eruption of Vesuvius,

  • 62 to 79, that are extremely valuable in terms of giving us a

  • sense again of the evolution of Roman domestic architecture.

  • The other issue that this particular view raises is the

  • reason why Herculaneum is less well excavated than Pompeii,

  • and the reason for that has to do--and you can see it well

  • here-- has to do with the fact that

  • the modern city grew up on top of the ancient city.

  • And they were able at one point to clear part of it,

  • for excavation, but they have not been able to

  • clear the rest.

  • It's a political nightmare to have to deal--

  • you have to relocate all the people who live in this area and

  • have lived in this area for a very long time.

  • That's politically a very difficult thing to do.

  • It also is extremely costly.

  • So thus far only twenty-five percent of Herculaneum revealed.

  • Let's all hope that at some point someday Italy can sort

  • this out and find a way to excavate the rest of this

  • extraordinary city.

  • You can see from this view that I took as--this is one of the

  • views that you get as you enter the site, the current location

  • today.

  • But I think you can see very well here again what I'm talking

  • about: the relationship between the ancient city,

  • lower ground level, that has been unearthed through

  • excavation.

  • You can see a peristyle court of one of the houses here,

  • for example.

  • But you can see the way in which the modern city rings the

  • site, and again what a challenge it

  • would be to remove that modern city and to reveal the rest of

  • Herculaneum.

  • Here's another view where you can also see some of the remains

  • of the ancient city, of these residences and so on,

  • and their relationship to the rest of the town.

  • With regard to the history of Herculaneum, it is very similar

  • to the history of Pompeii.

  • One difference is that the city of Herculaneum was supposedly

  • founded by Hercules, hence its name Herculaneum.

  • But in other respects the history again is quite

  • comparable.

  • We know, for example, that the city of Herculaneum

  • was overseen for awhile by that same Italic tribe called the

  • Oscans, who were then conquered by the

  • Samnites, and the Samnites took over

  • Herculaneum.

  • And it was during the Samnite period in Herculaneum that we

  • begin to see the same kind of architectural development that

  • we saw also in Pompeii.

  • We also know that those in Herculaneum,

  • the citizens of Herculaneum, the leaders of Herculaneum,

  • got involved in the Social Wars, as did those in Pompeii,

  • and that the city of Herculaneum was conquered by

  • Rome in 89 B.C., in 89 B.C.

  • So Herculaneum becomes a Roman colony in 89 B.C.

  • Thereafter we know--and of course at that point,

  • just as in Pompeii, the Romans begin to build

  • buildings in the Roman manner.

  • From that point on we know again comparable development.

  • We know that at Herculaneum they also witnessed that very

  • serious earthquake, an earthquake that also

  • destroyed significant parts of the city of Herculaneum,

  • and they too went through that frenzied seventeen-year period

  • of rebuilding.

  • But again, just as at Pompeii, it was for naught,

  • because the city of Herculaneum was also covered by the ash and

  • lava of Vesuvius.

  • However, there's one major difference that has to do with

  • the way that ash and lava fell.

  • We talked about the fact that at Pompeii there was actually

  • quite a bit of notice, that the ash and lava came down

  • on the city fairly gradually, and that there was time for

  • people to escape, and that most of them did,

  • except for those foolhardy souls who decided to wait it

  • out, which we discussed a couple of

  • lectures ago.

  • But in Herculaneum, it happened much more rapidly,

  • and in fact it became very clear, very quickly,

  • that a huge blanket of lava was headed toward the city.

  • And needless to say, that encouraged people to leave

  • pronto, and we thought,

  • at least for a very long time, that that's in fact what had

  • happened, that everybody had escaped the

  • onslaught of Vesuvius.

  • What happened after that blanket of lava engulfed the

  • city is it hermetically sealed the city,

  • hermetically sealed the city, in such a way that materials

  • that have been lost at Pompeii were preserved at Herculaneum.

  • And the best example of that is wood.

  • We have almost no wood.

  • Wood is not a material that withstands the test of time

  • terribly well, and we have almost no wood from

  • Pompeii.

  • But from the city of Herculaneum, we have a

  • considerable amount of wood, and this just has to do with

  • the fact again that the city was so hermetically sealed by that

  • blanket of lava.

  • And I can show you a few examples of what survives in

  • wood.

  • For example, this bed, or part of a bed,

  • that's still preserved, as you can see here,

  • with the wooden legs.

  • A wooden partition in one of the houses, to divide one

  • section, kind of like a modern pogo wall, to divide one section

  • of the structure from another.

  • You can see also the wooden frames around the doors and

  • around the windows are also preserved,