Name: 毀掉電影的 10 種人！ (10 People Who Ruined Movies For Everyone)
Uploaded: 2025-11-22T16:55:58.000Z
Duration: 11 min 50 s

關係子句

Were you aware of any instances in which Harvey Weinstein treated women inappropriately or crossed a line?

你知道哈維·溫斯坦有過對女性不當對待或越界的行為嗎？

And today we'll be discussing individuals whose creative or executive choices consistently damaged films, franchises, or the art of cinema in the eyes of critics, audiences or the industry.

今天我們要來聊聊那些，他們的創意或執行決策，持續傷害電影、影視系列或電影藝術，讓評論家、觀眾或業界都感到失望的人。

The long term health of our business is really a function of our consumer demand for our unbelievable storytelling and our product.

我們商業的長期健康，其實取決於消費者對我們驚人故事和產品的需求。

There's a very good reason why Uwe Boll was allowed to keep making movies during the early millennium.

千禧年初期，烏維·鮑爾之所以能持續拍電影，是有非常充分的理由的。

These efforts, which were lambasted by critics and fans alike, were made largely to exploit German tax law which allowed investors to write off the costs of failed cinematic endeavors.

這些作品被評論家和粉絲們猛烈抨擊，主要是為了利用德國的稅法，讓投資者可以抵銷失敗的電影項目的成本。

This isn't to say that Bull didn't try occasionally to make the best films he could during his heyday.

這並不是說鮑爾在他全盛時期，偶爾沒有試圖拍出他能拍出的最好的電影。

All of his clothes are here, his car's in the garage.

他所有的衣服都還在這裡，車子也停在車庫裡。

It's like he just got up in the middle of the night and walked out.

就好像他半夜起床，然後就這樣走掉了。

That said, the director also liked to confront his aforementioned critics head on, utilizing his experience as a boxer to exact a little real life revenge against any detractors.

話雖如此，這位導演也喜歡正面迎擊他前面提到的批評者，利用他拳擊手的經驗，在現實生活中報復任何批評他的人。

So was this a case of Uwe Boll possessing a too thin skin against criticism or simply a proud man making some money where it could be made?

所以，這到底是烏維·鮑爾對批評太過玻璃心，還是隻是一個驕傲的人在能賺錢的地方賺錢？

All the hagglers, all the critics, all the geeks are wannabe filmmakers.

所有殺價的人、所有評論家、所有宅男都是準電影製作人。

As soon as they do something on their own, it sucks.

他們一但自己動手做點什麼，就會搞砸。

We have a lot of changes to discuss at the company.

我們有很多公司內部變動要討論。

From now on, we're only going to make original content that doesn't pander.

從現在開始，我們只會製作不迎合的、原創內容。

Fandom could be a notoriously difficult landscape to navigate, including one that comes from a creative sandbox as large as the Star wars saga.

粉絲文化可能是一個出了名的難以駕馭的領域，這其中也包含來自像《星際大戰》這樣龐大創意沙盒的粉絲文化。

Kathleen Kennedy earned her industry stripes alongside heavyweight Steven Spielberg and Frank Marshall as a co founder of Amblin Entertainment.

凱瑟琳·甘迺迪在與重量級人物史蒂芬·史匹柏和法蘭克·馬歇爾共同創立 Amblin Entertainment 時，就已在業界打響名號。

Her production duties would eventually lead her to the presidency of Lucasfilm.

她的製作職責最終讓她擔任了 Lucasfilm 的總裁。

And it's here where the modern era of complaints against her tenure arrives.

而正是在這裡，針對她任期的現代抱怨聲浪開始出現。

The main thing is to protect these characters, make sure that they still continue to live in the way that you created them and that the universe of Star wars continues to grow.

最重要的是保護這些角色，確保他們能以你創造的方式繼續活著，並且《星際大戰》的宇宙能持續成長。

Star wars fans have for years bemoaned what they see as a heist of their property in the service of content that's been deemed by this sector as woke.

多年來，《星際大戰》的粉絲們一直哀嘆他們認為自己的資產被盜用，以服務於這個領域認為是「覺醒」的內容。

These accusations have been backed up by several reports that have remarked on Lucasfilm's profit margin against its original 4 billion doll dollar investment.

這些指控有幾份報告支持，報告中提到了 Lucasfilm 的利潤率對比其最初的 40 億美元投資。

I'm sorry I was so reckless with the things that you love.

我很抱歉我對你熱愛的事物如此魯莽。

Just wailing on woke stuff all the time is pretty lazy too.

整天只會抱怨覺醒內容，這也挺懶惰的。

Kevin Feige I mean, this is our 36th movie and we try to evolve and we try to grow and we try to keep doing different things.

凱文·費吉，我的意思是，這是我們的第 36 部電影，我們試圖演變、成長，並不斷嘗試不同的事物。

Even those at the top of cinema's most beloved creations can occasionally see their fans turn on them after time.

即使是電影藝術中最受喜愛的創作，有時也會在一段時間後讓粉絲轉而批評。

Kevin Feige's knowledge of the Marvel Universe shouldn't really come into question, since he's been partially responsible for steering the MCU ever since becoming president of Marvel Studios back in 2007.

凱文·費吉對漫威宇宙的瞭解應該不會受到質疑，因為自 2007 年擔任漫威影業總裁以來，他一直部分負責引導 MCU。

When the audience opens themselves up to laughter, you can then also sneak them in with the emotion, right?

當觀眾敞開心扉接受歡笑時，你也可以趁機讓他們感受到情感，對吧？

And I think that is why we talk about a Marvel formula.

我認為這就是為什麼我們會談論漫威公式。

Those early films in Feige's run leading up to Endgame were watershed moments for comic book fandom.

費吉執導初期，那些引領到《Endgame》的早期電影，是粉絲文化中的分水嶺。

Yet the more recent phases of Marvel Studios, particularly their television products, have seen increasing backlash from fans regarding Feige's direction.

然而，漫威影業近期的幾個階段，尤其是他們的電視產品，粉絲們對費吉的領導方向越來越感到不滿。

There was an overabundance, let's say, of product that I think people thought, geez, I love them all, I want to catch up on them all, but

有過多的產品，這麼說吧，我認為大家會覺得，天啊，我愛它們全部，我想把所有都補完，但是

an overall sentiment of comic book burnout has led some to believe that the MCU is floundering in creative waters.

整體上漫畫的疲勞感，讓一些人認為漫威電影宇宙正在創意上掙扎。

你的末日就在這個水晶骷髏頭裡。

Humor, like any other form of artistic expression, is subjective.

幽默，就像任何其他形式的藝術表達一樣，是主觀的。

Parody can be an even slippier slope to navigate, but

模仿惡搞更是個難以拿捏的滑坡，但

there are probably few out there that would rise to defend the creative works of Jason Friedberg and Aaron Seltzer.

大概沒人會站出來捍衛 Jason Friedberg 和 Aaron Seltzer 的創意作品。

In the modern day, the pair were responsible for a briefly popular but increasingly dumber series of parodic genre movies, all of which utilize the lowest hanging contextual fruit.

在現代，這兩人曾推出一系列風靡一時但越來越蠢的惡搞類型電影，全都利用了最容易取得的劇情點。

Efforts such as Disaster Movie, Epic Movie, and

像是《Disaster Movie》、《Epic Movie》以及

the Starving Games were clearly leagues away from the clever parodic works of the Zucker Brothers and Jim Abrahams a la Airplane.

《The Starving Games》的努力，顯然與 Zucker 兄弟和 Jim Abrahams 的經典作品《Airplane!》那種巧妙的模仿惡搞相去甚遠。

Heck, these weren't even on the level of the Naked Gun.

說真的，這些甚至比不上《The Naked Gun》。

But what happens if we're the last two standing?

但如果我們是最後站著的兩個人呢？

This competition is cute or be killed, and I will kill you where you stand.

這場比賽就是「可愛或被殺」，我會立刻把你殺掉。

Bob Shapek this was the NFL where they have tremendous, tremendous accountability.

Bob Shapek，這是 NFL，他們有非常、非常高的責任感。

And we were watching their program on Sunday morning.

我們當時在週日早上看他們的節目。

Everyone together would say he should be fired.

It's interesting to note the back and forth CEO Juggling of Disney's Bob Chapek and Bob Iger.

值得注意的是，迪士尼的 CEO Bob Chapek 和 Bob Iger 之間的來回調動。

The latter has been criticized over the years for his determination to bring unwanted live action remakes to the silver screen.

後者多年來因其堅持將不受歡迎的真人翻拍帶到大銀幕而受到批評。

Meanwhile, the career of Bob Chapek saw a backpedaling from the executive's initial support of home physical media on DVD and Blu ra into a completely opposite direction.

同時，Bob Chapek 的職業生涯從最初支持 DVD 和 Blu-ray 的實體家庭媒體，轉向了完全相反的方向。

He reorganized the company around streaming, around Disney plus, around Hulu.

他將公司重組，圍繞著串流媒體、Disney+ 和 Hulu。

At this point, I would say that strategy is very much in doubt.

到了這個時候，我會說這個策略備受質疑。

Disney's shift to streaming under Chapek's tenure has proven controversial to some fans of the brand.

迪士尼在 Chapek 任內轉向串流媒體，對品牌的某些粉絲來說，這 proved controversial。

The CEO was actually replaced by his forebear Iger.

執行長其實被他的前任 Iger 取代了。

After only two years at the head of the House of Mouse for Bob Chapek, they decided they didn't want him anymore and replaced him with the guy he replaced Bob Iger.

Bob Chapek 在這家米老鼠公司擔任領導者僅兩年後，他們決定不再需要他，並找回了他取代的 Bob Iger。

One of the most storied CEOs in American capitalism, I would say.

我認為他是美國資本主義史上最有傳奇色彩的執行長之一。

Michael Cimino and the End of New Hollywood.

Michael Cimino 與新好萊塢的終結。

You're very concerned about every aspect of the production being right.

你非常在意製作的每一個環節是否正確。

The early work of director Michael Cimino frankly defines cinema.

導演 Michael Cimino 的早期作品，坦白說定義了電影藝術。

Rather than arriving at anything close to ruination.

Instead, it's Cimino's relentless perfectionism as a filmmaker, combined with his willingness to spend studio money that could be seen as an endpoint for the experimental New Hollywood Hollywood era.

相反地，是 Cimino 作為電影製作人那種不懈的完美主義，加上他願意花費製片廠的錢，這可以被視為實驗性的新好萊塢時代的終結。

Specifically, it was Cimino's 1980 film Heaven's Gate, seen by many today as a masterpiece that essentially bankrupted United Artists.

具體來說，是 Cimino 在 1980 年的電影《天堂之門》，這部電影如今被許多人視為傑作，但實際上讓聯美公司破產了。

This sounded like the death knell for studios, handing over too much control to their directors, holding back the reins as New Hollywood's prominence shrank in the face of major blockbuster appeal.

這聽起來像是製片廠的喪鐘，將過多的控制權交給導演，在新好萊塢的影響力因大賣座電影的吸引力而縮減之際，緊緊地束縛住手腳。

He would go through them line by line to make sure that nothing was said or implied or visualized that defied the Production Code.

他會逐字審查，確保沒有任何言論、暗示或視覺呈現違背《製作準則》。

It was the true perception of old school Hollywood's internal lasciviousness.

這就是舊好萊塢內部淫亂現象的真實寫照。

An era that was well represented in Damien Chazelle's 2022 film Babylon that gave rise to the adoption of the hays code in 1934.

這個時代在達米恩·查澤雷 2022 年的電影《巴比倫》中得到了很好的呈現，該片促成了 1934 年《海斯法典》的通過。

This self governing set of rules was overseen and implemented by Joseph Breen, just as the era of talkies were taking hold as an industry standard.

這套自我管理的規則由 Joseph Breen 監督和執行，當時有聲電影正成為行業標準。

Breen's career as a film censor actually had an unintended effect, however, since it arguably led to the rise of Film noir.

Breen 作為電影審查員的職業生涯，實際上產生了一個意想不到的影響，因為它可以說催生了黑色電影的興起。

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毀掉電影的 10 種人！ (10 People Who Ruined Movies For Everyone)

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