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  • Interstellar is a visual masterpiece, but the most spectacular aspect of the movie is

  • that those jaw dropping shots of black holes and wormholes are the most realistic depictions

  • of these phenomena man has ever created. Thanks to a $200 million budget only a proven blockbuster

  • filmmaker can command, Director Christopher Nolan’s team had the resources to create

  • impeccably detailed computer generated simulations of space-time events that had previously only

  • existed in highly complex equations. To achieve this task, Nolan’s visual effects director

  • Paul Franklin used the mathematical genius of leading astrophysicist Kip Thorne to generate

  • algorithms that guided the effects software. In fact, it was the astrophysicist himself

  • who conceptualized the film along with producer Lynda Obst, who Thorne worked with on 1997’s

  • Contact. Thorne’s passionate about explaining the mind-bending ideas of relativity to the

  • general public and was thrilled when he saw the final result. The visuals are so powerful,

  • so accurate, that Thorne’s planning on publishing two academic journal articles based on the

  • computer renderings of a black hole used in the film, which led to a new scientific discovery:

  • that light temporarily trapped around the black hole produced an unexpectedly complex

  • fingerprint pattern and a glowing accretion disk that appeared above, below, and in front

  • of the black hole. “I never expected that,” Thorne says, “it was just amazing.” No

  • one knew exactly what a black hole would look like until they actually built one for the

  • film. Some of the single frames in these sequences of the film took 100 hours to render. The

  • entire movie is 800 terabytes of data. Another thing that makes a lot of the science behind

  • the film realistic is the script. Steven Spielberg, who was originally set to direct, hired Chris

  • Nolan’s brother, the screenwriter Jonathan Nolan, to write the movie. Nolan worked on

  • it for four years, even studying relativity at the California Institute of Technology

  • to learn the science. When Christopher Nolan took over as director, he emphasized the human

  • element of the picture and even codenamed the filmFlora’s Letterbecause it’s

  • essentially a letter to his daughter, says star Jessica Chastain. To film the scenes

  • set on a dying, dusty Earth, the production planted a 500-acre cornfield in rural Alberta.

  • Then they burned it all down in a "manufactured apocalypse." Nolan was inspired by Stanley

  • Kubrick’s 2001, A Space Odyssey in many ways, includingthe one powerful Image

  • idea, which led to Nolan’s ambitious use of longer shots. Like Nolan’s batman trilogy

  • before it, Interstellar is shot on 70mm Imax film and is - according to the director - “all

  • about the theatrical experience, getting audiences to see it as an experience in the theatre

  • with other people.” That’s why the movie will open to the widest ever release for a

  • film, in 760 Imax theatres around the planet. Thanks for watching. Share this video if you

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  • the most promising energy sources of the future and interesting facts about the last highly

  • successful space-themed film, Gravity.

Interstellar is a visual masterpiece, but the most spectacular aspect of the movie is

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星際》。關於電影的有趣事實 (Interstellar: Interesting Facts About The Movie)

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    Sofi 發佈於 2021 年 01 月 14 日
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