Name: 偉大溝通的五大聲樂基礎 | Vinh Giang on UNSTOPPABLE (The 5 Vocal Foundations of Great Communication | Vinh Giang on UNSTOPPABLE)
Uploaded: 2025-03-24T00:47:00.000Z
Duration: 7 min 38 s

A lot of people put no thought behind their rate of speech.

But if, again, for those listening to this, if I get stuck in a consistent rate of speech now and I stick to this rate of speech and I don't vary from this rate of speech, what happens to you as a listener?

但是，如果，對於那些聽者來說，如果我現在的語速保持一致，我堅持這個語速，我不改變這個語速，那麼作為聽者的你會怎麼樣呢？

是啊，開始變得無聊了，對吧？

是以，我們必須對其進行調節。

And if I sometimes go quickly, and when I'm going quickly, it shows passion.

如果我有時走得很快，而當我走得很快時，就會表現出激情。

But then when I slow down, Kerwin, I'm saying nothing important here, but it seems so profound.

但當我慢下來的時候，柯文，我在這裡說的並不是什麼重要的東西，但卻顯得如此深刻。

Nothing important has been said, yet it seems profound, right?

沒有說什麼重要的話，但似乎很深刻，對嗎？

是以，語速本身就是一頭野獸。

Volume shows confidence, authority, that you believe in what you're saying.

音量顯示自信、權威，表明你相信自己所說的話。

So if I switch off my volume, let's say I speak like this now and I come in, but I'm truly an expert in what I'm talking about.

是以，如果我關掉音量，比方說，我現在這樣說話，我進來了，但我確實是我所說內容的專家。

It doesn't seem like I believe in what I'm saying.

Doesn't seem like I'm confident in what I'm saying.

看來我對自己說的話並不自信。

Most people speak at a volume that is a bit too quiet.

大多數人說話的音量都有點小。

And then when you tell them a rating from one to 10, they usually speak at about a three.

然後，當你告訴他們從 1 到 10 的評分時，他們通常會說到 3 分左右。

You tell them to speak at a five, they go, oh, I think I'm being too loud.

你讓他們以五分音速說話，他們就會說，哦，我覺得我太大聲了。

要知道，每年我都要指導三位首席執行官。

Right now I'm coaching the CEO of Orange Theory Fitness, Dave Long.

現在，我正在指導 Orange Theory Fitness 的首席執行官戴夫-朗（Dave Long）。

I tell him to speak at a level five, what we're doing now, and he goes, oh Vin, I think I'm being too loud.

我讓他用五級音量說話，就像我們現在這樣，他說，哦，文，我覺得我太大聲了。

我說，戴夫，這太瘋狂了，你沒有。

You're losing out on a huge amount of authority, charisma, energy, confidence, and authority because you don't speak at a level five volume.

因為你說話的音量沒有達到五級音量，所以你會失去大量的權威、魅力、能量、自信和威嚴。

Pitch is fascinating because for the listeners who are listening right now, think to a book you've read.

Pitch 非常吸引人，因為對於正在收聽的聽眾來說，想想你讀過的一本書。

Maybe you can even think to a book you've read, Kerwin.

也許你還能想到你讀過的一本書，柯文。

If I asked you to recite for me a page in that book word for word, could you do it?

如果我讓你一字不差地背誦那本書中的一頁，你能做到嗎？

Is there a song that you sing quite often that you enjoy?

您有沒有經常唱的、自己喜歡的歌曲？

There's a song that my son loves to play.

Right, but if I asked you to recite for me word for word that song, could you recite the song?

沒錯，但如果我讓你一字不差地背誦那首歌，你能背出來嗎？

Oh, and there's not one song in the world that I know the lyrics to.

哦，世界上沒有一首歌的歌詞是我知道的。

Oh, okay, so you're a terrible example for this.

哦，好吧，你是個糟糕的例子。

But for the listeners, you totally ruined my example.

但對於聽眾來說，你完全毀了我的例子。

But for the listeners, surely you can think of a song that you love, right?

但對於聽眾來說，你們肯定能想到自己喜歡的一首歌，對嗎？

And generally most people can recite for you.

一般來說，大多數人都能為你背誦。

Well, actually I can think of one song that I actually know the words of.

好吧，其實我能想到一首我真正知道歌詞的歌。

You Never Close Your Eyes Anymore, the Top Gun.

你再也不會閉上眼睛》，《絕世高手》。

Now, why can't, okay, so a song has roughly 280 words.

現在，為什麼不能，好吧，一首歌大概有 280 個字。

一本書的一頁大約有 280 個字。

Why can you recite a song, yet not a page in a book?

為什麼你能背誦一首歌，卻不能背誦一頁書？

So if you speak with more melody, what you say becomes more memorable.

是以，如果你說話的時候多一些旋律，你所說的話就會更令人難忘。

Whereas most people use two notes when they speak.

而大多數人在說話時使用兩個音符。

Whereas I use the philosophy and I use the mindset of each person, every one of you that's listening to this right now, you've got a piano of 88 keys, right?

而我用的是哲學，用的是每個人的思維方式，你們每個人現在都在聽，你們有一架 88 鍵的鋼琴，對嗎？

And most people speak with a couple of keys.

And I remember my first singing teacher when I met her, and I didn't do this to become a singer.

我還記得我遇到的第一位歌唱老師，我並不是為了成為歌手才這樣做的。

I did this to become a more effective communicator.

我這樣做是為了成為一名更有效的溝通者。

When I walked into a room, I remember this.

當我走進一個房間時，我記得這一點。

And she'd play one key over and over and over again for three minutes.

她會一遍又一遍地彈奏一個音調，持續三分鐘。

It was like something out of The Exorcist.

這就像是《驅魔人》裡的情節。

And then she'd stop and she'd go, how do you feel, young man?

然後她會停下來，問你感覺如何，年輕人？

I'd say, I don't know, this is kind of scary, awkward, nothing.

我會說，我不知道，這有點嚇人，有點尷尬，沒什麼。

And then she played this beautiful song called Romance.

然後，她彈奏了這首名為《浪漫》的優美歌曲。

And then she'd turn around and she goes, how do you feel, young man?

然後她轉過身來，問你感覺如何，年輕人？

I said, actually quite sad, to be honest.

我說，說實話，其實挺難過的。

She goes, Vin, most people go through life speaking like this.

她說，文，大多數人都是這樣度過一生的。

Because here's the thing, let me give you this example too.

因為事情是這樣的，我也給你舉個例子。

You could hear a piano song and feel sad.

You could hear a piano song and feel happy.

You could hear a piano song and feel inspired.

你可以聽到一首鋼琴曲，並從中受到啟發。

You could hear a piano song and feel scared.

So there's a backing track underneath every voice.

是以，每個聲音下面都有一個伴奏音軌。

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偉大溝通的五大聲樂基礎 | Vinh Giang on UNSTOPPABLE (The 5 Vocal Foundations of Great Communication | Vinh Giang on UNSTOPPABLE)

stick

slightly

profound

fascinating