Name: 色彩和諧 - 10 分鐘讓繪畫更出色 - 第 5 集 (Colour Harmony - 10 Minutes To Better Painting - Episode 5)
Uploaded: 2025-03-14T02:20:15.000Z
Duration: 10 min 21 s

轉承詞

Break out your pocket watch and your paintbrushes because it's time for episode 5 of 10 minutes to better painting.

請拿出您的懷錶和畫筆，因為現在是第五集《10 分鐘讓繪畫更精彩》的時間。

我是你們的巡迴主持人 馬可-布奇

Let's roll right into part one, shall we?

讓我們直接進入第一部分，好嗎？

Say hello to multiple time pre to West winner Morgan Weisling.

向多次獲得 "西部賽前冠軍 "的摩根-魏斯林問好。

When asked about his color mixing, Morgan said, I don't know what I'm mixing.

當被問及他的調色方法時，摩根說："我不知道我在調什麼。

The colors on my palette are like a piano and I'm just hitting the keys.

我調色板上的顏色就像一架鋼琴，我只是在敲擊琴鍵。

Okay, I appreciate the insight, Morgan, but that doesn't quite help me with this whole color.

好吧，我很欣賞你的洞察力，摩根，但這並不能幫我解決整個顏色的問題。

Oh, look, it's world renowned watercolor artist Joseph Zabuckvich.

哦，看，是世界著名的水彩畫家約瑟夫-扎布克維奇。

Maybe he can spare some knowledge about color.

也許他能提供一些關於顏色的知識。

He says, I don't look at the colors on my palette.

他說，我不看調色板上的顏色。

There's a warm side, a cool side, and a few odds and ends in the middle.

有溫暖的一面，也有涼爽的一面，中間還有一些零碎的東西。

Now maybe it's just me, but that advice sounds like it's coming from people who don't know how to use color, but that's a Morgan Weisling painting and that's a Joseph Zabuckvich painting and the colors in both of them are beautiful.

也許只是我的錯覺，但這些建議聽起來像是出自不懂色彩的人之口，但那是摩根-魏斯林的畫，那是約瑟夫-扎布克維奇的畫，兩者的色彩都很美。

Today's lesson is about color harmony and color harmony sounds intimidating.

今天的課程是關於色彩和諧，而色彩和諧聽起來很嚇人。

It always struck me as one of those elite color theories that a lowly student like me would never be able to understand.

我一直覺得這是一種精英色彩理論，像我這樣的低等學生是永遠無法理解的。

And there was a kernel of truth in the way Weisling and Zabuckvich talked about color a moment ago in the sense that there's just something indescribable about the effect these colors have together.

剛才魏斯林和扎布克維奇談到色彩時說的一句話很有道理，這些色彩搭配在一起產生的效果是無法形容的。

But despite that, let's not go any further without having a working definition of color harmony.

儘管如此，在沒有對色彩和諧有一個可行的定義之前，我們還是不要再往前走了。

Well, we know what color is, so let's look up harmony real quick.

好了，我們知道顏色是什麼了，那就讓我們來快速查找一下 "和諧 "吧。

Harmony, the combination of simultaneously sounded musical notes to produce a pleasing effect.

和聲，將同時響起的音符組合在一起，產生悅耳的效果。

So let's just change that word there and these two words here and that word there.

是以，我們只需改動那裡的那個詞、這裡的這兩個詞和那裡的那個詞。

Color harmony, the combination of simultaneously displayed colors that produce a pleasing effect.

色彩和諧，同時顯示的色彩組合產生令人愉悅的效果。

To achieve color harmony, the first thing we have to do is overcome our limited acquaintance with color.

要實現色彩和諧，首先要克服我們對色彩的有限認識。

But sadly, understanding colors by their names is actually quite limiting.

但遺憾的是，通過顏色的名稱來理解顏色實際上是非常侷限的。

And to show that, I'm going to take this gray swatch of color and paint it into this Edgar Payne landscape.

為了展示這一點，我要把這塊灰色的色塊塗成埃德加-佩恩的風景畫。

And when I do that, something funny happens.

當我這樣做的時候，有趣的事情就會發生。

That gray suddenly looks a little orange.

And when I bump up its value slightly so it fits here, it doesn't resemble orange at all.

而當我把它的值稍微調高一點，使它適合這裡時，它就完全不像橙色了。

And just for reference, that was the same gray.

So how does such a minuscule difference in the color picker result in such a massive difference in the painting?

那麼，拾色器中如此微小的差別是如何導致畫作產生如此巨大的差異的呢？

The reason is, grays communicate with each other.

原因是，灰人之間會相互交流。

You see, pure saturated colors like this have a very hard time communicating.

你看，像這樣純粹的飽和色很難溝通。

They feel more like a loud party where everyone's shouting.

它們給人的感覺更像是一個喧鬧的派對，每個人都在大喊大叫。

Here's another attempt at that painting, only this time with grayer versions of those colors.

下面是這幅畫的另一次嘗試，只是這次用了更灰的顏色。

I hope you can agree that this alone is producing a more harmonious effect.

我希望你們能同意，僅這一點就能產生更加和諧的效果。

但現在我必須解釋一下為什麼會這樣。

I need to come up with a cool image that everyone's going to remember.

我需要想出一個很酷的形象，讓所有人都記住。

We're right in sync with the new Star Wars film.

我們與新的《星球大戰》電影同步。

This is the 2017 model with a color wheel on it.

這是 2017 款，上面有一個色輪。

And I'll need a captain for this example.

所以我要用 "加加-B"，我是說 "漢-索羅"。

Han Solo's job is to make sure that all these colors in the Rebel Alliance are communicating their plans to each other.

漢-索羅的工作就是確保叛軍聯盟中所有這些顏色的人都能互相傳達他們的計劃。

As we saw earlier, these colors are all shouting right now.

正如我們之前看到的，這些顏色現在都很流行。

And you can't command a Rebel ship with that kind of chaos.

在這種混亂的情況下，你是無法指揮叛軍戰艦的。

He brings the colors in closer together so they don't have to shout anymore.

他把顏色拉近，這樣它們就不用再喊叫了。

When colors are less saturated like this, they begin to talk to each other.

當色彩的飽和度像這樣降低時，它們就會開始互相交流。

And as with any conversation, they gain a common ground.

就像任何對話一樣，他們獲得了共同點。

Well, as far as color harmony goes, it's that all the colors are now based on relative degrees of gray.

就色彩和諧而言，現在所有的顏色都是基於相對的灰度。

In this example, the colors are all at the same relative level of gray.

在此示例中，所有顏色的灰度級相對相同。

Maybe something like this on our Millennium Falcon.

也許我們的 "千年鷹 "上就有這樣的東西。

This is okay, but it doesn't have to be equal like this.

這沒關係，但不一定要這樣平等。

If I now did this and brought in some more saturated colors that are layered over top of those common grays, watch the transition as the saturated colors that were once too loud now carry real weight in this color conversation.

如果我現在這樣做，並在這些常見的灰色上疊加一些飽和度更高的色彩，那麼請注意這種過渡，因為飽和度高的色彩曾經過於喧鬧，而現在卻在這種色彩對話中佔據了真正的分量。

Here's that Joseph Zabuckvich painting again.

這又是約瑟夫-扎布克維奇的畫作。

And I specifically want to look at this area here.

There's a very subtle conversation between oranges and blues that make up that wall.

橙色和藍色構成了這面牆，它們之間的對話非常微妙。

Now you might be saying, but Han, how did he pull that off?

現在你可能會說，可是 Han，他是怎麼做到的？

Orange and blue are at opposite ends of the color wheel.

Well, he started with an orangish color and probably used the force to bring it into about here.

好吧，他一開始用的是橘紅色，可能是用力量把它帶到了這裡。

And keep your eye up here too, as I plot these colors on the actual painting as well.

請留意這裡，因為我也在實際畫作上繪製了這些顏色。

Anyway, that first color choice you make is actually not that relevant yet.

總之，你做出的第一個顏色選擇其實還沒有那麼重要。

So let's invite other colors into the conversation.

是以，讓我們邀請其他顏色加入對話。

One thing you can do is add subtle variations on that color.

你可以做的一件事就是在這種顏色上添加微妙的變化。

This kind of gets the conversation started and it's pretty easy to do.

這樣就能開始對話，而且很容易做到。

This is a good start, but you might not want the color to only exist on one side of the color wheel like that.

這是一個良好的開端，但您可能不希望顏色只存在於色輪的一邊。

There's a lot of opportunity to carry the conversation into here.

我們有很多機會把話題帶到這裡。

And in my judgment, he brings in just two more colors to do it.

而根據我的判斷，他只需再引入兩種顏色就能做到這一點。

This color starts talking to the blues by moving towards them.

這種顏色開始與藍調對話，向藍調移動。

And then this color actually completes the journey into the blues.

然後，這種顏色實際上完成了藍調之旅。

Now to be sure, those are very gray colors, but this painting proves that our eyes are extremely sensitive to these subtle changes.

可以肯定的是，這些顏色非常灰暗，但這幅畫證明，我們的眼睛對這些微妙的變化非常敏感。

Let's now zoom back out and notice one more layer of color harmony.

現在，讓我們把視線拉遠，再看一層和諧的色彩。

He's accenting those grays by using very saturated versions of them in the boats below.

他在下面的船隻中使用了飽和度非常高的灰色，從而突出了這些灰色。

I think this is a brilliant move because now those colors are speaking to each other across multiple objects, the entire frame, and uses a wide variety of grays to really fill out the color conversation.

我認為這是一個絕妙的舉動，因為現在這些色彩在多個物體和整個畫面中相互對話，並使用各種灰色來真正填充色彩對話。

Now let's recall the Morgan Weisling painting.

現在讓我們回顧一下摩根-魏斯林的畫作。

Although this is painted in a different style and in a different medium, it builds its color harmony in just the same way.

雖然這幅畫的風格和媒介不同，但它以同樣的方式構建了色彩的和諧。

For instance, I'm sure your astute eyes can now detect that some of those bluish grays in the quilt are talking to those reds in the girl's dress.

例如，我相信你們敏銳的眼睛現在可以發現，被子中的一些藍灰色正在與女孩裙子上的紅色對話。

And looking back at our gray swatches, I think we can now appreciate what was happening here.

回過頭來看看我們的灰色色板，我想我們現在就能明白這裡發生了什麼。

The reason two similar grays can look so different is because they're having two different conversations.

兩種相似的灰色之所以看起來如此不同，是因為它們在進行兩種不同的對話。

The gray in the shadows that looks kind of orange looks that way because it was talking to blues.

陰影中的灰色看起來有點像橙色，因為它在和藍色對話。

The other gray looks almost bluish in its context because it was talking to these colors and well, it was the bluest part of that conversation.

另一種灰色在它的語境中看起來幾乎是偏藍的，因為它在與這些顏色對話，而且，它是對話中最藍的部分。

So I think we should give our two friends here a pass on their vague comments about color earlier.

是以，我認為我們應該原諒我們的兩位朋友之前對顏色的含糊其辭。